Features

The Ultimate Baseball Roadtrip

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It’s a time-honored American tradition, fathers and sons going out to a ballgame, cheering for the home team, buying some peanuts and Cracker Jack. But few dads are as adventurous and driven as Mike Luery ’77, who undertook a 16-year odyssey to visit every Major League Baseball stadium in North America with his son, Matt. During that baseball pilgrimage, Luery would see his son go from boyhood to adulthood, passing through the turbulence of adolescence on the main part of the journey. It was a rite of passage that sorely tested their relationship and could have easily ended in disaster.

“You know, it can be difficult being trapped in a hotel room for a week with a teenager,” says Luery, with stunning understatement. “I just thought as he got older, what better way for a father and son to bond than to be on the road, and have baseball as our map?”

Luery, an award-winning TV news investigative journalist who has taken on the Ku Klux Klan and exposed cocaine abuse, retells the father-son saga in his recent book, Baseball Between Us. In honest but sometimes unsparing detail, Luery lays bare the generational tensions and personality clashes between two opinionated travelers, one a compulsive and fastidious planner who dreaded being late for the first pitch, the other a free spirit who would risk missing a flight if he could just sleep in a little longer. Most parents with teenagers might have balked at the idea from the start. In the words of the great Yogi Berra: “You’ve got to be very careful if you don’t know where you are going because you might not get there.”

BTargetField1ut Luery can be a “stubborn cuss,” as a friend bluntly puts it. For him, love of family and love of baseball are inextricably linked. Baseball is not just a pastime, it’s a legacy—one that he inherited from his own father and “baseball buddy,” Robert Luery, who took him to the World Series at Yankee Stadium in 1963 when he was 8. Sure, the Dodgers with Sandy Koufax on the mound swept the Yankees that year, and little Mike cried all the way home, but baseball had gotten in his blood.

Once he became a father, he wanted his boy to share the passion, but the conversion would not be so magical. The first time he took his family to a ballgame was an admitted flop. It was 1994, to see the St. Louis Cardinals at Busch Stadium. The kids, Matt, 5, and his older sister Sarah, 8, were tired and hungry; his wife, Carol, was bored. Yet, the irrepressible Mr. Luery vowed to take his reluctant brood to a ballgame in every city they visited.

Luery became Matt’s Little League coach and continued taking him to games as a boy. In 2005, when Matt was 16, they embarked on their baseball expedition in earnest. Their mission: to visit parks and places they had never been to before. That year, the duo started out from their hometown in Sacramento, where Luery is a reporter for the NBC affiliate KCRA-TV, and flew to Detroit to watch the Tigers trounce the San Francisco Giants on a warm night at Comerica Park. There was no turning back.

To no parents’ surprise, the trip confirmed that teenagers excel at sulking, sleeping and scoffing at their elders. (Informed that Wrigley Field was built in 1914, Matt says, “Wow, Dad, that’s even older than you are.”) Luery and his son argued over almost everything: politics, history and especially what music to play on long car rides, classic rock versus rap. (“Dad, I’m tired of listening to all those dead guys.”) All along the way, Matt chafed at being used as a “prop” for another in his father’s endless series of snapshots. “By taking a picture,” the teen declared, “you are altering the authenticity of the moment.”

The pair also managed to share some good times. Matt, who graduated last year from USC with a degree in architecture, appreciated the design and urban planning of the stadiums. (Target Field in Minnesota gets high marks because “you don’t need a car to get there.”) And the teenager was thoroughly charmed by a chance meeting with former Dodger great Maury Wills.

BuschStadium1In the end, father and son grew closer, and wiser. Matt learned to savor the slow pace of baseball games and really admire Jimi Hendrix. (“Dad, you may be a dinosaur but you rock.”) And Mike learned to be more flexible as a father, less quick to condemn, more willing to accept the differences between generations. From his son, he learned the “value of serendipity,” of going places without a compass, doing things without a blueprint: “Dad, the beauty of the trip is sometimes you get lost and you end up in a better place.”

The final stats: 16 years, 32 ballparks, 43,000 miles. Matt Luery, now 24, is grateful for all the time he and his dad spent together, even if they had disagreements “every now and then.” That’s what he wrote in a loving epilogue to his father’s book which, in the end, earned its positive subtitle: “A Roadmap to a Winning Father/Son Relationship.”

One of the most moving moments of the trip had nothing to do with baseball, directly. Luery was anxious for his son to see his childhood haunts in Stamford, Conn., a prosperous suburb about 30 miles from Manhattan. He was devastated to find his old home turned into a “foreclosure rat-trap,” boarded up and vandalized.

Later, his dismay deepened when visiting the gravesite of his sister, who had died at age 20 in a car crash. It was overgrown with weeds and crusted with dirt. The hard-charging, fast-talking reporter was reduced to tears, down on his knees, trying vainly to restore his sister’s nameplate. Matt instinctively moved to comfort his father, with reassuring words and a gentle hand on the shoulder. For once, the child was father to the man. Then they got back on the road to Shea Stadium, where that night the father and son watched the Mets shut out the Marlins, 3-0.

“For me, baseball has always been the fabric that holds us together,” says Mike, who got his start in broadcasting as a deejay at KSPC. “No matter how bad of a day you had, no matter what happened in the world, no matter how many losses, you always had comfort in baseball.”

Mike Luery’s Top 10 Ballparks

1) AT&T Park, San Francisco Giants Splash hits into the beautiful bay.

2) PNC Park, Pittsburgh Pirates Take a water taxi to the game.

3) Fenway Park, Boston Red Sox Tradition runs deep.

4) Oriole Park, Baltimore Orioles Enjoy barbecue at ex-player Boog Powell’s eatery.

5) Comerica Park, Detroit Tigers Life-size outfield replicas of Cobb, Kaline and Horton.

6) Target Field, Minnesota Twins Take light rail from airport to the park.

7) Coors Field (Denver), Colorado Rockies Great view of the Rocky Mountains.

8)Busch Stadium, St. Louis Cardinals The Gateway Arch makes an awesome backdrop.

9) Citizens Bank Park, Philadelphia Phillies Take the subway with the fanatic fans.

10) Progressive Field, Cleveland Indians Park filled with monuments to legendary players.

 

Goofball Classic

Director David S. Ward ’67 chats with actors Tom Berenger (playing catcher Jake Taylor) and Charlie Sheen (as wild pitcher Ricky Vaughn).

Director David S. Ward ’67, in center.

A great many things that seemed great in 1989 don’t seem especially so in 2013. Paula Abdul sent three songs to No. 1 that year, for starters, and there is also the matter of the miles upon unfortunate miles of acid-washed denim that were sold to people who had, at the time, no real reason to know better. So it is saying something about David S. Ward’s Major League that this 1989 film still feels fresh and, in some places, even oddly prescient today.

Yes, its double-knit uniforms look a little dated, and its stars are not nearly what they were 24 years ago—Charlie Sheen, the film’s comic center, is a mumbling, weirdly aggrieved advertisement for saying no to drugs; Corbin Bernsen, that era’s answer to George Clooney, now just seems a lot more like Corbin Bernsen. But Major League, somehow, is still Major League—a spectacularly quotable cult favorite still in heavy rotation on the endless bus rides of various minor league baseball teams and in the living rooms of baseball fans, and still one of the greatest and goofiest baseball movies ever made.

Both writer and director for Major League, Ward graduated from Pomona in 1967 and was a big-time Hollywood property not so very long afterward. His screenplay for 1973’s The Sting won him an Academy Award before he was 30 years old, and he has worked steadily and at his own pace since then. Steadily and very effectively—he was nominated for another Oscar for the screenplay to 1992’s Sleepless in Seattle, which he co-wrote with Nora Ephron and Jeff Arch, and has directed six films. The first of those was an adaptation of John Steinbeck’s novel Cannery Row. The second was a movie about a lousy Cleveland Indians team—built to fail by a cynical owner and comprised of misfits, flame-outs, broke-armed goofballs, ex-convicts with problems locating their pitches and Corbin Bernsens—that somehow gets itself together to make a pennant run. It’s the latter that still gets referenced on SportsCenter and among baseball fans.

