Blog Articles

Richard M. Sheirich

Richard M. Sheirich, emeritus professor of German, died from cardiac arrest at his home in Claremont on Dec. 11, 2011. He was 84 years old.

He was born in 1927 in Erie, Penn., and attended local schools through high school. As his parents felt 16 was too young to go to college, he spent an extra year at Deerfield Academy in Massachusetts, graduating in 1945. He attended Colgate University in Hamilton, N.Y., for part of his freshman year before enlisting in the U.S. Navy. After a year’s service at Williamsburg, Va., he was discharged and returned to Colgate to complete his undergraduate degree in 1949.

He earned a master’s degree in German from Northwestern University, and a Ph.D. in German from Harvard University in 1965. He also held a DAAD Fellowship at Universität Hamburg in 1957-58. After teaching at Colgate and UC Berkeley, he joined the Pomona faculty in 1965, and for 31 years taught courses in German language, literature and culture ranging from early tribal migrations to the Cold War and reunification. He also conducted research on Viennese poet, novelist and playwright Richard Beer-Hofmann, producing a number of articles as well as an edition of Beer-Hofmann’s correspondence, Der Briefwechsel mit Paula, 1896-1937. Most summers, Professor Sheirich spent time in Vienna, doing research.

In the 1990s he led a major grant-funded project, “German across the Curriculum,” to better integrate the study of German into non-language courses in the humanities and social sciences.The goal of the project, funded by the National Endowment for the Humanities, was to improve foreign-language skills and to promote, among both faculty and students, a greater understanding of the complexities inherent in a foreign culture and of the relationship between language and other disciplines in the humanities and social sciences.

He also served on the Alumni Council and, more recently, on the Emeriti Committee. Many in the college community will miss seeing him walk with his wife of 49 years, Perdita, class notes editor for PCM, to and from campus in the early evening.

Upon retiring, Professor Sheirich expressed his gratitude for the fact that “one becomes a part of college life, yes, but it works the other way, too. The College, and a surprising number of students, also become a part of our lives.”

Memorial contributions to a fund supporting research and travel for students in German may be made to Pomona College, in care of Don Pattison, Donor Relations, 550 N. College Ave., Claremont, CA 91711.

Herbert B. Smith

Herbert B. Smith, emeritus professor of history, died Sept. 28, 2011, at his home in Mount San Antonio Gardens, Claremont, where he had lived since 1985. He was 93.

After obtaining his B.A. from the University of Iowa in 1940, he taught social studies for a year before he enlisted in the U.S. Army and was sent to Officer Candidate School. After graduation, he became the post chemical officer at Camp Butner, N.C., where, among other duties, he conducted countless drills against chemical attack for the units stationed there. He later was assigned to the information and education headquarters in Paris, helping to establish a post-hostilities education program for soldiers awaiting their return home.

After earning his M.A. degree in history at the University of Iowa and a Ph.D. in history at UC Berkeley, Professor Smith came to Pomona College in 1952. He was hired to teach French history, which he did for many years, regularly offering such courses as Absolutism and the Enlightenment in Europe, The French Revolution and the European Response and the History of Russia, in addition to Western Civilization. Smith also served as associate director of admissions and director of financial aid during the 1960s, and it was on his watch that Pomona established a policy of “need-blind” admissions.

After a one-year, Fulbright-funded sabbatical at Chulalongkorn University in Bangkok, he returned to full-time teaching at Pomona in 1969. Besides offering a new course on Southeast Asia, Smith was one of the creators of the two-semester introductory Asian history sequence—Asian Traditions and Revolution and Social Change in Modern Asia—that is still taught today.

He loved to travel, and he and his wife Dorothy traveled in the way that adventurous people did in the 1950s and early 1960s—by freighter and local trains and buses—to countries in Central Asia, the Middle East and Africa that did not see many American tourists in those days.

Smith retired in 1983 as the John Sutter Miner Professor of History after 31 years of teaching at Pomona. At the time, the College reported that he confessed to having had three serious loves in his life: his late wife, Dorothy, formerly a psychologist at Monsour Counseling Center; Clio, the muse of history; and the goddess Pomona. Shortly before he died, his fellow residents at Mount San Antonio Gardens made him the poet laureate of the Gardens.

World at her Feet

As a high-school athlete in Singapore, Annie Lydens ’13 loved to run along the forested nature trails near MacRitchie Reservoir at the center of the urban island nation. The only drawback: monkeys. The place is full of them, and if the monkey-mobs think you are carrying food, “they’ll chase you and jump on your back. You have to be on your guard.”

There are no monkeys on her back here in Claremont: This fall, she won four straight individual races by wide margins. Lydens started the streak by winning the Pomona-Pitzer Invitational on Oct. 1 by nine seconds, the SCIAC Multi-Duals by 29 seconds, the SCIAC Championship by 25 seconds and finally the NCAA West Regionals by seven seconds.

Annie Lydens '13

In November, she went on to the NCAA Division III Women’s Cross Country National Championships in Oshkosh, Wis. Her personal-best time of 21:02 earned her third place, the highest finish in Pomona-Pitzer cross country history, whether men’s orwomen’s. Along the way, Lydens earned the SCIAC Athlete of the Year and the NCAA West Region Runner of the Year honors.

Lydens has been on the move for much of her life. Born in Japan and raised in Singapore, Lydens has visited a different country every year since age 13. She lived with a Maori tribe in New Zealand, taught in a Bhutan village, sailed around Thailand and worked for a nonprofit in Cambodia. Attending Pomona is her first time living in the U.S.

Fittingly, she is interested in pursuing a career in international diplomacy. This past summer, she was an intern at NATO headquarters in Brussels, taking press inquiries, posting to social media and working long hours for meetings of NATO defense ministers. “Those days, I don’t think I sat down more than 10 minutes, running back and forth, fielding calls,” says Lydens, a philosophy, politics and economics (PPE) major.

Back on the running track, her athletic accomplishments are made all the more impressive by the fact that Lydens is relatively new to distance running. Already a soccer player at her Singapore high school, Lydens tried out running at the suggestion of the track coach, and she went on to compete in a variety of races, helping her team rack up points at meets.

It wasn’t until she arrived at Pomona that she began running cross country, just to stay in shape for track season, and finished fifth on the team at the UC Riverside Invitational before shutting down for the fall with a foot injury. In the spring of freshman year, she settled on the 800 meters (leaving the distance events to senior All-American Alicia Freese ’10), finishing fifth in the SCIAC Championships.

But in her sophomore year, with Freese serving as a coach and helping to push her along in practice, she found her permanent niche in the distance events.

The pair became close friends, and started running together on weekends. Soon Lydens broke Freese’s school record as fastest woman in the 6K. Now she has her sights set on breaking records in the 5K and 1500 meters. “I’m a really competitive person so I love racing,” she says. “I just get a thrill out of chasing people down.”

2012 – 1887 = 125

Founders Day 2012 will mark the 125th anniversary of Pomona College’s incorporation. Like all such milestones, this will be a moment for both celebration and reflection.    The observance of Pomona College’s Quasquicentennial—the awkward but proper term I feel obliged to use just once before returning to the more agreeable 125th—will be focused around Founders Day in October. There will be a variety of events and activities on campus—performances, open houses, a campus-wide party—involving not only Pomona students, faculty, staff, alumni and parents, but also the College’s extended community in Claremont and beyond. But while the October event will be the focal point, other initiatives, beginning in coming months and extending into 2013, will commemorate our history, celebrate our present, and project our future. That the 125th falls during the College’s Campaign Pomona: Daring Minds is auspicious, allowing us to set our future goals in their proper context, as a continuation of the long trajectory of our history.

