Blog Articles

Hackers

Hackers: Hackathon: A deadline-driven, energy-drink-fueld rush to create something that just might become a Silicon Valley startup but is more likely to be remembered as one of those crazily fun things people do in college when they are alight with intelligence and passion.

It was almost dawn outside Lincoln and Edmunds halls, and the clicking of laptop keys on a Saturday morning had slowed to a persistent few. Three students slept in chairs in the Edmunds lobby, one next to a lone coder at his keyboard. In the Lincoln lobby, a quilt lay seemingly abandoned in a clump on the floor. Then it moved, and the petite student who had been slumbering beneath it climbed into a chair and disappeared under the quilt again.

Upstairs, John Verticchio ’15 looked around the windowless room where he’d spent the night working with three friends. “Is the sun up yet?” he asked.

hackers-400Welcome to the 5C Hackathon, the all-nighter that lures as many as 250 students from The Claremont Colleges each semester to stay up building creative and often elaborate software projects and apps in a mere 12-hour span. It is a deadline-driven, energy-drink-fueled rush to create something that just might become a Silicon Valley startup but is more likely to be remembered as one of those crazily fun things people do in college when they are alight with intelligence and passion.

The event is student-created and student-led, built from scratch by three Pomona College students in 2012 with a budget of $1,000 and 30 participants. By the fifth 5C Hackathon in April, the budget had grown to $13,000 and the semiannual event had drawn sponsors that have included Intuit, Google and Microsoft. The codefest also is supported by Claremont McKenna’s Silicon Valley Program, which helps students of The Claremont Colleges spend a sort of “semester abroad,” studying while interning at a technology company in Northern California.

The 5C Hackathon is a one-night gig. Competitors are allowed to come in with an idea in mind, but “the rules are that you have to start from scratch. You’re not allowed to have pre-written code,” said Kim Merrill ’14, one of the three co-founders. “It’s all about learning, having fun, staying up all night. It’s not a heavy competition.”

As students wandered into the Seaver North Auditorium around 7 on a Friday night, Merrill, who will go to work for Google as a software engineer in the fall, sat on a table in front wearing shorts and a green H5CKATHON t-shirt as hip music played on the audio system.

The aspiring hackers—how odd that a term that once referred to computer criminals has become a compliment—carried backpacks and laptops, sleeping bags and pillows, the occasional stuffed animal and Google swag bags holding USB chargers, blue Google knit caps and Lego-like toys in boxes emblazoned with the words “google.com/jobs.” This looked like serious fun, and contrary to the stereotypical image of computer geeks, there were women everywhere.

“Having Kim leading the whole thing, I think, has been really powerful for that,” said Jesse Pollak ’15, a former Pomona student who was visiting Claremont for the event he co-founded with Merrill and Brennen Byrne ’12 before leaving school last year to join Byrne in founding a Bay Area startup. (Clef, a mobile app, replaces user passwords on websites with a wave of your smartphone and has been featured by The New York Times.)

“I came in my first year and I knew I wanted to study computer science, and I was hoping there would be, like, a scene here for people who like building stuff, and there wasn’t then. There was nothing,” said Pollak, who didn’t start coding until his senior year in high school. “So I started trying to track down people who were interested in that sort of thing.”

He found them in Byrne and in Merrill, who had planned to be an English major but started coding after an introductory computer science class as a freshman at Pomona.

The event they founded gave the 5Cs an early start on what has now become a national phenomenon. “Hackathons were a new thing and most were on large campuses,” Merrill said.

Hackathons have exploded into prominence in the last two years. The second LA Hacks competition at UCLA in April drew more than 4,000 registrants from universities that included UCLA, USC, Stanford, UC Berkeley and Harvard for a 36-hour event it touted as a “5-star hacking experience” with VIP attendees. Civic groups and government organizations have gotten into the act, too, with the second National Day of Civic Hacking on May 31 and June 1 featuring events in 103 cities, many focused on building software that could help improve communities and government.

hack-cup-350While some hackathons have gone grander and glitzier—MHack at the University of Michigan awarded a $5,000 first prize this year and HackMIT drew 1,000 competitors to compete for $14,000 in prizes at the Massachusetts Institute of Technology last year—the 5C Hackathon has remained doggedly itself. “We really wanted, instead of pushing for bigger things, to think about how we can get more people into this,” Pollak said. “You’ll see people present (projects) in the morning who didn’t know how to code at the beginning of the week and who actually built something. It’ll be small and ugly, but it will work.”

A centerpiece of the 5C Hackathon is “Hack Week,” a free beginners’ course of four two-hour evening tutorials leading up to the event, with students teaching other students such basics as HTML and CSS, JavaScript, jQuery and MongoDB, all of it an alphabet soup to the uninitiated.

Christina Tong ’17 tried her first hackathon the fall of her freshman year, picking up ideas during Hack Week that helped inspire her team to fashion a restaurant-ordering app for the Coop Fountain. This spring, continuing to teach themselves more programming languages with online tutorials, her team built a financial tracking system called Money Buddy.

It’s the “forced deadline” of a hackathon, Tong said, that helps coders power through the inevitable snags and bugs of building a program. Pressing on is a huge part of the task. “When you’re fresh, you could probably figure out those bugs decently quickly, but around 3 o’clock, it’s past your normal bedtime and you’re staring for hours at things you probably could fix when you’re fresh,” she said.

Tong’s strategy is catnaps and sustenance. The spring 5C Hackers got an 11 p.m. food truck visit and a snack spread featuring clementines, jelly beans, Oreos, Krispy Kreme doughnuts, bananas and a veggie tray. And at 3 a.m., just because it’s tradition, Merrill—who typically spends much of the night mentoring beginning teams—rallied the students for a two-minute, middle of the night campus run. “It can be hard to motivate people to run at 3 a.m.,” she said.

By 4 a.m., someone had scrawled a message on a whiteboard dotted with listings for tutors: “Countdown 4 hours!”

Some didn’t make it—“I think we lost a lot more teams than we usually do,” Merrill said—but by mid-morning Saturday, 30 teams of two to four people had made one-minute slam demonstrations of their completed projects, roughly half beginners and half advanced.

Judged by America Chambers, a Pomona visiting assistant professor of computer science, and representatives of some of the sponsoring tech companies—this could be the new model of campus recruiting—the entries included efforts such as 5Cribs and the Cyborg Dorm Chooser, designed to help students pick the best dormitory rooms or suites for them.

There was a Craigslist-type site exclusively for The Claremont Colleges and an app to help recreational athletes find a pickup game on campus. One called Expression uses a webcam and face recognition to automatically select music that seems to fit the user’s mood. Another named Echo was a message-in-a-bottle app that allows people to leave audio messages for strangers that can only be heard when the person is standing near the same spot.

The Drinx app suggests cocktail combinations based on what ingredients are in the fridge. But the winning advanced project—sense a theme here?—was the Shotbot, a boxlike robot controlled by a Siri hack that makes mixed drinks automatically. Nonalcoholic, for demonstration purposes.

“Siri loves to serve drinks,” the familiar voice said after taking an order.

“We definitely used it at parties the next few weeks,” said Sean Adler, Claremont McKenna ’14, who built the project, using Arduino, Python, iOS and Node.js, along with three other Claremont McKenna computer science students—brothers Joe and Chad Newbry, both ’14, and Remy Guercio ’16. Their prize? Each team member received an iPad2.