“To this day,” Ward says, “I have people come up to me and quote lines from the movie that I’ve forgotten myself. There are these Major League trekkies out there, and it’s great. Every generation seems to discover it for itself.”

But the film that Major League newbies discover is not quite the same as the one that Ward made two and a half decades ago. It’s not that the movie is any less funny, or any less obviously a comedy—the slugger has a shrine to a demanding and arbitrary mini-deity named Jobu in his locker, the closer’s previous mound experience came in the California Penal League, and the jokes arrive with the regularity and pop of 95-mile-an-hour Clayton Kershaw fastballs. It’s just that, because Major League Baseball is so different, Major League seems different, too.

“When Major League came out, it was considered a broad comedy,” Ward says. “And I think it just seems less broad now.” Part of this is simply the game catching up to the movie. Ward had Sheen’s character, the control-challenged closer Ricky “Wild Thing” Vaughn, enter games from the bullpen to the strains of The Troggs’ “Wild Thing” as a sort of joke. “No pitcher came in to music, then,” Ward explains. “And then, after the movie, [Philadelphia Phillies reliever] Mitch Williams started coming into games to the same song.” Today, Ward’s “Wild Thing” gag barely even registers as such—in every ballpark at every level,
it seems every pitcher and hitter has his own walk-up music.

Even Major League’s central conceit—the intrinsic humor in a team built entirely around players who, for one reason or another, had no value to any other big league organization—is particularly fitting today. Teams like the Oakland Athletics and Tampa Bay Rays have built division winners by judiciously picking through and polishing players that other organizations left on the curb. “Because of the Moneyball approach, it seems more plausible that a team like this could win,” Ward said about the team of fictional misfits. “The Baltimore Orioles, to a certain extent, did it just last year.”

Ward grew up as an Indians fan in Ohio and Missouri, but moved west in his teens to Contra Costa County in the Bay Area, and later to Southern California. He brought his love of the Indians west with him, and while he downplayed his current fandom in our conversation, he quickly revealed that statement’s untruth, mourning Cleveland’s terrible luck—another aspect of Major League that hasn’t dated a bit—and assessing this year’s Indians team with a bullishness that reflected the benign chemical imbalance unique to fans.

While there are some obvious reasons why Major League has endured as it has—for starters: people like baseball and the jokes are good—Ward’s easy access to the wilder optimisms of the baseball fan brain is certainly a part of why the movie still works. The fantasy of a hopeless team finding some strange and sudden greatness is as old as the game itself, and utterly undated. “I just wanted to make an entertaining movie where the Indians actually won something,” Ward says.

He managed that, and more.

Baseball Worldwide

John Tsuei '09 is emcee as Major League Baseball slugger Prince Fielder tours China in 2010.

John Tsuei ’09 is emcee as Major League Baseball slugger Prince Fielder tours China in 2010.

Two years ago, the Yarkon Sports Complex in the Israeli city of Petah Tikva became the site of an unexpected Sagehen reunion. When Israel and Great Britain faced off in the qualifying round of the European Baseball Championship, three Pomona players—one now a graduating senior, the others veterans of the European baseball leagues—took the field in the ballpark outside Tel Aviv.

Guy Stevens ’13 was waiting around with his Israeli teammates when Michael Renery ’03 and Alex Smith ’03 passed by with the British squad. “One of them was like, ‘Which one of you guys goes to Pomona?’” Stevens recalls.

Such a confluence so far from Claremont might seem surprising, but it shouldn’t: Pomona has played an outsize role in the development of international baseball everywhere from Belgium to Taiwan. On the field, from the bench and in the boardroom, the contributions made by Pomona’s players, coaches and graduates have helped push the growth of baseball abroad.

It began in the 1970s, when Pomona-Pitzer baseball coach Mike Riskas started coaching in Europe. Riskas is now known for his work with the Greek national and Olympic teams, which began after his retirement from Pomona in 2003. After Riskas left, in stepped Frank Pericolosi, another coach with foreign experience.

When Pericolosi arrived at Pomona, he had already started working with the Brussels Kangaroos, a Belgian team in their country’s highest division. The team was struggling before Pericolosi arrived, recalls John Miller, a reporter for The Wall Street Journal who played and coached on the Kangaroos. “By himself, he created this electric atmosphere,” Miller says. Pericolosi’s intensity and determination set an example for the other players, and by the latter part of the season the team boasted a winning record.

Pericolosi later shifted his focus to youth and grassroots programs, creating opportunities for kids to play even where equipment is so scarce that one team used a sub-compact car to groom the infield. Since he was hired at Pomona, he’s spent summers in Sweden, Denmark and Italy, and completed his sabbatical coaching in Australia. His summer months are now dedicated to scouting, but Pericolosi has opened a door into the international leagues for his players. Every year, seniors receive contract offers from teams in Belgium, Sweden, the Czech Republic and even South Africa. Just this May, outfielders Nick
Gentili ’13 and Erik Munzer ’13 signed professional contracts to play in the Belgian league.

“I get a lot of kids from other colleges contacting me now,” Pericolosi says. “Coaches will come to me a lot from Europe, and ask me if I’ve got any guys.” Because American players often serve as coaches when they travel abroad, sending successful ballplayers overseas provides much-needed support for small organizations in atypical destinations.

Along with grassroots promotion, selling baseball overseas also requires the creation of professional leagues, says Peter Wermuth ’00, CEO of the Australian Baseball League. They generate attention for the sport and provide local heroes that developing players can aspire to be like.

Wermuth has the perfect background for a baseball ambassador, having developed a passion for the sport while growing up in Germany. At Pomona, he didn’t get much playing time for the Sagehens, but he brought home what he learned here each summer coaching teams in his native land. “I missed graduation because I had a baseball game in Germany,” Wermuth says.

Working for Major League Baseball since 2005, Wermuth was sent Down Under three years ago in a first-of-its-kind effort by MLB to kick-start a pro league overseas. Australia was chosen because the sport was comparatively strong there and the seasons of the Southern Hemisphere provide an advantage: Aussies playing pro in the U.S. can come back home to play and promote
the game in the American off-season. MLB’s goal is to expand the market for the sport—and for TV rights.

While the lack of baseball facilities in Australia has been an unexpected obstacle, Wermuth says the startup pro league has also been unexpectedly buoyed by the proximity to Asia, with the ABL drawing good players—and accompanying media attention—from nations such as Japan. The Australian effort has yet to break even, but “once we have demonstrated this works we’ll definitely look at other places,” says Wermuth.

Even with strong professional leagues, international competitions also are key because they “ignite passion” far beyond what national competitions can do, says Wermuth, pointing to the overseas popularity of the World Baseball Classic.

For most of the past year, John Tsuei ’09 worked for the 2013 edition of the World Baseball Classic. As team coordinator for Chinese Taipei (the name for Taiwan at international sporting events) he became the main point of contact between the team and the tournament.

A lifelong baseball fan, Tsuei examined the sport’s influence in Taiwan for his senior thesis at Pomona. That led to a Fulbright scholarship to study youth baseball culture in Japan, where Tsuei met the travel manager for the Los Angeles Dodgers. The connection eventually landed him a Major League Baseball internship in China. Tsuei later received an offer to work with the World Baseball Classic, and jumped at the chance. Once the tournament began, Tsuei’s job became a marathon 40-day road-trip. “Travel, transportation, hotel rooms, selecting a roster, getting the right equipment, making sure the team understands everything that’s going on—we touch upon everything,” he says.