The celebration of anniversaries is a near-universal human activity, one that answers a deeply felt need to mark the rhythms of our collective lives. For institutions, as for families, anniversaries remind us of the commonality of past and future. This anniversary offers us an opportunity to rededicate ourselves to the principles upon which this institution was founded; to recognize the progress made over the past 125 years; and to think about our future—about how to build on the College’s extraordinary accomplishments in the most productive ways for the benefit of future generations of Pomona students and the wider communities they will serve.

You will hear more about this subject both from me and from others in the months to come as planning continues for celebrating this milestone in Pomona College history.

Fellowship of the Ring

fellowship of the ring: everyone wants to ride it, but no one knows quite what to do with it. the strange and wonderful afterlife of a senior art project.

Cyclists ride on Circulus during its stay in Portland, Ore. (Photo by Jeff Snyder.)

“…and the ring of power has a will of its own.”
—Prologue to the 2001 Lord of the Rings film

TOILING DAY AND NIGHT at the end of his senior year, Sam Starr ’10 set out to forge his own 50-foot-wide mini-velodrome, a seductive ring of ready-to-race-on wood he called Circulus. Fueled by artistic vision and caffeine, he machine-cut board after board, tightened bolts and sanded away rough spots until the 39 portable sections were ready to be connected with help from a crew of friends. Finally, the senior art project would come to life in the cavernous emptiness of the decommissioned Seeley-Mudd Science Library. As Sam pictured it, the contrast of the sterile, silent location with the blur of motion on the track would make an artistic statement. But first there had to be a test ride to see if his creation actually worked. “A leap of faith,” Sam calls that initial spin. “I had no idea if it would even hold up.”

Sam had faced doubts early on, as some faculty members were concerned that there just wasn’t enough time for him to pull off a project of this scale. But Sam had a habit of making his own path. Before coming to Pomona, he spent a year racing on an amateur cycling team in Spain, building his confidence and riding ability. At Pomona, the art major became fascinated with fungi—yes, fungi—after attending an environmental talk, and he took a year off to work in a science lab at the University of Minnesota back home. He returned to Pomona determined to meld art and science by crafting his own bike-driven mobile biology lab, which he did, eventually riding the 130-lb. “Velolab” to Los Angeles and back in a 50-mile trek. Simply put: Sam can. “We live for teaching Sam Starrs,” says Art Professor Michael O’Malley, who helped guide Sam along the way.

Sam Starr ’10 rides on Circulus in the decommissioned Seeley-Mudd library. (Photo by Lisa Anne Auerbach.)

But Circulus was bigger and more ambitious than any of his previous undertakings. While Sam was fairly certain he could get the velodrome built in time, he worried over whether it would actually be rideable in the tight circle required for it to fit in Seeley- Mudd. His 3-D computer design and scale model would help reduce the risk of failure, but this was no sure thing until he put tire rubber to wood. So there was joy and relief as he made the inaugural ride with friends gathered around to watch. Thanks to centrifugal force—or was it something more?—he had no trouble taking a spin on Circulus without taking a spill. “I just rode around yelling and screaming and everyone was dancing around the side of it,” recalls Sam, speaking in his halting, soft-spoken manner that suggests that even as he talks a portion of his mental RAM is still devoted to making plans or poring over diagrams.

Circulus took off, attracting attention far beyond Pomona’s greenery-and-sunshine campus after a video of the mini-velodrome went viral on the web. The unusual project had obvious appeal for bikers, who were itching to ride it, and Sam suspects the do-it-yourself aspect added to the interest, as people found a certain “romance about such a big … project undertaken by one person.” All the attention was fun, but Sam had his own plans. After graduation, he was off to France for a gig helping with upscale cycling tours for American recreational bikers. Circulus found a temporary home, protected with tarps, in the backyard of a friend’s place in Upland, with a section going for a time to Riverside for a museum exhibition on bike culture. “I was worried that it was going to end up going to the landfill eventually,” says Sam. “There was just no way for me to really be able to do anything with it.”

Sam knew he couldn’t hold onto Circulus. And when he decided to give up the ring, its power only grew.

DAN POWELL SPENT A CHUNK of his childhood amidst metal coffee cans full of bearings and axles as he worked on bikes with his old man. His dad had made a hobby of pulling jalopy bikes from the garbage and fixing them up. “No one stole your bike,” Powell recalls of those days. “Because they looked horrible.” But Powell caught the bike bug and went on to work at a series of bike shops and then at Planet Bike, a well-known bike accessories brand. For a time he lived out of his 1964 Ford Econoline van while working as an intern for Bike magazine in San Juan Capistrano, Calif. In 2008, he and business partner Erik Olson started their own bike-accessories business, Portland Design Works, in the cycling-crazed Oregon city.

Powell dates his fascination with velodromes back to around 1995, when a couple of guys he knew who had been bicycle messengers told him about an event in Toronto with an insane figure-eight velodrome, complete with elevated flyover, called the Human-Powered Roller Coaster. Powell was transfixed by the blurry video. “As a very impressionable 19 to 20-year-old cycling kid, it seemed like the most badass thing ever,” he says. From then on, Powell recalls, he carried hopes of having his own velodrome.

Fifteen years later, in 2010, he read in the Urban Velo blog that Sam Starr was trying to sell Circulus. Here was his chance. When Powell didn’t hear back from Sam, he figured someone had already swooped in and bought it. But Sam was still in France and just hard to reach, and Circulus remained in storage. When they finally connected, Powell recalled that Sam had mentioned online that he would be happy to get back half of the $3,000 that had gone into the project. Powell offered $1,600, which he had to borrow from friends, and the deal was sealed. In time, he boarded a plane for Southern California and rented a truck to bring Circulus to Oregon.

Buzz about the velodrome’s arrival built quickly in Portland, and Powell and company invited friends to ride at a gathering that fell on April Fool’s Day 2011. They planned for a bigger unveiling, with a big party set for summer. They shored up the track,—which, after all, had been intended as an art piece—adding bolts and wood reinforcement. But they tinkered too much by brushing on a coating of basketball court varnish, leaving the track too slippery to ride just before the party. “We were panicked,” recalls Powell. Some skateboarders saved the day by letting them in on a trick: coating the track with a solution of watered down Coca-Cola would give it more stick and less slick. On went the show, which included a deejay and drew about 400 people, a cross-section of the biking community— “road cyclists, track guys, BMX kids.” The success of the event “kind of validated buying it,” says Powell.

New video from Portland only added to Circulus’ reputation, drawing more views and blog posts on the web. Powell notes the contrasts in the “peaceful and contemplative” video of Sam riding Circulus in placid Seeley-Mudd with the “devil-may-care” footage from the kick-off party. Circulus had left the artsy world of wine and cheese for the sweaty realm of beer and Cheetos. And that was just fine with Sam, who had watched it all from afar, checking in online every few weeks: “I’m sure a lot more people saw it as a bike project after I had let go of it than saw it as an art project when I still had it.”

“It was an art installation because of its context in the library,” he says. “You’re taking something and putting it … where it doesn’t really belong.” Then he turns a tad mystical: When Circulus became part of the bike world, Sam says, “in a way it was going home again.” But Circulus wouldn’t find a permanent home in that Portland warehouse. The velodrome was going on the road.

Next stop: Las Vegas.

EACH FALL, INTERBIKE International Trade Expo pulls in thousands of visitors for what is billed as the largest bicycle trade show in the U.S. With so many big-name vendors attending, Powell and his partner’s company would be small-fry, able to afford only a slim space at the Sands Convention Center. But with crowd-drawing Circulus in their possession, they would get a sweet deal for more room—and plenty of attention. On the first day of the show, an apparel brand had arranged for Jeremy Powers and Tim Johnson, big names in the cycling world, to race each other on Circulus. “They promoted it like a heavyweight boxing match,” says Powell. “The guys came out wearing robes. They weighed in. … They talked smack to each other.”

