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The Meaning of Emptiness

The Meaning of Emptiness: It was the idea of “emptiness” that drew Professor of Religious Studies Zhiru Ng to Buddhism. Now she delights in introducing students to the difficult concept.

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WHEN ASKED WHAT she would save if the building were on fire, Professor of Religious Studies Zhiru Ng looks around for a moment at her office in Pearsons Hall. Like most academic offices, it is full of accumulated objects, big and small. There are two large, beautifully carved Buddhas, a hanging scroll with calligraphed

Chinese characters saying, in loose translation, “Serenity illuminates,” and a long wall of bookshelves packed with volumes and small religious items, including a painted statuette of Dizang, a figure in Buddhist mythology about whom she has written a scholarly book.

Finally she points to her bookshelf. “I think my books are very much a part of me,” she says, “because to me, meditation is learning.” But then she shrugs and smiles. “Although if there is a fire, there is a fire.”

Sentimental attachments are not a part of Ng’s world. Her world is one of transience and acceptance. Or as she would say, emptiness. Not a very heartwarming word in English, and she says it’s pretty much the same in Chinese. But for Ng, emptiness isn’t something to be avoided. It’s something to be understood and embraced, even if it takes a lifetime of meditation and study.

As an example of what she means by the word, she points to the larger of the two Buddhas, inherited along with the office from her predecessor, Professor Emerita of Religion Margaret Dornish. “Like this Buddha,” she says. “Every day it is aging and it is undergoing change, right? But we don’t see that. We see it as a fixed form. … So emptiness is not saying there is nothing, but rather that the essence of things and of our lives themselves and the events in our lives are like this Buddha. They seem to have a fixed nature, but the nature is really never, ever fixed. It is in constant change, even though the naked eye can’t see it.”

And blind faith in permanence, she believes, has serious consequences for the human condition. “I think all human beings—the way we function in life is that we assume a permanence about everything, and that is the cause and root of a lot of our suffering.”

It was these concepts—all encapsulated by the word “emptiness”—that propelled Ng from simple curiosity about Buddhist traditions to a lifetime devoted to study and contemplation. “The first dharma talk I attended was by the person who would become my religious teacher,” she recalls. “And he was talking about emptiness, which was at that time totally over and beyond my head. But I w remember, after the lecture, the friend who brought me there asked me, ‘So how was it?’ And I said, ‘I don’t quite understand it, but I’m very sure this is it, and this is something that I am going to pursue in life, and that someday, I’m going to understand this emptiness, and that will change my life.’”

GROWING UP IN SINGAPORE as a child of Chinese immigrants, Ng thought of Christianity as the religion of the educated, but personally, she found it too harsh and too culturally strange to be attractive. Her mother and grandmother, on the other hand, practiced a form of popular Chinese Buddhism known as Pure Land Buddhism that the skeptical young Ng dismissed as naïve and superstitious.

At school, she started off in the sciences, and then won a competitive government scholarship for a special program designed to produce English teachers. There, in classes of two to five students taught by British expatriates with doctorates, she fell in love with English literature. “Literature really made me explore life,” she explains, “because in English literature, or any kind of literature, I think, you’re going to raise the question of suffering. You’re going to raise the question of the meaning of life. You also raise the question of death, and the impermanence of life always runs through all their writing. And I was struck by that, but I also felt deeply that there was never really an answer.”

Then, during her last year of high school, her grandmother died, and Ng’s life changed. “When I attended the funeral, I became enthralled by the death-and-dying rituals,” she says, “because they talk about how you will be born into what is considered a pure land, and in that pure land, you have as your parents the lotus flowers.”

That peculiar image intrigued her, partly because it seemed to signal a release from the burden of filial piety, a Chinese tradition emphasizing the deep respect and devotion children owe their parents. “Filial piety is very, very much something I was raised with,” she says. “But I always felt guilt that I never really loved my parents as much as they loved me. And so, when I participated in those rituals, my grandmother’s death rituals, and I came across those verses, I was fascinated. Because how could my parents then be lotuses? And that actually started me off on my journey.”

As she continued her English studies at the National University of Singapore, she tried to learn more about Buddhism outside the academic setting. She signed up for classes with a Buddhist monk from Taiwan and was drawn deeper and deeper into Buddhist philosophy, which spoke to her as nothing ever had before.

She says: “I found, actually, in my study of Buddhism, that this is something that holds some answers for my existential questioning as to: What is the meaning of life? Why do people suffer? And how do we respond to people suffering? … I found that teaching to be very useful, but also very hard to realize. I wanted to dedicate my life to the study of Buddhism, whatever that means. So I decided after I finished my undergraduate studies that I would become a Buddhist nun.”

Since then, she’s never looked back. “Sometimes students ask me why do I become a monastic,” she says, “because in the modern world monasticism really means you are tying yourself down. We have lots of rules and regulations. … But in early Buddhism, the idea of monasticism really means to go forth. It’s a path of liberation, in the sense that you put down things that are unnecessary baggage, and that allows you then to pursue this path. So it’s really a renunciation of certain patterns of thought. For some people like me, I guess, the monastic life is the perfect path to do that. Ideally in Buddhism, the monastic life should be an environment that really nurtures that kind of inner liberation.”

As a monastic, Ng continued on a spiritual journey that carried her from Singapore to Taiwan for her religious training, and then, unexpectedly, to the United States. “Originally I imagined that I would be going to maybe India or to Sri Lanka to study after my religious training, but my teacher actually was very specific. He really wanted me to come to the States.”

At the University of Michigan, she studied Indian Buddhism in the canonical languages of Sanskrit and Tibetan. Then she completed her doctoral studies at the University of Arizona, focusing on Chinese and Japanese Buddhism. In 2000, she joined Pomona’s religious studies faculty to replace the retiring Professor Dornish.

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TODAY, STRIDING ACROSS the Quad or standing in front of a seminar class, Ng cuts a striking figure. With her tightly cropped hair and purple-gray monastic robes, she has become a familiar if somewhat singular presence on campus. Her classes—such as Worlds of Buddhism, Life Story of the Buddha, Religious Traditions of China, and the Lotus Sutra in East Asia—attract a wide range of students, from religious studies majors connecting the dots between world religions to Asian Americans hoping to get a better grasp of their cultural heritage to religious seekers searching for spiritual clues in Eastern thought.

“My colleagues say that they probably have fewer seekers than I do,” she says, “and I think that has to do with the way Buddhism is portrayed and understood in American culture, in the sense that Buddhism is often seen as a religion that’s less institutionalized, a personal religion, something that you could actually pick and choose from.”

But despite her evident dedication to her religious order, Ng isn’t trying to convert anyone. Buddhism, she says, is not that kind of religion. “Buddhism is really about epistemology,” she explains, “in the sense that you’re trying to unlearn how you know the world and coming up with a different way of experiencing knowing the world that involves internal transformation. I always tell my students that we wear contact lenses, but we don’t see the contact lenses, so we already have preconceived constructions of things. So it’s always very good to expose yourself to something new.”

For most of the students in her classes, those “contact lenses” are shaped by the assumptions of Western culture—assumptions about life and death, time and change that are very different from those in Buddhist thought. “Much of what I do in my courses is about unpacking these kinds of assumptions with my students so that they are aware. And I think it fits very nicely into the liberal arts setting because you are really questioning culture and questioning the way you construct knowledge, including religious knowledge.”

Indeed, at a time when many religions—from Christianity to Hinduism—are dealing with a clash between the dogmatic teachings of churches, temples and seminaries and the more irreverent, scholarly approach of religious studies programs, Ng finds that Buddhism is something of an exception. The first stage of meditation, she says, is described in Buddhist texts as “hearing”—as in hearing the teachings of the Buddhist masters—but that word was part of an oral tradition. “Now for us hearing really means reading, right?” she says. “So it means studying, in other words.”

For most of her students, this first stage of meditation—study and learning—will be as far as they go, but she believes that just wrestling with the concept of emptiness for a semester is enough to open a lot of eyes to a wider view of the world.

“When they first come across this, especially if they have never had any exposure to Asian thought, they might be a little bit perplexed,” she says. “It’s very difficult to get to the crux of it. But I think you’ll be surprised at how many of them feel that this is such a wonderful, different way of looking at things. And they enjoy the new lenses that it gives them.”

However, that is only the first step in what is, for Ng herself, a lifelong process. In Buddhist meditation, beyond hearing is contemplation, and beyond contemplation is internal transformation. That process, she says, may take a lifetime or—if you factor in the concept of rebirth—lifetimes. But Ng has no doubt that it’s worth it, not just in the end, but at every step along the way.

“It means not grasping onto anything in your life,” she says, “but accepting the fact that it is part of the impermanence, and rejoicing in the fact that there’s always that change. It’s a rejoicing that is not like happiness that brings you up and down, but it’s a rejoicing in the sense that this is life, and life itself is already enough as it is, and that it has all its miracles. And if you just open your eyes and look at this and accept the changes, you will find a lot of things that are joyous about it, and you will be much more at peace in your life.”

—Photos by Carrie Rosema

The Calling

The Calling: Donald Abram ’16 heard the call before coming to Pomona, but his studies here have given it a whole new meaning.

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DONALD ABRAM ’16 grew up on the South Side of Chicago with a single mother and a grandmother who took him to church every Sunday, no excuses—and he tried using them all, down to not having clean socks.

Every week he would see church members joyfully worship. He never really understood what that was about even though he was an active member of the congregation. Then, on a cold December day when he was 14 years old, Abram says he heard a distinct call from God.

After coming home from school and warming himself by his space heater, Abram dozed off. In a dream, he saw himself walking down the center aisle at church, but as a celestial being, not a physical one. He looked up to the pulpit expecting to see his pastor standing there, but instead he saw himself preaching. Abram says he woke up shocked and shaken.

His father was a minister, and though Abram never lived with him, he knew the Sunday morning routine and what a preacher’s life entailed—and he wasn’t having any of it. Throughout his childhood, people had told him, “I see the call in your life,” but he says he ran from it.

Abram wanted to be a force for good—but in the form of an FBI agent, not a minister. Still, he talked to family, seeking advice and interpretation about the dream, which was now recurring. Ultimately, he had to come to grips with the vision on his own: He decided that God was in fact telling him to preach. So he went to his pastor, who decided to test him with a trial sermon. Abram preached his first sermon, and the pastor and elders confirmed that this call was a real one.

He vividly remembers one moment in the sermon when he thought: “This is what I saw in the dream. This is what I’m supposed to be doing, and I know that.”

You’ve heard of the preacher’s kid. But this was a preacher kid. All throughout high school, Abram delivered sermons at Greater New Mount Eagle Missionary Baptist Church, a black congregation. At first he mimicked his pastor, but soon he found his own rhythm and style, earning the nicknames “Fireball” and “Firecracker” for his blazing energy. Abram says he feels communion with both God and the audience when he’s in the pulpit.

“There are things that I will say and things that I will do that are not on my manuscript, and the Holy Spirit drops that down in my spirit and it comes out,” says Abram. “I am just so in tune with that moment that I know this is what I’m supposed to do—this is what I’ve been called to do.”

While growing up, Abram’s interactions were mostly with black people. His original plan was to attend the historically black Morehouse College, which Martin Luther King Jr. and Spike Lee attended—that’s where successful African American men went to school where he was from, Abram says. But when he received a Posse Foundation scholarship to Pomona, he began to rethink those plans. After researching the College, he decided to go west. Another big change was on the way.