Tsuei did manage to watch the team’s games, as did many others. Stadiums were packed, and when Chinese Taipei played Japan in the second round about half of the Taiwanese population watched on TV. In Japan, that broadcast was the highest-rated program of the year, “beating the Olympics,” Tsuei says with pride.

While the largest international tournaments draw viewers by the thousands, in most countries baseball remains a niche sport—which brings us back to Petah Tikva and the European Baseball Championship qualifiers. The match-ups between Israel and Great Britain in Tel Aviv drew slightly more than 1,400 spectators over the course of three games.

Pitching for Israel, Stevens incurred a tough loss in the first game. Smith—still the holder of the Pomona-Pitzer single-season E.R.A. record—threw eight dominant innings in the final game. “We got to talk afterward, so they talked a little bit of trash,” Stevens says, laughing. Undeterred, he’s looking forward to playing with the Israeli team again sometime in the future.

Major League Math

Major League Math: meet the two sides of guy stevens '13, a former sagehen pitcher who hit a major league home run with his statistical savvy.

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The odds were not in his favor. Guy Stevens ’13 didn’t need his double major in math and economics to understand that. His right arm made him a good enough baseball player to pitch for the Pomona-Pitzer Sagehens, but it was not going to get him to the major leagues.

 About 450,000 youngsters play Little League Baseball each year. Some go on to play in high school and almost 32,000 played in college for National Collegiate Athletic Association teams last year. A fraction of those high school and college players are drafted, destined for long bus rides and budget hotels in the minor leagues. They are all fighting for one of 750 jobs in the big leagues. In the history of Pomona College, precisely one player, Harry Kingman, has made it, playing in four games for the New York Yankees in 1914.

Stevens already made it to the majors last summer with the New York Mets and is back again this season with the Kansas City Royals. His bankable talent is with a computer, not his fastball, and he is taking the multiple internship route to try to land a coveted job doing statistical analysis in the front office of a major league team.

“I was really into baseball, but didn’t know it was a feasible career path,” Stevens says. “Now I’m going to see how far I can take this, see if I can do this.”

Stevens, 21, is riding the wave of a sea change in professional baseball in the decade since the publication of the 2003 book Moneyball: The Art of Winning an Unfair Game—later a movie starring Brad Pitt—about the Oakland Athletics’ use of statistical analysis to try to maximize a low payroll. A game traditionally run by executives who were either former professional players or scouts who spent years in the stands with a stopwatch and a radar gun is increasingly dotted with Ivy Leaguers, academics and young people with math or finance backgrounds as the 30 major league teams—some of them billion-dollar businesses—try to mine the avalanche of available data.

“There aren’t many jobs,” says Adam Fisher, a Harvard graduate who is director of baseball operations for the Mets and supervised Stevens last summer after starting his career as an intern himself. “But I think he has the ability. I would bet on him, yeah. “He kind of comes at it with a unique blend of skills and talents, having played college baseball and having a real strong math and stats background. Generally, you see one or the other.”

GREGARIOUS AND HANDSOME despite his wonkish affection for stats, Stevens grew up an Oakland A’s fan in the East Bay town of Lafayette and played baseball at Campolindo High School in Moraga. His father is an investment portfolio manager in San Francisco, and his mother once worked in finance as well.

“I thought I’d do something like that. I knew I was good with numbers,” he says. His early forays into the numbers behind the game started as a teenager.

“I read Moneyball pretty soon after it came out. My freshman year in high school, I started playing fantasy baseball, and I was playing with some of my friends on the baseball team,” says Stevens, noting that those teammates were not quite as numbers-savvy. “So I thought, ‘I’m going to see what I can do to get an edge,’ and I really started looking at his stuff and just got caught up in it.”

stevenstwoimages1Statistics always have been important in baseball, but in recent decades the familiar stats such as batting average, ERA (earned-run average) and RBI (runs batted in) have been supplemented by an alphabet soup of acronyms, all trying to quantify aspects of the game. There’s WHIP (walks and hits per inning pitched) WAR (wins above replacement) BABIP (batting average on balls in play) and FIP (fielding-independent pitching) and those are just some of the more well-known ones.

The challenge is to sift through the gargantuan amount of data and shape it in useful ways—and most important, to try to predict performance and assess the monetary value of a player’s skill. The A’s, for example, concluded a stat such as on-base percentage, which includes walks, might be as important as a traditional stat like batting average in determining a player’s value to a team. The Boston Red Sox used some of the same principles in putting together the teams that won the 2004 and 2007 World Series with a brain trust that was led by Yale graduate Theo Epstein and included advisor Bill James, an influential figure who has written about statistics since the 1970s.

Today, technological advances help fuel the stats craze. Leaning over his MacBook Pro in an empty office in Millikan Laboratory, the 6-foot-2 Stevens stares at a screen full of columns of stats and mostly indecipherable abbreviations. To his trained eye, flesh-and-blood players and games that were played seasons ago appear.

Since 2006, Major League Baseball has used a system that positions cameras to track the speed and movement of every pitch thrown in a game, giving statisticians a deep resource of information. So does a site called Retrosheet.org, which has digitally recorded the play-by-play accounts of most major league games since 1956.

To illustrate, Stevens called up a 1997 game between the Angels and Boston Red Sox in Anaheim and showed that a first-inning pitch against a right-handed batter was fouled back. That sort of detailed information can be used to identify tendencies of certain batters and pitchers that, when put together, can give clues to a player’s value to a particular team. “Sites like this make it possible for people outside front offices to do analytics,” Stevens says.

Stevens did just that at Pomona, where his time on the field was limited by injuries until the 2012 season when he emerged as the team’s closer. (He also played a stint on the national team of Israel, where his mother grew up. See story on page 28.) So Stevens huddled in his room in Lawry Court and dug deeper into the world of stats. Eventually, he created a blog, DormRoomGM.com that impressed major league executives.

“I’d do a lot of hypothetical, ‘Could Team X improve their roster by trading Player A for Player B?’” Stevens recalls. “That was mostly for fun because those trades are so unlikely to happen.”

IT WAS DURING THE SUMMER before his junior year that Stevens became focused on his track toward more sophisticated work in baseball analytics —also sometimes called sabermetrics, taking the name from the Society for American Baseball Research. In Claremont for the summer to work on an ill-defined academic project involving minor league baseball stats, he kept running into Gabe Chandler, a Pomona associate professor of statistics who also helps coach the baseball team.

Chandler helped Stevens focus the project, and the two used a statistical method called random forests to try to determine which qualities in minor league players predict they will progress to the majors. The work grew into a scholarly article published in the Journal of Quantitative Analysis in Sports that the pair coauthored. The study got the attention of Wired, which ran a story on its website.

“He had collected some interesting data, data nobody really had,” Chandler says. “Everybody and their sister has analyzed major league data, so that’s not a new problem. But for whatever reason, nobody had really looked at the minor leagues. … But he probably knew that, because he thinks about this so much.”

Among their conclusions: Strikeouts in rookie ball, the lowest level of professional baseball, bode poorly for success. That might seem obvious, but the same didn’t hold true at higher levels of the minor leagues.

“It really only shows up in rookie ball,” Chandler says. “Because usually the people that get sent to rookie ball are high school players. College players usually start in low-A ball. You see a high school kid and they’re not facing quality pitching, so somehow you’re drafting these kids based off of, I don’t know what—athleticism or ‘tools.’ But you’ve never seen these kids try to hit a 95-mile-an-hour fastball. So you draft them and give them a lot of money and then send them to rookie ball, where they’re facing the few high school pitchers that can throw 95. And if they can still put the bat on the ball, then that’s a good sign. And if they can’t.…”

That’s the sort of insight teams that hire statisticians are looking for—anything that can give them an edge in evaluating talent to predict performance and the probability of winning on the field.