The winners in the beginners’ division, Matt Dahl, Patrick Shao, Ziqi Xiong and John Kim—all Pomona ’17—won Kindle Fires for their project,  a “confessions” site similar to other popular sites that allow people to post anonymous secrets or desires. The Pomona students added several features—systems for sorting posts, marking favorites and for hiding offensive content, often a concern on confessions sites.

The next 5C Hackathon will be in the fall, but with Merrill’s graduation in May—she was working for the nonprofit Girls Who Code in San Francisco during the summer before starting at Google in Seattle in late September—the three founders have left Pomona. Andy Russell ’15, Aloke Desai ’16 and Ryan Luo ’16, all of whom helped organize and competed in the spring hackathon, will return to stage more all-night programming binges, the tradition now entrenched.

Russell, his night of coding done, walked out into the quiet of an early Saturday morning, unable to make it to the presentations. He had a Frisbee tournament at 8.

Hitting Winners

Mae Coyiuto ’16

Many collegiate student-athletes arrive on campus with lofty aspirations. They might hope to represent their country in international competition one day. Maybe they dream of becoming published authors, or coming up with their own ideas for non-profit organizations and building them from scratch.

Mae Coyiuto ’16, the top-ranked singles player on Pomona-Pitzer’s women’s tennis team, had already accomplished all of that before her first day at Pomona.

The inspiration to become a writer caught hold very early in her life.

tennis-300“When I was about five years old, my mom got this new laptop computer,” said Coyiuto. “To me, it looked like the shiniest, best toy ever, but my mom told me I wasn’t allowed to play with it. In the morning, though, I would sneak in the living room and play around with the computer. I discovered this magical thing called Microsoft Powerpoint and I wrote my first story on a slideshow presentation. One day my mom caught me on the computer and instead of scolding me for disobeying her, she read my story. From that day on, I never really stopped writing.”

By the time she was 10, Coyiuto was a published author, writing three children’s books in her native Philippines. As she grew older, she was inspired to write a book of short stories at age 16, titled Flight to the Stars.

Even in those early years, Coyiuto knew she had found a life-long passion. Being behind a keyboard allowed her to open up in ways that were perhaps more difficult in real life.

“I’ve always been a person who never really said much, but writing has always been a venue where I can express myself. I can write the most bizarre things, and some might even call it creativity. One thing I love about writing is that no matter how old you are or where you’re from, there is someone out there who will pay attention to what you have to say.”

Coyiuto wasn’t content with merely finding her own inspiration and seeing it through. She wanted others to have the same opportunity, so she started an organization to help build libraries in Habitat for Humanity communities in the Philippines. “The idea of our “Gintong Isip” (Golden Minds) library stemmed from both my experiences with writing and tennis. My biggest role models were some of the kids I met in junior tennis. They all had big dreams of playing for the Davis Cup, ranking internationally or getting college scholarships. I’m very happy to say that some of these kids toured abroad and got full-ride scholarships to the top universities in the Philippines. I think that everyone should be given the chance to dream and strive for something the way these players have.

“I have been terribly blessed to find things that I love so much, and I wanted to help others find their passions, too. I think the best way to do this is through literacy. Exposing people to all kinds of stories can inspire them to dream. My main reason for coming up with the Golden Minds project was to help others (especially children) realize that they have this incredible potential to be whoever they want to be. Through the amazing help of Habitat for Humanity, we were able to put up our first library last summer. During the opening, there were kids there who told me that they wanted to be doctors, lawyers, and one even said she wanted to be the next president. The goal of Gintong Isip is to make these dreams a reality.”

Coyiuto was also an overachiever on the tennis courts at a young age, winning several junior tournaments and representing the Philippines in the Junior Fed Cup in Malaysia in 2010. She still came to Pomona uncertain of how she would fare at the collegiate tennis level, but her very first tournament during her freshman fall alleviated any fears, as she advanced to the semifinals of the ITA West Regionals before falling to the No. 1 seed (Kristin Lim of CMS).

“That tournament will always be one of my best memories in tennis,” she said. “Before coming here, I was really nervous about playing college tennis. But while I was playing in the fall tournament, I knew that I was going to love playing for Pomona-Pitzer. Even though we had been playing for three days and it was over 100 degrees out, every single member of the team was out there cheering for each other. It didn’t matter that it was only my first year on the team or if my opponent was one point away from winning, they were all there for me. I’ve never felt this kind of support until I came here. The support my teammates gave me during that fall tournament helped me start to believe more in myself.”

She felt the same support off the court as well, when tragedy struck last fall. She was thousands of miles away when Typhoon Haiyan (Typhoon Yolanda, as it is known in the Philippines) devastated her home country, and although her family and local community were spared the brunt of the storm, she knew plenty of people directly affected.

“The hardest part about being away during Typhoon Yolanda was hearing about the casualties, seeing the destruction and feeling that I couldn’t do anything to help. Thankfully, my amazing AAMP mentor, Kim Africa [’15], planned a fundraising dinner for the victims. This event made me realize how lucky I was to be part of the 5C community and the tennis team. I was so touched when my professors, even from my freshman year, sent me an e-mail checking up on me and asked if there was any way they could help with the fundraiser.

“Even with all their work and other responsibilities, my teammates spent hours helping me make Filipino desserts for the event. I also reached out to the CMS women’s tennis team, asking if they could donate a basket for the raffle and they made the most beautiful basket I’ve ever seen. Seeing all my friends and teammates at the dinner made me realize that I’ve found my second home in this community.”

Coyiuto played most of her freshman season at No. 2 singles, and led the team with a 17–6 record. As a sophomore this spring, she led the team in wins again (17–8) and moved up to the No. 1 position in singles, helping Pomona-Pitzer to a No. 6 national ranking and an appearance at the NCAA Regional finals. But ask her about specific goals she may have over the rest of her tennis career, and she turns attention away from herself after one sentence.

“I hope to grow more as a player and to never stop trying to get better,” she said. “More than that, I hope that each member of the team meets her goals and loves the sport more and more during her time in Pomona-Pitzer tennis. I want to help continue the tradition of the PP tennis team as an area of support, love and family for each member.”

Providing support and love to the greater community is one area where Coyiuto has always managed to hit a winner.

Art in his DNA

Steve Comba

Before he was cataloguing the nearly 10,000 pieces in the Pomona College Museum of Art (PCMA) collection, museum Associate Director and Registrar Steve Comba was earning a reputation among his fifth-grade classmates for copying Peanuts cartoons and drawing “Wanted” posters of his least favorite teachers—a feat which often got him into trouble. Comba still has a sharp, sly sense of humor, but when it comes to managing the College’s art collection, he’s all business.

comba-350Comba never set out to work for a museum. As an undergraduate, he attended the UC Santa Barbara College of Creative Studies, later relocating to Claremont, where he received his MFA in Studio Art from the Claremont Graduate University in 1986. All he wanted was a teaching job that would enable him to pay the rent for his own studio. Until he could find a position, he took a part-time job photographing, mapping and framing prints at the Galleries of The Claremont Colleges, the former museum jointly run by Pomona and Scripps colleges. When two positions at the gallery opened up, Comba inquired about being gallery manager. “I thought it would be more appropriate for a studio artist to be the person who hangs the work, but the curator of collections thought I should look at the position of registrar instead,” he recalls. “My response was, ‘Okay…what is that?’”