Their first two races in the best-of-three event went just fine. Then came the final showdown, and near-disaster. Someone in the crowd surrounding Circulus held out a $20 bill and Powers reached out to grab the cash, missed and nearly wiped out. “He came within 10 inches of leaving the surface of the track. You could smell the burning rubber,” says Powell. “This is 40 minutes into the first day of the show where we were going to turn people loose on this thing. I was scared.”

The show went on and so did the races, sometimes strangely. One was between riders in Gumby and Pokey costumes, another costumed race pitted a hot dog against a squirrel. All in all, Circulus was a crowd-pleaser as expected. (Sam Starr had tried to make it back to the states to see Circulus in Vegas, but he just couldn’t pull it off.) Still, Powell, glad there were no mishaps, was relieved when the time came to disassemble Circulus.

The ring, in some ways, had become a burden. Sure, it had brought lots of publicity to his enterprise in Portland, but he and his partner also didn’t want to be known just as the guys with the velodrome. Practically speaking, Circulus took up a lot of space they needed in their warehouse, and set-up and tear-down to take it on the road took hours of crew work—six hours to put it together, four to take it apart.

“My wife was like, ‘It’s time for it to go.’ My partner was like, ‘It’s time for it to go.’ I knew it was time for it to go,” recalls Powell.

So Circulus would be passed along once again.
Powell had a good sense of who the ring should go to next.

POWELL HAD CRASHED at his buddy Jeff Frane’s place last year when he came to Minneapolis for the Frostbike trade show. Frane was one of the first people Powell told about buying the velodrome, and Frane had fanned interest by unveiling the news in his Bike Jerks blog and posting the original video. “That was the spark in the proverbial dry grass,” says Powell. Frane has organized a slew of races in Minneapolis, another bike-crazy metropolis, including the annual All City Championship. “In short,” Frane writes online of his cycling interest, “I am way into it.” Like Powell, Frane also lived out of his van for a time. That was after college, where he’d studied comparative religion and public relations. “Super useful,” Frane says.

Once again like Powell, Frane found a way to make his living in the bike business, in his case as the sales and marketing manager for All-City Cycles. The difference is that little All-City is owned by industry powerhouse Quality Bicycle Products. Circulus was handed off in hopes that a big enterprise would be able to do more with the bulky attraction. Frane talks of bringing Circulus to Midwestern cities such as Chicago or Milwaukee this summer. He’d like to take it back to Vegas for Interbike in the fall, and maybe add a twist, throwing out the idea of a circus tent or a fog machine: “I think there’s a number of ways we could take it.” But there are logistics to be worked out and expenses to be calculated, and, at the moment, Circulus is safely stowed away at QBP’s massive warehouse in Ogden, Utah. Says Frane: “It’s sitting there while we decide what the heck to do with the thing.” The ring rests—for now.

Its maker, though, is hard at work. Sam Starr finally made his way back to the states, landing in little Hudson, New York. With some inspiration from art professor O’Malley, he took up another audacious industrial undertaking. Sam set to work on building a brick pizza oven … in the back of a truck. “To a large extent it’s just another excuse to get myself wrapped up in another crazy fabrication project,” he says. He recently started selling pizza out of the oven-bearing behemoth. (The business is called Truck Pizza: http://www.truckpizza.net./) But Sam remains an avid cyclist. He is still fascinated with velodromes and continues to field inquiries from would-be imitators requesting copies of the 3-D design he used for Circulus, though nobody ever seems to follow through and build one. “Maybe I should go into the mini-velodrome business one day,” he muses. Yes, Sam is tempted by the thought of forging another ring. “It’s in the back of my mind for sure,’’ he says.

Swimming for her Life

swimming for her life: facing aggressive cancer and family tragedy, lucy embick kunz '78 took her fight underwater

Lucy Embick Kunz ’78 climbs onto the arm of the sofa, squats in her white sock feet and throws her whole body into the tale of her recent near-gold experience at the German Life Saving Championships.

The small-framed swimmer grabs below the arm of the sofa and demonstrates how she was perched on the block—one that was more slanted than usual—and ready to dive in.

Just then, Lucy recounts, she tipped forwards off the block, starting before the gun fired, disqualifying her from the second discipline, the combined swimming event. Lucy had already finished 12 meters ahead in the 50-meter freestyle, the first event of the three-part competition. She knew gold in her age category was within easy reach. “I would have won,” she says, squinting her blue eyes, clearly still furious with herself.

Lucy’s intensity serves her well because she is racing for more than medals: She swims for her own survival. Lucy has been fighting aggressive ovarian cancer since 2003, and she has done it, in large part, by throwing herself into competitive swimming. In a sense, every lap, every moment in the pool is a victory. As a medical physicist who knows her case confides: “The doctors say Lucy Kunz should have been dead seven years ago.”

Lucy has endured 157 days of chemotherapy, three months of radiation and 13 operations on what was once a near-perfect body. She has demonstrated pure mind over matter—winning dozens of golds and breaking an International Life Saving Organization world record in obstacle swimming with a body pumped full of toxic chemicals designed to fight off tumors. She says her greatest achievement may have been when she won the German Masters gold for the 200-meter backstroke in April 2010, about a week after her 118th day of chemotherapy.

She has done all this while grieving an unfathomable family tragedy. Her older brother, Dr. Andy Embick ’72, the one she followed to Pomona, the brilliant and restless Rhodes Scholar she had always looked up to, committed suicide just months before she was diagnosed with cancer eight years ago.

The combination of the two events launched Lucy on a journey of survival. “I never did give up. I never ever ever ever did,” says Lucy. “I have to be like the pop-up figures in comics. I’m shot down and have to get up again. If I give up swimming, I’ll give up my health and my life.”

LUCY’S LOVE AFFAIR with swimming started in kindergarten at her local YMCA in Salem, Ore., where she grew up as the third of four children. Her mother is a lawyer, and Lucy’s late father worked as an orthopedist. Lucy says the Embick children weren’t pushed to achieve. But excellence was in the air at home. She and Andy were always close, and he swam too, even though swimming was not something they shared in a big way.

Andy learned to love gymnastics as a teenager and later preferred the thrill of pursuits such as rock climbing and whitewater paddling. Lucy remembers the time, when she was a kid, that Andy embarrassed her at the pool by walking around the deck on his hands, as if in a gym. That was Andy.

Still, Lucy looked up to her big brother, the firstborn, to the point that he was nearly infallible in her mind. “He was always my example of doing everything right,” Lucy says, adding, “I had absolute trust in him. Andy took me climbing. He got me to rappel. I didn’t even think about it twice. Most people wouldn’t even go over the edge. Andy said ‘go’ and I went.”

Lucy followed Andy to Pomona after he told her she’d like it better than the other schools she’d applied to. Somehow, Andy was always right.

At Pomona, Lucy still went to the pool to keep fit, but she gave up swimming competitively to concentrate on her studies. Burdette Poland, a Pomona professor of history emeritus who taught Lucy in three courses, recalls Lucy as competitive, honest and determined. He remembers how she “broke loose” in her comprehensive exams in history, doing better work than she had ever done before and ranking third among history majors that year.

Andy, for his part, did compete on the swim and water polo teams, but was better-known for his mountaineering exploits, including eight days spent on Yosemite’s El Capitan. Richard Preston ’76, today a bestselling writer (The Hot Zone, The Cobra Event), recalls a conversation in which he reminded Andy that a single mistake during his solo ice-climbing expeditions could lead to his death. “Andy looked at me with this little smile and said, ‘Of course, I know that.’ I said, ‘Why do you do it?’ Andy said, ‘Because I don’t make mistakes.’”