Chandler made what turned out to be a key connection for Stevens at a conference when he met Ben Baumer, now a visiting assistant math professor at Smith College in Northampton, Mass., but previously the statistical analyst for the Mets for nine seasons. By last summer, Baumer and Stevens were both working for the Mets.

“Very few jobs doing this existed 10 years ago,” says Baumer, who collaborated with noted sports author and economist Andrew Zimbalist to write a book, The Sabermetric Revolution: Assessing the Growth of Analytics in Baseball, to be published in December.

“I got a job with the Mets in 2004 and they had never had someone doing that before. Things have changed quite dramatically,” Baumer says. “There are only about five teams that aren’t doing it now, and the Rays (Tampa Bay’s major league team) have about eight people dedicated to this, several of them with master’s degrees, and a programmer.

“Guy did a good job for us,” Baumer says. “It’s hard to speculate, but I think he’s definitely put himself in a good position with a strong quantitative background, playing college baseball and the internships.”

While working for the Mets, Stevens learned more data an programming skills using SQL, or Structured Query Language. His duties were as varied as summarizing the player reports sent in by minor league managers each day, using statistics to analyze how to put together a major league bullpen and, at some games, identifying pitches for the stadium scoreboard display—fastball, changeup, curve, even R. A. Dickey’s knuckleballs. After nervously working his first game charting pitches after being teased that fans would boo if he got one wrong, Stevens walked into an office for his review.

“One of my bosses is sitting there and he’s got a piece of paper in front of him and he was like, ‘Guy, so, you got about 82 percent of the pitches right, which is pretty low.’ And I was, ‘Oh, God,’ and super nervous. But he was just holding a [random] piece of paper. They didn’t keep track.”

The Royals saw Stevens’ experience with the Mets, read his blog and were impressed: After hiring him for a six-month internship starting this summer that he hopes might grow into a regular job, the club asked him to take down his blog, considering it proprietary information. He works for Mike Groopman, the Royals’ director of baseball analytics, a graduate of Columbia University who broke into the game with internships with the Cincinnati Reds and the Mets.

STEVENS’ SAGEHEN PITCHING CAREER ended with a loss in the NCAA Division III regionals a week before his May graduation from Pomona. He pitched a final time, gutting through the pain of an elbow injury that cost him much of his senior season.

He understands that statistics, too, have their limits. For example, analysts have struggled to quantify fielding ability, though new technology is coming. “That’s something I’ll hopefully get to work on in Kansas City,” Stevens says.

Or what about deception, he suggested, such as a pitcher’s ability to hide the ball and disguise a pitch? Or the quality of being a clutch player, or a good teammate whose work ethic sets an example?

“I think the next big edge a team could get would be either if they’re a little bit better at preventing players from being injured, or just knowing who’s an injury risk and either getting rid of them or just not acquiring them in the first place,” Stevens says, knowing that with his history of arm problems, he would be considered such a risk.

Armed with his degree and experience, he will take a swing at the big leagues, understanding how competitive a field it is and knowing there are only 30 of the holy grail of front-office jobs, general manager. If not baseball, Stevens said, maybe he will turn to a career in finance.

“I’d really like to be a GM,” he said. “That’s the dream. I mean, the dream used to be to play, but I’m realistic.”

Reassuring Research

They don’t know it, but Pomona Economics Professor Gary Smith is the big-league ballplayers’ best friend in academia. That’s especially true for the superstars, the future hall of famers, the kind of guys who make the cover of Sports Illustrated. Truth is, the Joe Mauer crowd should be hoisting Smith on their shoulders and pouring champagne over his head. The professor has done them something better than clinch a pennant. He has added years to their very lives!

sicurse1In his paper, “The Baseball Hall of Fame is Not the Kiss of Death,” Smith has debunked research that purported to show getting into Cooperstown would shorten a player’s life expectancy. He also has taken apart a study that suggested major league players with names that start with “D” die younger than others. (Derek Jeter really should send Smith a fruit basket.) Ditto for another piece of research that concluded players with negative initials (think ASS) die younger than players with positive initials (think ACE).

And what about the so-called Sports Illustrated cover curse? Smith offers a perfectly logical explanation for the phenomenon in which players who get on the cover see a drop-off in performance soon after—and it has nothing to do with a true deterioration in skills.

Smith, whose classes include economic statistics, draws on baseball because the sport offers such a large and well-defined body of data to work with. The problem, he says, is that tempting treasure trove of data also can be “ransacked” by researchers.

“You look at it enough, you’ll find patterns,” he says. “They just ransack the data and come up with something a little off and they come up with these ridiculous things.”

The methodological flaws Smith found in the aforementioned studies vary. In the case of the Hall of Fame research, the study drew upon a database of every known big league player, but in cases where there was no death date listed, researchers assumed the player was still alive (though, in reality, that was not always the case). The snag: For hall of famers, in contrast to lesser-known players, death dates are almost always known. That fact alone skewed the research.

Assessing the good/bad initials study, Smith found the results were invalidated by “selective inclusion of initials in a very small database.” As for the letter “D”-early demise research, Smith noted that the study was based on selective data, and that it didn’t hold up under a “valid test applied to more comprehensive data from the same source.”

If those studies were easy outs for Smith, the Sports Illustrated cover curse brings up the meatier statistical issue of regression to the mean. Simply put, you get on the cover at a time when you are doing your very best, and then “the only place to go is down,” explains Smith, the Fletcher Jones Professor of Economics.

“The fallacy is to conclude that the skills of good players and teams deteriorate,” Smith writes in his upcoming book, Duped By Data: How We Are Tricked Into Believing Things That Simply
Aren’t True. “The correct conclusion is that the best performers in any particular season generally aren’t as skillful as their lofty records suggest. Most had more good luck than bad, causing that season’s performance to be better than the season before and better than the season after—when their place at the top is taken by others.”

The misunderstood phenomenon of regression to the mean, writes Smith, is “one of the most fundamental sources of error in human judgment, producing fallacious reasoning in medicine,
education, government and, yes, even sports.”

Baseball is only one field of play for Smith’s research. The prolific professor has also taken on topics ranging from stock ticker symbols to poker players’ “hot hands” to measuring and
controlling shortfall risk in retirement. But with so much data available over so many years, the national pastime is one research realm he keeps going back to, even if he’s not big on watching the old ball game. “I’m more of a statistics fan,” Smith says.

Changeup

Changeup: In no other sport do the rules of the game -- and the experience of playing -- change so drastically after college.

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Striding onto the freshly mowed field at Wig Beach, I began my Sagehen softball senior day with a smile on my face, caught up in the festive mood. Streamers, balloons and banners celebrating the soon-to-be graduates on the team sparkled in the sunlight of a Saturday afternoon. But as I stood, a few hours later, about to step in to face Cal Lutheran’s top pitcher, tears filled my eyes. I wiped my face with the V-neck of my once-crisp, now grass-stained uniform and took a deep breath.

It wasn’t just my final at-bat for the Pomona-Pitzer Sagehens or my final at-bat after four years and 300 at-bats as a collegiate softball player. It was my final at-bat ever in the somewhat obscure world that is fastpitch softball, a realm I had been competing in since the third grade.

Fastpitch softball doesn’t have the name recognition of baseball, basketball or soccer. Yet, 2.4 million people in the U.S. above the age of six, mostly females, play fastpitch, according to a 2012 report from the Sports and Fitness Industry Association. At the college level, that number dwindles to 29,670 women. A select few women’s college fastpitch players go on to play for the U.S. National Team. Others will join the handful of adult fastpitch leagues. But for the vast majority of us, college marks both the pinnacle and the abrupt end of our fastpitch careers. After that, players must learn to accept a recreational form of the sport. As my former teammate Kindra Wilson ’08 puts it: “When you graduate it’s a forced retirement. The only option is slowpitch softball.”

