Articles Written By: emae2021@pomona.edu

Fulbright Fellows

Nine Pomona College recipients of Fulbright fellowships boarded airplanes this fall, headed everywhere from Indonesia to Lithuania. Four others declined the award   to pursue other plans. Here’s the list of new Fulbright fellows, with their majors and destinations:

  • Natasha Anis ’19, English major, teaching in Indonesia
  • Ellena Basada ’16, English major. teaching in Germany
  • Sarah Binau ’19, cognitive science major, teaching in Brazil.
  • Tiffany Mi ’19, anthropology and French major, teaching in Spain
  • Andrew Nguy ’19, Asian studies major, studying contemporary tea culture in China
  • Jessica Phan ’19, molecular biology major, studying the chemistry of addiction in Portugal
  • Megan Rohn ’18, international relations major, teaching in Lithuania
  • Ivan Solomon ’19, international relations and Middle Eastern studies major, teaching in Morocco
  • Laura Zhang ’19, cognitive science major, teaching in Taiwan

Beyond Writing

Pomona College’s Writing Center isn’t just about writing any more.

Last summer, the center received a $250,000 grant from the Arthur Vining Davis Foundations to expand its mission to support oral and visual communication as well. The two-year grant will fund programs in which students can hone not only their writing skills but also their speaking ability and their competency in dealing with visual communications in an increasingly image-driven world.

“Through the new center, we propose a transformative reconceptualization of how we understand literacy and how we teach key forms of communication in the 21st century,” says Kara Wittman, director of college writing and assistant professor of English. “Flexibility, thoughtfulness and deliberateness in all these areas will ensure that all Pomona graduates leave the College able to write and speak effectively, advocate compellingly and have an impact on the real-world issues they care about.”

The new Center for Speaking, Writing and the Image will be a leader among liberal arts colleges in supporting written, oral and visual literacies at a single site.

Generationally Speaking

Esther Brimmer with her father, Andrew Brimmer, at the 1983 commencement exercises.

Esther Brimmer with her father, Andrew Brimmer, at the 1983 commencement exercises.

Last May, when foreign policy expert and former member of the Obama administration Esther Brimmer ’83 stepped up to the podium in Marston Quad as the featured speaker for the 2019 commencement exercises, she was following in some big footsteps—her father’s. Andrew Brimmer, then governor of the Federal Reserve, was Pomona’s featured commencement speaker in 1983, the year his daughter graduated from Pomona. In her address, Esther Brimmer recalled her father’s advice to her: “Run with the swift. … Whatever you do, you should try to learn from the best.”

 

 

Esther receives an honorary degree at Pomona’s 2019 Commencement

Esther receives an honorary degree at Pomona’s 2019 Commencement

Award-Winning Food

fishTry not to drool when you read the menu that won Pomona College chefs Amanda Castillo, John Hames, Marvin Love and Angel Villa a silver medal in a recent national cooking competition.

First course: branzino with kohlrabi slaw, ginger-scented maitake fish broth and tempura snap peas.

Second course: pork belly and shrimp with herb-roasted mashed potatoes, tomato purée and roasted corn.

Third course: vegan almond cake with caramelized peaches, bionda ganache, raspberry sauce and cashew and popcorn brittle.

Buffet course: Korean spiced tri-tip with moong bean pancakes, pickled cauliflower and jasmine rice.

The event was the team competition sponsored by the American Culinary Federation during its 25th Annual Chef Culinary Conference at the University of Massachusetts, Amherst, last June.

On the Fringe

On the first day of her Devising Theatre class last spring, when Assistant Professor of Theatre and Dance Jessie Mills proposed the idea of developing a student-produced play as part of the Hollywood Fringe Festival, five of her students leapt at the opportunity. The festival—an open-access celebration of theatre in L.A.—brings hundreds of new plays to professional theatres each summer. And so, for one week in June at the Broadwater Black Box theatre, Ally Center ’21, Roei Cohen ’21, Alex Collado ’20, Noah Plasse ’21 and Abdullah Shahid ’19 brought to life onstage their own serio-comedy, titled How to Adult. Recent graduates Rachel Tils ’19 and Jonathan Wilson ’19 were also involved as directors.

