Articles Written By: emae2021@pomona.edu

The Ash Heap of Success

The Ash Heap of Success: As an expert witness in an international biotech patent suit, Professor Lenny Seligman finds his own research on trial.

ash-heap-400Expert witnesses at contentious trials can expect to be challenged, even discredited. But when he took the stand last year in a complex biotech patent case, Pomona Biology Professor Lenny Seligman never anticipated that his groundbreaking work at Pomona would be relegated to the “ash heap of failure.”

That attack line echoed from start to finish during the high-stakes federal trial in Maryland between two rival companies in the cutting-edge field of genetic engineering. The dismissive salvo was fired in the opening statement by the attorney for Cellectis, a large French firm that filed suit for patent infringement against its smaller U.S. competitor, Precision BioSciences, which had hired Seligman for its defense.

Seligman was more than just an expert witness. His research at Pomona had become a cornerstone for the case. Both sides cited Seligman’s work as a basis for the science on which their businesses had been built. Ironically, the plaintiff then found itself in the awkward position of having to undermine the validity of his work. It did so by claiming he had not actually produced anything concrete in his college lab that would invalidate the firm’s far-reaching claims.

“I don’t hold that against him,” said the counselor. “This is very complicated technology. It does not surprise me that he wasn’t able to do it. What does bother me is Precision attempting to rescue his (work) from the ash heap of failure.”

Seligman left court that day thinking, “Ouch! Did he really say that?” When cross-examined by that same lawyer, Paul Richter, Seligman found an opportunity to sneak in a mild retort, saying on the stand, “That was not very nice.” Considering the attack still in store, the lawyer might have mused, “If you thought that was bad, wait until you hear my summation.”

In those final arguments, though, Seligman’s side fired back with outrage and eloquence. Following a week of mind-numbing technical testimony, David Bassett, an attorney for Precision, rebutted the now infamous line. The court reporter transcribed the original reference as “ashes of failure,” but Seligman and others clearly remember it as a heap, and that’s the phrase that stuck.

To say Seligman’s work belonged in the “ash heap of failure” was “as incorrect as it is offensive,” said Bassett. “To the contrary, Professor Seligman’s article represented a monumental success from a small lab at Pomona College where (he) does his research with undergraduate students, 18 to 22-year-olds. And it paved the way for companies like Cellectis and Precision to do their work. … The real difference is that Professor Seligman was teaching the world what he had done and hoping that others would follow his blueprint.”

In the end, Precision won the infringement case and Seligman’s work was vindicated. The attack strategy against the likeable professor’s little-lab-that-could appeared to have backfired.

“I think that statement bit them in the ass,” he said. “Because even the jury kind of cringed when the lawyer said it. I mean, that’s really aggressive. And then when they got to know the witness—what a sympathetic guy I am—it was like, why would you do that? You could have made the point without going for the jugular like that.”

Indeed, it may have been the professor’s disarming, down home charm that won the day, as much as all the technical testimony about the DNA and microscopic structures called meganucleases. Beneath the complex science ran a compelling narrative that must have appealed to the federal jury empaneled in the district court of Delaware.

It was, in the end, a classic American underdog story.

The synopsis: Powerful and imperious European firm with raft of lawyers and battery of full-time scientists is defeated by scrappy U.S. start-up and its folksy professor with his one-man lab and part-time student assistants.

Seligman relished the role. In a PowerPoint presentation of the case presented recently to campus groups, he portrays the litigants as Team France v. Team USA. He uses slides to illustrate the uneven competition between the two companies and their dueling expert witnesses. For Cellectis, we see the flattering portrait of an award-winning genetics researcher from a big university. For the other side, we have Lenny Seligman, but the slide shows a picture of Homer Simpson.

The visual gets a big laugh.

A year after the verdict, Seligman still expresses astonishment when recalling the whirlwind experience of being a central figure in an intense international dispute about science. Interviewed in his office at Seaver Hall, where he presides as Biology Department chair, he also reflected on the awesome amounts of money circulating in science today, and what it means for those trying to teach and do research at a small, liberal arts college like Pomona.

“Part of me is happy with how things turned out,” he says. “At one level, it would have been great to be able to continue working on the I-CreI project without competition. However, we would never, at Pomona College, in my lab, have gotten to the point these two companies got to in five years. They were putting products out there, they were making enzymes that cut specific DNA sequences. It would’ve taken us so long to get there. So in the big picture, this is great. These companies are doing it, and they’re still graciously referencing our early work. It’s all good.

“We just have to find something new to do.”

Court and Class

Watching Seligman’s PowerPoint presentation about the case, posted online, gives viewers a flavor of his teaching style. He is engaging, enthusiastic and funny in a self-deprecating way. He’s also informal, standing casually at a podium with his shirttail hanging out and joking about wearing a suit only for court. But most importantly, he has a knack for explaining complex concepts to scientific novices, like college freshmen—or jurors.

The concepts in this case involved the business of protein engineering using meganucleases, which have been described as “extremely precise DNA scissors.” Scientists have developed ways to alter these naturally occurring enzymes and make them cut DNA segments at specific, targeted locations, with potentially lucrative uses in medicine and agriculture.