With more than three times as many participants, the slowpitch version of softball far exceeds fastpitch in both numbers and name recognition. It is an all-inclusive game that draws skilled former fastpitch softball and baseball players, recreational players and novices looking for a social activity. Young and old play it at picnics and parks across the country. For former fastpitch athletes, it’s the only way to stay connected to the game, but it’s not our game.

I started playing fastpitch when I was 8. Within four years, I was competing year-round on select teams, traveling around California from my home in Marin County to play four to seven games each weekend. We would play in the early mornings or late at night, in fierce wind or light rain, in 110-degree July heat in Modesto and 40-degree chill at Lake Tahoe. I would return home with bumps and bruises and a coat of dirt covering my face.

On weekdays, I attended practices or met with a private hitting coach who taught me to shorten my swing to get around on a fastball–at the college level, pitchers throw upwards of 65 m.p.h. from only 43 feet away forcing the batter to react more quickly than a Major League Baseball player connecting with a 90 m.p.h. fastball.

For many of us skilled enough to play in college, fastpitch became our identity. We sacrificed parties, hanging out with friends or even taking coveted classes, to be at the field daily until the sun set. We attended 8 a.m. weight training and shared meals and weekends together. We were a family, united by the same goals: to play to our potential and to win and lose as a team. We all loved the rush of competing on the field for each other and our schools. We celebrated our wins, and lingered over losses. Another former teammate of mine, Ali Corley ’11, who still holds the Sagehen career homerun record, sums it up best: “It was such a huge part of my life. It’s hard being very good at something that doesn’t matter when you graduate.”

Back to my own final at bat as a Sagehen, I vividly recall standing in the batter’s box as Cal Lutheran’s pitcher sent the ball rising toward the plate. I swung and heard the loud ping of rubber meeting metal. The yellow ball soared nearly 200 feet toward the left field fence. The outfielder sprinted back, looked up, and, in one fluid motion, extended her glove toward the ball.

Out! Nothing came easy in fastpitch. Only a few months after I graduated from Pomona, I stood on a makeshift softball field in tennis shoes with a group of colleagues at the UC Berkeley Graduate School of Journalism. As the captain, I brought extra gloves for my new team and assigned positions at request. We talked about where we would grab drinks afterwards and I suppressed my urge to give my new teammates pointers on their swings. I secretly wanted to stack my team with the best players.

I’m not the only former Sagehen player who has had to adjust. Shortly after Wilson graduated, she too joined a company slowpitch team. That lasted a season—it was too hard to get 10 players to commit to weekly games. But she found another team and kept playing. At first, Corley wanted nothing to do with slowpitch. As a point of pride, she doesn’t even compare it to fastpitch. But after a few months of inactivity, she joined a team to throw and swing again, even though, “it’s not the same level of intensity as fastpitch.”

And that intensity is what we former fastpitchers miss. When I first started playing slowpitch, it was difficult to watch teammates let lazy fly balls drop in the outfield or forget to tag up. And I didn’t have the same pride hitting a slowly pitched ball grooved down the center of the plate. In the box, it took me a few tries to sufficiently slow down the compact swing I had been polishing for years, so as to squarely hit the high arc lob pitch characteristic of slowpitch.

I found my mood fluctuating with the score of the game, my competitive nature sometimes making my teammates anxious. But with time the fastpitch world has felt farther away. Over the last two seasons, playing in games filled with forgotten errors, I have become far less concerned with softball pedigree. Some of my teammates are skilled athletes in their prime, who are as immersed in following Major League Baseball as I am, and channel their energies and competitive juices into slowpitch. Others are less experienced, but still relish the camaraderie that comes with playing for a team of like-minded colleagues. When my team spiraled through a losing streak this season, I found it didn’t detract from light hearted bantering with my newfound friends. We tossed the ball around on the sidelines, chewed over projects we were working on and leisurely took photos of our teammates up to bat. No statistics and no pressure.

For the first time in my recent memory, I could simply play softball for the pleasure of the game and the people around me. Best of all, as I began to adjust to this style of play, some of the old adrenaline came back. I was competing. This season, as I stood in left field, body hunched over, anticipating the ball, it didn’t matter that half of my team were novices, or that they would never understand what it felt like to play fastpitch. This had to become my new experience of “softball,” too—the game I can play throughout the decades of my life until my legs or arms won’t hold up anymore. And so I’m learning to let fastpitch go.

Slowly.

Four Games

Four Games: Harry Kingman, Class of 1913 and the sole Sagehen to make it to the major leagues, only played briefly for the New York Yankees. It's what he did after baseball that left a lasting legacy.

Harry Kingman struck out in his very first at bat for the New York Yankees and, decades later, he would still recall the walk back to the dugout as “long and grim.” His major league career, on the other hand, was short. An athletic superstar at Pomona, where he graduated in 1913, and the first and only Sagehen to make it to the major leagues, Kingman would appear in only four games of the 1914 season—just a historical footnote, really.

It’s what he did with his life after Major League Baseball that was extraordinary. His remarkable career took him to China, where he started speaking out after a student massacre. His willingness to stand up for the voiceless carried on to UC Berkeley and the frontlines of the battle for free speech, civil rights and affordable student housing, then to Washington, D.C., where he was an underdog lobbyist. His work drew the attention of The New Yorker, and words of praise from luminaries ranging from Indian leader Mahatma Gandhi to Peace Corps Director Sargent Shriver.

kingman1“We are all deeply indebted to Harry Kingman—such men are almost unique,” wrote Earl Warren, during his time as chief justice of the U.S. Supreme Court. “Few have given so much of their lives to ensure man’s birthright of equality and liberty.”

Kingman’s accomplishments must have surprised people who met the rowdy preacher’s kid in his early years. He was born in 1892 in Tientsin (Tianjan), China, as part of a long line of missionaries. As his father’s health deteriorated and Chinese soldiers began marching by the school where the minister taught, in a prelude to the Boxer Uprising, the family moved to Claremont.

The elder Kingman became pastor of the Congregational Church and a trustee of Pomona College. When Harry rebelled as a teenager, smoking and shooting pool—he could run up to 40 balls in a straight pool—his parents shipped him to military school, where he was expelled for fighting. “I … wasn’t getting along well and I didn’t think I was going to amount to much. I was unhappy, very unhappy,” he recounted in an oral history that reveals a humble man, with a wry sense of humor and strong sense of justice.

At his father’s urging, he attended a YMCA conference where he vowed to change his life. He entered Pomona, where he excelled in basketball, track, swimming, tennis and baseball. Captain of the baseball team, Kingman was dubbed by the Los Angeles Times as “the heaviest hitter ever developed in the southern end of the state.” But he also fell behind in his studies. Once, a professor offered to give Kingman a test Saturday morning to make up for failing grades. If he passed, he could play in the game that afternoon.

“My father and the fans and everybody would be out there at the ball park…waiting to see whether Pomona was going to have Harry Kingman pitching or not,” recalled Kingman, who also played first base. “When I would show up in my suit, you know, they would applaud, and I would be in the game. But it was pretty uncertain.”

On summer break, Kingman worked as an assistant bricklayer on Pomona’s dormitories, climbing up tall ladders and earning 17 and a half cents per hour.

After graduating as a history major, he embarked on his brief professional baseball career signed on by the Washington Senators, then quickly traded to the New York Yankees, who wound up using him a few times as a pinch hitter. He only played on the field once, at first base, notes his biography with the Society for American Baseball Research.

Unsatisfied warming the bench, Kingman left the Yankees in 1916 and joined the staff of Stiles Hall, UC Berkeley’s off-campus student branch of the YMCA, because he wanted to help disadvantaged youth. Yet he was never far from the sport.