As it turns out, it’s a lot. Comba’s official job description is to track everything about every object in the museum, whether it belongs to the PCMA collection or is on loan from another institution. If someone needs to know where an object is and how it’s doing, Comba is the person to call. He also oversees conservation efforts of pieces that have seen better days. “I get a lot of personal gratification when I’ve done something for an object that I know will further its preservation,” he says.

But for Comba, being the museum’s registrar is more than just cataloguing. When his daughter was a student at Sycamore Elementary, he enjoyed being able to supplement her class’s lessons about native peoples by bringing in real Cherokee sandals. Now he is one of the main coordinators of the museum’s two-year-old outreach program to local third grade classes. In the College-sponsored program, students take a field trip to the museum to see in person the artifacts they studied in the classroom. Comba advocates a hands-on approach, sometimes even letting students wear gloves and pass around a 130-year-old Cherokee lacrosse ball. He works hard to structure his lessons so that students have an opportunity to see the continuity of culture.

Comba is also an active figure in the museum’s internship program. He has been in the museum business so long—July marked his 28th year with PCMA—that several influential figures behind the doors of larger institutions, such as the registrar of Pasadena’s Norton Simon Museum, were his students. However, the most rewarding part of the job for Comba is still his intimate connection to the art. “At a certain point, you can say it’s no longer a choice,” he explains. “The need becomes ingrained in the DNA. Whenever we travel on vacation and we’re anywhere within reasonable distance of a museum, my family knows that I’m going to start to sweat if I don’t get to go in there and see it. I was asked how I get ideas for my paintings and it’s the same thing. I no longer have to look for them, because every time I look out I see the world through a painting.”

As for the future of PCMA, Comba says that talk of a new, larger museum is in the works. With a collection that grows by 100 to 170 objects a year, adding more space only makes sense. “A museum isn’t just about the contents,” he explains. “It’s a place. The place either enhances or detracts from the experience of the visitor. What’s exciting about the future is that our desire to expand is not just about making the museum bigger. It’s about having that relationship be fundamentally better. It’s an exciting thing to be a part of.”

And yet, playing such a vital role in running a college museum was never what Comba initially imagined he would end up doing. “I lucked into it. It wasn’t a plan, but this gig with the museum is working out,” he says, laughing. “If you asked, I’d say I still don’t know what I want to be when I grow up.”

Mother and Warrior

thomas-400In today’s session of Professor Valorie Thomas’s class on AfroFuturisms, the discussion focuses on a painting by Christy Freeman and how the image both represents and challenges our conceptions of motherhood and reflects the blending of African Diaspora spirituality with Christianity.

Thomas: The belief is that when you are born, everyone has a protector, an Orisha who watches over your head, your “Ori,” like a guardian spirit or a guardian angel. You might have relationships with one or more Orishas, and it is within your power as a human being to cultivate those relationships and to learn the lessons that Orisha has to teach you.

There are many Orisha and Catholic saint correspondences as a result of Africanisms encoded within Christianity. If you see images of Mary, and she’s surrounded by stars and is in this archway full of color, and she’s standing on a rock on the sea, all that ideography is consistent with Yemaya, the ocean goddess who is seen as the ultimate protector and great mother figure. So she may be respected as Mary, but the figure will also be recognized and loved as Yemaya.

Each Orisha can have dozens of paths. There’s Erzulie, a Haitian Orisha or Loa, who corresponds to the Yoruba Oshun and is also related to Yemaya. Erzulie is also connected to nurturing and motherliness, but she is the personification of love and the erotic, so she is seductive, flirtatious, loves jewelry, mirrors and sweets and wants to see people happy. But beneath that sweet façade, there’s a formidable persona. I’m going to show you a painting of Erzulie Dantor, a different side or path of this deity. I’d like to have you respond to the image first, and then I’ll tell you what fascinates me about it.

Chloe: In the heart on the crown, the top reminds me of ram’s horns, giving the sense that this is someone who is tender and warm but also can defend herself.

Thomas: Yes, this is reworking stories about the feminine, about gender, about power, breaking some of those conventional story lines that associate romance with sentimentality and weakness and docility. There’s tension that comes through that might, in other contexts, seem diametrically opposed, but in this figure they are combined. The softness and hardness; the love, the heart, but also the dagger.

Sophie: It feels like a lot more emphasis on the mother figure, but then also there’s a protective quality that I don’t think is in Western portraits. Mary isn’t usually actively protecting the baby and wielding a knife or wielding any sort of weaponry.

Thomas: What do we know as viewers about those images that you’re talking about? Where Mary’s not necessarily on watch, on guard; the child is just in his mother’s arms. How does the story end? Those images of Madonna and child, that’s the beginning of the story. We already know the ending. This is a disturbing image in that this Mary is thinking off script. It’s a stance of agency and aggression, a huge intervention on the narrative and on the established, fundamental, archetypal, Christian narrative, even though it’s still framed as Christianity.

Byron: I have a question about her necklace. I wanted to know: what’s the significance of that as a Christian icon?

Thomas: It’s a heart and what else? What is hanging below the heart?

Chloe: It could be a skull.

Byron: It looks like a nail.

Thomas: It’s silver. Is it a nail, are we agreeing that it’s a nail?

Byron: There is also something that looks like a snake.

Thomas: I’m so glad you brought up the necklace. We need to consider all those possibilities. The snake is an ancient Vodun archetype, not evil but representative of life and transformation. What about the line of that little dagger on the necklace? Where’s the line going?

Renata: It’s going right towards him.

Thomas: It’s going right towards him, right? In this case, Mary’s saying, “Well, I have a knife, too.”

Sophie: The stars in the painting also are evocative for me. It’s like faith of some sort, which maybe is nonsensical or unreasonable, because they also have resonance with anti-faith.

Thomas: In a particularly African-American or African diasporic context, how might you come to be thinking about the stars?

Sophie: A star guide for going home.

Catherine: Using the signs of the stars to move north.

Thomas: To move north because?

Catherine: Out of slavery. To freedom.

Thomas: The stars are the liberation narrative, at least back in the day of enslavement when knowing about astronomy was a useful skill in escaping and moving towards liberation. When I first saw this amazing picture it immediately tweaked my understanding of the character Sethe in Toni Morrison’s Beloved. She commits infanticide when the slave catchers are on her heels. The controversy, the tension in this story is the question: Is this motherhood? I think the painting also asks that same question. What if the knife ends up being something that is protecting the child by keeping it from the attacker who will certainly dehumanize and obliterate its spirit? Sethe says, “I wasn’t going to let them take that child, wasn’t going to let them make that child go through the monstrosity that I went through.” It redefines the terms of motherhood as not only creator but also potential destroyer; nurturer but also warrior. That’s the ultimate extreme case, extreme scenario, but it does bring the idea of the feminine principle into connection with the highest possible stakes of life and death.

History & Change

daring-minds-400Hong Deng Gao ’15

MAJOR: History
SUPPORTED BY: Financial Aid, Draper Center for Community Partnerships, Summer Undergraduate Research Program, The Annual Fund

A native of China, Hong and her mother moved to Brooklyn in 2005. When her mother developed life-threatening liver disease, Hong helped her navigate the often confusing public hospital system. Determined to improve access to health care for other low-income immigrants, Hong developed a proposal through the Draper Center to train college volunteers as health navigators for patients with limited English proficiency and literacy. Hong devotes much of her free time to the Draper Center, working as a coordinator for programs such as Alternabreak, a community engagement spring break program.