“Court is interesting because it’s kind of like a class,” Seligman says. “But it’s not like a class at Pomona where someone’s going to raise their hand and ask a question and stop you. When I’m in a class and I’m lecturing off-the-cuff and I can see that I’m losing students, I’ll stop and I’ll ask them certain questions. You can’t do that when you’re an expert witness, but you can still kind of get the visual cues. You still could get a sense that (the jurors) were with you, and I really felt that they were. They weren’t glazing over.”

Neither were the lawyers. They were ready to pounce on every word, eager to point out the smallest inconsistency or weakness. And Seligman was trying to make sure he didn’t slip up.

So there was no Homer Simpson on the witness stand. In court, Seligman’s easy-going, spontaneous classroom persona was restrained. The transcript of his testimony shows a witness who is cautious, serious and coldly factual. By then, he had been through hours of grueling depositions, and he knew the name of the game—Gotcha!

“Well, the whole idea (of pre-trial depositions) is for them to get a sound bite that they can use in trial,” he says. “So they ask questions really quickly. The thing that was hard, especially for someone who’s not a lawyer, is that they move from one aspect of the case to another, rapid-fire. …Your mind is over here and they’re trying to get you to slip up, so they can say to the jury, “But didn’t you testify that…?”

Seligman pounds on his office desk to impersonate an intimidating attorney.

“I felt really guarded. In class, when I get a question and don’t know the answer, the first thing I say is, ‘I don’t know.’ And so that’s my default mechanism, because I’ll figure it out, and we’ll talk about it next lecture. But if you’re getting deposed, you can’t fall back on that answer because lawyers will shoot back, ‘You don’t know? Well, on page 285 of your third report, didn’t you write this?’” Here, his tone mocks a Perry Mason moment. “So you feel you have to be on your toes all the time, and really be thinking about everything you’ve ever written.”

At times, the legal wrangling was so contentious, even the judge sounded exasperated. During one testy confrontation, U.S. District Court Judge Sue L. Robinson threatened to give the lawyers “a time out,” like an angry parent with misbehaving kids.

Underneath, Seligman perceived a bitter dislike between the two companies. It was like a battle to the death. He speculates that Cellectis’s strategy was to put Precision, the much smaller firm, out of business, bankrupted by legal fees. So Precision could win the battle and still lose the war.

Call it the ashes of success.

“Cynically, a lot of us (supporting the U.S. company) thought this was all about trying to bleed them.”

Money and Science

The experience was not all cutthroat and high anxiety, however. Seligman also recalls the excitement of being swept up into the high-flying world of international business and high-priced corporate lawyers. He describes it with the wide-eyed wonder of a kid who grew up in Claremont and still uses the nickname he was given in kindergarten, rather than his full name, Maurice Leonard Seligman.

To Lenny, it was a thrill just being in New York for the deposition and looking out onto that breathtaking Manhattan skyline. He often punctuates his story with youthful expressions, like “awesome” and “oh, my gosh!” He breathlessly describes the “war room” where a battalion of lawyers in a suite of offices prepared for testimony. (“Oh, my gosh!”) And he recalls how lawyers worked through the night preparing challenges even to illustrations planned for court the next day, putting pressure on a graphics guy to create instant substitutions. (“Oh, my gosh!”)

“And you mix that with all this adrenaline and dread of being deposed—it was really exciting,” he says.

When it came to how much the defense paid him, the response might also be, “Oh, my gosh!” That pesky attorney made a point of making him divulge the fee in court: $400 an hour. “It was more money than I had ever made in a short amount of time,” he recalled in the interview. “It was a lot of money for me.”

The amount of money these companies dumped on this lawsuit raises larger concerns about the corrupting influence of big profits on basic research.

“The whole privatization of science is something that’s certainly to be looked at carefully,” agrees Seligman. “Did I ever think to put a patent out? I’m glad I didn’t, in retrospect. If somebody wanted to choke me like they tried to choke Precision, they would serve me and I would say uncle. There’s just no way I would have the resources to fight. But beyond that, there’s just something that’s really special about open science, where everyone is sharing everything and building on each other. And once it gets into the industry, it’s not open science. They’re protecting it. They’re hiding it until they get the patent issued.”

Bringing it all back home, Seligman sees implications for his future work at a small college. How can his little research lab compete with wealthy companies, often with ties to large universities.

“That’s what we worry about all the time in a place like Pomona College,” Seligman says. “You want to do interesting science, but it’s got to be small enough that you’re not doing the same thing that the big labs are doing because we don’t have the same resources.”

Focus on Students

Beyond doing good science, Seligman and his colleagues at liberal arts colleges have another mission to worry about—teaching undergraduates. In his own lab, he notes, research must also be a teaching tool, a training ground for future scientists. In this regard, he says, Pomona is in a perfect position to compete.

The work on meganucleases is a prime example. In the early days, before big money entered the fray, much of the research was being done by students at Lenny’s lab. Today, they all have their names—as full-fledged co-authors—on those important research papers that figured so prominently in the trial.