Lucy and Preston dated steadily for two years when Lucy was a sophomore and junior. The pair would lose themselves in conversation about archeology and art history. Looking back, Preston recalls Lucy being in her prime during her Pomona years, except for having to live in the shadow of the monumental reputation of her brother, who had routinely scaled the side of Smiley Hall to get to his room instead of taking the stairs.

Andy and Lucy both were accepted at Harvard in their post-Pomona years, and Andy did go on to Harvard Medical Schoolafter his time at Oxford on the Rhodes Scholarship. But Lucy, after earning a master’s degree in art history at the University of Oregon and going on a Rotary Foundation scholarship to Munich, chose to attend the University of Pittsburgh for her doctorate because of the financial aid package.

The siblings maintained a close relationship despite the thousands of miles between them. Andy, a physician, made his home in Valdez, Alaska, and Lucy settled in southern Germany, raising three sons with her husband Roland, who works in banking. Lucy met Andy regularly for ski trips in the Alps, followed his expeditions with interest and consulted him for medical advice regarding her children.

All along, Lucy would find time for brief swims, but only when her children joined a team did Lucy return to competitive swimming. Within no time, Lucy began racking up the medals at swim competitions across Germany, pleased that she had found a way to combine her love for swimming with her responsibilities to her family. In 2002, Lucy won three gold medals at the Life Saving World Championships in Florida and was named athlete of the year in Schweinfurt, where she practices swimming and teaches everyone from toddlers to triathletes.

Then came the news that Andy had rowed his skiff out onto Prince William Sound and killed himself.

Why Andy made this choice remains a mystery to Lucy. She confesses, “It’s a tragedy which, in its profoundness, is incomparable to anything else in terms of being an incalculable shock to me and to our whole family.” Lucy believes the shock compromised her immune system.

AFTER THE CANCER DIAGNOSIS, Lucy at first focused on the pain, the suffering and the fear she felt in the face of cancer and the treatments. But she intuitively understood that she had to turn negative feelings into positive emotions in order to survive, so Lucy began swimming in even more competitions, just when most people would have believed that impossible. The initial diagnosis of cancer and the ensuing treatments only kept Lucy away from swim meets briefly. To her doctors’ amazement, she won four gold medals at the Bavarian long-distance championship in March 2004, less than four months after her first operation.

Lucy began to develop a personal philosophy about living with the disease. She had seen how other cancer patients had given up quality of life during treatment, and she resolved to follow a different path. And, as the years went by, Lucy says Andy’s death increased her determination to survive. “He gave me even more reason never to give up,” she says. Lucy’s medical advisers say her attitude has been a key part of  her survival. “Frau Kunz keeps fighting … Such illnesses do not have to be accompanied with weakness and low performance, if patients are willing to actively do something about it and fight their way through,” says biochemist Ulrike Kämmerer, who Lucy consults on her diet.

Kämmerer and a colleague at the University of Würzburg, medical physicist Rainer Klement, were co-authors on a recent paper about the benefits of a high-fat, low-carb diet for those diagnosed with cancer, the diet Lucy keeps and one she calls the “Atkins diet” for cancer patients. In the paper, titled “Is There a Role for Carbohydrate Restriction in the Treatment and Prevention of Cancer?” published in October in the journal Nutrition and Metabolism, the two explore the effect of glucose on tumor cell proliferation.

The diet is not widely recommended by doctors because many don’t know about it, and there have been too few tests of the diet, Klement says. But the researchers say the sugars in a high-carb diet actually feed tumor cells. By lowering the amount of sugar in the blood, a cancer patient can “starve” a tumor of the nutrition it seeks. “Several factors play a role in Lucy’s survival,” Klement says. “One is the swimming, which gives her lots of strength because she loves it, and she swims with abandon. The swimming helps to detoxify her body. Doing sports in some sense is like reducing carbohydrates—both work together well, and both are helping Lucy. And then she’s strong psychologically and has an extremely strong will. That surely also plays a part.”

Lucy herself says having strong and supple muscles has helped her recover quickly from numerous surgeries to remove tumor growth from different parts of her body. Her rigorous swim training has reduced her pain substantially and become her best physical therapy. “After all that radiation, if I hadn’t really pushed myself, I wouldn’t be able to move today much at all,” Lucy says.

Still, from a medical point of view, Lucy’s swimming ability defies explanation, given her metastatic condition and the large number of chemotherapy treatments she has undergone. Kämmerer says, “Lucy is swimming times that hardly any healthy (and younger) person could. It’s extremely exceptional.”

IT’S TUESDAY, THE DAY when Lucy devotes herself to her students at the pool. She is conducting a class with nine small children. As she helps the little ones with their backstroke, Lucy’s strongest stroke, she holds their small heads in her palm like a healer.

On this particular afternoon, Lucy skips the nap she usually takes poolside. Typically, she lies down on the tiled stadium bench for a doze. Lucy has organized her chemotherapy treatments and her schedule around her coaching commitments and her own swimming routine. She even manages her available energy throughout the week so that she can be at her best on Tuesdays.

Dealing with her lack of energy is just one side effect that Lucy has had to learn to live with. She says it took her years to come to terms with the limitations that the disease brings with it. Lucy has hit multiple physical low points but, she says, the thought of giving up doesn’t enter her mind. In 2010, while on holiday in Michigan, she says she experienced pain at a level of 13 on a scale of one to 10 after two months of thoracic radiation. “I basically lay on the floor of the summer house all vacation,” Lucy recalls.

Lucy says her unusually well-tested pain threshold allows her to keep going. “I am able to transfer the tolerance of pain and suffering I have had to develop to survive the treatments for my cancer to my competitions in the pool. … I can let swimming hurt. I can go beyond my limit.”

Professor Poland compares her fight with cancer to the story of Persephone from Greek mythology, since Lucy is forced to live another life in a different realm when she’s undergoing cancer treatments. “Lucy has the good fortune to be able to come back but always with the limitation that she has to return to the underworld before the end of the year,” says Poland, who has been corresponding with Lucy in recent years.

He adds, “When I was a kid, I would get a fever and go to bed, waiting for deliverance. I would lie back and let nature take its course. Lucy is the extreme opposite of that. … She is indefatigable.”

Lucy’s story of courage also helped Richard Preston as he recovered from a shattered pelvis after a ski accident in 2010. A few years earlier, the author had taken up tree-climbing while researching his 2007 book, The Wild Trees, about the people who climb some of the world’s tallest. After the ski mishap, he feared he “would never climb a tree again,” Preston says. “I thought a lot about Lucy during that time. If Lucy Embick Kunz can break the world record in swimming with ovarian cancer, then climbing trees with a shattered pelvis ought to be doable.” Preston has now increased the vertical distance he can climb to that of a redwood tree. He did it in honor of Lucy.

“I see her as a breathtaking athlete—but her accomplishments are not just physical,” says Preston. “They’re spiritual at the same time. People who have seen this deeply admire it.”

EIGHT YEARS INTO THE FIGHT, Lucy hardly seems battle-weary.Just recently, she received news that her tumors had not shown medically relevant growth, which meant she could extend the pause in her chemotherapy for another three to four months. “I feel like I have been saved from a burning airplane,” she says.

Amid her cancer treatments and swimming meets, Lucy still grieves the loss of Andy: “There is never a day when I do not miss him.” Resolving the tragedy isn’t possible, but she is no longer trying to find answers about why Andy did what he did. “Andy was always absolute in his decisions. I have accepted it,” Lucy says.