THE DECISION TO come to Pomona was another turning point for Abram and the beginning of a four-year transformation. In the classroom, he was challenged to think of his faith more critically through courses like Professor Erin Runions’ Introduction to the Hebrew Bible. Runions’ goal is for students to approach the Scriptures as literature, from a scholarly perspective rather than a particular religious tradition. Looking at the Bible through this new lens created an inner struggle, he says.

PCM-summer2016text58-web2_Page_24_Image_0001“It was incredibly difficult for me to take on a class that removed the sanctity of spirituality from the text.” says Abram. “Initially it felt really disrespectful to me. I didn’t feel like we were giving the due deference and respect.”

But the no-holds-barred questioning of the Bible gave him permission to reexamine his belief system. “There were a lot of questions that came up that I didn’t have the space to bring up on the South Side, with my pastor or my father,” Abram says.

The perspectives and points that Abram thought were great in the classroom ran counter to what he was taught in the church. He grappled hard with his faith, controversial texts and the ways he saw the Bible used to perpetuate injustice. In conversations, family members and his pastor noticed his worldview shifting.

As Abram’s advisor and teacher, Pomona College Politics Professor Lorn Foster witnessed that shift as well. Over time, Foster says, he saw an evolution in Abram and “a willingness to be more open about things than when he entered Pomona College. … His faith was more dogma when he entered the door.”

Abram would agree. Whereas before, he says, his spiritual practice revolved around a God that had a strict code of rules and regulations, at Pomona his perspective has widened and deepened into a recognition that the core of his belief is about relationship with Christ, not religion, he says. This ongoing faith journey is one of both reclamation and tension.

It is also a journey of relationships. On campus, he says, he encountered types of people he never had before—students from marginalized backgrounds that were markedly different from his black Chicago experience. He met undocumented students, gay students, students with mental illnesses—identities and stories that were new to him and that he felt the church he was raised in either ignored or was blind to. Over time, Abram became concerned not just about God but also about God’s politics, as he understood them. Another call began to stir in his heart.

Through his analysis of biblical texts, readings on black liberation theology, and his relationships with other students, Abram says he began to see Jesus not only as a spiritual savior but also as a revolutionary figure—an advocate for the poor and those on the fringes, who upended traditional religious institutions and whose central message was one of unconditional love. Religious leaders in that day were also government figures, and Jesus pushed back, Abram says. He points to the story of Jesus turning over tables in the temple in anger as a profoundly political act. “You could call it a protest. You could call it a sit-in. You can really call it an act of rebellion in many ways to a system that keeps [down] those in society who are viewed as less than or who are viewed as different or not as valued. And he is saying, ‘This system has to come down. This system has to stop. Because what you’re doing now on a very micro level is taking advantage of people.’”

NOW RELIGION AND POLITICS have become one and the same for Abram. Yes, his call was a personal transformation, but he was also called to transform institutions and systems of injustice, the politics major says.

Whenever he returns to his home church sanctuary, he preaches a message on how life in the pew and life in the public square are inextricably intertwined. In his sermons he is subtle, but intentional and strategic in weaving in his politicization, Abram says, and the response has been overwhelmingly positive as he offers critiques of materialism and urges congregants to fight for the most vulnerable in society. “I think the church is not able to see those connections because we focus on abortion, gay marriage or passing out Thanksgiving dinners,” says Abram. “We’re not focused on structural change.”

Abram points to inequities in the criminal justice system, massive wealth disparities and the behavior of Wall Street investors—and he believes the most effective ways to combat those inequities are through policy and government as well as a mobilized church. “Christ has called you to condemn that which is wrong,” and Abram believes the church writ large has missed some of what he sees now as obvious sins.

Along the way, Abram has become a fierce advocate for the Black Lives Matter movement, which he believes is “an indictment of the black church.” Of course, he says, the black church has held a key role in the civil rights struggles of the past. But on other issues the church has been silent at best.

“Black Lives Matter is actually doing what Jesus did. Not only are they saying, ‘We’re combating white supremacy.’ They are combating misogyny, transphobia, homophobia, discrimination against those who are differently abled,” says Abram. “I think Black Lives Matter has hit at the root of what it is Christ has called us to fight against but also the root of what the church has failed to address.”

Abram has held two internships in Washington, D.C.—one at the Center for American Progress and another with Joshua DuBois, formerly the head of the Obama administration’s Office of Faith-Based and Neighborhood Partnerships. He remains hopeful that change will happen both in the church and in public policy.

In the fall, he will attend Harvard Divinity School for a master’s of divinity degree. He may also pursue a master’s in public policy. Inspired by DuBois’s work, Abram wants to start a faith-based consulting firm, advising government, businesses and political campaigns. He says he may even run for public office someday.

“Jesus came as a liberator. Therefore in all that we do, we should do it in the name of liberation. And we should do that with conviction, with power and with strategy. … I want to be in a position where my faith is central to policies or advice that I give so that it can be impactful and beneficial for those that are most marginalized in our society.”

And preaching?

“I will continue to preach. I will always be a preacher.”

From Abram’s view, his call hasn’t changed—it has only grown.

—Photos by Drew Reynolds

No Más

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MOST DOCTORS HAVE war stories from their days as medical students: their first encounter with a cadaver; their first rotation in the emergency room. Few, however, compare with Karen Benker’s.

As a student at the University of Southern California’s School of Medicine from 1967 to 1971, Benker did rotations at what was then the L.A. County Hospital (now LAC+USC Medical Center), a large public teaching hospital in the predominantly Mexican-American neighborhood of Boyle Heights. She became especially familiar with the obstetrics ward in the Women’s Hospital unit, where she worked as an obstetric technician, delivering babies on the night shift.

It was an eye-opening experience.

On her very first day on the ward, Benker heard a senior physician declare how “wonderful” it was that the obstetrics department had just received “a big federal grant to cut the birthrate of the black and Mexican population.” Soon after, she would discover that many African- and Mexican-American patients were in fact bullied into being surgically sterilized.

“You want this?” she recalls hearing one resident ask a laboring woman as he held a syringe full of painkilling medicine in front of her, a sterilization consent form at the ready. “Sign!”

“It was barbaric,” says Benker, who is now an associate professor of health policy and management and associate dean for community public health affairs at SUNY Downstate College of Medicine in Brooklyn, New York.

In 1975, a small team of lawyers filed a class action civil rights lawsuit in federal district court against the hospital and state and federal officials on behalf of 10 Mexican-American women who claimed that they were coerced into undergoing a sterilization procedure known as tubal ligation. The lawyers argued that sterilizing their clients without their informed consent violated their right to bear children—a right guaranteed under the Supreme Court decision Roe v. Wade.

Once largely forgotten, the story of Madrigal v. Quilligan came to national prominence again in 2015 thanks to the release of No Más Bebés (“No More Babies”), a documentary film by Academy Award–nominated director Renee Tajima-Peña that explores the events surrounding the case. And the details of what transpired remain as disquieting today as they were when Karen Benker first witnessed them nearly 50 years ago.

Some of the women of Madrigal were sterilized without their knowledge while under general anesthetic, only to discover months or years later that they could no longer bear children. Others were falsely assured that the procedure was medically necessary or easily reversible; most were pressured into giving consent while they were in active labor, their minds fogged by painkillers. Several were accused by nurses of “burdening the taxpayers” with their offspring, or harassed by doctors who insisted that their poverty and immigration status would make it difficult for them to raise any more children.

Although a resident at the hospital leaked evidence crucial to the case, Benker was the only hospital employee who testified in court on behalf of the plaintiffs; the rest either agreed with what had gone on or feared retribution. “She’s a great heroine in my eyes,” says Virginia Espinosa, the historian who produced No Más Bebés. “She would not be silent.”

Although the judge found in favor of the defendants, the publicity generated by Madrigal helped draw attention to a pattern of coerced sterilization among minority and low-income women throughout the United States. (Other affected groups included African-Americans in the South, Native Americans under the care of the Indian Health Service, and working-class women in Puerto Rico.) The case ultimately helped drive changes to sterilization laws and consent protocols across the country, and expanded the conversation around reproductive rights to include not only abortion and birth control, but also the right to procreate.

As a result, says Benker, the women of Madrigal lost their case, but they won the battle.

Seated at a long oval conference table in the SUNY Downstate building, the surrounding neighborhood of East Flatbush visible through the window behind her, Benker—thoughtful, easygoing, and quick to smile—does not look like a firebrand.

Appearances can be deceiving.

Growing up in the hamlet of Quaker Hill, Connecticut, Benker always dreamt of becoming a doctor. As an undergraduate, she was already riding the bus to USC to serve as a guinea pig in the School of Medicine’s earliest experiments with case-based learning—a model of medical training that has students meet immediately with patients, rather than spending their first two years memorizing material from textbooks. She was, she says, fairly naïve, her politics moderately conservative.

But the sixties were tumultuous times, and Benker, who speaks of the high school friends she lost in Vietnam and describes the Watts riots that raged across South Central Los Angeles in 1965 as “earth-shattering,” remembers them as an era when many in her generation became increasingly aware of the injustices perpetrated within and by American society.

The experiences that she and her fellow students shared at L.A. County Hospital could only have hastened the process. For most, she says, their encounters with patients represented their first exposure to an impoverished black and Hispanic population, and “a first understanding of what it’s like to be a 40-year-old mother with seven kids who has to work 12 hours a day.”

If time and place contributed to the awakening of Benker’s social conscience, they also conspired to provide her with a singular opportunity to act on it.

In 1909, California became one of the first states to pass a law sanctioning the nonconsensual sterilization of the feebleminded and the unfit, thereby propelling it to the forefront of the American eugenics movement. According to historian Alexandra Minna Stern, by the time California repealed its sterilization law in 1979 in response to Madrigal, the state was responsible for one-third of the more than 60,000 nonconsensual sterilizations carried out nationwide in state-run hospitals and homes.

Even after eugenics lost its luster after WWII, many in California and elsewhere continued to embrace sterilization as a tool for combating overpopulation by limiting reproduction among welfare mothers, immigrants, and others regarded as representing a burden on society. In 1968, when Benker was in her second year of medical school, the Stanford biologist Paul R. Ehrlich published The Population Bomb, which predicted that out-of-control population growth would lead to mass starvation. By that same year, approximately one-third of all women of childbearing age in Puerto Rico had been coercively sterilized under a population-control program funded by the American government.

There were other factors at play, as well. The very notion of informed consent was still in its infancy: The National Research Act, which requires that doctors obtain informed consent from human research subjects, was passed only in 1974, following the revelation that hundreds of black men had been intentionally deprived of medical treatment as part of the Tuskegee Study of Untreated Syphilis in the Negro Male. What’s more, the late 1960s saw a massive influx of federal funding for birth control and family-planning services, much of it pumped into public teaching hospitals like L.A. County, where residents often felt pressured by their superiors to perform a certain number of surgeries every day. And while not all hospital employees harbored racial and ethnic prejudices, some clearly did: In her deposition for Madrigal, Benker described how physicians in the Women’s Hospital referred to Chicana patients as “beans.”

Add it all up, and you have what the sociologist Elana Gutierrez has called a “perfect storm” of circumstances leading to coercive sterilization. With its high proportion of African-American and Mexican-American patients and its factory-like atmosphere—Benker recalls the labor room as a small space crammed with women crying out in pain as nurses and doctors rushed about to free up beds—the obstetrics ward at L.A. County may have been especially conducive to such abuse.

PCM-summer2016text58-web2_Page_26_Image_0001“It was a good environment for people to do the wrong thing,” she says.

It was also, for Benker, a crucible of sorts; she would devote the rest of her career to public health, advocating on behalf of immigrants, children, and other vulnerable groups.