The students not only had to create their own play; they also had to produce it, including negotiating a contract with a venue for dates and times and setting up and breaking down their own sets. “Creating and producing this work is truly at the center of the liberal arts,” says Mills. “These students pulled from a myriad of sources, experiences and materials to collaboratively synthesize their ideas into one cohesive vision.”

From the Perspective of a Trilobite

Interim Dean of the College Bob Gaines holds a fossil of elrathia kingii, more commonly known as a trilobite.

Interim Dean of the College Bob Gaines holds a fossil of elrathia kingii, more commonly known as a trilobite.

Interim Dean of the College and Professor of Geology Bob Gaines threw a geological twist into the College’s opening convocation on the first day of the fall 2019 semester by presenting a very small but very old gift to each member of the entering class. The gift—a 504-million-year-old fossil trilobite from the Wheeler Shale in western Utah, was both a memento of the students’ first day of classes at Pomona and a focal point for his welcoming speech, which focused on time, on both the geological scale and the human scale of the four-year college journey upon which each of the new members of the Class of 2023 has now embarked.

“What you hold,” Gaines explained, “is an animal half a billion years old. In Earth terms, this beast is a mere youngster. It appeared after 89 percent of Earth’s history had already elapsed. The last 500-plus million years—which constitute the entire history of complex life on Earth, represent only the most recent 11 percent of Earth’s history and a far, far lesser proportion of the history of our universe.”

After tracing the very long journey each of those tiny fossils had taken through ancient seabeds, rock formations, geological uplifts and ice ages to the present day, he quipped: “So, this is the perspective from which I speak when I remind you that four years is actually a relatively brief expanse of time.”

Smart Summer Reads From 12 Pomona College Professors

These books written and edited by 11 Pomona College faculty members this year aren’t the lightest summer reads… but they could definitely land on the shortlist of the smartest.

Read the Smart Summer Reads From 12 Pomona College Professors story on the Pomona’s website.

How to Become a Concert Pianist

Genevieve Lee

1

AT AGE 4, although neither of your parents is a musician, decide on your own that you want to play the piano. Study with a neighborhood teacher in Racine, Wisconsin, and discover that you love it so much that your parents never have to make you practice.

2

WHILE ASPIRING to become an architect or a brain surgeon, show so much promise as a young pianist that, when you’re 8 years old, your piano teacher tells your parents that you need to move on to a more advanced instructor.

3

AFTER MOVING to York, Pennsylvania, apply to study piano with a well-known teacher in Baltimore, an hour’s drive away. Get accepted and work with her for five years, as she gently nudges you to abandon brain surgery for a career in music.

4

AT 12, PERFORM as a soloist in your very first concert with an actual orchestra. Play a Mozart concerto with the York Symphony Orchestra and discover the thrill of performing before an audience that isn’t made up of relatives and friends.

5

AS A HIGH school senior at the age of 15, decide to apply only to music schools. Choose Peabody Conservatory in Baltimore, where you feel both intimidated and inspired by the talented people around you. Decide that this is the right path for you.

6

GRADUATE FROM Peabody in three years and attend a summer program for musicians in Fontainebleau, France, where you win a one-year scholarship to the École Supérieure de Musique in Paris. Take first prize in the school’s annual competition.

7

GO ON TO graduate school at Yale University, where you find a mentor, the pianist Boris Berman, who challenges you to think independently and find your own special voice as a musician. Eventually earn your doctor of musical arts degree there.

8

TEACH FOR TWO years as a visiting professor at Bucknell University and fall in love with the liberal arts setting. Apply for a job at Pomona College and get it. Enjoy working with the students so much that you’re still at it 25 years later.

9

IN ADDITION to your solo work, play with various chamber music ensembles, including the Mojave Trio and the Garth Newel Piano Quartet, even though the latter means flying across the country to Virginia for each rehearsal.

10

PERFORM AT venues around the globe, including Carnegie Hall in New York and Disney Hall in L.A. Play both classical works and experimental pieces and earn a Grammy nomination for a CD in which you play a toy grand piano.

Bowling for Atoms

broken pink bowling ballProfessor of Physics and Astronomy David Tanenbaum keeps this broken pink bowling ball in his office as a reminder of a project that he considers to be one of the most important responsibilities of his career—playing the lead role in providing faculty oversight for the design, planning and construction of the new Millikan Laboratory for Physics, Mathematics and Astronomy. The last step in that long and arduous process was the grand opening of the new facility on Founders’ Day 2015. In planning for that special event, the question arose: How should they christen the new building? The answer to that question involved some showmanship, some real physics and, incidentally, the destruction of a bowling ball.