It’s not just the swimming that helps her cope, but the people she meets in occasional competitions for people with disabilities. At these meets, Lucy swims with people who are blind, deaf, paralyzed or have limbs missing. (She is categorized as “generally” handicapped.)

Lucy’s eyes well up as she describes a swimmer who has no arms and legs: The swimmer bites on a cord with his teeth to hold him at the edge of the pool (any body part counts). When the starting gun fires, the swimmer releases the cord and begins to propel himself through the water with sinuous short dolphin motions. “You watch people who swim 50 meters without arms and legs, and everything becomes quite relative,” Lucy says, adding, “I don’t think it’s fair for me to complain about my health.”

Nor does she complain. Andreas Moser, who coaches triathletes with Lucy at the Silvana pool in Schweinfurt, notes that Lucy doesn’t talk much of her cancer. She will just occasionally mention in a neutral way that she’s going to lose her hair again, something that makes her bathing cap the perfect accessory.

“I don’t look for excuses,” says Lucy. “I just swim.”

The 100-Mile Man

Zach Landman ’08

The motto of the Tahoe Rim Trail Endurance Run is “A Glimpse of Heaven, A Taste of Hell,” and it’s not hard to recognize why. Taking place smack-dab in the middle of the sweltering summer, the race encompasses two states, three national forests, six counties and a 10,000-foot summit in Nevada.

On this particular day in July 2009, Zach Landman ’08 was one of more than 100 runners jogging the route. Until the spring of his senior year, Landman—then a beefy linebacker on the Pomona-Pitzer football team—had never run more than five miles in a row. Barely more than a year later, he was competing in this 100-mile “ultramarathon.”

Just past the halfway point, he was settling into a nice pace. But as any ultra runner can tell you, there’s always time for things to head south, and at mile 60, they did. Landman’s stomach shut down, his muscles started cramping and he began throwing up every few steps in the dry afternoon heat. He was underfed and dehydrated, but couldn’t keep down food or water. For several hours he groggily stumbled along the dusty trail, dragging his feet and feeling on the verge of collapse.

“I was ready to quit,” he says simply.

As the sun set across the horizon of the Sierra Nevadas, Landman was losing hope and growing delirious with exhaustion. But with a bright array of constellations scattered across the sky and the piercing silence of the desert surrounding him, his mood slowly shifted and adrenaline started coursing through his veins again. After reaching the very edge of his ability to go on, he had somehow emerged in a strange, transcendent, almost blissful state of being.

He sped up for the final 20 miles of the race, and blew through the last seven to 10 miles of the course at a blistering seven-minute-mile pace. “Getting past that threshold of pain you thought you could withstand, you get to a new level of lightness and feel as though you could run forever,” he says. “You break through and it becomes almost utopia.”

Pause.

“Almost.”

CERTAIN ATHLETIC GOALS are understandable, practical and even downright enjoyable, like honing a tennis serve or perfecting your downward dog. But what, exactly, possesses someone to want to run 100 miles without stopping? “I read about it flipping through a Runner’s World magazine, and thought it sounded like just about the hardest thing I could possibly do,” Landman recalls with a hearty laugh.

The Orinda, Calif., native has a history of taking on tough challenges. In high school, he made a documentary about gay marriage that surprised his football teammates and won national film awards. At Pomona, he majored in science, technology and society, and was known as a fierce competitor on the gridiron. “Zach’s only happy when he’s being challenged,” says Robert Pepple ’08, a close friend and former teammate. “If something’s too easy for him over the long run, he gets bored. He loves the process itself—reaching a goal and then progressing to the next one.”

That same fire in the belly has further revealed itself at the University of California at San Francisco, where Landman is a fourth-year student of orthopedic surgery who, when he finds the time, publishes papers in major orthopedic journals. (He also fit in getting married this past summer.) All the same Type A personality traits of ultra runners figure prominently in medicine, among them intensity, focus, stamina and a drive to better understand the limits of the human body. “We are an ambitious, self-motivated bunch,” says ultra regular Mark Tanaka, an E.R. doctor and friend of Landman’s. “This isn’t a pastime for the lazy.”

LANDMAN’S ULTRA CAREER almost didn’t make it beyond the first race. Even with that joyous last-minute sprint, when he crossed the finish line at Tahoe—with a time of just under 24 hours—he vowed never to run another ultra again. In the ensuing days, though, he couldn’t get the experience out of his head.

“Whenever I closed my eyes, I was on the trails,” he says. Within two weeks, he was online researching his next competition. Landman won four of his first six races, even setting a course record at the Big Basin 50K (4 hours, 39 minutes). In 2010, he tackled the sport’s Holy Grail at the Western States Endurance Run, which climbs more than 18,000 feet, descends nearly 23,000, and traverses snowcaps, riverbeds and a seemingly unending series of sun-baked canyons with such names as “The Bake Oven” and “Devil’s Thumb.” Typically, as much as a quarter of the more than 400 participants don’t finish. The then-23-year-old, in only his second 100-miler, placed 16th.

Mark Gilligan, a long-time runner who founded the website UltraSignUp, had already heard about Landman after two races. “When you’re in a sport where everyone’s pretty gangly and the average age is 45, a young, muscular guy like Zach sticks out,” Gilligan says. “I could tell he was talented and that it was only a matter of time before he started winning races.”

That’s not to say success has come easily. In the early days, Landman spent hours painstakingly poring over topographical route maps and picking the brains of his peers. He quickly learned that the advice about how “it’s not a sprint, it’s a marathon” becomes exponentially more valuable in ultras, which runners train themselves to separate into 10- or 20-mile minigoals to conquer.

“Rough patches in marathons may last a few minutes,” he says. “In ultras they feel like an eternity.”

In preparation for those eternal runs, Landman’s weekdays begin with 3:30 a.m. “easy runs” of 10 to 12 miles through San Francisco’s Golden Gate Park. On weekends, he embarks on 50- mile excursions in which he equips himself with nothing more than a water bottle and a salt tab. When he and his wife Geri take hiking trips into the mountains, she will often drop him off at a trailhead and meet up with him 50 miles later in time for dinner.

During races he subsists on one-ounce energy gels that he knocks back like shots. At Western States, while others rested at aid stations and chowed on PB&Js and Red Bulls, he guzzled a couple gallons of water, sucked down 52 gels and stopped for nothing. (Nope, not even nature’s call. “I guess it’s one of those skills you pick up along the way,” he says nonchalantly.)

To motivate himself the night before each competition, Landman writes out a list of reasons that he’s running and hands it out to his crew to read back to him during the race. “I know I’ll want to come up with reasons to quit,” he says, “but I’ve grown to anticipate those moments and almost look forward to them.”

So what’s the payoff? Ultramarathoners aren’t looking for money or fame or glory; the prize for finishing Western States in under 24 hours was a silver belt buckle. For an overscheduled guy like Landman, the ritual centers him and lets him shut down his mind—which, somewhat paradoxically, often results in fresh perspectives and new research ideas.

“Every time I do an ultra, rather than feeling bigger and stronger and better about myself, above all I feel humbled,” he says. “Running up mountains and through nature, you can’t help but be in awe of what’s going on around you.”

LANDMAN’S HOBBY, while closely related to his career in orthopedic surgery, might also seem somewhat at odds with it. His UCSF colleagues tease him about how he’s “just trying to build a network of patients,” and caution him, only half-jokingly, about subjecting his feet to an activity that could result in the debilitating injuries described in his textbooks.