After graduating from USC, Benker did an internship at Lincoln Hospital in the South Bronx, an area whose large Puerto Rican population still bore the scars of the territory’s mass sterilization program. While there, she helped establish the Committee to End Sterilization Abuse, or CESA (“stop” in Spanish), which convinced the New York City Council to pass a law requiring that a woman give consent no less than 30 days before being sterilized. Then she heard about Madrigal.

Antonia Hernández, the young Latina lawyer who served as co-counsel for the plaintiffs, came to New York to discuss the case and slept on the floor of Benker’s studio apartment. Benker, in turn, flew to Los Angeles to help raise funds for the suit. In 1978 she gave her testimony in federal court, a lone doctor speaking out against what she had witnessed seven years earlier.

Back in New York, Benker served as director of programs for homeless families at the New York City Department of Health; conducted research for the Legal Aid Society on the health outcomes of homeless pregnant women, which led to reforms in the services provided to such women; and investigated the conditions of children living in foster care. After coming to SUNY Downstate in the early 1990s to work with HIV patients, she became director of the school’s first Community Health Center and developed its Master of Public Health Program.

When Espinosa began researching Madrigal in 1994, Benker readily agreed to participate—just as she did when Espinosa and Tajima-Peña decided to make No Más Bebés. “Bringing the facts to a wider popular audience was thrilling to me,” she says. “It meant a new generation of people could learn about this very disturbing aspect of medical and social injustice.”

These days, Benker focuses on policy issues surrounding mental illness and spends most of her time teaching—or as she puts it, trying to develop a healthcare workforce that won’t make the mistakes of the past. Mistakes that she has seen firsthand and has spent a lifetime trying to make right.

“It’s a great way to get up in the morning,” she says.

And with that, the heroine of Madrigal pushes back her chair, rises to her feet, and prepares to set an exam for her students—young men and women, many hailing from working-class immigrant families, whom she is training to take up a battle that she has waged for nearly half a century, and of which she has clearly yet to tire.

—Photos by Casey Kelbaugh

Daring, Feetfirst

PCM-summer2016text58-web2_Page_27_Image_0001To enter Los Angeles County from the southeast, follow Pacific Coast Highway through Seal Beach and onto a bridge spanning Los Cerritos Wetlands and the San Gabriel River. Off to your left, the marshy expanse turns to ocean. On your right, factory smokestacks stand against a hazy mountain range. The four-lane road narrows as it rises over the swamp. Go about a quarter mile until you reach a stoplight, where the road levels and widens again. You’re in Long Beach now. There’s a Whole Foods on the left if you’d like a snack.

Crossing this kind of imaginary line on a ho-hum stretch of highway is hardly noteworthy for drivers. Likewise for cyclists, able to coast up the easy incline in their own lane. But since I’m on foot, my experience is more visceral. I toe the rightmost white line of the bike lane and feel the surprising definition of the paint underfoot. I hurdle a semicircle of fibrous black rubber, being careful not to land in a puddle of shattered window glass. Still, I’m thankful to be on the road, rather than slogging through the mud as I did several days before. As for that imaginary line, it still isn’t real, just like that tall can of coconut water isn’t really a glass of champagne. Sure tastes like sweet, small victory though. Cheers to staying alive and feeling it, too.

At a table outside the Whole Foods, four cyclists who blew right past me on the bridge sit eating fruit and potato chips.

“How long have you been running, man?”

“Since Mexico. Only 30 more miles till L.A.”

“Damn, dude! That’s wild. I’ve never even thought of going that far.”

“Ha, to be honest, I hadn’t either. Just went for it.”

The trip had come together quickly, almost foolishly so. I remember waiting to board an afternoon flight to San Diego while I took stock of my personal effects: a small CamelBak, an outdated guidebook, a four-year-old iPhone with a faulty battery, a sore left knee. Less than two weeks prior, I’d volunteered to travel the 150 miles from the Mexican border to downtown Los Angeles on foot, by myself, blazing the trail for others to make the journey this August. It would be called El Camino del Inmigrante—the Way of the Immigrant—a display of solidarity and a rallying cry for policy reform, an initiative proposed by my father.

A few months before, my father and I had completed the Camino de Santiago together, walking 500 miles from the Pyrenees to the Atlantic across northern Spain. And as it so often does, emerging from such a crucible subconsciously compelled us to apply the principles of pilgrimage to our own lives, framing our goals and pursuits as a journey necessary for self-actualization. For me, the rite marked a return to running and a renewed will to explore. For my dad, it provided a means of mobilizing other activists and allies, using an inherently spiritual framework as a forum for discussing worldly issues. CEO of the Christian Community Development Association and longtime crusader for immigration reform, he’s lived the past 25 years of his life in La Villita, a Mexican community on Chicago’s West Side, feeling the struggle of the undocumented American on a personal level while giving voice to it on a national one. He is just the man for this mission. As for me—restless, a little reckless and perpetually in search of purpose—I make the perfect scout. Vamos.

The real thing will be a 10-day affair, with dozens of walkers, plus nightly events and fellowship. (They will also be skipping the dangerous parts, for the record.) For this scouting trip, I’m giving myself only five days, on account of professional obligations back home.

Now, standing in International Friendship Park—as far southwest as you can go on U.S. soil—I slap the wrought-iron border fence as if to start a stopwatch and take off, hoping the dirt trails will prove a safer alternative to the sidewalk-less streets. Before long I’m high-stepping through the muddy chaparral down dead-end paths, dodging boulder-sized tumbleweeds. There are helicopters patrolling overhead, trying (I imagine) to catch me runnin’ dirty. But it isn’t just the danger or the adrenaline that gets my mind running wild. Rather, it begins with the diagnostic scan any runner naturally takes of his or her own body over those first few moments or first few miles, identifying any sensations—good, bad or otherwise—and weighing them against the reality of the distance ahead. For me, it’s a hyper-awareness that can’t help but radiate outward, connecting me to the street or the buildings or passersby.

Perhaps this is why so many people claim to do their best thinking on the move. Besides simply getting the blood flowing, the movement plants a tiny seed of symbiosis, sprouting into curiosity, empathy and compassion.

I make it out of the dirt-road labyrinth and up the Silver Strand to Coronado. Into San Diego via ferry and on to La Jolla, where I sleep in a van with a minimalist friend from college. Past Torrey Pines Golf Course, merging onto the sidewalks of Highway 101, I shuffle through Del Mar, then Encinitas, then Carlsbad, straight into an ice bath in the tub of an Oceanside motel. Two days, 60 miles down. Not fully awake yet, I find myself staring down the end of an automatic rifle. One does not simply jog into Camp Pendleton, it seems. The chunky-necked marine lowers the barrel and points it toward the bus I have to take to the other side of the base. I hop out in San Clemente and continue on to Laguna Beach, fear-sprinting the last few miles on the shoulder of the narrow highway. I watch the sunset on a rock and go out on the town for some beers, at least one for each of today’s brushes with death. The fourth day is heavenly by comparison, past Newport, Huntington and Seal Beach on a long, leisurely stroll. And then, the bridge.

Back in L.A. County, mind as sharp as I can ever remember, I’m now headed in a clear direction. It’s exactly the opposite of how I left five years prior. Lining up alphabetically to take part in commencement exercises, I could see the banners strung upright from the lampposts along Stover Walk. They were beaded with water from the drizzling rain, the 2-D portraits of my outstanding friends and classmates taking on a slick, watery shine. They were the faces of Campaign Pomona: Daring Minds, celebrating an attribute supposedly shared by all of us receiving diplomas that day. It was an unsettling sight, because my own mind felt as blunt as a butter knife. I was in a fog, stuck in the mud, wondering how I would make myself useful—let alone successful—outside of Claremont.

To say that the opposite of rumination is motion—literally moving forward—seems strangely metaphorical. “Moving on” in a psychological or emotional sense somehow seems far more practical, even though this act of personal progress is itself a metaphor derived from corporeal movement. “Walk it off” is sound advice after being plunked by a fastball, but it’s hardly a tonic for indecision or identity crisis. Those are situations you reason and educate your way out of, carefully weighing the possible outcomes before starting down a path in earnest. It’s not called “Campaign Pomona: Daring Bodies,” mind you.

But as I returned home to Chicago as a new graduate, confused and neurotic, something strange began to happen. I started walking and running long distances, sometimes for exercise, sometimes because I was too broke for bus fare, but mostly because I didn’t know what else to do. And the more I moved from point to point—across the neighborhood, across the city, across finish lines—the more connected it all seemed to be. Not just this house to that house or this train station to that office building, but this community to that one, this reality to one a world apart. After an interdisciplinary education from a liberal arts college, this was my graduate course in Applied Everything. Each discrete skill was plotted on a map, and now I was learning to connect these disciplines to forge a purposeful path, one that had now led me back to where this meandering journey began.

I say goodbye to my new cyclist friends at the Whole Foods and jog the last few miles into Cambodia Town, Long Beach, where I stay for the night. Up and out of there at the crack of dawn, my fifth and final day seems almost ceremonial, just an easy 20-mile trot up the L.A. River bike path, through Skid Row and straight to the Westin Bonaventure downtown, the host hotel for the annual CCDA conference and the end point of the Camino. I slap the side of the building as if to turn off the stopwatch and call my dad. It’s done and dusted—a clear, walkable line from the wrought-iron fence to a shiny marble bench there at the valet stand. I take a seat and stare down at my shoes. They’re still caked with dried mud from the border field.

To claim that I suddenly understand the struggle of the immigrant because I ran a long way up a scenic trail would be ridiculous. I don’t; I never will. If anything, an affinity for recreational pain is proof that I’ve suffered—truly suffered—very little in my lifetime. But to reduce physical effort to mere sport may be just as misguided. I’ve seen aimless tours of a city open the mind to life’s beautiful web of alleyways and back roads. I’ve seen a cross-country trek take a father-son relationship from small talk to real talk. And I’ve felt a boldness of body spark an audacity of mind. So to say that this journey has made me a more engaged and empathetic individual, and that it may yet play a tiny role in some big change—well, that doesn’t sound ridiculous at all.

The following day I return home. There’s a letter from Pomona in my mailbox, announcing the conclusion of the historically successful Daring Minds campaign. And upon seeing it, instead of that undeserving, stuck-in-the-mud feeling from five years back, I feel proud, knowing that there was something daring in me all along. The only difference was, I had to dare feetfirst and work my way up.

The Full Elon

PCM-summer2016text58-web2_Page_14_Image_0002In his New York Times bestseller Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future, Ashlee Vance ’00, veteran tech journalist and TV host of Bloomberg’s Hello World, reports on the daring business titan’s life and the rise of his innovative companies in finance, the auto industry, aerospace and energy. With exclusive, unprecedented access to Musk, his family and friends, Vance interviewed nearly 300 people for a book hailed as “masterful,” a “riveting portrait,” and “the definitive account of a man whom so far we’ve seen mostly through caricature.” Vance talked to PCM’s Sneha Abraham about the journey of the book and about Musk—a man both lauded and lambasted.

This interview has been edited and condensed.

PCM: Why write about Elon Musk?

Vance: When I started out and I was at The New York Times and places like that, Elon was just never really on my radar. I sort of felt like he was this guy who used to run around Silicon Valley promising all these wonderful things and never really delivering on them. I kind of pegged him as your run-of-the-mill techno-utopian guy. In 2012 everything started to change for me because SpaceX got to the International Space Station and Tesla came out with the Model S, which not just people in Silicon Valley but people in Detroit and around the world hailed as one of the best cars ever made. And SolarCity, his third company, filed to go public. That all happened in the span of just a couple of months.

I just thought, “Wow. This guy who’s been promising all of this stuff for all these years has just delivered in this huge way.” So I set out to do a cover story on him for Businessweek, and that’s when it really became obvious to me that this is the book that I wanted to do.