These were not graduate students or post-docs. They were undergraduates like Karen Chisholm ’01, Adeline Veillet ’03, Sam Edwards ’99 and Jeremiah Savage ’98, who co-authored Seligman’s pioneering 2002 paper, marking the first time researchers described making mutations in a meganuclease, called I-Cre1, that altered the site where it cleaved DNA. Two years later, Steve Fauce ’02, Anna Bruett ’04 and Alex Engel ’01 co-authored another of Seligman’s key research papers, along with Dr. Ray Monnat of the University of Washington, where Seligman got his Ph.D. and did his first work on meganucleases as a post-doc in Monnat’s lab. Finally in 2006, five other Pomona undergrads—Laura Rosen ’08, Selma Masri ’02, Holly A. Morrison ’04, Brendan Springstubb ’05 and Mike Brown ’07—co-authored a third paper in which new mutant meganucleases were described.

Many former students praise Seligman as a great mentor who inspired them to pursue science in graduate school. At least 10 of these 12 student co-authors went on to get doctorates in biological sciences or M.D.’s.

“He really fostered a good environment for learning and being productive,” recalls Morrison, who got her Ph.D. from UC Berkeley in molecular and cell biology. “He had several students in there at any one time, and everybody was really good about helping each other. It was not at all cutthroat competition. It was very much a supportive team mentality and there was also a camaraderie about it.”

Today, Seligman speaks about his former students as if they were his kids. He makes a point of mentioning them in his PowerPoint presentation, and even notes who got married and who just had a baby.

“We are so lucky to be a place that gets such great students,” he says. “It’s our job to work with them, to get them excited about science and keep them excited about it. I have no doubt they’re going to do really amazing things.

“And I’m going to sit back and smile.”

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The Message in the Song

The Message in the Song: National Geographic writer Virgina Morell '71 takes us inside the research of scientists working to decode the chitters and trills of animals ranging from bats to prairie dogs.

At the Mayan ruin of Uxmal, Mexico, bat researcher Kirsten Bohn bends down beside a narrow crack in one of the ancient limestone walls. “Do you hear them?,” she asks. “The twittering? That’s our bats, and they’re singing.”

I lean in, too, and listen. It takes a moment for my ears to adjust to the bats’ soft sounds, and then the air seems to fill with their birdlike trills, chirps and buzzes.

The twittering calls are the songs of Nyctinomops laticaudatus, the broad-eared bat—one of several species of bats that scientists have identified as having tunes remarkably similar to those of birds. Like the songs of birds, bats’ melodies are composed of multiple syllables; they’re rhythmic and have patterns that are repeated.

And like birds, these bats sing not during the dark of night, but in the middle of the day, making it easy for us to see them, too.

Bohn, a behavioral ecologist at Florida International University in Miami, presses her face against the crack in the wall, and squints. “Well, hello there,” she says. I follow her example, and find myself eyeball-to-eyeball with one of the bats that’s sandwiched inside. He scuttles back, but his jaws chatter at me, “Zzzzzzzz.”

“He’s telling us to back off, to go away,” Bohn says, translating. “He wants to get back to his singing.”

That suits Bohn, who has traveled to Uxmal to record the broad-eared bats’ tunes for her study on the evolution and function of bat song—research that may help decode what the bats are saying to one another with their songs, and even teach us something about the origins of human language.

Not so long ago, most animal scientists and linguists regarded the sounds that animals and humans make as markedly different. Language was considered to be something only humans possessed; supposedly it appeared de novo instead of evolving via natural selection. And animals were regarded as incapable of intentionally uttering any sound. Songs, barks, roars, whistles: These were involuntary responses to some stimulus, just as your knee jerks when your doctor taps it. But since the 1990s, the notion of language as a uniquely human skill has fallen to the wayside as researchers in genetics, neurobiology and ethology discover numerous links between animal vocalizations and those of humans.

in-song-250Take grammar and syntax, the rules that determine how words can be combined into phrases and sentences. Most linguists still insist that animal calls lack these fundamental elements of language. But primatologists studying the vocalizations of male Campbell’s monkeys in the forests of the Ivory Coast have found that they have rules (a “proto-syntax,” the scientists say) for adding extra sounds to their basic calls. We do this, too. For instance, we make a new word “henhouse,” when we add the word “house” to “hen.” The monkeys have three alarm calls: Hok for eagles, krak for leopards, and boom for disturbances such as a branch falling from a tree. By combining these three sounds the monkeys can form new messages. So, if a monkey wants another monkey to join him in a tree, he calls out “Boom boom!” They can also alter the meaning of their basic calls simply by adding the sound “oo” at the end, very much like we change the meanings of words by adding a suffix. Hok-oo alerts other monkeys to threats, such as an eagle perched in a tree, while krak-oo serves as a general warning.

Scientists have found—and decoded—warning calls in several species, including other primates, prairie dogs, meerkats and chickens. All convey a remarkable amount of information to their fellows. The high-pitched barks of prairie dogs may sound alike to us, but via some variation in tone and frequency he or she can shout out a surprisingly precise alert: “Look out! Tall human in blue, running.” Or, “Look out! Short human in yellow, walking!”