A year later, he was drafted and sent to Camp Gordon in Atlanta, where he was captain of the varsity baseball team. The commanding general told Kingman, an infantry officer, to put together the best service ball club in the nation. The general protected the team members, preventing their deployment. World War I ended the following summer and his initial disappointment over not being in combat turned to pacifism.

Victory hadn’t made the world safe for democracy. In 1921, Kingman sailed for China as a missionary and student sports coach. “When I first went to China … I did it primarily with the idea of helping its people. But very soon it dawned on me I had something to learn from the citizens of a nation with a long and respected civilization.”

He sent for his fiancée, Ruth, also the child of missionaries, and their daughter was born in 1924—the fourth generation of the family to live in China. He also began writing short mimeographed newsletters on Chinese politics that drew admiration from novelist H.G. Wells and the British philosopher Bertrand Russell, among many prominent thinkers and leaders.

While playing baseball on a spring day in 1925, Kingman noticed a huge traffic jam on the main boulevard in Shanghai. Police officers in the foreign-controlled section of the city had opened fire on Chinese demonstrators, killing and injuring dozens, including a promising student Kingman coached. In a letter to a local newspaper, Kingman defended the students and their right to protest foreign exploitation, which drew a flood of angry replies from the expat community. Within a month, he was pushed out and transferred to Tientsin (Tianjin), his birthplace, in the heart of warlord country.

It was the first time the Kingmans had come up against such unrelenting opposition, and the experience seared the couple, sensitizing them when they fought years later for the rights of minorities.

In the winter of 1927, on his way back to Berkeley, he stopped in Japan for a month to coach baseball in Osaka. He then returned to the student YMCA, Stiles Hall, began coaching Cal’s junior varsity baseball squad, and worked on social justice and free speech issues that resonated for decades.

Stiles Hall started hosting left-wing students who weren’t permitted to meet or speak on campus. During the Great Depression, he helped establish a housing co-operative where students contributed their labor to cut down expenses. (In the 1960s, Barrington Hall, one of the earliest co-ops, became the epicenter of the Berkeley free speech and anti-war movements.)

From their inception, the co-ops broke down prejudice by allowing different races to live together, unusual in the 1930s. As a Berkeley undergraduate, Yori Wada worked as a houseboy, unable to find a landlord willing to rent to a Japanese-American. “I remember knocking on the doors of houses that had signs saying, ‘Rooms for Rent,’ but the turndowns were universal,” Wada told the San Francisco Chronicle. Wada, who later became a University of California Regent, praised Kingman for opening doors for minorities.

Kingman credited his experience of living as a child in China, playing with black athletes, and the attitude of his parents for growing up without prejudice. “[My father] gave me the idea that people should try to stick up for and help the underdog or the person that is getting a bum deal and that the stronger person should stand up for the weaker person.”

When the United States entered World War II, the Kingmans opposed the government’s evacuation of Japanese on the West Coast to internment camps, with wife Ruth taking the lead. Meanwhile, Harry was appointed as head of the West Coast office of a federal commission to combat racial employment discrimination at defense contractors.

“Their interests and causes had a national and even international focus —racial justice, civil rights— but they had day-to-day impact on the people within their own community,” says Charles Wollenberg, a historian who teaches at Berkeley City College.

Kingman’s niece, Claire Mc- Donald, ’47, who followed the couple into public service for three terms on the Claremont City Council, says Harry and Ruth taught her: “You participate in government if you can. You don’t sit at home and complain. You go out and change the world.”

Kingman retired from Stiles Hall in 1957, but his career went into extra innings: he and his wife formed the Citizens’ Lobby for Freedom and Fair Play—a two-person volunteer civil rights lobby—and moved to Washington, D.C. “We could have lobbied in Sacramento,” he told Coronet magazine in 1961. “But I always liked the big leagues best. That’s where they play the best ball.”

In those years, Kingman was described in a New Yorker piece as raw-boned and sun-tanned, with a gravelly, drawling soft-spoken voice, still moving with an athlete’s grace. Harry and Ruth were oddities in the capital. The two senior citizens living off his pension and Social Security, were beholden to no corporate interests, with no bottomless expense account. They invited guests to “California patio suppers,” a big pot of spaghetti and green salad, served on a red-and-white checked tablecloth and paper plates.

Baseball also helped Kingman find common ground in Washington, D.C., when he coached the Democrats in an annual game against the Republicans. In a class note Kingman submitted to this magazine during that time, he wrote: “We operate on a shoestring, but never had more friends nor experienced a more exciting, adventurous and satisfying experience. This week my friend Billie [sic] Martin, of big league fame, visited me on Capitol Hill, and I had the fun of introducing him around. Senators ganged around him.”

Harry and Ruth lobbied hard for the passage of the 1964 Civil Rights Act. They were at the office doors when congressional leaders first arrived in the morning and the pair kept making the rounds late at night. Opponents, meanwhile, launched into a Senate filibuster that included a 14 hour and 13 minute address.   From the crowded gallery, Kingman held his breath as Sen. Clair Engle, a Democrat from California, was carried in for a cloture vote, a procedure in which the Senate can place a time limit on the consideration of a bill. Ill with a brain tumor, Engle, who could not speak, raised his crippled arm for an affirmative vote—breaking a Senate filibuster against a civil rights bill for the first time in history.

Kingman wept, overjoyed.

His creed was simple: “to be for something or somebody, not merely against,” he told Edward R. Murrow on his famed radio program, This I Believe.

In 1970, the couple returned to Berkeley, where the student co-op he helped to create kept growing. (Today 1,300 student members live or eat at 20 co-ops.) Later that decade, a newly-acquired co-op residence was named Kingman Hall to honor Harry. In covering the dedication, the Chronicle called the then-elderly activist “an inspiration to thousands of University of California students. Harry Lee Kingman has lived the kind of life boys read about at the turn of the century.”

Just a few years later, in 1982, Kingman passed away at the age of 90. “I have never felt like I had any great ability. I’ve known so many people who had much better brain power than I ever had,” Kingman once said. “But I’ve kept on the job…. I’ve never stopped trying to become more effective and to show my gratitude to God.”

 

Putting Bytes into the Old Ball Game

computer1In his baseball-loving boyhood, Don Daglow ’74 used to get calluses on his fingers from flicking the spinner for the All-Star Baseball board game that he’d play again and again, sometimes eight times a day. Over time, he even reworked the venerable game to allow changes in pitching.

And then, still in love with the old ball game, he arrived at college, where he met his first mainframe computer, the PDP-10, tied in to terminals in Mudd-Blaisdell residence hall. “That one moment,’’ says Daglow, “changed my life pretty dramatically.” He learned programming and in no time he thought, “‘Oh, wait a sec, now I can do baseball.’”

By 1971, English major Daglow had come up with the first computer simulation baseball game in which the player could make choices—moves like sending in a pinch hitter or having the pitcher walk a batter intentionally—with results from each play printed out on paper.

The game was a hit. Daglow was shocked to get his first fan letter, from someone at a college back east. More acclaim was coming down the road, but for now Daglow was busy digging deeper into programming and writing. Over nine years as a student at Pomona and then a grad student and later an instructor at Claremont Graduate University, he would hone his programming skill through his access to then-rare mainframe computers, even as he pursued his plans to become a playwright.

“Baseball,” says Daglow, “is one of the most spectacular pieces of theatre ever invented by human beings.”

One hitch in the script, though: Working on games on the busy mainframes could you get kicked off the system. “That’s why we were always sneaking about at night,” recalls Daglow. “We knew where all the terminals were at the other five campuses.”

All that covert computing paid off. By 1980, Mattel had hired him and Daglow was put to work on a video game called Utopia for the company’s innovative Intellivision video game console. Ever the fan, Daglow was watching a ballgame on TV after completing that first title when he got a thought for a new video baseball game: What if we could make a game that looked like one on TV, with sweeping camera angles? “That would be new,” Daglow recalls thinking. “It would be a blow to Atari.”