I visited the Tesla factory, which is spectacular, and then the SpaceX factory, which is really what hooked me in. It was right in the middle of Los Angeles, and I thought they’d kind of be cobbling together this one rocket, but they were mass producing rockets in this gleaming white factory, with thousands of people running around, and there was just this unreal energy to the place.

And then I interviewed Elon for the story, and he struck me as so much more interesting than I had ever really given him credit for. He has this amazing life story, this kind of self-made man from South Africa, who had a very difficult upbringing and all these trials and tribulations along the way. And then he was just way more authentic and down-to-earth when I interviewed him than I expected, and I thought, “Man, this guy has lived an incredible life and would make a great story.”

PCM: How did this book take off?

Vance: So after the interview for Businessweek, I sent him an email and asked, “Hey, have you ever thought about cooperating with a book about you?” And he said, “Look, a lot of people have asked me, and I’ve had to turn them down, and I just don’t think it’s the right time.” And I said OK, and then I went and I sold the book anyway in New York. I thought if I sold the book, it would sort of force his hand, and he would end up cooperating. So then, after I sold the book, we had a big hour-long meeting at Tesla’s headquarters in Palo Alto. And Elon came in and I gave him the whole spiel on why I w wanted to do the book and why it was a good idea for him to do interviews and all that.

And two days after that meeting he sent me an email, and he said, “Look, I can’t do this.” And I think he thought I would give up on the project—and I did think about it.

I went out for this eight-mile run after that and was really distraught. I had already sold the book. I kind of rolled the dice and lost. And I just was out there running and I thought, “Well, what would Elon do in the same situation? He would just keep going.” So I decided to keep going, and then I spent the next 18 months interviewing. I interviewed about 200 people and it was all his friends, his family, his ex-girlfriends, his ex-employees.

PCM: So he didn’t send out a “Don’t talk to Ashlee” memo?

Vance: Yeah, that was a weird thing. I didn’t know how things would play out after he said no. I kind of thought he would tell people not to talk to me, but no, the opposite happened. A lot of people that I reached out to would, of course, write to him or call him and say, “Hey, this guy wants to talk to me,” and he gave approval to everyone. Nobody turned me down. And so that encouraged me because I thought, “He’s not making life as miserable for me as he could, and so I’ll keep pushing forward.” And then after those 18 months that’s when he called me at home one day, and then we had dinner shortly after that.

In the phone call he said, “Look, I might cooperate, but I want control of the book and everything.” So I was thinking, “Oh man, I’ve come this far and now there’s this thing that I just cannot agree to.” And so I was still sort of dreading that, and so then I got to the dinner and I had this huge speech. I had spent time rehearsing all these reasons that it made sense for him to cooperate and why I had to do it like a proper journalist and not give him control. And I got about five minutes into the speech, and then he just said, “OK, fine. Let’s do it.” My reaction then—I had to hold it all inside—but I was screaming on the inside. So much work had gone into it, this huge gamble and just this intense amount of pressure. It just felt like, “My God, this is all going to be worth it.” And I knew the book would be so much better with him participating in it.

PCM: How did your perception of him change as these interviews over the next year were happening? Because you write that you came in thinking he was just another big shot sort of megalomaniac.

Vance: My impressions had already started to change a bit after I did the cover story. I was always really impressed with how open he was. He never came in with any handlers or anything; it was always just me and him. So initially, for the first three interviews, it was frustrating because he was basically repeating a lot of things that he always talks about, and I felt like I wasn’t getting anywhere. And then it was around the fourth interview where he really started to open up, and I felt like I was seeing a side of Elon that no journalist had ever seen before. We could talk about anything, and he never dodged questions or tried to deflect me. I felt like he gave me these really rich answers about his philosophies of life, and about all these moments in the history of the company, and I got this much deeper insight. We would sort of trade off-the-record information back and forth.

Even when I was first starting the book, he had accomplished these amazing things, but it was unclear how sustainable these companies were. If you really could make them enduring and still pull off all this lofty stuff. Half the people still thought that he was crazy.

And over time, as I learned more and more about the companies and Elon, I just came away, not in a fanboy sense, but to sort of witness this guy firsthand and his resolve and how relentless he is, whether it’s him telling a story or it’s meeting the thousands of engineers around him. I just came away thinking, “Man, this guy. It may take him longer than he says—things might be more expensive sometimes than what he says—but this guy is absolutely going to accomplish what he sets his mind to.” In that sense, he’s unlike any exec I’ve ever interviewed. There are obviously very driven, intelligent people. But to me, what became obvious is—this is not a job for him; it’s a life’s calling. He is sort of playing on a different field, and a lot of people around him are as well. My big takeaway is that he was just more capable than I had even imagined.

I’d say the other thing I’ve learned over time is just that Elon really is a hard dude. You would hear more and more stories about what he expects from employees or the demands he puts on people, and then I started to feel that personally. It was a very rocky, back-and-forth thing that we had. Where he really didn’t want to be participating in this but was doing it and wanted to exert control, and I wouldn’t let him. So, yes, actually I felt all this stuff personally, and I feel like that gave me a taste for the full Elon.

PCM: How did he react to the book?

Vance: Well, it kind of went in stages. He got the book and then he was going through it and he was emailing me all of the time, like every couple of pages. So that was kind of an interesting experience, but most of that was sort of harmless. He plucked out a couple of things that he disagreed with, and then at the very end of a couple of days of him reading it, he came back and said it was 95 percent accurate, which for Elon was hilarious, not only that he gave me a score, but also that it was that high. He said it was well done. A couple of weeks passed, and then the media finally got their copies of the book, and a couple of the early stories focused on what a tough boss he is, and he got really upset that that’s sort of the direction that the press was taking at the beginning. So then there was big blowback. He was really unhappy that he was kind of getting portrayed that way, and so our relationship has not been the same since.

PCM: How does he come across, and how would you describe his personality?

Vance: The most basic thing is just he’s the most intense, driven individual I’ve ever met and one of the most capable human beings in the sense that he’s in all of these different industries. He’s doing technical stuff, marketing, design, day-to-day operations of the companies. It’s this incredible thing. As a person, there are different flavors of Elon. There’s the guy that you sit down with at dinner, and he’s not immediately charming and charismatic. He’s more like an engineer. He’s very serious and takes a little while to warm up. But then, even that guy, you warm him up and then he’s obviously very bright, he’s funny. He has an amazing sense of humor that I think most people miss. And he’s amazing to talk to. It was the thing I would look forward to most every month. So there’s that side to him—this surprisingly down-to-earth, intense, intelligent, funny guy. And then there’s the other side to him, too. For the employees, he’s super-demanding. He sets these incredibly lofty goals. He expects everybody to meet them. He can be really hard on people in meetings and in that sense comes off as unempathetic to his people and can come off as kind of callous and cold. And then, I think, for his friends there’s a very different side. I think he’s got a small circle of really close friends. And I think for them, he’s a much more fun-loving guy who is a lot of fun to be around.

PCM: Where do you think his faith in himself comes from? Because you write about how he had this awful childhood, and reading about that, one would guess he wouldn’t turn out to be the way that he is. Where does that sense of self-confidence that he can accomplish anything come from?

Vance: I think that his difficult childhood in a lot of ways hardened him and taught him to be willing to take risks. It’s a similar story you see with lots of these guys. If you leave the country where you’re born—say you go to Canada with zero in your pocket, and you’re off on your own at this young age—there are few things later on that are going to be harder than that. In a sense, running a business and taking a risk and all of that pales in comparison to what you’ve already been through. He talks about it a lot. He learned to just sort of suffer. So things like long hours or a business collapsing or all this pressure, he deals with that really well. I think that self-confidence thing definitely seems like it was learned over time, because at Zip2 and PayPal you see this guy who is not a very sure-handed manager. He’s really upsetting his employees. He’s having fights with other board members. And I think it was during that process where he sort of learns to become who he is today, and his self-confidence grows almost out of necessity.

He’s very logical, I think, and so part of it is just if he sees something he wants to do, and he thinks it’s the right thing to do, he’s decided that he’s going to do it. It’s this very binary thing. He’s just like, “This makes sense to me. I’m going to pursue it with all my energy.” I think he’s just wired a little bit different than most people.

PCM: So, he wants to turn humans into space colonizers. What do you think it reveals about his personality that his goals are so high?

Vance: I think it’s oddly that logical side of him. I don’t know. I guess you could think back to Columbus or Magellan or somebody, these really adventurous, flamboyant explorers. I think his original impetus for this is much more clinical and logical. “There should be a backup plan for the human species, and there isn’t a very good one, and I’m going to go build it.” And he does have this weird form of empathy, where he genuinely cares deeply, not about individual people as much but more about the human species. He would break down in tears when he was talking about the colony. It comes from this very logical, software-programmer place that you should back up your files and your work.

PCM: Do you think he has an equal today?

Vance: No. People always want to compare him to Steve Jobs or Edison or whatever. It’s sort of hard. It’s difficult because he’s a work in progress, and we don’t know where some of his stuff is going to end. But even just the face value of what he’s accomplished so far, you cannot find another human being that’s changed industries as diverse as finance, aerospace, automotive and energy. I think on that level he has no equal today or really ever.

I think clearly he has to get an affordable electric car out that is good and that people want and that they sell a lot of, in order for him to be considered a success with Tesla. I think SpaceX has to really get this reusable rocket technology done. He’s got to get to Mars in order for that to be considered a huge, forever-world-altering success. For SolarCity, it has to be proven that that’s a really sustainable business. There are a lot of people that argue that they’re not going to be profitable going forward. And so yeah, there are all of these question marks about exactly where he ends up in the pantheon of inventors and businesspeople.

As far as equals today, Larry Page and Jeff Bezos come to mind. I feel like those three guys are all in this camp of people who are willing to spend money on big, long-term things that are far afield from apps and things like that. They’re all working on these big computer services but also these crazy machines, and really bringing science fiction to life. So, in that sense, I think they’re sort of in similar camps. But I think Elon’s probably taken bigger risks so far and arguably been more successful with these other businesses.

 

ELON MUSK: TESLA, SPACEX, AND THE QUEST FOR A FANTASTIC FUTURE

BY ASHLEE VANCE ’00

ECCO, 2015

400 PAGES | $28.99

Spiritual Journeys

Spiritual Journeys: Pomona students with different faiths and philosophies of life share their ongoing spiritual journeys.

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Meghana Rao ’16

“My experience with Hinduism has a lot to do with community, and the stories within that community. So one way that I express and experience my faith is through dance. I started learning kathak, an Indian classical dance, when I was about 7. It used to be a temple dance, and you would dance it to devotional songs. I don’t know if most people think of dance as a religious experience, but a lot of those devotional songs are very personal for me, so dance has been a very helpful tool to keep me connected to my faith. It’s my way of sharing my culture and my faith with other people.

“Back at home, my religious experience was very community-related. My family would tell the old stories. That community has been a little harder to find here. There is a Hindu community, but it’s such a varied and diverse community that those aspects don’t necessarily come up as much. That’s not to say I don’t connect with people here—I just connect with them in other ways, and my faith has been more of an internal, personal experience. I imagine it’s similar for a lot of people who come here. You meet all these different people, and the ways that you connect are not necessarily through your faith.

“At home, every morning my sister and I would just sit and say this chant called the Gayatri Mantra, which you’re supposed to say nine times every morning. It’s about greeting the sun and accepting the knowledge that it gives you. Here, it just didn’t seem like the space to do that. If you have a roommate, for example, she may sleep late and you don’t want to wake her up. So that’s become an internal thing for me. When I see the sun, I think about it, but I don’t physically chant every morning. That’s an example of how it was more of a communal activity for me at home, whereas here it’s an individual thing that I say to myself. I don’t want to impose my faith on other people. It is a personal thing, and I’m OK with that.