Many animals use their calls to announce that they’ve found food, or are seeking mates, or want others to stay out of their territories. Ornithologists studying birdsong often joke that all the musical notes are really about nothing more than sex, violence, food and alarms. Yet we’ve learned the most about the biological roots of language via songbirds because they learn their songs just as we learn to speak: by listening to others. The skill is called vocal learning, and it’s what makes it possible for mockingbirds to mimic a meowing cat or a melodious sparrow, and for pet parrots to imitate their owners. Our dogs and cats, alas, will never say “I love you, too” or “Good night, sweetheart, good night,” no matter how many times we repeat the phrases to them, because they lack both the neural and physical anatomy to hear a sound and then repeat it. Chimpanzees and bonobos, our closest relatives, cannot do this either, even if they are raised from infancy in our homes.

Via vocal learning, some species of songbirds acquire more than 100 tunes. And via vocal learning, the chicks of a small parrot, the green-rumped parrotlet, obtain their “signature contact calls”—sounds that serve the same function as our names.

A few years ago, I joined ornithologist Karl Berg from the University of Texas in Brownsville at his field site in Venezuela where he studies the parrotlets’ peeping calls. Although the peeps sound simple to our ears, Berg explained, they are actually complex, composed of discrete sequences and phrases. A male parrotlet returning to his mate at their nest, a hollow in a fence post, makes a series of these peeps. “He calls his name and the name of his mate,” Berg told me, “and then he’s saying something else. And it’s probably more than just, ‘Hi Honey, I’m home.’” Because the female lays eggs throughout the long nesting season, the pair frequently copulates. And so, Berg suspects that a male on his way home after laboring to fill his crop with seeds for his mate and their chicks, is apt to call out, “I’ve got food, but I want sex first.” His mate, on the other hand, is likely hungry and tired from tending their chicks. She may respond, “No, I want to eat first; we’ll have sex later.” “There’s some negotiating, some conversation between them,” Berg said, “meaning that what one says influences what the other says next.”

bird-in-song-300Berg discovered that parrotlets have names by collecting thousands of the birds’ peeps, then converting them to spectrograms, which he subsequently analyzed for subtle similarities and differences via a specialized computer program. And how does a young parrotlet get his or her name? “We think their parents name them,” Berg said—which would make parrots the first animals, aside from humans, known to assign names to their offspring.

Parrotlets aren’t the only animals that have names (or to be scientifically accurate, signature contact calls). Scientists have discovered that dolphins, which are also vocal-learners, have these calls, although these seem to be innate; the mothers aren’t naming their calves. And some species of bats have names, which they include when singing, and in other social situations.

Bats sing, for the same reason birds do: to attract mates and to defend territories. They’re not negotiating or conversing, but their lovelorn ditties are plenty informative nonetheless. After analyzing 3,000 recordings of male European Pipistrellus nathusii bats, for instance, a team of Czech researchers reported that the songs always begin with a phrase (which the scientists termed motif A) announcing the bat’s species. Next comes the vocal signature (motifs B and C), information about the bat’s population (motif D), and an explanation about where to land (motif E).

“Hence, translated into human words, the message ‘ABCED’ could be approximately: (A) ‘Pay attention: I am a P.nathusii, (B,C) specifically male 17b, (E) land here, (D) we share a common social identity and common communication pool,’” the researchers wrote in their report.

Bohn suspects that the tunes of her bats at Uxmal convey the same type of information. “The guys are competing for females with their songs,” she says, “so they can’t afford to stop singing.” She doesn’t yet know what the females listen for in the voice of a N.laticaudatus, but expects that something in a male’s intonation or his song’s beat gives her clues about his suitability as a mate.

But her focus is on another question: Are these bats long-term vocal learners, as are humans and some species of birds, such as parrots? “If they are,” she explains, “then they might be a good model for studying the origins of human speech”—which would make bats the first mammal ever used for such research.

Bohn had earlier recorded some of the bats’ songs, and digitally altered these so that they sounded like the refrains of different bats—strangers. At the wall, she attaches a pair of microphones and a single speaker to a tripod, and points the equipment at the fissure, where the bats sing. Pushing a button on her laptop, she broadcasts the remixed bat songs to the tiny troubadours, who respond with even louder twitters, trills, and buzzes. Bohn watches their responses as they’re converted into sonograms that stream across her laptop’s screen like seismic pulses. These are territorial buzzes and contact calls, Bohn explains. “They know there’s an intruder.” She’s silent for a moment, and then beams. “Yes! One of the guys is trying to match the intruder’s call. He doesn’t have it exactly right, but he’s close—he’s so close, and it’s hard.”

But there it was: the first bit of evidence that bats are life-long vocal learners. Just like us.

Pomona Pair Mix Alt-Pop, Entrepreneurship and Environmental Activism

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Skylar Funk Boorman ’10 and Merritt Graves ’10 have spent their years since Pomona successfully combining their love of music with the fight against climate change.