History as explanation

“Because of my immigrant background, I like to trace things back to their origins, whether it’s the earliest pilgrims, or Chinese immigrants who came in the 1800s, or recent refugee groups. It can really help explain some of what we see now. Why do Chinatowns exist in the U.S. today? What were the Chinese discriminatory laws that were passed back then and how do they still impact people today?”

In the library and on the ground

“I’ve been working with Professor (Samuel) Yamashita on the impact Chinese restaurants have had on Chinese-American communities. In the summer after my sophomore year, I went to New York, where I interviewed and observed children who help out in their parents’ Chinese takeout restaurants and Korean grocery stores. I went back to New York this summer, and to Honolulu and San Francisco, where I conducted archival research in local libraries and museums on high-end Chinese restaurants. I wanted to know what these upscale restaurants mean in the context of Chinese immigration and race relations, and the history of restaurants in the three cities. So, in a sense, my research has been both sociological and historical.”

A mother’s struggle, a daughter’s inspiration

“My mom was the inspiration for my social entrepreneurship project with the Draper Center. She had liver disease, and from the time I was about 15 years old, I helped her deal with the public hospital system, because it was hard for her to do it on her own. She didn’t really speak any English and couldn’t read the signs or the documents or bills. When I got to Pomona, I started thinking more about this issue and how I could help other non-English speaking immigrants.”

Building a bridge to better health care

“The idea I came up with is Health Bridges, where bilingual college volunteers work with local hospitals to give parents like my mom the emotional support they need and help them understand and navigate the system.

The students are definitely going to be a lot more competent in understanding the hospital procedures than these immigrant patients who are already sick and tired and can’t really deal with the system anymore.” [Health Bridges is dedicated to Hong’s mother, Jian Li Lin, who died in 2011.]

Coaching from the Draper Center

“Emily Arnold-Hernandez ’99, who teaches a social entrepreneurship workshop at the Draper Center, helped us develop our visions, goals and budgets, and to understand every single detail of how nonprofit organizations work. Where do you get funding? What are all the questions that you need to think about and have prepared before you can pitch the proposal to a funder? It was really great. I’m planning to start a pilot project this semester and, if it works out, to take a gap year before grad school to fully develop the program in different hospitals and expand it to other college campuses.”

Academia and social change

“I’ve been thinking about the question of how to bridge academia with social justice and social change. Some people see them as very distinct fields, but I think as a scholar you can still make a huge impact in society. You can change the mindset of your audience. And if the audience is policy makers or other scholars or even college students, and if they go on and take this message with them, then that’s the impact that I’d like to have.”

Daring Minds

“When I think of Daring Minds, I think of three characteristics. One is to have a vision; second is to be willing to take the risk of implementing that vision; and third is accomplishing your goal by taking concrete steps, not being afraid of failure and persevering until the end.”

Jerry Maguire Moments

mark sanchez

The walls of the Athletes First offices are filled with autographed jerseys, photos and other memorabilia from their National Football League clients, including such household names as Aaron Rodgers, Ray Lewis, Drew Bledsoe and Clay Matthews. Among the jerseys and photos in Andrew Kessler’s office is a framed copy of Newsday from 2011 showing a photo of New York Jets quarterback and Athletes First client Mark Sanchez celebrating a 28–21 playoff win over the New England Patriots with an exuberant scream and a handshake over the front railing of the stands.

Kessler ’03, who is a certified contract advisor and player agent with Athletes First in Laguna Hills, and who helped negotiate the (yes) 47-page rookie contract for Sanchez, is on the receiving end of the handshake. “My Jerry Maguire moment,” he laughs. “That was an AP photo, so it ended up everywhere.”

mcguire-moment-350After graduating from Pomona with a degree in English, and playing for four years on the Sagehens football team, Kessler jumped right into his current field working at IMG Sports with Tom Condon, ranked by Sports Illustrated as the most influential sports agent in the country last year. Kessler, whose father has been a long-time legal representative for the NFL Players Association, had already served an internship with NBA agent Marc Fleisher while attending Pomona, traveling with 18-year old client Tony Parker to various NBA workouts (Parker has since gone on to win four NBA titles with the San Antonio Spurs and former Sagehen coach Gregg Popovich).

In his first two years at IMG, Kessler assisted Condon in putting together landmark contracts for Peyton Manning (seven years, $90 million) and Eli Manning (six years, $54 million), while also attending law school at the University of Texas. In his decade in the field at IMG and Athletes First, where he has worked primarily with David Dunn (No. 11 on the Sports Illustrated list of most influential agents), Kessler has been a part of negotiating contracts that total well over a billion dollars.

Most recently, Kessler helped put together a four-year, $40 million dollar deal for Super Bowl champion safety Earl Thomas of the Seattle Seahawks, making him the highest-paid player ever at his position. Kessler returned to his original home in New York City in February to see Thomas win Super Bowl XLIII at the Meadowlands, before helping to negotiate his landmark deal. Of course, Athletes First was guaranteed to be on the winning side of that Super Bowl regardless, as the firm also represents several members of the Denver Broncos, including wide receiver Wes Welker and linebacker Von Miller.

Kessler, who resides in Laguna Beach with his wife, Alison, and son, Jordan (2), has found success in a highly-competitive, big-money industry at an age when he has been younger than some of his clients. He draws some personal parallels to his playing days for Pomona-Pitzer football, when his teams went a combined 17–15 over four years despite fielding small rosters that were often significantly outweighed by their opponents.

“One lesson I learned from playing at Pomona is that you can’t judge a book by its cover,” he said. “Just about every game we played, we would lose the eyesight test. Sometimes if you just looked at the two teams in warm-ups, you’d think we’d lose by three or four touchdowns, but then the game would start and we’d win by playing harder, smarter or more fundamental football. You see the same things on the job, whether it be negotiating a contract or signing a player or issues with a client. The odds might look against you from the outside looking in, but you can accomplish your goals by digging deeper than the other guys and not being intimidated.”

He is also quick to point out that his academic experience at Pomona has been a big influence on his career. “Most of what I have learned in this business has come from on-the-job training or from my dad,” he said. “But the critical thinking and analytical skills that I use in my profession have come just as much from what I learned at Pomona, as an English major studying Henry James novels, as they have from taking law school courses in contract law.”

Although Kessler willingly made a reference to Jerry Maguire, the fictional sports agent played by Tom Cruise in the 1996 movie (best remembered for the phrase, “show me the money”), he does laugh at the way the movie portrays his line of work. “I imagine it’s the same way that real spies view James Bond movies,” he says. “People may see the eight-figure deals in the headlines, but there’s a real grind and blue-collar element to the job, which I enjoy. It takes months of negotiations and legwork to reach those deals. You can’t just walk in and say ‘give me this, I want it.’ You have to justify your rationale to the team.”

The life of a sports agent can also involve much more than negotiating the fine print of a 47-page contract, and Kessler feels that makes it even more rewarding. “One of my favorite things about this business is that you get to be involved in a lot of different charitable endeavors and other outside interests for your clients,” he says. “I’ve helped our clients raise money for sick kids, families of veterans, youth football organizations and all sorts of things. Some clients just want you involved in one specific part of their lives, and with other clients, you find yourself wearing a lot of different hats—relationship counselor, wedding planner, financial advisor, and you get to talk to them all the time.”