“A lot of Hindusim is kind of a philosophy about life. It’s an outlook on how life should be lived. It’s not necessarily tied to a higher power. There’s freedom for you to shape your own philosophy and views on life within the culture and within the faith. The creation myths and things like that, I take as myths. I don’t necessarily take them as true, and that’s a personal choice. So for me there hasn’t really been that conflict between faith and academics, because I think of it in more of a symbolic sense.

“Every night before I go to bed I say prayers. In some ways, it’s more like a habit than something intentional, but I just can’t go to sleep until I’ve said them, even if it’s just kind of whispering them to myself. I think it’s kind of a connection to home.”

 

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Jose Ruiz ’16

“My parents are from Mexico and they grew up Catholic. It’s ingrained in the culture. So just picking that up as I grew up at home, it became a part of me as well. In high school I really got curious about the religion itself, and the morals it teaches and the lessons that Catholicism has to offer. So I spent a lot of my free time just kind of exploring the Bible, exploring religious texts, spending time with youth groups at church.

“I think just coming to campus, you get this perception that there’s no presence of religion here, or that it’s kind of uncomfortable to talk openly about your religious beliefs. But as you spend more and more time here and talk to more and more people, you do find a sense of community, people who will relate to you on a religious basis. At the same time, you also end up talking to students who challenge your beliefs in terms of what your particular church has done in the past—different scandals, different wars, different administrative events that reflect badly on your religion. But I think at the end of it all, it’s definitely very constructive to be able to listen to some of those concerns but still to be able to practice your religion, so that you can help to prevent those things from happening again in the future.

“I’ve met a lot of students here who are Jewish, a couple who are Hindu, and a lot of students who are of the Protestant or evangelical faiths. So they’re always very interesting, in that a lot of our beliefs are very similar—like when you’re talking about straight-up morals or how you act with other people. Obviously there are nuances in how different religious ceremonies are held—all the history that goes behind it—but I’ve definitely been able to talk to people of different faith backgrounds and help my faith grow because of that.

“Religion evolves over time, just depending on the experiences that you go through in your life, so I guess coming to college in itself can be a way for you to strengthen your religious beliefs and anchor yourself to the beliefs and the morals that are important to you. A lot of students come here and they take whatever opportunity they can get to let go of their religion—because it was imposed on them by their parents or it just didn’t feel right or they want to experiment with other types of belief systems—and so I think in a sense that’s a good way for us to mature and kind of figure ourselves out better.

“Just being challenged about my beliefs and being able to talk to other people about their beliefs and religious experiences, I was able to learn from those and strengthen my own belief in the Catholic Church and how it helps me get through life.”

 

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Andrew Nguy ’19

“It’s a story that a lot of young Buddhists share. Someone dies, and because of the funeral rites, there is some sort of religion involved, and Buddhism happened to be the one for my grandma, so her funeral was really where things started for me, and it’s just grown from there.

“My daily routine has shifted over the course of the school year. The first semester I was pretty good, waking up early. I have an 8 a.m. class almost every day, so I would wake up at 6, brush my teeth, get some homework done if I needed to and spend about a half hour chanting the Universal Gate chapter of the Lotus Sutra for its emphasis on compassion and meditating before anybody else was up. Since then, it’s gone from a morning routine to more of a nightly routine. Since now I have more time in the evening, I started doing that—same routine, half an hour or so, but more in the evening than in the morning. And then of course, these past few weeks, with finals coming up, it’s gone from half an hour to 15 minutes to 10 minutes, to ‘Oops, I forgot today. I’ll try again tomorrow.’ That’s the life of a student.

“You won’t see me meditating in class, but the things in Buddhism show up almost everywhere in life, and I can spot it now after being Buddhist for a few years. I can see how conflicts come about. And how, if I get angry as a response to that conflict, it usually only gets worse from there. Realizing that and being able to stop myself before impulse takes over, I’m able to keep the situation a bit calmer and more conducive to actually resolving an issue.

“Being a student, it’s hard to have time in general, and time for what most people think is sitting around doing nothing is even harder. So my compromise is I do a lot of walking meditation when I’m on my way to class and in between classes. Instead of walking to class with a friend, having a nice chat about who-knows-what, I can walk and just kind of focus on my breath, focus on my footsteps as I’m walking, and just be mindful about what I’m doing. Another method I use is recitation. I use the name of Avalokite´svara Bodhisattva, the main figure in the Universal Gate chapter, as a point of focus. Concentrating on the syllables of the name and the compassion it’s associated with, I can use it as my meditation anywhere, even when I’m waiting in line for lunch.

“The purpose of it is more to be able to observe and understand the mind—which might have something to do with my being a psych major—but understanding the mind in a different context. I think the benefits of meditation show up in a lot of ways. If you were to have met me four or five years ago, before I really learned much about Buddhism, I was really impulsive and—I’m not going to lie—I still am sometimes. But meditation has helped me recognize the patterns and my habits. When I’m about to make a rash decision, it kind of pulls me back and says, ‘Stop and think about that first.’”

 

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Ilana Cohen ’16

“This is not unique to Judaism, but the time and the cycle are very important. So for us, it’s Friday night through the day of Saturday and observing that as Shabbat in some way. Here, that has meant being at Hillel on Friday nights, pretty regularly. A lot of times, that experience would start for me at about 11 o’clock on Friday when we would pick up the food from the dining halls and bring it over here to the McAlister Center and start cooking for the people who were coming to Shabbat dinner that night. Then we would get the space ready, and often—not every week, but often—I would lead services here in the library. That, for me, was a process of recapturing the Shabbat experience of my synagogue, growing up. Then we would all do dinner together.

“There are many prayers in Judaism that you can’t say unless you have a minyan of people. You wouldn’t say them unless you have that quorum, and there are lots of different reasons why that might be true, but my favorite that I’ve heard is that it’s not that you need 10 voices so that God can hear you—it’s because then somebody does hear you. There are people around you to make the prayer work, because now there are people who know that you’ve said that prayer and support you in doing that. So any time that I’m questioning—well, why am I doing this in a language I don’t really understand?—I know that this is the way to build a community that will be supportive to me.

“So community is very important to me, and the music is also very important, and the fact that it is my history, and it almost wasn’t. My grandmother came out of Austria on the Kindertransport. It’s never why I’ve started a new Jewish practice, but there are always moments where I think, ‘This is just my family’s history.’

“Personally, I almost never use the word ‘faith.’ So when I was thinking about coming here, I was thinking, ‘How am I going to answer these questions?’ I see how it’s a word that broadly allows for anybody’s religious experience, but I think of its association with ‘blind faith,’ and believing or trusting. For me, the religious experience is much more about practice and about learning. Most importantly, from the time I was very little, any participation in Jewish practice was my choice.

Ideologically, nothing I’ve learned or been taught in college is in conflict with my understanding of Judaism, and I didn’t expect it to be. I took a Religious Studies class my first semester, and that was the opposite of a conflict. And I would have done more, but I think I prefer studying it in the religious context, and knowing that I don’t have to get that while I’m in college, because Torah study will be as large a part of my future participation in the Jewish community as religious services.”

 

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Jordan Shaheen ’17

“I’m a big proponent of the war-room theory, which is that you fight all your battles in prayer, not in person. So I kind of get everything I need to get out in the morning in prayer, and then I know I’ve got something there that will get me through the day, until I recharge the next morning.

“I had a church back home that I still go to occasionally. I knew I wanted faith in my life and I wanted a relationship with God, but I’d never really figured out a way to do it. I struggled for years, always reading, always learning about it. There were times when I had atheistic tendencies, times when I wanted to be all-in but didn’t know how to be all-in. Here at school, I finally found a place in the church and was able to really blossom in that role. Now I’m looking at going to divinity school and getting a doctorate of theology and going into the ministry. The thing I love about the Presbyterian Church most is that most ministers have doctorates, so it’s more of an academic denomination, which I’ve come to really appreciate.

“I don’t go out evangelizing—I don’t talk about it at all unless people come to me with questions. It’s something that’s very important to me, and I’m more than happy to talk about it, but I think it’s one of those things where people have to come to you with questions, or else it’s not going to be a meaningful conversation. So I kind of keep to myself, but I think there are a lot more people here for whom religion is important than will say so. It’s kind of an underground group. I know that sounds funny, but there are a lot of people here who are very religious—and not just people who will admit they’re Christian or Muslim or Jewish or Buddhist or whatever, but people to whom it’s very important but who don’t talk about it much. So you just have to find a way to reach out to those people and you’ll find a pretty cool community that you didn’t know was there.

“I’ve never found that my religion clashes with my work here. A lot of what I do in my major is investigating the early forms of Abrahamic texts, looking at the Socratic traditions and the pagan traditions and their influence or lack thereof on the blossoming of Abrahamic traditions throughout the Mediterranean. So a lot of the texts I get to read are foundational Christian texts, foundational Hebrew texts, foundational Islamic texts. And I get a really good sense of how that all plays together. Are there questions that arise, or inconsistencies that I notice and look into? Absolutely. But as Reverend Tharpe, who used to be the Protestant chaplain here, always says, ‘Any true Christian is agnostic three days a week.’ If you’re not questioning, you’re not learning and growing.”

 

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Molly Keller ’19

“I was raised Catholic, baptized, had my first communion, and went to an Episcopalian school from age 3 through fifth grade. Then I transferred to a very liberal private school where my friends were mostly Jewish. But even when I was going to church and Sunday school and at Episcopalian school and being taught religious knowledge, I never felt that invested in it. I remember in fourth grade we had to draw a picture of God, and I was very stubborn, so my compromise with the teacher was drawing a church with little squiggly lines around the steeple to represent a spirit. That was at age 9.

“I didn’t really think about religion very much in high school. It just wasn’t very relevant to my life. But interestingly enough, since coming to college, unexpectedly, I’ve been exposed to a lot of things that have forced me to reconsider. I definitely am not a devout Christian now or anything like that, but for example, my ID1 class was Cult and Culture with Professor Jordan Kirk, and a lot of the questions we focused on were around the manifestation of a God. And I think one of the things that really changed things for me was—we were reading Stories from Jones­town, and there was a passage about how, for some people, God can just be a warm meal and a job or a roof over their heads.

“And so, shifting from God as this man up in the sky to thinking of it as a word that fills in for certain significances—that kind of changed things for me. And then, I’ve been in Religious Ethics class with Professor Oona Eisenstadt, so being exposed to that, and the way different people have their own Tao in their lives, has changed my thinking.

“Religious Ethics, as she presents it to us, is a class that deals with how to live a good life and how different religions and different thinkers grapple with that question. So actually, a lot of the philosophies that came out of that class—whether they be from religious texts or not—kind of helped me think about how I live my life and how I interact with others. I really liked the Bhagavad-Gita but I also really liked Emmanuel Levinas and the way he talked about our intrinsic obligation to the “Other.” And I think that you see that in religion, but it doesn’t necessarily have to go hand in hand. So there are bits and pieces of philosophy that I use to guide my moral and ethical life.

“Again, I’m not a devout anything, and I don’t know if I believe in a God or many gods, but I’m a little more open to the notion that there may be something out there worth believing in. I just haven’t totally figured out what. But I’m not necessarily looking for anything. When religion was a big part of my life, I just sort of took it as it was. Since it hasn’t been a part of my life, I haven’t felt that anything was missing. But I’m open to things that come my way.”