Their outlet is Trapdoor Social, a band self-described as “Los Angeles Alternative Energy Rock and Sustainability Activism.” They recently released their second album and have been touring, doing shows throughout the Midwest and West Coast. The music videos for their alt-pop songs from their first album “Death of a Friend,” which featured Death Cab for Cutie’s well-known drummer Jason McGerr, have drawn large viewership online and radio airplay.

Boorman and Graves channel their anxieties about climate change and other environmental issues into Trapdoor Social’s music, with lyrics and melodies ranging from stormy to upbeat, nervous to hopeful. “We really do want to create an anthem for the environmental movement — a popular song that has a message that gets people pumped about social responsibility and leaving a great legacy,” says Boorman.

The pair met at Pomona on Orientation Adventure and developed a friendship through such courses as Green Urbanism and Farms and Gardens in the Environmental Analysis Program under the tutelage of Professors Rick Hazlett and Char Miller, who has attended several of Trapdoor Social’s performances, describing even their unplugged gigs as “electric.”

Boorman was active in music while at Pomona, singing in Men’s Blue and White and taking music theory courses. Graves managed his own hedge fund from an office in the Claremont Village while using profits to found his company Farmscape.

“One day in Intro to Environmental Analysis, Rick Hazlett was talking about L.A sprawl. And it just clicked that we’d never get to go back and redesign L.A with the appropriate density, but we could make the best of the error by farming the sprawl,” Graves remembers.

Now, Farmscape operates more than 150 farms in the Los Angeles Area. With 12 employees including seven full-time farmers, Farmscape designs, installs, and helps to maintain urban farms that range in size from rooftop garden plots to a larger farms used by restaurants. Graves also helped create the company Agrisaurus, a web app that helps gardeners to plan and manage their own plots.

Integrating community work is important to the pair. They held a presale for their second album as a fundraiser, working with partners Everybody Solar and Grid Alternatives to donate their profits toward the purchase of solar panels for Los Angeles nonprofit Homeboy Industries, which re-trains former gang members in Los Angeles.

Among all the activities, Boorman and Graves work to find time for their songs. Striking a balance in music with an environmental message can be difficult, Graves says.  “On one hand we don’t want to be preachy and play into stereotypes, but on the other hand we don’t to play so coy that the message is lost.” A growing fan base indicates that the duo is on the right track.

Leaks and Firestorms

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In today’s class, students discuss the firestorm ignited by former National Security Agency (NSA) contractor Edward Snowden’s leaks of top secret documents last summer. Among the questions raised are: who decides what are legitimate targets for domestic and foreign surveillance; why some secrets should be protected; and whether information gathering by corporations like Google and Facebook should be part of a broader privacy debate.

Munter: I was at the Rand Corporation yesterday on a panel about secrecy and privacy. One side, I had an FBI agent, and on the other an ACLU lawyer, and I realized the reason they invited me was to be sure they didn’t rip each other’s throats out. On the domestic side, they talked about privacy and the Constitution. I suggested that many of these issues should not be limited to domestic policy, but should be part of foreign policy. I’m curious what you think of the (Snowden) revelations about spying on the American people.

Ben: If we are truly at war, we are engaged in a war on terrorism, we have a duty to understand the lay of the land; it’s our job to have a complete awareness of exactly where the enemy is, and understand the lines of communication and organization.

Munter: Let me go back to the first thing you said. You guys think we’re at war. Yes, no?

Aidan: I think it’s almost antithetical to democracy to accept that we can be on a constant war footing. Because it is true when you are in a war, democracy affords certain executive powers that are supposed to be temporary. The problem is this war has been going on for more than a decade, and it can do that because it doesn’t affect our daily lives. Mass spying on citizens inside the country and out isn’t even seen as surprising anymore.

Ben: Are you talking more about spying on foreign leaders? I’m talking about domestic spying. Foreign spying in general is kind of an accepted thing.

Munter: So this doesn’t surprise you?

Ben: Not as much, but domestic spying gets me because it’s shrouded in deep secrecy. The way the administration acted after Snowden’s revelations, trying to tarnish the guy’s name and trying to underplay how big the domestic spying programs were. The whole process itself; there is no transparency anywhere. It seems very antithetical to democracy.

Munter: There is kind of a carve-out that in exceptional times you can have exceptional measures. I don’t know if any of you know the state song of Maryland (hums it), and it has the words, the despot’s heel is at thy door/ Avenge the patriotic gore that flecked the streets of Baltimore.

Now the despot in the song is Abraham Lincoln, There were riots against Lincoln. He put the legislature in jail so they wouldn’t secede from the union. So here is our hero Abraham Lincoln who, basically for the period of the Civil War, was unconstitutional. We can say exceptional circumstances, pretty serious times. We can say 9/11 was a pretty serious time.

Jack: When you frame it about taking away constitutional liberties and the Fourth Amendment and stuff, it sounds very serious and it is. But when you contextualize it in the terms that it’s not just government doing this, it’s the private sector as well. And that, honestly, is what scares me more.

Munter: You mean when you search something in Google and it gives you commentary about what you could buy?

Michael: Google’s and Facebook’s whole business model is to own your information and to sell it. And that worries me just as much if not more.