“There’s probably a healthy balance to this, but doing things in moderation just doesn’t work for me,” admits Landman, who cut a quarter of the weight off of his 225-lb. football frame in his first year of training. After Western States, he exhibited symptoms of rhabdomyolysis, a muscle-breakdown condition that can cause severe kidney damage. While he understands the risk of developing early osteoarthritis or hypoglycemia, he says that the joy he gets from the sport, for the moment, outweighs the potential repercussions 30 years down the road.

His research at UCSF could provide insight into what damage will be done: This spring, the Clinical Journal of Sport Medicine is publishing an article he co-authored that looks at physiological changes runners experience during races. Bucking conventional wisdom, he found that runners who hydrated less—and, therefore, lost more weight—were actually more likely to succeed. He argues that the “drink plenty of water” mantra that’s been drilled into our heads vastly oversimplifies matters for ultra runners, and that factors such as electrolyte balance and blood pressure may be better benchmarks for good health than weight loss. In many cases, runners are disqualified from races if their weight drops by more than 5 percent. Landman hopes his article might inspire the entire community to rethink the rule that has been followed for more than three decades.

AS MUCH AS IT IS a physical achievement, ultra running is ultimately bigger than the body. Some of the most experienced marathoners view a 50- or 100-mile race as beyond the realm of possibility, but ultra veterans would argue that it’s all in their heads. “If you can get past the mental roadblocks, you can get past the physical ones,” Gilligan says. Or, as one of Landman’s mentors told him: “The first 50 miles are run with the legs, and the second 50 miles with the mind.”

Landman wasn’t surprised to discover through his research that ultramarathons attract a disproportionate number of recovering addicts. The sport is, if nothing else, rooted in extremes— that mix of heaven and hell, of unbearable hurt interspersed with intense physical euphoria.

Speaking of hell, still remaining on his bucket list is the 135-mile Badwater Ultramarathon in Death Valley, where temperatures get so high that runners keep their feet on the road’s white lane markers to prevent the soles of their sneakers from melting off.

“Sure, some people don’t understand all of this and think I’m crazy,” Landman says. “But it works for me.”

 

Letterbox

 Reaction to ‘It Happened’

Re: “Pomona College Museum Curator Rebecca McGrew ’85 and the Making of It Happened at Pomona”: I was a student at Pomona from 1964 –68 and lived in the area throughout the ’70s. While I know nothing of the inner workings and politics of the Art Department in those years, I never had the sense that the College was ever artistically conservative, especially in terms of collaborative artistic efforts and multi-media events.

 I remember quite vividly various campus performance art pieces, “happenings,” midnight concerts and a heady artistic extravaganza in a deserted winery in Cucamonga. Art, dance, film, theatre and musical entertainment combined frequently and pushed cultural limits routinely.

 I’ll never forget performing in a piece by the philosopher/composer Pauline Oliveros: loud electronic music filled the air inside and outside Little Bridges, Ms. Oliveros worked furiously in the balcony projecting ever-changing colored lights throughout the hall, and I had to improvise on my bassoon while a film of a walking rhinoceros’ armpit (leg pit?) was projected on me.

I remember, too, when Tim Paradise ’69 (subsequently the clarinetist of the St. Paul Chamber Orchestra) and I, amongst others, sat around an electric popcorn popper and waited for the popping corn to become our musical notes: We wore glasses with staff lines drawn on them.

Vulgarity was not confined to urinary art, which now strikes me as nothing that would shock anyone who ever went to a keg in The Wash. I remember conducting in Little Bridges at a well-attended midnight concert a trumpet concerto for solo trumpet and men’s chorus called Hum Job.

As far as I experienced, the College encouraged experimentation in the arts. If there was any lashing going on, it wasn’t conservative back lashing. In the current world of tabloid historians, rapacious bankers and cult politicians, a little experimentation might be in order again.

—David Noon ’68
New York, N.Y.

I read with great interest Suzanne Muchnic’s excellent article about the Museum of Art and the “It Happened at Pomona” exhibitions. As one familiar with the museum and its history, I have a good sense of the challenges involved in this hugely ambitious undertaking and applaud the staff, which is richly deserving of the accolades flowing their way. I also know how difficult it must have been to reconstruct a period for which only sparse records exist, and how important it is that this has now been accomplished.

The innovative art of the period in question, recollected now in relative tranquility, was understandably unsettling to the status quo—such is the nature of the cutting edge. Developing as it did during a period of widespread unrest on college campuses nationwide, it would have represented an additional challenge to already beleaguered administrators. One can only imagine the conversations the activities of the Art Department and gallery must have occasioned with conservative members of the campus community, and we can be sure that President Alexander’s skills at smoothing ruffled feathers were much in demand.

I didn’t move to Claremont until 1981, some years after the events in question, but, having worked with David Alexander for nearly 30 years, I would suggest a different, somewhat more nuanced interpretation of his response to the art scene at Pomona in the late ’60s and early ’70s. When Alexander interviewed me for the directorship, he told me about the gallery’s history and mentioned, in particular, Wolfgang Stoerchle’s performance and Michael Asher’s installation.

About the former, which incensed many and, at the very least, surprised others, he said only that it “raised some eyebrows,” a classic understatement typical of him. Of the Asher, he painted so gloriously detailed a picture that I still remember the mental image I formed. He had clearly been captivated.

Working with David Alexander throughout the last decade of his administration and, subsequently, on the College’s archives project, I gained great respect for his intellectual sophistication; his reluctance to dismiss any serious academic endeavor, however controversial; and his capacity to adjudicate the demands of conflicting constituencies. The last was, no doubt, a particularly onerous responsibility during the period chronicled by the museum’s exhibitions—a challenge quite possibly as daunting as those facing the artists whose work at Pomona helped shift the way we define and understand works of art.
—Marjorie L. Harth
Emerita Professor and Director,

Pomona College Museum of Art

 As someone who was there, I can’t resist offering my own thoughts on the contention that “David Alexander was fed up with the Art Department because the artists were pushing boundaries and taking advantage. It was difficult for Pomona, fundamentally a traditional place, to really embrace that.’”

David Alexander was a most astute, perceptive and fair-minded person. However talented and inventive the student-faculty in the studio arts at Pomona may have been during those critical years, there were at the same time several unfortunate changes and departures in the art history faculty that helped make the department as a whole unbalanced and somewhat anarchic. We may be sure that the decisions and actions he took in the years after his arrival were in an effort to improve the stability and balance of the Art Department as a whole and to make it more responsive to the needs of its students.

As for the notion that Pomona was “traditional” and perhaps even conservative in its approach to the arts, I draw on my experience teaching in the Music Department from 1950 to 1994.

It is true we offered our students, both pre-professional and amateur, a rigorous traditional program of studies in music theory, history and performance (i.e., “applied music”). But our students had ample opportunity to hear and to take part in what was new music, truly contemporary, “avant-garde,” fresh and vibrant. For several decades, beginning in the ’50s, Professors Russell, Briggs and Loucks regularly took students to concerts of “new” (and “old”) music at the Monday Evening Concerts in Los Angeles (an internationally renowned series), as well as to events at USC and UCLA.

In retrospect, the offerings of concerts and lectures by both our own faculty and by many distinguished guests seem quite remarkable, bringing to the campus and to Bridges Hall luminaries that included Pierre Boulez, Karlheinz Stockhausen, John Cage ’32, Luciano Berio, Severino Gazzeloni, Mauricio Kagel, Cornelius Cardew …

We also attended, with some of our interested and devoted students, music-theater-performanceart events that were indeed “pushing boundaries and (perhaps) taking advantage.” One such, at UCLA, I recall, involved the Rachmaninoff Prelude in C sharp minor played with great concentration by a young man totally oblivious to the six naked young women who rode their bicycles around the stage, circling him and the piano! I believe firmly that many of our alumni (including my former students, some of whom are now in their 80s like me) will verify what I have said here, in my attempt to help clarify and to present an additional perspective on “what happened at Pomona.”
—Karl Kohn
Professor of Music and Composer in Residence, Emeritus

 If only we had known! The raves say it all: “artistic feats … avant-garde action … creative energy … mythic status … flash of radical brilliance.”