 

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Vian Zada ’16

“I go up on the roof of Pomona Hall often. Being in this quiet place—surrounded by birds and looking up at the clouds—reminds me of creation. It’s a really nice way to clear my mind and remind myself of what matters to me. That’s what praying does for me. It’s really therapeutic because it dissolves whatever stresses I’m going through. It feels purifying. This may sound cheesy, but part of my faith is just looking at all the marvels around me. My love for life and science and how I see that every day just reinforces my wonder for a greater being.

“I grew up with strict but caring parents who tried to maintain the balance between their culture and sending their kids to American schools. I had a lot of rules at home. So being separated from my parents, it’s been interesting to see how, in my lifestyle, I go about following the tenets of my religion without my parents watching me. No one tells me to pray. My parents are never there when I’m at a party and abstain from drinking. Those are things I do for myself.

“I’m not able to pray five times a day, but I do think about God every day. I do fast, for a lot of other reasons besides the reasons that are given to me. I trust my own judgment, and I make my own decisions. It’s not like I look to the Quran as the only source of how to live my life. I’m in a religious studies class right now called Nourishing Life, and we look at a lot of ancient Chinese texts and a lot of Buddhist and Taoist primary sources, and I find myself agreeing with a lot of what I read. I just believe in taking what appeals to you from different religions and different ideas.

“In Islam there’s a lot of emphasis on being compassionate and respectful toward all others—toward life itself. I think I developed my sense of compassion going to Arabic school every Saturday and learning from my mom—just the Golden Rule, basically. I think all religions are beautiful. Religion in itself is, I think, a wonderful tool for helping one shape one’s moral compass.

“My religion also encourages education. Educating yourself is a duty that you’re supposed to carry throughout your whole life. It’s nice to know that I’m supposed to be here.”

—Photos by Carrie Rosema

Face to Face

Face to Face: Pomona has always been a place where relationships of every description are built, many of them to last a lifetime.

Jaureese Gaines ’16 and Maxine Solange Garcia ’16Jaureese Gaines ’16 and Maxine Solange Garcia ’16

As members of the 10-student Posse cohort that came to Pomona from Chicago high schools in 2012, Maxine and Jaureese say they feel more like brother and sister than mere friends.

“Simply put, when I use the word ‘Posse’ to describe my relationship with these nine amazing individuals, I’m actually describing my second family,” says Jaureese. “We’re not just a Posse; we are family. I love my four sisters and five brothers.”

As the group nears graduation, Maxine, a neuroscience major, is preparing for medical school, while Jaureese, a politics major with three summer internships in Washington, D.C., under his belt, is planning to return to Chicago to work on educational access. But they expect to stay close in the years ahead.

“We know we’ll all be invited to whatever engagement party, wedding, award ceremony or baby shower either one of us has,” Maxine says. “I also told Reese he’ll have to help me out during med school because of med school debt. Maybe I’ll move into his garage. But in all seriousness, I know that Reese, and all of Posse, will be there for me 20 years down the line, just like they were there for me these past four years.”

Stephen Glass ’57 and Sandra Dunkin Glass ’57Stephen Glass ’57 and Sandra Dunkin Glass ’57

Steve and Sandy Glass don’t recall how they met. “Pomona was much smaller when we were there—like 700 or 800 students—and everybody knew everybody,” Sandy says. “So it wasn’t a question of meeting.”

However, they do remember very clearly their first two dates, during their sophomore year. “I asked him out first, to the Associated Women’s Formal,” Sandy says with a laugh.

“That’s right,” Steve agrees. “She asked me out and we had a very nice time. Then I asked her out—took her to the Academy Awards.”

As it happened, Steve’s father, who was in the movie business, didn’t need his Oscar tickets that year. Steve and Sandy double-dated with another Pomona student, Frank Capra Jr. ’55, who was then dating a young starlet named Anna Maria Alberghetti.

“Is that classy or what?” Steve asks.

“I came from Oregon,” Sandy retorts, “so the Academy Awards didn’t mean that much to me.”

The couple graduated from Pomona at about 4 p.m., June 16, 1957, and they were married in Little Bridges, in a traditional Jewish ceremony, three hours later. “After all, the whole family was already there, so why waste it?” Steve says.

The secret of their 58 years together? “I like what she likes, and she likes what I like,” Steve explains. “We had a good education at Pomona, and we always have a lot to talk about.”

Neuroscience Professor Nicole Weekes and Vivian Carrillo ’16Neuroscience Professor Nicole Weekes and Vivian Carrillo ’16

“I met Nicole Weekes when I took Neuropsychology my sophomore year,” Vivian remembers. “She has this contagious excitement when she lectures that makes you interested in whatever she is talking about.”

Their relationship progressed from teacher-student to mentor-mentee when Vivian asked Nicole to be her thesis advisor. “I knew her work and was pulled in by her commitment to students,” Vivian explains. “One of the best things about her, and sort of an inside joke between us, is that when I get too ambitious about my work, she says, ‘Save that for your dissertation.’ And while it seems like a joking way to tell me to slow down, it’s reassuring. Hearing her say that reminds me that I can have a future in this field and that I am capable.”

For her part, Nicole says the benefits of mentoring flow both ways. “I love to see my students grow intellectually, personally, socially. It is such an honor for me to get to mentor them in any and all of these arenas. As so many people say about mentoring, I know that I get at least as much back from these relationships as my students do. So, how could I ever say no? It is one of the most important and fulfilling parts of my job. I am honored to watch students like Vivian just continue to rise.”

Viraj Singh ’19 and Jonathan Wilson ’19Viraj Singh ’19 and Jonathan Wilson ’19

Pomona puts a lot of work into pairing first-year roommates, but as we all know, it doesn’t always work out. Sometimes, however, the result is golden. Viraj values Jonathan’s fun-loving spontanaeity, and Jonathan appreciates Viraj’s sense of humor. “He’s a go-to funny guy in our hall,” Jonathan says, “and has been known to drop unexpected comments that make everyone in a room keel over in laughter.”

But it’s not just laughter. “In October, my best friend from high school passed away from neuroblastoma,” Jonathan says. “Viraj never pressured me into talking about it or made it about him, but was willing to listen when I wanted to talk. That’s the best I could have asked for in a friend.”

“When you are put in a room with someone else,” Viraj says, “it’s rewarding to be able to talk about anything and truly feel comfortable around him.” Before they go to bed at night, he says, they will often debrief, talking through the significant parts of the day. “It serves as a mini-therapy,” he says.

Ed Tessier ’91 and Professor Emeritus of Sociology Bob Herman ’51Ed Tessier ’91 and Professor Emeritus of Sociology Bob Herman ’51

Bob likes to say he learned more from students like Ed than they learned from him. Ed’s response: “He changed my life.”

An activist since his Pomona days, Ed uses his role as a city planner and developer to make neighborhoods more livable, downtowns livelier, the arts more visible and public places more accessible. “He’s taken the things I was teaching and used them,” Bob says.”He’s a practitioner. He’s doing things. I was just talking in front of a class.”

“We had lunch last week to debate this,” Ed says. “I didn’t know it at the time, but a lot of what Bob was preaching was actually very edgy in the field. When I went out as an activist and was quoting Jane Jacobs and siding with the new urbanists, the development community around here marked me as a real rabble-rousing radical. Now they’ve all changed their tune. This is the new orthodox. So Bob gave me a good 25-year head start on the rest of the field.”

Cesar Meza ’16 and Draper Center Director Maria TuckerCesar Meza ’16 and Draper Center Director Maria Tucker

Cesar was 14 years old when he first met Maria as a student in the Pomona College Academy for Youth Success (PAYS). “We were in the Wig lobby when I first introduced myself to her,” he recalls. “Before I could even finish saying my name she told me what city I was from and what high school I went to.”

Years later, when he was accepted as a Pomona College first-year, he already knew he wanted to work at the Draper Center. Since then, the Center—and Maria—have continued to play a huge role in his education. “I would not be the active student I am today without her guidance and support,” he says. “She has helped me navigate through difficult situations and given me the motivation to overcome any obstacles.”

For her part, Maria says the chance to mentor smart, caring students like Cesar is one of the biggest perks of the job. “For me, these relationships keep alive the notion that education transforms lives as well as communities,” she says.

Jamila Espinosa ’16 and Lucia Ruan ’16Jamila Espinosa ’16 and Lucia Ruan ’16

Jamila and Lucia met at Women’s Union during their first year, but their friendship didn’t really blossom until the following summer, when they began to exchange thoughts and experiences over Facebook, a habit they continue to this day.

“Lucia is one of the most thoughtful people I know.” Jamila says. “Whether it be finals week, or Christmas, or Valentine’s Day, or your birthday, you can count on some type of recognition from her. She is the master of planning surprise parties. She also knows where to find the funniest memes on the Internet, and I especially admire her fashion sense. In short, she is fabulous on the inside and out.”

Lucia describes Jamila as “a huge support in my life and someone I share almost everything with. Even this past weekend, I was feeling incredibly down, and she came into my room and kept me company, waiting for the moment I was ready to share what was bothering me and offering suggestions that push me in the right direction towards taking care of myself.”

Richard Bookwalter ’82 and Galen Leung ’82Richard Bookwalter ’82 and Galen Leung ’82

Richard and Galen recall meeting as first-year students who had been elected as members of the Freshman Dorm Council, representing Walker (Galen) and Oldenborg (Richard). Early in the second semester, the group threw a Survivors’ Party for students who had made it through the first half of the year, and afterwards, Richard says, “we were the only two who showed up on the cleaning committee.”

Over the next couple of years, they mostly went their separate ways—different dorms, different majors, different groups of friends. But after Galen returned from a junior year semester in Washington, D.C., and Richard returned from a semester abroad in Geneva, Switzerland, the two met again at a Gay Student Union meeting, and by the end of their senior year, the two knew they wanted to be together.

Three decades later, they’re still together, and on August 30, 2008, they were married.

“I think our relationship has lasted over 34 years because we are able to communicate with each other,” Galen says. “I love Richard because he’s the best—intelligent, feeling and concerned about the world, himself and others. His perspective and empathy help me relax and enjoy the moment and the world around me.”

Shadiah Sigala ’06 and Kaneisha Grayson ’06Shadiah Sigala ’06 and Kaneisha Grayson ’06

Shadiah and Kaneisha now live almost 2,000 miles apart, but at heart, they’re always closer. “Kaneisha is one of my life partners,” Shadiah says. “There are a handful of those people in my life—including my husband, mom and daughter—and Kaneisha makes it on the short list.”

The two met during a first-year seminar class, but it wasn’t until the following semester that they became close. During a trip to Washington, D.C., Kaneisha came up to Shadiah and said, with her usual directness, “You’re going to be my friend.”

“I thought, ‘Who is this bold, confident woman?’” Shadiah remembers. They soon discovered that they were much alike, though Shadiah thought of Kaneisha as “a more advanced version of me.” She adds: “Truthfully, she showed me all that I was capable of doing, simply by being herself.”

Now, Kaneisha says, the shoe is on the other foot as she learns from her friend’s experiences in life and work. “I love how Shadiah can tackle very difficult things,” she says, “planning a wedding, being married, working a demanding job, being a mom, even looking for a startup job during a brutal recession, while staying very positive and still engaging in self-care. Having a close friend go through many life events just a bit before you do—and report back the truth of how it’s simultaneously not as bad and way harder than others make it seem—is very encouraging and uplifting.”

Dan Stoebel ’00 and Biology Professor Daniel MartínezDan Stoebel ’00 and Biology Professor Daniel Martínez

Daniel Martínez joined the Pomona faculty in 1997, and Dan was one of his first student researchers. “His project was very hard,” Daniel recalls. “I can’t believe we did manual gene sequencing using radiation, but at the time, it was the only way.”