Tom: I guess where I draw the line is that Google and Facebook can’t put you on a watch list, but the NSA can, based on information that might not necessarily be suspicious, like a search history.

Munter: What you’re saying is that we’re getting it wrong if we only worry about constitutional issues, serious or not serious as they might be, because there is something bigger, which is the technological issue, which is both inside and outside government.

Aidan: It’s such a slippery slope that there are going to be abuses and that brings up the question of either you have to have one extreme, no surveillance, or you have to recognize that it will be abused, and I think most Americans aren’t willing to have no surveillance.

Munter: So there is the permanent war footing argument and the violation of civil liberties argument. Obviously, the American public want something in between; they want to be safe and they’re willing to pay a certain price in order to be safe, but they don’t want to lose the essence of what it means to be Americans and have freedoms, which is not satisfying intellectually but pretty realistic.

Charlotte: I was going to say that it’s really a generational thing. My parents are vehemently opposed to wiretapping, domestic surveillance, where most of the people I’ve talked to don’t really care.

Munter: Because they’re used to it.

Charlotte: Yeah, we’ve grown up where everything is totally public. When it comes down to the message Snowden is making about why this is wrong, most people in my generation probably don’t relate.

Munter: There are reasons why we keep secrets. If I’m in Iraq or Libya, people tell you things in confidence, and they tell you things at the risk of their lives, and you keep that confidence because that’s your job.

Ben: When you say secrets are kept for the reason, the question is who is deciding the reason for that. Obviously, in the example you mentioned it’s for national security, people’s jobs, but I think when it strays to things that would portray the U.S. poorly or things that the U.S. is doing that are illegal, then I think that borders the line when secrets should be revealed.

Nick: My problem with Snowden was for him to take this issue into his own hands and to leak it to the public. I think it’s not really up to an individual to make that call.

Munter: Arguing uncharacteristically on Snowden’s behalf, isn’t that what a citizen is supposed to do, to some extent? Isn’t civil disobedience, from Gandhi to Martin Luther King, part of our tradition?

Nick: Unless you have a viable alternative like a legitimate pathway to share that information.

Munter: But is the issue here simply the amount of information we’re gathering? The whole point of 9/11 was that domestic and foreign intelligence had different pieces of intel and didn’t bring it together, which was part of what led to the Homeland Security that we know and love. Now that we have that, is there such a massive amount of material to deal with that no one can pick up his or her eyes and ask where we are going strategically?

 

How Your Gifts Support Daring Minds

Gifts from 16,457 alumni, parents, students and friends of the College lifted Campaign Pomona:

Daring Minds above the $200 million milestone late last year. Launched in 2010, the campaign already has provided funding for initiatives to support students and faculty, expand financial aid, build new facilities and increase programming in the arts and music.

Your gifts have:

• Expanded financial aid

Providing an affordable education to every admitted student remains the College’s top priority. Gifts of all sizes have helped meet this growing need for financial aid, which supports 56 percent of all Pomona students this year.

• Created a summer internship program

Since 2011, 80 students have participated in paid summer internships in eight states and 10 countries. More than 125 parents helped spearhead the drive to raise funding for internships.

• Increased support for summer research

More than $8 million has been raised for student summer research in the sciences, social sciences, arts and humanities

• Built two residence halls

Sontag and Pomona halls house 153 seniors in residences that meet the nation’s most stringent environmental standards.

• Contributed to the cost of two important new academic buildings

A new Millikan Hall will feature a digital planetarium, state-of-the art labs and innovative classrooms.

The new center for studio arts will have cutting-edge facilities and flexible studio spaces that invite collaboration.

With less than two years left to reach our goal of $250 million, we need your help to fulfill our promise to faculty and students, and to support, challenge and inspire the next generation of Daring Minds.

Thank you!

To learn more about how to support Campaign Pomona: Daring Minds, go to www.pomona.edu/giving or call Pamela Besnard, Vice President for Advancement, at 909-621-8192

Global Pomona

international

Yi Li ’16 is a blur, juggling classes, mentoring new international students, producing the sophomore class newsletter she founded, attending Oldenborg Center language tables. The second-year student from China has also served this year as sophomore class president and treasurer of the five-college Chinese Drama Society and is helping to produce a website and an informational video for the International Student Mentoring Program. Over winter break, she interned with the Bank of China in her hometown, met with students at her Nanjing high school, and held an event for a startup company she and some fellow international students are forming to assist other Chinese students interested in studying in the U.S. “I’m a ‘yes’ type of person,” says Yi. “I always say ‘yes’ to new opportunities and challenges.”

 Yi is one of about 50 Pomona students from China, the largest, fastest-growing group of international students on campus. Since Pomona’s first international recruiting trip in 2006, the College has seen applications from Chinese nationals grow from 24 to 250. Pomona has also seen fourfold increases in applicants from Korea and India.