Kessler may also have a career-building opportunity as the primary agent representing Marqise Lee, a second-round pick of the Jacksonville Jaguars in the 2014 NFL Draft. Lee has a Hollywood-type story of overcoming a rough childhood that saw him bounce around several foster homes before becoming the Fred Biletnikoff Award winner at USC as the nation’s top wide receiver.

While his professional experience has been largely centered on the NFL, Kessler has also used his success at Athletes First to begin his own side project called K3 Tennis, which is representing Ernesto Escobedo, a 17-year-old rising star from West Covina. “I’m excited about it,” said Kessler. “It’s still in its early stages and if nothing else, it’s really fun. Some might call it a risky move to invest in something on my own, but that’s always been my personality. I traveled 3,000 miles from New York City to attend Pomona, which was a little bit risky, and I really liked my time at Pomona. When a risk like that pays off, you’re more willing to take other risks.”

His career as an athlete and as an agent has also given Kessler some philosophical perspective. Athletics is, by its nature, hyper-competitive, with a player’s or team’s value often defined by just a simple list of wins and losses. That attitude spills over into other sports-related industries as well. An agent’s success can be defined by wins and losses in contract negotiations, clients signed and dollars generated. Failures happen, and he sometimes sees colleagues who take each defeat as hard as the players on the field do.

“You have to appreciate successes,” he said. “You hear people say that they hate losing more than they like winning, and I understand that philosophy, but you have to have balance or you won’t be happy. My bad days aren’t really all that bad. On my good days, I’ve been there to see Earl Thomas win a Super Bowl. I’ve been there with Marqise Lee and his family when he was drafted, after he overcame so much adversity.”

Of course, he was also there to celebrate a big playoff win with Mark Sanchez and end up with his picture in newspapers all over the country.

“If you can’t enjoy a moment like that,” he says. “Something’s wrong.”

Alumni Awards for 2014

Blaisdell Distinguished Alumni Awards for 2014

The Blaisdell Distinguished Alumni Award honors alumni for achievement in their professions or community service, particularly those who have lived up to the quotation from James A. Blaisdell which is inscribed into the gates of the College: “They only are loyal to this college who departing bear their added riches in trust for mankind.” This year, there are three winners:

Ifeanyi “Tony” Menkiti’64 taught philosophy at Wellesley College for 40 years and is the author off our collections of poetry: Before a Common Soil (2007), Of Altair, the Bright Light (2005), The Jubilation of Falling Bodies (1978), and Affirmations (1971). He is the owner of the Grolier Poetry Book Shop in Harvard Square, the nation’s oldest continuous all-poetry bookshop.

Born in Onitsha, Nigeria, he came to Pomona in 1961 on the ASPAU program (African Scholar-ship Program of American Universities). After Pomona, he attended Columbia University Pulitzer School of Journalism, New York University and Harvard University. In 1975, he received a fellowship in poetry from the Massachusetts State Council on the Arts and Humanities, followed in 1978 by an award from the National Endowment for the Arts. In addition to his collections, his poems have appeared in Sewanee Review, Ploughshares, New Directions, The Massachusetts Review and other publications.

In 1996, he received the Pinanski Prize for Excellence in Teaching from Wellesley College.

Joe Palca’74 has been a science correspondent for National Public Radio since 1992. He has covered a range of topics, from biomedical research to astronomy, and is currently focused on the series, Joe’s Big Idea, which explores the minds and motivations of scientists and inventors.

Palca began his career in 1982 as a health producer for the CBS affiliate in Washington,D.C. In 1986, he began a seven-year stint as a print journalist, first with Nature and then with Science Magazine. In 2009, he took a six-month leave from NPR to become science writer in residence at The Huntington Library, Art Collections and Botanical Gardens.

Palca has won numerous awards for his work,including the National Academies Communications Award, the Science-in-Society Award of the National Association of Science Writers and the American Association for the Advancement of Science Journalism Prize. With Flora Lichtman, Palca is the co-author of Annoying: The Science of What Bugs Us (Wiley, 2011).

A psychology major at Pomona, he later earned both an M.S. and a Ph.D. in psychology at UC Santa Cruz, where he studied human sleep physiology.

Rip Rapson’74 is president and CEO of The Kresge Foundation, a national, private foundation based in Detroit. Since 2006, he has led Kresge in developing programs in arts and culture, education, environment, health,human services and the renewal of Detroit, distributing approximately $150 million annually.

Rapson was a political science major at Pomona, graduating magna cum laude. After at-tending Columbia Law School, he joined the Minneapolis law firm of Leonard, Street and Deinard. He was recruited in 1989 to become the deputy mayor of Minneapolis under Mayor Don Fraser, and was primary architect of the pioneering Neighborhood Revitalization program, a 20-year, $400 million effort to strengthen Minneapolis neighborhoods.

Prior to joining Kresge, Rapson was president of the Minnesota-based McKnight Foundation and also launched the Itasca Project, a private sector-led effort to develop a new regional agenda fort he Twin Cities.

He is the author of two books: Troubled Waters, a chronicle of the Boundary Waters Canoe Area Wilderness Act legislation, and Ralph Rap-son: Sixty Years of Modern Design, a biography of his father, a renowned architect.Inspirational Young Alumni Award Lt.

Inspirational Young Alumni Award

Francine Segovia’04, a U.S. Navy Reserve research psychologist at the Robert E.Mitchell Center for Prisoner of War Studies, assists survivors recovering from post-traumatic stress disorder (PTSD). She is part of a team of scientists and medical specialists examining how optimism and resilience may boost the health of extreme trauma victims.

Segovia, who will return to active-duty service at the U.S. Naval Medical Center in San Diego, attributes her research skills to experience she gained while at Pomona, including participation in the Summer Undergraduate Research Program (SURP). “The critical thinking skills graduates from an institution like Pomona possess have a direct impact on all your work moving forward,” she says. “These skills have helped me tremendously as I navigated my career.”

Code

This is surely a first, so (cue the trumpet fanfare) welcome to the first editor’s letter ever written in code.

Not all of it, of course—as you can tell from the simple fact that you’re reading this. But in an issue on the theme of “code,” in addition to articles about genetic code and computer code and decoding animal calls, there had to be something about the clandestine side of the word. But alas, try as I might, I was unable to unearth a single Pomona source for a story about ciphers. Which shouldn’t have surprised me, I suppose, since the world of cryptology is, by its very nature, a secretive one.

So to fill that void, please forgive me for offering this light-hearted tutorial on a subject I’ve found intriguing ever since my secret decoder ring childhood.

Each paragraph below demonstrates a different cipher, and—don’t say I didn’t warn you—the codes get progressively harder as they go along. There are instructions in each paragraph to help you translate the next, but if you want to play along, you’ll have to work for it.

We’ll start with one of the oldest and simplest of codes—the Caesar cipher, named for the great Roman himself, who used it in his letters. In this substitution cipher, each letter is replaced by another a fixed number of letters up or down the alphabet. Once you figure out that number, the rest is easy.

Ecguct ekrjgtu ctg ejknf’u rnca vq fgeqfg, dwv vjga ctg cnuq vjg dcuku qh eqorngz eqfgu nkmg vjg Xkpgig`tg ekrjgt, kp yjkej c yqtf rtqxkfgu vjg mga hqt ownvkrng Ecguct ekrjgtu kp c tqvcvkpi ugswgpeg. Vjg pgzv rctcitcrj, hqt gzcorng, wugu “CDE” cu kvu mga. Vjwu, vjg hktuv ngvvgt ku qpg ngvvgt qhh, vjg ugeqpf vyq qhh, vjg vjktf vjtgg qhh, vjgp dcem vq qpg, cpf uq qp.