“What made Daniel unique was that he treated us like colleagues,” says Dan, who went on to follow in Daniel’s footsteps, earning his Ph.D. at the same institution, SUNY Stony Brook, and becoming a professor of biology at neighboring Harvey Mudd College.

“Daniel told us quite honestly that much of the material was not his field of expertise, and this turned out to be valuable. Daniel was not an authority, but rather modeled how those who know how to learn go about doing it. As he struggled with us to understand a poorly explained experiment, or a seemingly contradictory result, we got to watch a professional scientist in the process of intellectual exploration. In putting himself on the line for us, in making himself vulnerable to failure with us, Daniel was a role model for the type of learning that we all have to do after we graduate. I am profoundly grateful for his willingness to do so.”

Michelle Chan ’17 and Sophia Sun ’18Michelle Chan ’17 and Sophia Sun ’18

When Sophia was trying to decide between Pomona and two big universities, she introduced herself in a post on the Facebook page for each institution. The warm and welcoming response from Pomona students, including Michelle, convinced her that Pomona was where she belonged. “Even through Facebook,” she says, “I could tell that Michelle was incredibly warm, passionate, and curious—an initial impression that has been wholly confirmed by all my interactions with her.”

“We’re both perpetually awestruck with gratitude in our landing at Pomona,” Michelle says. “and we feed off each other’s energy in our passion for more. Sophia has taught me how to embrace life head-on and not waste a single opportunity to learn and reflect.”

Face Time

Face Time: How do we recognize and interpret the faces we see? Neuroscientist Richard Russell ’97 is breaking the code.

A collage of facesSpirits of Saturn was a fine, white powder that 17th-century women smoothed into their skin. Also known as Venetian ceruse, it hid smallpox scars, spots and blemishes, transforming faces into a fashionable pallor. It also slowly poisoned the wearer—it was made of powdered lead.

Over time, the powder caused teeth to rot, hairlines to recede and, in a particularly cruel twist of irony, the skin to shrivel and turn gray. Yet, for hundreds of years, European and Asian women dabbed lead on their faces. It’s not even the most unsavory preparation that women have used to whiten their skin. Ancient Roman women used crocodile dung; Japanese women preferred nightingale droppings.

Women have been powdering their cheeks, lining their eyes and rouging their lips for nearly all of recorded history. The story of makeup may begin even earlier—stores of red ochre found in Paleolithic caves suggest humans have been painting their skin for 100,000 years.

While ideals of beauty change over time and across cultures, some elements are nearly universal: fair, unblemished skin, ruby lips, alluring eyes. Psychologist Richard Russell ’97, who studies the biological underpinnings of beauty, believes he has figured out why.

Through a series of elegantly-designed experiments, Russell has proved that women’s faces have greater contrast than men’s. It’s as if Mother Nature applied an Instagram filter to the female face to make the eyes and mouth pop out from the rest of the features. And this contrast, Russell discovered, appears at puberty and ebbs at menopause, making it a marker of fertility.

In other words, Russell solved a riddle nearly as old as humanity. Why do women wear makeup? To look more feminine and more fertile. “There’s a lot of information we get from a face—age, health, sex, race, trustworthiness,” he says. “There are judgments that we make, even though we’re taught not to make them.”

Russell is not what you might picture when you think of a makeup scholar. The 40-year-old Gettysburg College professor is partial to plaid shirts and wire-rimmed glasses. He spends his free time hiking with his kids, not perusing the counters at Sephora. Even his wife, Carrie Russell, an attorney and novelist, doesn’t wear much makeup, Russell says. “Part of how I study this is I have an outsider’s viewpoint,” he says. “I don’t put that much work into my appearance.”

Russell’s interest in perception began during his undergrad days at Pomona, where he majored in neuroscience. Working on a student mural project sparked an interest in art, and Russell decided he wanted to study how the mind perceives beauty.

He received a doctorate in cognitive science from the Massachusetts Institute of Technology, then joined a post-doc program at Harvard. It was there that Russell made his first major contribution to the understanding of facial perception.

Russell was studying prosopagnosics, people who are exceptionally bad at recognizing faces (the term comes from the Greek words for “face” and “ignorance.” Prosopagnosics are unable to identify co-workers, friends, and, in the most extreme cases, their own spouses.

The neurologist Oliver Sacks wrote extensively about prosopagnosia, a condition with which he himself was afflicted. In an essay, he recounted being unable to recognize his own psychoanalyst when passing him in the lobby after a session. On another occasion, a woman he had been sharing a waiting room with informed him that she was his longtime assistant. She had been waiting to see if he could recognize her without prompting.

While some prosopagnosics, such as Sacks, apparently suffer from a hereditary condition, others lose the ability to recognize faces after an accident or illness. Scientists believe that a portion of the right side of the visual cortex, known as the fusiform face area, is primarily responsible for facial recognition.

As Russell studied people who had problems recognizing faces, he began to wonder if there were others who were exceptionally good at recognizing them. While researchers had traditionally thought facial recognition was a skill that people either possessed or lacked, Russell had a hunch that it was an ability that lay on a spectrum.

One of Russell’s subjects had told him of a friend who had an extraordinary talent for remembering faces. This young man recognized people he had glimpsed at a concert years ago. He had a mental library of extras from TV shows and movies. Russell devised a test to spot exceptional facial recognition ability. He administered it to his subject’s friend, and others, and discovered that there were indeed people who had an innate talent for identifying faces. In a 2009 paper, Russell announced the existence of such people and coined a term for them: super-recognizers.

Just as prosopagnosics often describe faking recognition to avoid embarrassment, super-recognizers admit to hiding their talents, Russell says. They learn, over time, that acquaintances can be creeped out when they say they remember passing them on the street years earlier.

Russell’s discovery has led him to question what other cognitive abilities exist on a spectrum.

“There’s an assumption in experimental psychology that we’re all the same,” he says. With the exception of personality and intelligence, most characteristics are assumed to be either-or. You have them, or you don’t. But if there is a spectrum for facial recognition, perhaps one exists for other abilities as well.

Harvard psychologist Nancy Etcoff, who also studies the biological basis of beauty, says Russell’s work challenges the field’s established notions. “He’ll take a known finding and make you think about it in a different way,” she says. Russell is a “creative, thoughtful and rigorous researcher,” whose research has inspired some of her own recent work, she says.

Richard Russell and a student at a computer

Richard Russell ’97 works with a student in his lab at Gettysburg College.

While many think of beauty as a subjective construct, Etcoff argues in her book, Survival of the Prettiest, that we are primed to find certain evolutionarily adaptive traits attractive.

Studies show that attractive faces meet certain criteria. They’re symmetrical. They’re youthful. They’re sexually dimorphic—males are manly and females are womanly. And, they’re—well—average.

The first three criteria aren’t really surprising; all signal fertility. But what does the fourth mean? When scientists blend together images of many faces, people find the composite much more attractive than any of the other faces. These “average” faces mimic our own mental images of the archetypal male and female face.

That female face, it’s important to mention, is lighter than the male face—women are, quite literally, the fairer sex. Regardless of ethnic group or skin color, women’s faces reflect 3 percent more light than their male counterparts. The contrast is most noticeable during young adulthood, and fades with age.

According to one hypothesis, women have paler skin during their fertile years so that they can more easily synthesize vitamin D3, which helps absorb the calcium a developing fetus needs.

To test his theory on facial contrast, Russell showed a series of male and female composite faces to subjects. He decreased the contrast for some of them. When subjects saw female faces with less contrast, they ranked them as less attractive. But the opposite was true for male faces—subjects thought the men grew more attractive when their eyes and lips stood out less.

For other photos, Russell increased the contrast between the eyes and lips and surrounding skin. Subjects said that this made the female faces more attractive, while the male faces became less so.

Russell then morphed together images of men and women, creating an androgynous face. Again, he tweaked the level of contrast. When subjects saw the androgynous face with a high level of contrast, they said it appeared to be a woman. But when they saw the same face with a low level of contrast, they said it appeared to be a man. Russell then conducted follow-up experiments that showed that reducing the level of contrast in a woman’s face made her look older.

So how does all of this relate to the cosmetics counter? Women use makeup to darken their eyelids and brows, to hide skin imperfections and to add color to their lips and cheeks. In other words, as Russell also demonstrated in a 2009 paper, makeup increases facial contrast. By making their eyes and lips pop, women make themselves look younger and more feminine, and, therefore, more attractive.

Etcoff made headlines a few years ago with a study that showed people perceive women wearing makeup as not only more attractive, but more competent and trustworthy. What we tend to think of as a “natural look,” is actually a face that has been subtly embellished with makeup.

“Women use makeup similarly across time and cultures,” Russell says. “I’m trying to marry the knowledge of perceptions of human attractiveness with what people have been doing for thousands of years to enhance their faces. We could learn a lot about makeup by applying this psychological research.” Chanel, the century-old French cosmetics company, seems to think so too, since it’s currently funding some of Russell’s research.

In the future, Russell is interested in delving into other aspects of appearance. After all, people have been styling their hair and covering their bodies for at least as long as they have been painting their skin. What do we reveal—and hide—about our evolutionary fitness through clothing and hair?

“Some people think a core aspect of what makes us human is altering our appearance,” Russell says.

Famous

Famous: Behind the lens with celebrity photographer Michael Larsen ’89
Eddie Murphy posing in 3 images

Eddie Murphy (times three)

If the surreality of being on a plane with Elizabeth Taylor en route to Paris for the Cannes Film Festival and then being whisked away in a limo with her upon landing isn’t memorable enough, picture this: Elizabeth Taylor making the limo driver pull over on the tarmac so she could let her little Maltese out to do its business. This is a celebrity photographer’s eye view—and one moment you really wish you had on film, according to Michael Larsen ’89.

But Larsen has snapped a million other moments and more photos of famous faces than you can count. Name a Hollywood star and he’s probably captured them on his camera. Brad Pitt. Halle Berry. Clint Eastwood. Cate Blanchett. Since 1997, the celebrity portraiture and lifestyle photography of husband and wife team Larsen and Tracy Talbert—they met in high school when he was the yearbook photographer and she was the school newspaper photographer—have appeared worldwide in magazines like People, Esquire, InStyle, Playboy, Entertainment Weekly, and for commercial clients like NBC, Fox, Bravo and Warner Brothers.

Michael Douglas portrait

Michael Douglas

Keira Knightley portrait

Keira Knightley

Larsen’s childhood dream was to be a filmmaker—he adored “Star Wars”—and he learned the principles of filmmaking through still photography. He was 14 when he got his first camera, an Olympus OM1 35mm, and he went on to work as a photographer for the yearbook throughout high school and The Student Life while at Pomona. He was never without his camera and was always in the darkroom, he says. “It was a constant, daily practice for me.”

After graduation he set out on his pursuit of a film career but realized after a grueling two years that this wasn’t what he wanted to do after all, he says.

Tom Hanks portrait

Tom Hanks

“I looked around at the career paths of the crew and camera people and it looked pretty depressing in terms of their personal lives,” he says, thanks to long brutal hours that he saw taxed families.

A photography workshop Larsen attended in upstate New York led to a conversation, which led to an invitation, which led to a pivot. He talked to Douglas Kirkland, one of the first modern celebrity portrait photographers, who told him about the role of photo assistants. Larsen remembers thinking, “Wait a minute, what is that? That’s a job?”

Kirkland invited him to a shoot with Matt Groening, creator of “The Simpsons,” and Larsen, after seeing how professional celebrity shoots happen, was hooked and decided then this was the path for him. “I was just completely taken. It was kind of like filmmaking in that you’re building sets and creating worlds, but you’re doing it in a five-hour period, instead of months and days,” says Larsen.