Tossing lighted matches at a nude woman; getting naked and urinating in public; nothing short of pure genius.

When my cohort of surfers and beach bums did these things in the 1950s and 1960s, we were nothing but childish, antisocial, exhibitionistic idiots. If only we’d thought of calling it art— we, too, could have made history and joined the pantheon of Great Artists.

—Dave Rearwin ’62
La Jolla, Calif.

 A Tragic Loss

As reported briefly in the fall issue of PCM David A. Waring ’03 died on Sept. 28, 2010. Twenty-nine years old, he had suffered for many years from an illness that continues to confound.Having been in touch with the Waring family, and having come to understand better both the challenges his life involved and the impact he had on friends and family, I offer here a bit more about David’s life.

Classmates, friends and family held a memorial service in Claremont in May. According to Matt Leavitt ’03, a roommate and friend, “He was absolutely intrigued by how people behaved, why we did what we did, why we were who we were. … Dave’s musical talent and ability were otherworldly. I used to tell him that while I played guitar, he was a guitarist. … Perhaps one of the most tragic aspects of Dave’s affliction was we’ll never know what he could have accomplished with the world of music. … It is in his thoughtful interpretations of art, music and life that Dave truly flourished both intellectually and spiritually.”

Dave’s mother, Pat Waring, said that “in his freshman year, Dave was ‘beside-himself-excited’ to find a seminar on mathematics and music. Professor Ami Radunskaya nurtured his love of ideas in music, and for her he wrote a paper on ‘the relationship of set theory and improvisation in jazz.’” She also spoke of his love of sports, with baseball his favorite. At Pomona, he was a DJ at KSPC, a calculus grader, a psychology experiment designer and an assistant in a Claremont arts program for the disabled.

After graduating from Pomona and while in Osaka, where he was teaching English, he was stricken with myalgic encephalomyelitis/chronic fatigue syndrome (ME/CFS). Pat Waring noted, “Dave valiantly battled ME/CFS, a disease one expert pronounced ‘monstrous’ and ‘subtle’ in the same breadth. … In the end, he remembered others who suffered from ME/CFS. He requested that his organs be donated to medical science to be used for research to solve the biological questions swirling around his disease. But because of the decades-long medical politics—the titanic battle between those who view ME/CFS as a biological disease and those who see it as a psychiatric one—his contribution is yet to be determined.”

Pat Waring is educating the public about ME/CFS, the diagnosis of which is currently undergoing reevaluation, and inspiring students to pursue research into this tragic and perplexing illness.

—Don Pattison
Past PCM editor

 Bedbug Background

I read with interest the “Bedbugs are Back!” article by Sara Faye Lieber ’03, learning that Stanford Chemistry Professor Emeritus Carl Djerassi founded a company that makes a chemical which battles these pests by sterilizing them. One coincidental bit of information not included in this article is that Dr. Djerassi’s now deceased daughter, Pamela, was a member of the Pomona class of 1971.
—Steve Lansdowne ’71
Austin, Texas

Out of the Box

I always enjoy the magazine. In reference to the photo spread in the fall “Time Travel” issue depicting the Pomona College Wedgwood China, I bought my Pomona plates in 1948. I got them out of their box once for a luncheon in 2003.
—Connie Fabula ’48
La Jolla, Calif.

Tragedy at Sea

Regarding “The Pirate Trials” in the fall issue, Jean Hawkins Adam ’66 was a dear friend, even when we only got together occasionally. She lived life to the fullest, and shared her enthusiasm with those around her. Her e-mails and website made me feel as if I was adventuring with her and Scott on their trips around the globe. They are sorely missed. I can only hope this tragedy will awaken more people to the serious problem of piracy and the need to address it. Nations must take the pirate attacks very seriously and work together to stop them.

—Diana Grover Barris ’66
Long Beach, Calif.

Remembering
Motts Thomas

As the proud 40-year wife of a Pomona graduate, I am deeply grateful not only for the outstanding education Steve (Class of 1970) received at Pomona, but also for the continuing pleasure of reading your magazine. Thank you for the particularly thoughtful, poignant and provocative collection of articles in the summer 2011 issue. Like Dr. Elizabeth McPherson ’71 (“Born Still”), Steve’s future career in genetics research and teaching was set by his undergraduate work with Professor Larry Cohen.

As a proud graduate and trustee emerita of another outstanding liberal arts college, mine located “back east” in Wisconsin, I am also deeply saddened to learn of Dean Motts Thomas’ passing. During his short time at my college, Motts engaged in the same kind of relationship building and commitment to diversity thatled your Professor Swartz to rememberMotts’ time at Pomona with such affection.

But … last time I checked, my college was careful not to refer to your college as Cal Poly in Pomona. Perhaps next time you refer to my college, you could get its name straight as well.

—Priscilla Peterson Weaver
Class of 1969, Lawrence University

[Editor’s note: Our apologies for the mix-up with St. Lawrence University in Canton, N.Y. ]

 Repartee and Regret

When I read the letters in the last issue, I realized that I, too, knew Leslie Farmer ’72 (“The Bequest,” summer 2011), and my memories also capture a distinctive person who walked a path of her own. I have two memories of her. First, Leslie wrote epigrams—short pithy sayings with deep implications. At that point in my life I thought all the epigrams had been written, and it was a complete surprise to realize someone could actually create these things.

The second memory concerns an exchange we had in the Sagehen. Leslie had written something critical of a situation on campus. I cannot recall what it was, but her piece was passionate in an academic way—allusions to literature or references to history or such. I thought she was being overly dramatic and silly, and I wrote a poem in rebuttal. The poem was set as if written by Leslie. It began “Why, oh why, is the ivy dead on the halls of old PC?” From there I threw in a number of disconnected worrisome queries drawn from my still limited liberal arts education. I closed with the vengeful retort, “Stupid Leslie, it’s winter.” (Forty years before “It’s the economy, stupid.”)

 I was very proud of myself, and I assumed there was no possible retort to my sharp pen. However, I was wrong. Leslie took up the challenge and responded with a longer, more complex and probably more informed response. Perhaps she was enjoying the engagement, but I knew I lacked the substance to continue the exchange, and I left the field of battle.

If I’d had the wherewithal to respond, I might have come to know her better. Even all these years later my encounter with Leslie stands out as a very formative event for me.

—Brian Stecher ’68
Santa Monica, Calif.

 

 

 

 

 

Luke Sweeney ’13: How to Become the Nation’s Leading Rusher

Running back Luke Sweeney ’13 led all of NCAA Division III football in rushing this season, averaging 177.4 yards per game for Pomona-Pitzer and setting both single-game and single-season school records along the way. Featured in the Los Angeles Times and USA Today for his standout season, Sweeney’s path to Sagehen sports stardom began half a continent away in the suburbs of Tulsa.

 1) Grow up in Broken Arrow, Okla., in a sports-loving family. Look up to your dad who was a national champion in cross country and track during his college days at Occidental. Attend first football practice in seventh grade. Get hooked on the game so much that you decide to stick with football over other sports.

2) Dominate at the high school level at Holland Hall in Tulsa, despite being undersized for your position. Score six touchdowns in one game to earn the Tulsa World Player of the Week Award. Run for more than 1,000 yards as a senior to rank in the top 10 in the state.