But how to deliver the blow?

Enter the dancer.

Daglow put out the call for applicants from his alma mater, and among the Sagehens he wound up hiring was Eddie Dombrower ’80, who turned out to be perfect for the part.

An athlete, programming whiz and math major who had taken up ballet in high school, Dombrower had just completed a Watson Fellowship studying the computer simulation of dance in Europe and Israel after graduation. That led him to create a system for computerized dance notation, with an animated figure repeating the moves. “In those days computers were really, really slow,” recalls Dombrower, noting that the Watson work came in quite handy. He used the tricks he learned in math to make the animation go fast on slow computers.

Daglow crafted the initial specs and statistical simulation design, then Dombrower came through with a prototype for TV-style baseball, bringing the challenging visuals to life. “Most programmers would have crashed and burned,” says Daglow.

Now Daglow had something to show off within the company, and the bigwigs liked it. Maybe a bit too much. “The marketing V.P. looked at it and said, ‘you know we can have TV commercials running for that in three to four weeks, in time for the Christmas selling season,’” Daglow recalls.

Daglow was taken aback: “I looked at him and said ‘we’ve got months to go on this.’” The marketing exec wouldn’t budge: “You have to understand we’re at war with Atari,” he warned. “It’s going to be us or them. If this is what we can do in the future, we want to show it now.”

So the company did just that, with George Plimpton unveiling the baseball game in TV commercials, intoning: “This is the future of video games.”

And it was. But not yet.

The whole industry tumbled, if only temporarily, in the video game crash of 1983. Intellivision World Series Major League Baseball was released during the freefall, hardly any copies were
made and soon enough Intellivision itself went kaput. But the knowledge and experience Daglow and Dombrower gained would still be put to work.

By the late ’80s, the pair had gone on to work for industry powerhouse Electronics Arts, working with legendary Orioles Manager Earl Weaver on the game that became Earl Weaver Baseball. Crafting innovations like customized play for different ball fields such as Boston’s Fenway Park, Dombrower and Daglow created a title that went far beyond the once-futuristic Intellivision game.

First, though, Daglow had to do the statistics and Dombrower had to do the physics. How do the parabolas diminish from bounce to bounce as a ground ball slows down hopping on grass? On artificial turf? With Fenway’s famous, close-in Green Monster, how often would a ball that bounces off the wall wind up as a single instead of the expected double?

With so many variables at work in the game, “you create this really interesting, very natural feel,’’ recalls Dombrower. “It doesn’t feel canned any more. The drama just ratchets up.” So did sales.

Earl Weaver Baseball was a hit, and Dombrower hatched a sequel a few years later. By the ’90s, Daglow, meanwhile, was on to another stat-laden baseball game, this time picking the brain of another standout manager. Tony La Russa Baseball, which carried on in a series of versions from 1991 to 1997, built on the earlier innovations, with more sophisticated stats and better graphics during its long sales run.

Even today, as an accomplished, Emmy-winning game developer, Daglow still can’t believe he got a chance to work with legends like La Russa, with whom he’s now designing a new game title. “How the hell did that happen?,” Daglow asks. “I’m so freakin’ lucky I’m just beyond words.”

What We Gave the Game

what we gave the game: sagehens have left their tracks on the national pastime in all sorts of surprising ways, racking up win after win for the liberal arts

So what if a century has passed since Pomona College sent a player to the majors? Sagehens have left their tracks on the national pastime in all sorts of surprising ways, racking up win after win for the liberal arts.

 

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1) Computer baseball: The first interactive baseball computer game was born in Mudd-Blaisdell. Here’s how a would-be playwright and a ballet dancer became video game pioneers.

2) The Ultimate Baseball Roadtrip: Over 16 years, Mike Luery ’77 and his son visited ever Major League ballpark in North America, somehow surviving those tense teen years.

3) The Nation’s Smartest Stadium Restaurant: With his acclaimed restaurant in the shadow of Boston’s Fenway Park, Garrett Harker ’89 offers a brainy beacon amid a sea of beer-soaked sports bars.

4) Reassuring Research: The big leagues owe a debt of gratitute to Professor Gary Smith for such scholarly papers as “The Baseball Hall of Fame is Not the Kiss of Death.”

5) Big-League Books: Sagehen wordsmiths such as Professor Jonathan Lethem contribute more than their share to the ever-growing trove of baseball literature.

6) Baseball Worldwide: From Brussels to Tel Avis to Taipei, Sagehens play an outside role in helping to spread baseball fever beyond the bounds of North America.

7) Goofball Classic: A quarter century after its release, the movie Major League by David Ward ’67 has only grown in its appeal as baseball fans’ favorite funny flick.

 

Lost Worlds

Lost Worlds: Sometimes the map itself is the treasure. Here, four cartographical curiosities unfold, revealing hidden realms and long-forgotten locales.
PHANTOM OF THE FOOTHILLS

Planned as the original building site for Pomona College, Piedmont  is the college town that never was.

 For a place that never really existed, Piedmont turned out to be surprisingly easy to find.

The would-be burg dreamed up long ago as the permanent site for Pomona College couldn’t even be called a ghost town: Little more than a cornerstone was ever put in place, and even that was eventually moved away. Still, all the historical hubbub surrounding the College’s 125th anniversary piqued my curiosity about the location the Pomona Progress all those years ago declared was just right for the future college: “No sightlier spot could have been selected. The tract is … the very perfection of Southern California.”

 Then came a real estate crash, and, soon after, an offer from the nearby struggling settlement of Claremont, which had an empty hotel to offer the College. After some tussling, the Piedmont plan was dropped for good, and the never-built town became just one of many SoCal settlements that didn’t make it past maps.

  There remained, however, a photo from the September day in 1888 when hundreds of people gathered at the base of the foothills north of Pomona for the cornerstone ceremony. That old black and white helped lead me back to the spot known as Piedmont Mesa and its faint traces of the College’s beginnings.

 Next I turned to the tomes. The histories of the College—particularly Frank Brackett’s Granite and Sagebrush—were quite clear in placing the Piedmont Mesa at the mouth of Live Oak Canyon, a locationI know well having driven through it at least a hundred times.

 So my editorial co-conspirator Mark Wood and I set off to do a little legwork and pinpoint Piedmont more precisely. Once there, we called up that old photo of the cornerstone ceremony on his iPhone.

 Even on the little screen, it was easy to line up the old view with the present one, since the hills had changed so little in 125 years. Comparing the two views, it looked to us like the site of the original cornerstone—later relocated—might just lie beneath the 210 Freeway, which today slices through the site.

 The street names bore witness to history as well. We were standing near the intersection of Piedmont Mesa Road and College Way. And then came the twist: Looking closely at the markings on those street signs, and later checking with the map, I couldn’t help but notice that even the original site dedicated to become a permanent home for Pomona College wound up within the city limits of … Claremont.

NEW TRACKS, OLD PATHS

When Dan Hickstein ’06 set out on an adventurous quest to chart the mountain-bike trails of Colorado, he ran smack dab into the state’s wild mining past.

Map by Mike Boruta / Fixed Pin Publishing

 Dan Hickstein ’06 recently took a year-long “sabbatical” from the chemical physics Ph.D. program at the University of Colorado at Boulder to ride the trails and write the definitive guidebook to mountain biking in the rustic realm he now calls home.

 Good maps were key to his quest. The outdoors adventurer, who earlier studied x-ray crystallography on a Churchill Scholarship to Cambridge, was unsatisfied with other Colorado biking guidebooks that contained hand-drawn maps that would leave him and his friends lost in the woods. Equipped with GPS, he set out to gather all the raw data that the book’s cartographer needed to get the maps just right.

Dan Hickstein ’06 in the Gold Hill, Colo., area. (Photo by Craig Hoffman.)