Built in the 1950s, the original Millikan Laboratory had become badly out-of-date, so in 2013 it was torn down to make room for a new, state-of-the-art Millikan, built upon the footprint of the original.

To dedicate this new building for physics, math and astronomy in 2015, the faculty didn’t want anything trite, like cutting a ribbon. They wanted nothing less than to smash an atom.

Not a real atom, of course. An atom made of papier-maché. The Math Department took on the job of creating the atom, using as a model the sculpture above the building’s front door.

Created for the original Millikan by artist Albert Stewart, that bronze sculpture, a striking but not-very-accurate representation of a lithium atom, is the only remaining feature from the original structure.

The next question was how to smash this make-believe atom. After some consideration, the faculty settled on two bowling balls, suspended by ropes from the ceiling, swinging down simultaneously from two sides to smash together in the middle.

Knowing that it would take some experimentation to create a safe and reliable way of smashing the atom, Tanenbaum and his colleagues bought several bowling balls and fitted them with hooks.

They then hung two bowling balls from the ceiling and devised a clever mechanism to pull them apart and release them at the same instant by the pull of a cord, so that they would swing down and collide.

Since there was only one papier-maché atom and it couldn’t be destroyed more than once, they concentrated on making the two bowling balls collide at the midpoint where the atom would be hung on the day of the opening.

In one test, the balls collided so violently that the resin covering of one ball shattered. After that, Tanenbaum used a cardboard box as a stand-in for the atom to cushion the blow.

For the event, then-President David Oxtoby was recruited to do the honors. Standing in a lift and wearing a hard-hat, he pulled the cord, and all of that hard work ended in a crash, with a thoroughly smashed atom.

Letter Box

Depression and Social Media infographicSocial Media: Not the Answer

In your cartoon in the spring/summer 2019 PCM titled “Depression and Social Media,” fictional “Dr. Kay” (sadly not so fictional) provides some sort of “therapy” (using the word loosely) to fictional “Josie,” recommending she use an app to analyze her “depression-related patterns in her Twitter usage.”

Now wait a minute! My view from 35 years of actual clinical practice as a clinical psychologist is quite different. I wouldn’t say it quite so harshly, but my advice to young Josie:

“Josie, research is getting pretty clear, and the title of the cartoon you are in says it all: ‘Depression and Social Media.’ The increase in depression in your age group seems to be related, in part, to the proliferation of social media. I recommend you get off of Twitter! Also, fire Dr. Kay as he is incompetent and doesn’t know the literature about what helps people.

“It is other people.

“Perhaps Dr. Kay fears this assertion is not ‘scientific.’ He is wrong, the scientific data is actually very clear in this regard. Dr. Kay seems most thoughtful as he looks at his computer screen, where he (along with the surveillance capitalists at Twitter) renders your behavioral data. When you are, ironically, lying on the Freudian couch, he’s not looking at you, but at the ‘report’ that the app has rendered, and reminding you that your dog was seriously ill.

“Josie, do you really not remember that your furry friend was seriously ill?

“Maybe you have been conditioned to believe, as some of my clients have, that such an experience shouldn’t upset you, but clearly it does, and that makes a lot of sense. If you really don’t remember he was ill, we need to explore your rather severe dissociative disorder, perhaps caused in part by your overuse of social media.”

I make what is called a “right livelihood” working directly, face to face, with a broad range of people, including those in Josie’s generation. Many, on their own, without my saying anything, have realized they need to decrease their use of social media, and all would seem to prefer and benefit from relating to me, not an app, as we, together, uncover and explore their joys, sorrows, hopes and fears. It is profoundly rewarding work.

—Jon Maaske ’72
Albuquerque, NM

In Defense of the Federalist Society

The article “History & the Court” in the winter 2019 PCM, about Professor Hollis-Brusky’s analysis of a recent Supreme Court decision on guns, references the way federal courts may inadvertently, but sometimes intentionally, intrude on Congress’s plenary power to enact substantive law under Article I of the Constitution.