Sfb Ugkdeb`qc tzq qgmrffq sm yd skapbzixajb, asq hl zqwmsmdqymgw, qgmpd yod dxlmrr jxrr tnpar. Red mkkw qqsix skapbzixajb bgmgco hq qgc “lmc-qhkb oya,” vffbf rrcp zl bmrfqc qdvq zq x jcv. Sm adalcc, vns ptzqqyzs red lrlcohaxk txksb nd bzae kcqsco hl qgc hdw (X dorzjp ycon; X bpsxkq 25) cqmj sfb dorhtxkcks jbsrbq gk sfb lcprydd. Yac 26 rl zlv mcdzrfuc odqrkr. Ffllqc poyzdq xmb mtlzssxsglm, uehae zpb ccidrbc gk qcxk alcca lcpryddq xmwtzw. Qgc hdw edpb hq qgc chpps nxqydqymg mc sffr jbsrbq.

Bm ggc’nw wfqp rhna wsk qcw gyla fx rm ucxknghjd sc ysogg mw b of. Zs hweykewceokaarl.

And with that, welcome to the wonderful world of code.

///////////////////////////////

Stray Thoughts (decoded)

Here is the plain text of the three enciphered paragraphs in the Stray Thoughts:

[Caesar Cipher:]
Caesar ciphers are child’s play to decode, but they are also the basis of complex codes like the Vinegère cipher, in which a word provides the key for multiple Caesar ciphers in a rotating sequence. The next paragraph, for example, uses “ABC” as its key. Thus, the first letter is one letter off, the second two off, the third three off, then back to one, and so on.

[Vinegére Cipher:]
The Vinegère was thought to be unbreakable, but in cryptography, those are famous last words. The only truly unbreakable cipher is the “one-time pad,” which uses an entire text as a key. To decode, you subtract the numerical value of each letter in the key (A equals zero; Z equals 25) from the equivalent letter in the message. Add 26 to any negative  result. Ignore spaces and punctuation, which are deleted in real coded messages anyway. The key here is the first  paragraph of this letter.

[One-Time Pad Cipher:]
If you’ve come this far, you must be as intrigued by codes as I am. So congratulations.

The Message in the Song

The Message in the Song: National Geographic writer Virgina Morell '71 takes us inside the research of scientists working to decode the chitters and trills of animals ranging from bats to prairie dogs.

At the Mayan ruin of Uxmal, Mexico, bat researcher Kirsten Bohn bends down beside a narrow crack in one of the ancient limestone walls. “Do you hear them?,” she asks. “The twittering? That’s our bats, and they’re singing.”

I lean in, too, and listen. It takes a moment for my ears to adjust to the bats’ soft sounds, and then the air seems to fill with their birdlike trills, chirps and buzzes.

The twittering calls are the songs of Nyctinomops laticaudatus, the broad-eared bat—one of several species of bats that scientists have identified as having tunes remarkably similar to those of birds. Like the songs of birds, bats’ melodies are composed of multiple syllables; they’re rhythmic and have patterns that are repeated.

And like birds, these bats sing not during the dark of night, but in the middle of the day, making it easy for us to see them, too.

Bohn, a behavioral ecologist at Florida International University in Miami, presses her face against the crack in the wall, and squints. “Well, hello there,” she says. I follow her example, and find myself eyeball-to-eyeball with one of the bats that’s sandwiched inside. He scuttles back, but his jaws chatter at me, “Zzzzzzzz.”

“He’s telling us to back off, to go away,” Bohn says, translating. “He wants to get back to his singing.”

That suits Bohn, who has traveled to Uxmal to record the broad-eared bats’ tunes for her study on the evolution and function of bat song—research that may help decode what the bats are saying to one another with their songs, and even teach us something about the origins of human language.

Not so long ago, most animal scientists and linguists regarded the sounds that animals and humans make as markedly different. Language was considered to be something only humans possessed; supposedly it appeared de novo instead of evolving via natural selection. And animals were regarded as incapable of intentionally uttering any sound. Songs, barks, roars, whistles: These were involuntary responses to some stimulus, just as your knee jerks when your doctor taps it. But since the 1990s, the notion of language as a uniquely human skill has fallen to the wayside as researchers in genetics, neurobiology and ethology discover numerous links between animal vocalizations and those of humans.

in-song-250Take grammar and syntax, the rules that determine how words can be combined into phrases and sentences. Most linguists still insist that animal calls lack these fundamental elements of language. But primatologists studying the vocalizations of male Campbell’s monkeys in the forests of the Ivory Coast have found that they have rules (a “proto-syntax,” the scientists say) for adding extra sounds to their basic calls. We do this, too. For instance, we make a new word “henhouse,” when we add the word “house” to “hen.” The monkeys have three alarm calls: Hok for eagles, krak for leopards, and boom for disturbances such as a branch falling from a tree. By combining these three sounds the monkeys can form new messages. So, if a monkey wants another monkey to join him in a tree, he calls out “Boom boom!” They can also alter the meaning of their basic calls simply by adding the sound “oo” at the end, very much like we change the meanings of words by adding a suffix. Hok-oo alerts other monkeys to threats, such as an eagle perched in a tree, while krak-oo serves as a general warning.

Scientists have found—and decoded—warning calls in several species, including other primates, prairie dogs, meerkats and chickens. All convey a remarkable amount of information to their fellows. The high-pitched barks of prairie dogs may sound alike to us, but via some variation in tone and frequency he or she can shout out a surprisingly precise alert: “Look out! Tall human in blue, running.” Or, “Look out! Short human in yellow, walking!”

Many animals use their calls to announce that they’ve found food, or are seeking mates, or want others to stay out of their territories. Ornithologists studying birdsong often joke that all the musical notes are really about nothing more than sex, violence, food and alarms. Yet we’ve learned the most about the biological roots of language via songbirds because they learn their songs just as we learn to speak: by listening to others. The skill is called vocal learning, and it’s what makes it possible for mockingbirds to mimic a meowing cat or a melodious sparrow, and for pet parrots to imitate their owners. Our dogs and cats, alas, will never say “I love you, too” or “Good night, sweetheart, good night,” no matter how many times we repeat the phrases to them, because they lack both the neural and physical anatomy to hear a sound and then repeat it. Chimpanzees and bonobos, our closest relatives, cannot do this either, even if they are raised from infancy in our homes.

Via vocal learning, some species of songbirds acquire more than 100 tunes. And via vocal learning, the chicks of a small parrot, the green-rumped parrotlet, obtain their “signature contact calls”—sounds that serve the same function as our names.