Naturally, he also had to ride every single trail, and that’s when he ran into something he didn’t expect. Many of those awesome, high-altitude rides led him smack dab into Colorado’s colorful past. You might think of mountain biking in the Rockies as a series of rugged trails, breathtaking views and run-ins with the weather—and it was all those things. But on the trails Hickstein also encountered closed-off mine shafts, “creepy, abandoned mining buildings” and once-bustling towns that had all but disappeared.

Over and over, he kept running across the remnants of the state’s mining rush in the late 1800s, later waves of mining, and the remains of various “crazy schemes,” including railroad tunnels blasted through 12,000-foot-high ridgelines and opulent summer resorts that are now long abandoned.

This convergence of mountain biking and history makes sense. Years ago, miners and engineers forged new paths through the mountains, and given the difficulty and danger involved in making them, those trails would remain of use long after. On the Switzerland Trail, pictured here, near what Hickstein calls the “quasi-ghost town” of Gold Hill, the mountain biking trail follows a path created over 150 years ago for a narrow-gauge railroad that once served mining towns. “So, when you ride the trail, you’re following the same path as the prospectors who rode the train up into the mountains with the hopes of striking it rich,” writes Hickstein.

Hickstein does concede that his brushes with history sometimes slowed the book project down. He’d ride past rustic ruins and later look them up to discover the settlement once had been filled with hotels, bars and brothels. He’d get lost in reading about some little town and how silver prices had shot up and then crashed after the Sherman Silver Purchase Act and … then he’d notice three hours had passed by and “Oh, man, I’ve got nothing done.”

Fortunately, he was able to include some of the historical tidbits—along with 118 maps—in his recently published book, The Mountain Biker’s Guide to Colorado (Fixed Pin Publishing). Hickstein is now a fourth-year grad student at University of Colorado, where he studies how ultrafast lasers can be used to make super-slow-motion movies of chemical reactions. But after a long day in the lab, Hickstein still finds time to ride the trails, sometimes even bringing along his own tome and its trusty maps.

THE COMMON-SENSE CARTOGRAPHER

At the dawn of the Jet Age, Hal Shelton ’38 shook up the crusty world of cartography by making maps in which the colors matched the landscape.

Hal Shelton’38 changed the way we see the world, at least on paper. He brought artistry, color and a dash of common sense to the crusty field of cartography at the dawn of the Jet Age. Today, his maps are considered cartographic masterpieces.

An art major at Pomona, Shelton was introduced to cartography just after graduating when he went to work for the U.S. Geological Survey creating topographical maps in the field. Perplexed by some of the conventions of mapmaking, he became interested in the idea of “natural color”—making the area mapped look like it does to the eye.

“Up until Shelton came onto the scene, when you made maps, the color would represent, say, political areas [or] elevation …,” notes Tom Patterson, a National Park Service cartographer who has written extensively on Shelton’s career. “He really revolted against that idea because he felt that when people see these colors, they don’t think of elevation, they think of land cover and vegetation.”

The U.S.G.S. wasn’t interested at first, but soon enough the military was, and Shelton did some work for the Air Force during World War II. According to Shelton’s son Stony, his father’s big break came after the war when he met Elrey Jeppesen, a pilot who had started an aeronautical mapping business. Jeppesen saw the potential in Shelton’s approach, and soon the artist was making airline maps for the traveling public. The idea was that air travelers could look at maps that matched the terrain they saw out the window. “This was at the beginning of the jet era,” says Patterson. “People would get dressed up to go on an airline.”

 If the natural color concept seems straightforward—forests are green, deserts are brown— the execution required patience, skill and considerable expense. Decades before satellite imagery was widely available, Jeppesen hired academic geographers to gather the data, which was etched into zinc plates about two to three feet in diameter. Working on an inch at a time, Shelton then painstakingly painted on the landscape features along with shaded relief to show elevation. His artistry yielded “realistic picture maps that astound the cartographic world,” as The New York Times gushed in 1954.

The series of maps Shelton painted for Jeppesen came to be used not only by airlines but also in classrooms and by NASA. Even today, the work of Shelton, who died in 2004, remains relevant for cartographers. Raw satellite images hold too much “noise” and distraction, says Patterson, while Shelton’s less-literal technique brings out the most important features of the landscape to create an image that a casual reader can make sense of.

“He painted the entire world, he liked to say sometimes,” recalls Stony, who notes his father went on to create a series of well-known maps of Colorado ski areas and then left the cartographic work behind for a prolific career painting landscape scenes. “He created these, beautiful, beautiful maps that were just the landforms as they looked from space.”

And what became of those maps? The originals—valued at the time at more than $1 million—were donated to the Library of Congress in 1985 and exhibited with fanfare in 1997, when Shelton was flown to D.C. to take part in a showing timed to the maps division’s 100th anniversary. Years later, though, when Patterson came to see them at the maps division’s vast storage facility, Shelton’s creations led a more down-to-earth existence, tucked away among the “cabinets that just go on and on in the basement of the place.”

JEST OF THE WEST

Pulling together his father’s long-forgotten cowboy comic strips, Richard Huemer ’54 delved into an imaginary western world — and his dad’s psyche.

Just as Richard Huemer ’54 was settling into his first semester on Pomona’s leafy and idyllic campus, his father was bringing to life a very different realm in the newspaper comics.

Mesa Trubil, a weedy Western outpost so vile that the government wouldn’t claim it as part of the U.S.A., had only one hope in the form of hero on horseback Buck O’Rue. The noble and naïve cowboy tangled with malevolent Mayor Trigger Mortis and his henchmen, all the while dazzling love interest Dorable Duncan with his bravery.

The satirical strip was born of a career setback for Richard’s dad. Dick Huemer had been laid off from his job as a Disney writer, and that allowed him to pursue the project he had talked about for years. “He desperately needed something to do,” recalls Richard.

With Disney colleague Paul Murry on board to do the drawing, Dick Huemer got a small syndicate in Cleveland to promote the strip. But perhaps due to the syndicate’s limited reach, the strip didn’t go over big. And just as Buck hit the papers, Dick was back in the saddle at Disney, where his career later included co-writing Dumbo. By late 1952, the strip was kaput.

Dick Huemer died in 1979, but it wasn’t until Richard’s mother passed on 20 years later that the old comic came back into view as Richard sorted through his mother’s possessions. “The Buck O’Rue proofs were among the things she had saved all these years,” he says.

Next, Richard was contacted by a Swedish graduate student, Germund von Wowern, who was interested in the work of illustrator Murry (later one of the best-known illustrators of Mickey Mouse). The Swede wanted to know if Richard had any proofs of a strip called Buck O’Rue. Did he? Richard had nearly all of them.

Out of that came a 10-year collaboration through which Richard and von Wowern unearthed and filled in the missing pieces of the story of Buck O’Rue. Their efforts culminated with the publication last year of a 300-page book of old O’Rue strips accompanied by commentary.

Along the way, Richard gained insight into the era—and his own father. The strapping cowboy hero, in Richard’s eyes, epitomizes the America of the time. “There was a great deal of optimism,” he says. “And a feeling that we could do anything.”

Still, Richard’s adult eyes couldn’t ignore some things he missed in his youth. As Richard notes in the tome, Buck confronted a relentlessly foul cast of characters in Mesa Trubil, where political corruption was rife. Some of the strips featured a crazy old miner who carelessly tosses around his “schmatum bomb” that could destroy the world. All in all, the comic strip was rather bleak in its worldview, which Richard says seemed to reflect his father’s own outlook.

“He covered it with his jocularity. He liked humor and wordplay,” recalls Richard. “Inevitably, when you delve into the work of someone you know, you understand more about them.” So from those long-forgotten funnies, Richard wound up with a more rounded and complex picture of his dad. “That was a voyage of discovery for me, too,” he says.