Professor Hollis-Brusky’s apparent call to view the courts as a vehicle to “throw out all the rules about what we ought to expect, [which] opens up a lot of possibilities for people who want to reimagine the way we are” is essentially a call to judicial activism. Jurists answering that call would be acting in a way irreconcilable with the Constitution’s foundational tenet of separation of powers, which vests in Congress, not the courts, the authority to create the law.

In contrast to Professor Hollis-Brusky’s call to judicial activism, the Federalist Society advocates that “the separation of governmental powers is central to our Constitution, and that it is emphatically the province and duty of the judiciary to say what the law is, not what it should be.” The Federalist Society’s solution for judicial activism is a judicial approach focusing first on the Constitution’s express words, and then, if any ambiguity exists, determining the Framers’ actual intent by focusing on what reasonable persons living at the time of its adoption would have understood the ordinary meaning of the text to be. This approach was followed in the Heller decision referenced by Professor Hollis-Brusky. The Heller decision reflects a proper judicial analysis of the Founders’ original intent and meaning of the Second Amendment at the time of ratification.

Although Professor Hollis-Brusky asserts that such an analysis had been made many times over the 150 years preceding Heller, resulting in an answer contrary to the Heller majority’s approach and conclusion, the judicial record indicates otherwise. As the 8th Circuit held in U.S. v. Seay, “Prior to 2009, the Supreme Court had not examined [the Second Amendment right] in depth. This changed with the Court’s landmark decision in Heller.” Similarly, in People v. Aguilar, the Illinois Supreme Court (none of whose judges were, at the time of the opinion, members of the Federalist Society) unanimously noted that the U.S. Supreme Court in Heller “undertook its first-ever ‘in-depth examination’ of the Second Amendment’s meaning.”A consistent application of original intent thereby decreases the danger posed by the temptation for jurists to impose their own policy preferences into decisions and/or exercise judicial activism to change the law independently of the legislature.

—Grant Frazier ’16
Phoenix, AZ

Real VR Therapy

I am writing with regard to the article in the spring/summer 2019 PCM about the potential research of Cynthia Nyongesa ’19 on virtual reality and individuals with ASD.

While we do not use VR as a therapeutic intervention, per se, we at AHRC Middle/High School in Brooklyn, NY (schools.ahrcnyc.org) have been using this technology with our students since 2017.

We have used VR to help our students simulate community experiences such as traveling via subway, making purchases and having social interactions, as well as using it a tool for “virtual field trips” and curriculum extensions. In our experience, VR is an easy-to-use, cost-effective tool for introducing more “real-life” situations to our students with ASD so that they are better    prepared to handle these encounters in the real world.

We appreciate that these novel and safe interventions are being investigated at Pomona College these days.

—John Goodson ’02
Cambridge, MA

Corrections

I’m at a point in life where one is inclined to be somewhat forgetful. Personally, I am a good example of that some of the time, but thankfully not all of the time. So when I saw my class note in the spring/summer 2019 PCM with the Class of 1950, I had to think twice: Am I Class of ’50 or Class of ’51? The ’50ers are a great group, but I really am a loyal ’51er and always will be. Thus I felt compelled to bring this little editorial glitch to your attention.

—Pat Newton ’51
Pomona, CA

botanicals The spring/summer issue is a splendid piece of work in all ways, but unfortunately, it contains an error on page 52, line 7 of the Class of ’49 notes. I am a member of the Nature PRINTING Society, not the Nature PAINTING Society. If you will access the Nature Printing Society website, you will see that while our society is fairly young, the art of printing from nature is centuries old. I mostly print botanicals [see right] but have also printed fish (does gyotaku ring a bell?), feathers, squid, octopi, fossils, shells, snakeskins and really flat roadkill, and I even got to assist at the printing of an orca that washed up down-coast and was assigned to the museum for a necropsy. NPS also appears on Facebook, but since I’m a technological Luddite, I have no idea how to find it.

—Lila Anne Bartha (AKA “Hebe”)
Santa Barbara, CA

Concerning an error in “Smoke in the Wine” in the winter 2019 PCM, Sonoma and Santa Rosa were not “Spanish settlements” in what is today Sonoma County, Calif., as the article says. They were Mexican.

—Hal Beck ’64
Forestville, CA