A few years ago, I joined ornithologist Karl Berg from the University of Texas in Brownsville at his field site in Venezuela where he studies the parrotlets’ peeping calls. Although the peeps sound simple to our ears, Berg explained, they are actually complex, composed of discrete sequences and phrases. A male parrotlet returning to his mate at their nest, a hollow in a fence post, makes a series of these peeps. “He calls his name and the name of his mate,” Berg told me, “and then he’s saying something else. And it’s probably more than just, ‘Hi Honey, I’m home.’” Because the female lays eggs throughout the long nesting season, the pair frequently copulates. And so, Berg suspects that a male on his way home after laboring to fill his crop with seeds for his mate and their chicks, is apt to call out, “I’ve got food, but I want sex first.” His mate, on the other hand, is likely hungry and tired from tending their chicks. She may respond, “No, I want to eat first; we’ll have sex later.” “There’s some negotiating, some conversation between them,” Berg said, “meaning that what one says influences what the other says next.”

bird-in-song-300Berg discovered that parrotlets have names by collecting thousands of the birds’ peeps, then converting them to spectrograms, which he subsequently analyzed for subtle similarities and differences via a specialized computer program. And how does a young parrotlet get his or her name? “We think their parents name them,” Berg said—which would make parrots the first animals, aside from humans, known to assign names to their offspring.

Parrotlets aren’t the only animals that have names (or to be scientifically accurate, signature contact calls). Scientists have discovered that dolphins, which are also vocal-learners, have these calls, although these seem to be innate; the mothers aren’t naming their calves. And some species of bats have names, which they include when singing, and in other social situations.

Bats sing, for the same reason birds do: to attract mates and to defend territories. They’re not negotiating or conversing, but their lovelorn ditties are plenty informative nonetheless. After analyzing 3,000 recordings of male European Pipistrellus nathusii bats, for instance, a team of Czech researchers reported that the songs always begin with a phrase (which the scientists termed motif A) announcing the bat’s species. Next comes the vocal signature (motifs B and C), information about the bat’s population (motif D), and an explanation about where to land (motif E).

“Hence, translated into human words, the message ‘ABCED’ could be approximately: (A) ‘Pay attention: I am a P.nathusii, (B,C) specifically male 17b, (E) land here, (D) we share a common social identity and common communication pool,’” the researchers wrote in their report.

Bohn suspects that the tunes of her bats at Uxmal convey the same type of information. “The guys are competing for females with their songs,” she says, “so they can’t afford to stop singing.” She doesn’t yet know what the females listen for in the voice of a N.laticaudatus, but expects that something in a male’s intonation or his song’s beat gives her clues about his suitability as a mate.

But her focus is on another question: Are these bats long-term vocal learners, as are humans and some species of birds, such as parrots? “If they are,” she explains, “then they might be a good model for studying the origins of human speech”—which would make bats the first mammal ever used for such research.

Bohn had earlier recorded some of the bats’ songs, and digitally altered these so that they sounded like the refrains of different bats—strangers. At the wall, she attaches a pair of microphones and a single speaker to a tripod, and points the equipment at the fissure, where the bats sing. Pushing a button on her laptop, she broadcasts the remixed bat songs to the tiny troubadours, who respond with even louder twitters, trills, and buzzes. Bohn watches their responses as they’re converted into sonograms that stream across her laptop’s screen like seismic pulses. These are territorial buzzes and contact calls, Bohn explains. “They know there’s an intruder.” She’s silent for a moment, and then beams. “Yes! One of the guys is trying to match the intruder’s call. He doesn’t have it exactly right, but he’s close—he’s so close, and it’s hard.”

But there it was: the first bit of evidence that bats are life-long vocal learners. Just like us.

The Ash Heap of Success

The Ash Heap of Success: As an expert witness in an international biotech patent suit, Professor Lenny Seligman finds his own research on trial.

ash-heap-400Expert witnesses at contentious trials can expect to be challenged, even discredited. But when he took the stand last year in a complex biotech patent case, Pomona Biology Professor Lenny Seligman never anticipated that his groundbreaking work at Pomona would be relegated to the “ash heap of failure.”

That attack line echoed from start to finish during the high-stakes federal trial in Maryland between two rival companies in the cutting-edge field of genetic engineering. The dismissive salvo was fired in the opening statement by the attorney for Cellectis, a large French firm that filed suit for patent infringement against its smaller U.S. competitor, Precision BioSciences, which had hired Seligman for its defense.

Seligman was more than just an expert witness. His research at Pomona had become a cornerstone for the case. Both sides cited Seligman’s work as a basis for the science on which their businesses had been built. Ironically, the plaintiff then found itself in the awkward position of having to undermine the validity of his work. It did so by claiming he had not actually produced anything concrete in his college lab that would invalidate the firm’s far-reaching claims.

“I don’t hold that against him,” said the counselor. “This is very complicated technology. It does not surprise me that he wasn’t able to do it. What does bother me is Precision attempting to rescue his (work) from the ash heap of failure.”

Seligman left court that day thinking, “Ouch! Did he really say that?” When cross-examined by that same lawyer, Paul Richter, Seligman found an opportunity to sneak in a mild retort, saying on the stand, “That was not very nice.” Considering the attack still in store, the lawyer might have mused, “If you thought that was bad, wait until you hear my summation.”

In those final arguments, though, Seligman’s side fired back with outrage and eloquence. Following a week of mind-numbing technical testimony, David Bassett, an attorney for Precision, rebutted the now infamous line. The court reporter transcribed the original reference as “ashes of failure,” but Seligman and others clearly remember it as a heap, and that’s the phrase that stuck.

To say Seligman’s work belonged in the “ash heap of failure” was “as incorrect as it is offensive,” said Bassett. “To the contrary, Professor Seligman’s article represented a monumental success from a small lab at Pomona College where (he) does his research with undergraduate students, 18 to 22-year-olds. And it paved the way for companies like Cellectis and Precision to do their work. … The real difference is that Professor Seligman was teaching the world what he had done and hoping that others would follow his blueprint.”

In the end, Precision won the infringement case and Seligman’s work was vindicated. The attack strategy against the likeable professor’s little-lab-that-could appeared to have backfired.

“I think that statement bit them in the ass,” he said. “Because even the jury kind of cringed when the lawyer said it. I mean, that’s really aggressive. And then when they got to know the witness—what a sympathetic guy I am—it was like, why would you do that? You could have made the point without going for the jugular like that.”

Indeed, it may have been the professor’s disarming, down home charm that won the day, as much as all the technical testimony about the DNA and microscopic structures called meganucleases. Beneath the complex science ran a compelling narrative that must have appealed to the federal jury empaneled in the district court of Delaware.

It was, in the end, a classic American underdog story.

The synopsis: Powerful and imperious European firm with raft of lawyers and battery of full-time scientists is defeated by scrappy U.S. start-up and its folksy professor with his one-man lab and part-time student assistants.

Seligman relished the role. In a PowerPoint presentation of the case presented recently to campus groups, he portrays the litigants as Team France v. Team USA. He uses slides to illustrate the uneven competition between the two companies and their dueling expert witnesses. For Cellectis, we see the flattering portrait of an award-winning genetics researcher from a big university. For the other side, we have Lenny Seligman, but the slide shows a picture of Homer Simpson.

The visual gets a big laugh.

A year after the verdict, Seligman still expresses astonishment when recalling the whirlwind experience of being a central figure in an intense international dispute about science. Interviewed in his office at Seaver Hall, where he presides as Biology Department chair, he also reflected on the awesome amounts of money circulating in science today, and what it means for those trying to teach and do research at a small, liberal arts college like Pomona.

“Part of me is happy with how things turned out,” he says. “At one level, it would have been great to be able to continue working on the I-CreI project without competition. However, we would never, at Pomona College, in my lab, have gotten to the point these two companies got to in five years. They were putting products out there, they were making enzymes that cut specific DNA sequences. It would’ve taken us so long to get there. So in the big picture, this is great. These companies are doing it, and they’re still graciously referencing our early work. It’s all good.