Tilda Swinton

Tilda Swinton

His first gig was a teddy bears shoot for a toy catalog but over the course of seven years his experience expanded to assisting the biggest names in the field like Annie Leibovitz, Nigel Parry, Kirkland and Firooz Zahedi (Larsen helped him with the now iconic movie poster for “Pulp Fiction”).

Larsen says Leibovitz influenced him greatly with the artistic style she would bring to her shoots: whether putting Demi Moore in body paint, dumping Whoopi Goldberg in a tub of milk, or asking John Lennon to be naked and hug Yoko Ono on the floor. (To this day Larsen wonders about Lennon and Ono’s initial reactions to that request.)

Larsen and Talbert have spent two decades building that kind of creative trust with celebrities and, now more than in bygone eras, also with stars’ publicists, who do the initial vetting and then often give the final yay or nay. From his very first shoot Larsen says he realized that celebrity photography isn’t just about taking a nice picture; it’s about psychology and politics as well.

Matthew McConaughey

Matthew McConaughey

Jane Lynch

Jane Lynch

As soon as a subject arrives on set, the face is the first place his eyes go. Lighting changes are made accordingly and wardrobes are assessed based on body types.

“Celebrities are actually very vulnerable at this point,” says Larsen. “A bad photographer or a magazine with an agenda could make them look bad intentionally if they wanted. We made a decision a long time ago that we were in the business for the long run, and so it’s incredibly important that we treat our subjects with respect and not violate the trust they put in us.”

Ben Affleck

Ben Affleck

(“Every once in awhile you get a subject who is so stunningly beautiful they look great no matter what. Halle Berry was one of those,” he says.)

If all goes well there is that magic click, when the shutter release button meets “a moment, a pose, the light, where you think to yourself, ‘That’s it!’ Anything you get after that is just gravy,” he explains.

Ray Charles

Ray Charles

But often, he says, you don’t see the magic until after the fact. “Sometimes during the shoot I think, ‘Wow, this person is really a dud, nothing going on at all,’ and then you start looking through the pictures and realize they were doing something very subtle and intense and they actually gave you a gift,” he says. “That’s the fun of photography: discovering what you really captured later, after all the rigmarole of the shoot has passed and you’re just sitting with the images in front of you. Sometimes that same discovery can come years later when you’re looking back through the shoots.”

And then there are the shoots that go awry. They had 10 minutes with Jodie Foster when Larsen realized he had accidentally shot in multiple exposure and all the photos were on one frame. He threw his back out completely on a shoot with Goldie Hawn and Susan Sarandon and was unable to stand, so Talbert put the camera on a tripod, focused, and Larsen just pushed the button. Both times they still got the money shot.

Hugh Jackman portrait

Hugh Jackman

Feature3_0016

Cameron Diaz

Then of course, there are the difficult, er, quirky celebrities. The hardest session he recalls was with Christopher Walken. “As we were shooting, if we wanted him to look at the camera, we had to say ‘look.’ I said ‘look.’ He’d look at the camera for one frame, and then look away. He insisted that we say ‘look’ for every frame that we wanted him to look at the camera. Eventually, we got into a rhythm, but it threw me off at first.”

LeBron James

LeBron James

The smoothest shoot? Brad Pitt. “I had worked with him back in the early ’90s on a movie called Cool World. He hadn’t quite exploded yet and liked to hang out with the crew instead of hiding in his RV like the other big actors. When we did the shoot, he was the same laid-back guy. No fuss. But when he left the studio after our shoot, his car got attacked by paparazzi as it was pulling away. It was hard to watch that. We had a lot of sympathy for him and the price he pays for fame.”

Tracy Talbert and MIchael Larsen

Tracy Talbert and MIchael Larsen (photo by Luke & Ada Larsen)

Celebrities are just normal people who happen to have really interesting jobs, says Larsen. And they make his work interesting as well. “We’re very lucky to be able to get to spend some time with these folks and get a glimpse into their world, which is creative and at the leading edge of our culture. I think that’s the most rewarding part: a front row seat to American culture —the transcendent and the infamous, but distinctly American. It’s a privilege,” he says.

“The fact that I get paid to do this makes me feel very grateful and a little guilty.”

(Photos Copyright Larsen&Talbert)

Jumping the Shark

Justin Fenchel with a BeatBox cocktail box

Photo by Michael Larsen ’89 and Tracy Talbert

How do you look a man in the eye and ask him for a million dollars on national television?

“You have to just go for it and not think about it,” Justin Fenchel ’06 says. “As soon as anyone in the room senses weakness, you’re doomed.”

It was June of 2014, and Fenchel was talking shop with Mark Cuban, owner of the Dallas Mavericks and one of the judges on the ABC reality show “Shark Tank.” Cuban had just bid $600,000 to buy a third of Fenchel’s company, and eight million TV viewers were waiting for an answer.

Running the numbers in his head, the Pomona economics major was hesitant to say yes. His team had agreed beforehand that they wouldn’t give up more than 20 percent of the business unless they received a particularly hefty bid.

The room was suddenly eerily quiet. The show’s dramatic background music wouldn’t be added for several more months, and the bright studio lights were making Fenchel feel like he was about to black out. (Looking at the transcript afterwards, he says, “I don’t remember half of the comments I appear to have made.”)

One thing he did recall saying, though, was his reply to Cuban: “Would you do a million?”

Cuban paused a beat.

“Sure.”

With those four letters, Fenchel’s life changed in a very big way.

BeatBox Beverages, his line of wine-based cocktails that come in blindingly bright 5-liter boxes, had just been valued at three million dollars, and was about to experience the unique joy that is “the Shark Tank effect.”

After not being stocked in a single store 18 months earlier, BeatBox soon expanded to nearly 900 locations in 13 states, all while grabbing celebrity endorsements and positioning itself to take on the biggest players in the wine world.

Reflecting on BeatBox’s rapid rise, Fenchel shakes his head and grins sheepishly.

“To think,” he says. “It all basically started with a game of ‘slap-the-bag.’”

Boxed-Wine Beginnings

Like Facebook and Napster before it, the origin story for BeatBox quite literally begins in a dorm room.

One of Fenchel’s fondest Pomona memories was living in the North Campus trailers and hosting “boxed-wine Tuesdays,” where his roommates would buy a case of Franzia wine and invite friends over to watch movies. His Pomona years coincided nicely with the rise of “slap-the-bag,” a drinking tradition that involves removing a bag of wine from its box, slapping the side of the bag, and taking a swig right from the nozzle.

Fenchel enjoyed the communal nature of “slap-the-bag,” and found Franzia convenient, affordable—and completely boring.

“The only reason I bought it was because there wasn’t a more appealing option,” he says. “It made me wonder if I could take the idea of a boxed wine, and recreate it so people my age would actually be excited to bring it to a party.”

After college he and his childhood friend Brad Schultz collaborated on a few iPhone apps, while still kicking around drink ideas.

In 2011 they dreamt up “Wine-ergy,” a caffeinated beverage coming in flavors like “Call-A-Cab” and “ZinFUNdel”; they promptly nixed the concept after the caffeine-infused Four Loko courted controversy on college campuses. A few months later they mulled over a vodka-based drink, before learning that regulations on spirits would limit their “party in a box” to a decidedly un-party-like 12 servings.

What finally kick-started BeatBox was, of all things, a glass of OJ. Specifically, Fenchel stumbled across a special wine made of oranges that drinks more like a spirit and pairs deliciously with fruit juice. By 2012 he had built a team of co-founders and developed flavors that were directly inspired by his days making Crystal Light and vodka mixers at Pomona.

On a bootstrap budget, Fenchel’s team crowd-sourced a logo and package design. To focus-group their product, they would plaster BeatBox stickers onto cardboard boxes, put test batches into empty wine-bags (“Thanks, Franzia!”), and walk around local events giving out free samples.

“We’d go to festivals and ask for brutally honest feedback on which flavors tasted best,” Fenchel recalls. “We knew we were onto something when people were literally throwing 20 dollar bills at us and asking where they could buy it.”

BeatBox’s first production run was just in time for the South by Southwest (SXSW) music festival in March of 2013. Slowly but steadily, the company grew—from 20 cases a month, to 50, to 100, with Fenchel and his three colleagues still packaging and pressing every box.

“By 2014 we had increased our distribution 800 percent, but realized that we were still spending all our time in the warehouse and none of it expanding,” he says. “We needed money.”

Getting in the Tank

Justin Fenchel and his Beatbox partners on the stage on SharkTank

Justin Fenchel ’06 and his Beatbox partners on ABC’s SharkTank

Customers had been constantly telling Fenchel that his company seemed ripe for “Shark Tank.” When producers announced an open casting call at SXSW 2014, he stood in line for two hours to give his 30-second pitch. Three months later, BeatBox was one of 108 teams to be selected for the show, out of 70,000 annual submissions. (“You’d have a better chance getting into Harvard, or even Pomona,” Fenchel says.)

The team feverishly prepared in the ensuing weeks, painstakingly researching the show’s five judges and enlisting business faculty from the University of Texas to serve as “mock sharks.” They learned about the sharks’ every move—what they invested in, what they looked for in companies, and even what they ate for breakfast each morning.

“We acted like it was the biggest job interview of our life,” Fenchel says. “Which it was.”

The work paid off: in the months after BeatBox’s episode aired in October 2014, sales doubled and the team expanded from 150 stores to nearly 900. In 2015 they hit a million dollars in sales and rung up endorsements from the likes of electronic musician Skrillex and rapper Waka Flocka Flame, who enthusiastically describes the Blue Razzberry flavor as his “Turnt Up Juice.”

“Shark Tank” also impacted BeatBox in more intangible ways. “It certainly helps when your email to Walmart’s Texas distribution team includes a CC to the most powerful businessman in the state,” says Fenchel, who connects with Cuban at least once a week via email or text. “People who wouldn’t return our calls before were taking meetings with us now.”

As Fenchel zips around the country hobnobbing with potential distributors and investors, one of the most common questions he gets is a simple one: why boxed wine?

As any casual oenophile knows, boxed wine has what Fenchel generously describes as a “perception problem.” The practice of putting wine in boxes first emerged in Australia in the mid-60s, and the cheapness of the approach made it attractive to low-end jug-wine sellers in America.

While companies targeting upscale customers may view the box as a barrier, BeatBox treats it as a key differentiator and marketing tool for millennials who are more interested in having fun than seeming sophisticated.

The box also helps the bottom line, since boxed wine is cheaper to produce, longer-lasting, more convenient and more environmentally-friendly than traditional methods. BeatBox’s sales last year translated to a savings of 530,000 wine bottles that weren’t being produced or trashed.

Justin Fenchel and his partners meeting at a table with Mark Cuban

Justin Fenchel ’06 and his
partners meet with investor
Mark Cuban.

Moving forward, Fenchel’s five-year plan is simple: “More stores, lower costs.” He’s hoping to get big-chain authorizations from the likes of Publix and Kroger, and hopes to soon stock single-serving sizes so that they can sell it at bars and convenience stores.

He also has built a network of more than 250 “brand ambassadors” who organize promotional events and happy hours around the country. It’s all part of his loftier goal to grow BeatBox into a global company on par with Red Bull, with sponsored concerts and sports competitions.

“If anyone can turn BeatBox into a lifestyle brand, it’s the guy who’s embodying that lifestyle,” says Schultz. “The fun-loving, outgoing, celebratory spirit of BeatBox—that’s more or less a direct reflection of Justin and who he is as a person.”