3) Search for a college with good academics and that will allow you to continue to play football and not ride the bench. Remember the stories you’ve heard from your parents about their college days at Oxy in Southern California. Take a close look at schools on the West Coast. Decide that Pomona is the best fit after things click when you meet the football team.

4) Bide your time as a freshman behind senior running back Russell Oka PI ’10. Play fullback and return kickoffs to get some game experience. Become the starting tailback as a sophomore. Take advantage of getting the ball more. Rush for 824 yards on the year while senior quarterback Jake Caron PI ’11 and senior wide receiver R.J. Maki ’11 set school records.

5) Rush 176 yards in the first game of the 2011 season. Prove yourself worthy of carrying the ball 30-40 times a game. Spend lots of time in the training room every week to recover. Set a single-game school record with 265 rushing yards against Oxy. Earn some family bragging rights.

 6) Finish the season with a school-record 1,419 yards rushed. Earn postseason honors from SCIAC and D3football.com. Take a week or two to rest. Then hit the weight room to start preparing for senior year.

 

White Knuckles

white knuckles: tammy kaehler '92 just wanted to write about a racecar-driving sleuth, but before weaving her tale, she knew she'd have to get behind the wheel

I realized my mistake as I sat sweating and gasping for breath, knees trembling, body strapped into a bare-bones racecar with more horsepower than I wanted.

At the twirl of the instructor’s hand in the air, I flipped two of the six switches that comprised the entirety of the racecar’s dash controls. The vehicle rumbled to life, shaking and coughing at idle in a way that let you know it would only be happy going fast.

I hadn’t wanted to go to racing school. I’d rather not go fast, and I’m not the physically adventurous type. The only boundaries I like to push are how many books I can read in a week. But I’d had the idea to write a mystery series set in the car racing world after working in corporate marketing for a racing series sponsor. The fact that I’d never written a mystery—that I’d written fiction for the first time in my life only a few months prior—hadn’t stopped me from pitching my nascent idea to a published author. She encouraged me, with one caveat: My sleuth, who I’d seen as a woman in corporate marketing, had to be the racecar driver.

I needed the knowledge I’d get from being behind the wheel, and I wanted to have done it, even if doing it scared me to death. So there I was in the car at Road Atlanta, a road course in Georgia. Panicking.

We’d started the three-day course with classroom work, which is the kind of thing I’m good at, even if the topic was tire contact patches and the forces involved in cornering and braking. But then they put me in a car, and told me to forget everything I thought I knew about driving.

The first hands-on exercise was learning to brake, which should have been a no-brainer. What’s different about braking on the track, however, is that you don’t ease onto the brake and ease off, as you would in a street car rolling to a stop at a light. In broad strokes, racecar drivers want to be 100 percent on the throttle until they’re 100 percent on the brakes.

That meant barreling toward the brake markers at full acceleration—and then standing on the brake pedal with all my might, hoping to God I didn’t run into the gravel trap or, worse, the wall at the outer edge of the turn. Every fiber in my body screamed at me to brake sooner while my brain countered with “they said not to brake until the next marker.”

After braking, we learned how to heel-and-toe downshift. That’s using the right foot on two pedals at once, to both brake and blip the throttle (press the accelerator), which raises the engine revs so the car doesn’t lurch when I release the clutch. The point is to be as smooth as possible—“smooth is fast,” one driver told me—and maintain the connection of the tires to the ground at all times.

I kept telling myself that if I could tap dance (which I can), I could heel-and-toe downshift too, even if tap dancing doesn’t usually happen at 80 mph. I managed it only once the first day.

At this point in the instruction, I should have taken comfort in the fact that the other students were in the same boat, all beginners, all learning—except that they weren’t, because three of them were NASCAR drivers, young guns recently hired by one of the top NASCAR bosses through a televised reality show.

They were there to brush up on their road-racing skills, since their experience mostly ran to ovals. I’m sure intimidating an already scared writer was all in a day’s work for them.

Unlike me, the NASCAR boys had no trouble putting all the pieces together when it came time for a lead-follow around the track with an instructor showing us the correct line and braking points. They performed well; I floundered. It was the second day, and we were in groups of three cars (one student per car) following an instructor who was a professional driver. We were supposed to hit each apex correctly, upshift to the gearing they’d told us was correct, brake where they told us to brake and heeland- toe downshift.

Another attendee was frustrated with my pace and dogged my back bumper, which didn’t improve my skill. But I simply wasn’t ready to go as fast as the other two drivers in my group, and I stuck to my own comfort level, trying not be peer-pressured into a speed I wasn’t ready for. A good friend and professional driver had counseled me to take things at my own pace, and I repeated her words to myself as I struggled through our sessions.

Sooner than I wanted it to, the moment of truth arrived: my first solo laps. I sat waiting in the rumbling car, sweating and terrified, hoping my shaking legs would be able to work the clutch and throttle. I wondered again why I was doing this and why I hadn’t chosen something more normal and less violent to write about besides racing. Tea parties and embroidery, perhaps. And then they waved me out.

The change didn’t happen right away. As I lapped the track in short stints, punctuated by feedback from instructors stationed at different corners, I slowly began to enjoy myself. To find myself grinning under my helmet because I enjoyed the section of the track that curves left and right like the letter “S.” To think more about doing every corner right the next lap, not just three of 12. I got comfortable enough to relax, process more information and handle the speeds. I still wasn’t fast, relative to other students in the school. But I was doing 90 mph before braking for one corner, going 75-80 through another corner, and hitting 117 on the back straight. Best of all, by the start of the third day, the instructors were telling me I was doing everything right. That even if I wasn’t fast, I had the right skills. Going fast just takes more seat time, they assured me. I’ll take their word for it.

In the end, I learned enough to make my racecar driver sleuth, Kate Reilly, credible in the eyes of the racing world. Even if I can’t drive the way Kate can, I understand how she does it, and I can make her a character that the racing world believes in—in part, thanks to one of the instructors who later reviewed and blessed the driving scenes in my novel. I also faced down my fears and made it through one of the toughest challenges in my life.

But the truly eye-opening moment came near the end of the three-day course, when I rode in the racecar I’d been driving, with an instructor at the wheel. That’s when I understood how much more potential there was in the car and the track, and how much farther away the dge was. That two-lap ride gave me a glimpse of a different world, one of extreme speed and control and daring.

I know I’ll never personally inhabit that world, but at least now I can write about it.

 

ABOUT TAMMY KAEHLER ’92

She fell into the world of auto racing—and landed in the VIP suites. Kaehler had a freelance gig writing marketing copy for a mortgage lender during the housing boom of the early 2000s. When the lender decided to help sponsor the American Le Mans racing series, Kaehler saw a chance to travel and look inside another world, so she signed on to help with corporate hospitality work at the races.

Since she was working for the company putting up the cash, Kaehler got inside access at the track, riding in top-of-the-line Porsches and meeting “everyone and their uncle.” She became fascinated with auto racing: the money, the violence, the rock-star drivers.

Soon she was at work on a racing-themed murder-mystery book featuring a female racecar driver, Kate Reilly. After the mortgage company went bust, she kept at her writing and kept her toes inthe motorsports world, volunteering at races. When Dead Man’s Switch finally published last year, she launched the book at the American Le Mans Series at Connecticut’s Lime Rock Park, where the story is set.

Since then, her author events have continued to zigzag between conventional mystery book venues, where the racing aspect of the book stands out, and book-signings at racing events, where the mystery aspect is unique. “At each, people are totally fluent with one aspect of what I’m writing about,” she says.

Following this unusual course, Kaehler has found her audience. Publishers Weekly and Library Journal both praised the debut, and the second Kate Reilly mystery will be published next year.