“We just have to find something new to do.”

Court and Class

Watching Seligman’s PowerPoint presentation about the case, posted online, gives viewers a flavor of his teaching style. He is engaging, enthusiastic and funny in a self-deprecating way. He’s also informal, standing casually at a podium with his shirttail hanging out and joking about wearing a suit only for court. But most importantly, he has a knack for explaining complex concepts to scientific novices, like college freshmen—or jurors.

The concepts in this case involved the business of protein engineering using meganucleases, which have been described as “extremely precise DNA scissors.” Scientists have developed ways to alter these naturally occurring enzymes and make them cut DNA segments at specific, targeted locations, with potentially lucrative uses in medicine and agriculture.

“Court is interesting because it’s kind of like a class,” Seligman says. “But it’s not like a class at Pomona where someone’s going to raise their hand and ask a question and stop you. When I’m in a class and I’m lecturing off-the-cuff and I can see that I’m losing students, I’ll stop and I’ll ask them certain questions. You can’t do that when you’re an expert witness, but you can still kind of get the visual cues. You still could get a sense that (the jurors) were with you, and I really felt that they were. They weren’t glazing over.”

Neither were the lawyers. They were ready to pounce on every word, eager to point out the smallest inconsistency or weakness. And Seligman was trying to make sure he didn’t slip up.

So there was no Homer Simpson on the witness stand. In court, Seligman’s easy-going, spontaneous classroom persona was restrained. The transcript of his testimony shows a witness who is cautious, serious and coldly factual. By then, he had been through hours of grueling depositions, and he knew the name of the game—Gotcha!

“Well, the whole idea (of pre-trial depositions) is for them to get a sound bite that they can use in trial,” he says. “So they ask questions really quickly. The thing that was hard, especially for someone who’s not a lawyer, is that they move from one aspect of the case to another, rapid-fire. …Your mind is over here and they’re trying to get you to slip up, so they can say to the jury, “But didn’t you testify that…?”

Seligman pounds on his office desk to impersonate an intimidating attorney.

“I felt really guarded. In class, when I get a question and don’t know the answer, the first thing I say is, ‘I don’t know.’ And so that’s my default mechanism, because I’ll figure it out, and we’ll talk about it next lecture. But if you’re getting deposed, you can’t fall back on that answer because lawyers will shoot back, ‘You don’t know? Well, on page 285 of your third report, didn’t you write this?’” Here, his tone mocks a Perry Mason moment. “So you feel you have to be on your toes all the time, and really be thinking about everything you’ve ever written.”

At times, the legal wrangling was so contentious, even the judge sounded exasperated. During one testy confrontation, U.S. District Court Judge Sue L. Robinson threatened to give the lawyers “a time out,” like an angry parent with misbehaving kids.

Underneath, Seligman perceived a bitter dislike between the two companies. It was like a battle to the death. He speculates that Cellectis’s strategy was to put Precision, the much smaller firm, out of business, bankrupted by legal fees. So Precision could win the battle and still lose the war.

Call it the ashes of success.

“Cynically, a lot of us (supporting the U.S. company) thought this was all about trying to bleed them.”

Money and Science

The experience was not all cutthroat and high anxiety, however. Seligman also recalls the excitement of being swept up into the high-flying world of international business and high-priced corporate lawyers. He describes it with the wide-eyed wonder of a kid who grew up in Claremont and still uses the nickname he was given in kindergarten, rather than his full name, Maurice Leonard Seligman.

To Lenny, it was a thrill just being in New York for the deposition and looking out onto that breathtaking Manhattan skyline. He often punctuates his story with youthful expressions, like “awesome” and “oh, my gosh!” He breathlessly describes the “war room” where a battalion of lawyers in a suite of offices prepared for testimony. (“Oh, my gosh!”) And he recalls how lawyers worked through the night preparing challenges even to illustrations planned for court the next day, putting pressure on a graphics guy to create instant substitutions. (“Oh, my gosh!”)

“And you mix that with all this adrenaline and dread of being deposed—it was really exciting,” he says.

When it came to how much the defense paid him, the response might also be, “Oh, my gosh!” That pesky attorney made a point of making him divulge the fee in court: $400 an hour. “It was more money than I had ever made in a short amount of time,” he recalled in the interview. “It was a lot of money for me.”

The amount of money these companies dumped on this lawsuit raises larger concerns about the corrupting influence of big profits on basic research.

“The whole privatization of science is something that’s certainly to be looked at carefully,” agrees Seligman. “Did I ever think to put a patent out? I’m glad I didn’t, in retrospect. If somebody wanted to choke me like they tried to choke Precision, they would serve me and I would say uncle. There’s just no way I would have the resources to fight. But beyond that, there’s just something that’s really special about open science, where everyone is sharing everything and building on each other. And once it gets into the industry, it’s not open science. They’re protecting it. They’re hiding it until they get the patent issued.”

Bringing it all back home, Seligman sees implications for his future work at a small college. How can his little research lab compete with wealthy companies, often with ties to large universities.

“That’s what we worry about all the time in a place like Pomona College,” Seligman says. “You want to do interesting science, but it’s got to be small enough that you’re not doing the same thing that the big labs are doing because we don’t have the same resources.”

Focus on Students

Beyond doing good science, Seligman and his colleagues at liberal arts colleges have another mission to worry about—teaching undergraduates. In his own lab, he notes, research must also be a teaching tool, a training ground for future scientists. In this regard, he says, Pomona is in a perfect position to compete.

The work on meganucleases is a prime example. In the early days, before big money entered the fray, much of the research was being done by students at Lenny’s lab. Today, they all have their names—as full-fledged co-authors—on those important research papers that figured so prominently in the trial.

These were not graduate students or post-docs. They were undergraduates like Karen Chisholm ’01, Adeline Veillet ’03, Sam Edwards ’99 and Jeremiah Savage ’98, who co-authored Seligman’s pioneering 2002 paper, marking the first time researchers described making mutations in a meganuclease, called I-Cre1, that altered the site where it cleaved DNA. Two years later, Steve Fauce ’02, Anna Bruett ’04 and Alex Engel ’01 co-authored another of Seligman’s key research papers, along with Dr. Ray Monnat of the University of Washington, where Seligman got his Ph.D. and did his first work on meganucleases as a post-doc in Monnat’s lab. Finally in 2006, five other Pomona undergrads—Laura Rosen ’08, Selma Masri ’02, Holly A. Morrison ’04, Brendan Springstubb ’05 and Mike Brown ’07—co-authored a third paper in which new mutant meganucleases were described.

Many former students praise Seligman as a great mentor who inspired them to pursue science in graduate school. At least 10 of these 12 student co-authors went on to get doctorates in biological sciences or M.D.’s.

“He really fostered a good environment for learning and being productive,” recalls Morrison, who got her Ph.D. from UC Berkeley in molecular and cell biology. “He had several students in there at any one time, and everybody was really good about helping each other. It was not at all cutthroat competition. It was very much a supportive team mentality and there was also a camaraderie about it.”

Today, Seligman speaks about his former students as if they were his kids. He makes a point of mentioning them in his PowerPoint presentation, and even notes who got married and who just had a baby.

“We are so lucky to be a place that gets such great students,” he says. “It’s our job to work with them, to get them excited about science and keep them excited about it. I have no doubt they’re going to do really amazing things.

“And I’m going to sit back and smile.”

Infographic-web1