 The growing presence of students from India came even though Pomona admissions only recently made its first trip to the country. “We had never visited there and had not attempted to build relationships with schools or even tried to figure the country out,” says Seth Allen, Pomona’s vice president and dean of admissions and financial aid. But, he notes, “Having an international dimension is important today in the modern educational setting. The Board of Trustees has charged us to seek out, identify and enroll the very best intellects and best purveyors of talent among young people in the world.”

 International enrollment comes in waves. At one point, for instance, Bulgaria was sending a disproportionate number of stu dents to the U.S. Then it joined the European Union and had easier access to other European institutions, and numbers declined.

 In addition to building a greater presence in India, Pomona has made recruiting in Europe a priority and started reaching out to Africa and Latin America as well. Sammy Kiprono Bor is a second-year student from rural Kenya who says he was drawn to Pomona’s small-school dynamics and liberal arts approach. And, yes, by the location, too. He had applied to schools in Maine and Connecticut, but “snow seemed scary,” he says.

 Robert Langat is also a sophomore from Kenya who was identified by a program seeking promising students to study in the U.S. In Kenya, he was accustomed to an educational system “where the teacher does all the talking and students take in everything.” His first few weeks in Claremont, he struggled through the required freshman seminar class—reading, writing, class participation—before adjusting to the demands of an American liberal arts college.

 Both Robert, who is considering majoring in mathematical economics, and chemistry major Sammy cite financial aid as a big factor in bringing them to Pomona. So does Lazaros Chalkias, a sophomore from Greece majoring in molecular biology. Lazaros also found the consortium of the seven Claremont Colleges appealing, but only after arriving on campus did he discover how deep his involvement in the 7Cs would be—as a member of the consortium’s seven-time national champion Ballroom Dance Company. “It’s the best way the colleges come together,” he says.

 Sagehens from abroad universally laud International Place, which supports the foreign communities on all of the Claremont campuses, and Pomona’s International Student Mentor Program, under which students guide new arrivals from overseas through tasks such as opening bank accounts, understanding cell phone plans, tackling homesickness and the rigor of studying at Pomona or helping them get off campus to explore Planet California.

 Nick Eng, a junior economics major from Singapore, is giving back to the ISMP by being a mentor himself, even reaching out to students who are just considering applying to Pomona. “The Admissions Office passes on emails to us,” Nick says. “In a small college, culture and fit is so important,” so he tries to explain to prospective applicants what to expect at Pomona and the broader 7C community.

 At Pomona, Lazaros says he found “limitless possibilities and people who care and want to work with you.” At the same time he feels that many students from abroad don’t take advantage of the opportunities here, something he’s noticed as commissioner for clubs and organizations in Pomona’s student government. the College has room for improvement, he says, in teaching international students about campus life and values, as well as writing term papers, something many internationals face for the first time after enrolling.

 Other international students agree that the College could do more to ease their assimilation—Robert and Sammy felt trapped in their dorm rooms over the five-week winter holiday freshman year when dining halls were closed (they say with smiles that they’ve figured it out now). Yi Li, despite attending a foreign language high school in China and speaking superb English, was confused at first by some expressions she heard. “When I came here people were greeting with, ‘What’s up?’ and I didn’t know how to respond; I had learned ‘How are you?’ in China,” she recalls. “I would really have appreciated it if someone had taught me more about American culture, even if it was just daily slang, or how people interact with each other, or the drinking and party culture, or the academics: you have to speak up in class, that’s really important.”

 Pomona continues to expand international recruiting, with an increased focus on Latin America and Africa, even as it becomes ever more selective. Pomona admitted 29.5 percent of 3,804 applicants in 2000, but only 13.9 percent of the 7,153 who applied last year.

 “If we are not proactive in performing our own outreach in other parts of the world it would be very easy to have an international population that was solely from Asia, simply because of the interest and the sheer volume of applications,” says Allen, who before coming to Pomona in 2011 was dean of admissions and financial aid at Grinnell College in Iowa, which receives some 400 applications from China a year because of its early start on international recruitment. “So we are going out of our way to ensure there is even more variety of students coming to Pomona from outside of the U.S.”

 Nevertheless administrators—and professors—say they are often astounded by the number of high-caliber students from Asia, obliging the Admissions Committee to delve into recommendations and extracurricular activities. “We look for cues that tell us this is someone who has multiple interests, is open to learning through class discussions, can contribute to conversations in the academic realm, and would be a good fit as a mentee or advisee for a faculty member,” Allen says. Often admissions officers rely on students they’ve met and have been able to assess in terms of quickness of mind and ability to articulate ideas. “Because of the strength of the applicant pool from China we can be choosy in setting the criteria very high.”

 Financial aid can be the deciding factor. While Pomona does not conduct need-blind admissions for international students, funding for them has been significantly increased in recent years, and the College looks for about a 50–50 balance of international students who need and do not need financial assistance. For her part, Yi Li is focused on making every day at Pomona count. Even on winter break she was drumming up funding and clients in China for Succeed America, the startup she is co-founding. She garnered 600 subscribers to the startup’s microblog in two weeks.

 Today she’s back to her studies and almost in awe that she was elected to Pomona’s student senate, on which two other international students serve. “That’s pretty amazing because if I were at a larger school I couldn’t really imagine American people would vote for me as an international and female student from China,” she says. “But at Pomona, that happened.”

Coming to Doha

Just before graduating from Pomona, Alexandra “Zan” Gutowski ’13 learned she’d gotten a great opportunity to immerse herself in Arabic and Middle Eastern studies, two of her biggest interests. Since this past September, Gutowski has been a student at a university in Qatar, doing intensive study of Arabic to master her language skills and prepare for a career in foreign policy.

doha1 TAKING ON A CHALLENGE Gutowski studied the language for several years in college and even spent some time in the Middle East while she was a student at Pomona, including a semester in Jordan during her junior year. “In Jordan I learned how to conduct my life in Arabic. I could negotiate my rent, get around the city, and attend college classes.”

 But her interactions with people from local communities, including a volunteer project with refugees from Syria and Iraq, inspired her to take her learning even further. “In conversations with these young refugee women, my Arabic was good enough to understand them, but not strong enough to say something meaningful back,” Gutowski says. “That’s when I realized I wanted to push my Arabic much further.”

 Hoping to become a more skillful speaker, Gutowski made plans to enroll in an Arabic program after graduation. Part of her goal was to gain an edge in Middle Eastern affairs, the field she hopes to enter.“There’s a level of nuance I want to reach in the language,” says Gutowski. “Sure I want to understand things, but that’s something Google Translator can do for you. I want to dig deeper into tone, diction, and syntax, to understand what is being said beyond mere translation.”With the help of some of the staff at Pomona’s Career Development Office, Gutowski applied to the Qatar Scholarship, a year-long program sponsored by Georgetown which allows college graduates from the United States to study Arabic at Qatar University in Doha, the country’s capital. Her acceptance letter came just in time for Commencement.

 LEARNING ON THE GROUND

Living and studying with a very international group of students, Gutowski says she’s started to make some exciting progress since arriving last fall. “What’s great is that I’m getting to the point where I’m learning about other things using this language. I can turn on the news or pick up an article, and really understand the bulk of it.”“This is a big breakthrough for me,” she says. “It’s getting fun now.”Outside of class, Gutowski spends a lot of her free time with friends and classmates exploring what the city has to offer, including museum exhibits, lectures and film festivals.

 Gutowski says that her experiences in the Middle East so far have opened her eyes to the complexities of the region.

Meeting people from many different countries and having to find her way in an unfamiliar place has been a challenge, but also a cause for growth.“Coming to Doha was a good experience. It woke me up to the fact that I don’t know everything and there’s so much that I have to learn.”

 SHAPING HER PATH

An international relations major, Gutowski says she’s always been drawn to public service. But her classes at Pomona were what stoked her passion for foreign affairs. She points to Professor David Elliott as a key influence. “I’m truly indebted to him, not just for shaping me into someone who could pursue foreign policy as a career but as someone who always wants to keep learning.”

 Going forward, Gutowski wants to focus on national security issues and Middle Eastern politics. After her scholarship ends in June, she hopes to find work with a research institute or a branch of government like the State Department. She’s already taken a first step by landing an internship this spring as a foreign policy researcher at the Brookings Doha Center, the Qatar-based branch of the well-known Washington think tank. Still, Gutowski says her time in Doha has given her a broader perspective on the path she wants to take in the future.

 “Especially in the first year out of college, people feel like they have to have everything figured out,” she says. “In this program I’ve met people who are all in different stages of their lives. I’ve realized that it takes awhile to get to where you want. It might not happen right away.”

How to Become a YouTube Star

Albert Chang ’14

Albert Chang ’14 has drawn a devoted YouTube following with his pop song mash-ups, orchestral covers, and mix of music and magic. Posting under the moniker “Sleightly Musical,” the Pomona music major and amateur magician has more than 51,000 YouTube subscribers, with his videos logging about 3.8 million views (and climbing).

 changhowto1Start piano lessons at 5, violin lessons at 7. Hate practicing but like the stickers you get from parents for doing it. Choose the violin. Enter regional and state orchestra competitions in junior high. Join chamber music quartets in high school and learn you love making music.

Learn a few card tricks from an eighth-grade friend. Borrow his magic how-to DVDs and start practicing anytime and everywhere—even in the school bathroom. Make a video of card tricks and post it on YouTube under the name “Sleight Sensations.” Get 40,000 views.

Head for Pomona and plan to major in science. Follow your parents’ advice to follow your heart. Switch to music. Land a spot as the beat boxer for Midnight Echo, and a capella group. Borrow their mics and mixer for the summer. Invite your sponsor group to visit you at parents’ home in Fresno. Use your dad’s camcorder to record a mash-up of pop songs.

Buy a camera and teach yourself to edit. Combine magic and music with covers of Daft Punk’s “Get Lucky” and Coldplay’s “Fix You.” Draw a crowd of hikers on the Claremont Wilderness Trail while recording an instrumental version of Game of Thrones theme. Interact with fans through social media, drawing 1,000 new followers every week.

 Put on a fall show demonstrating your abilities as a “mentalist.” Wow the crowd with mindreading skills that combine psychology and trickery. Plan a senior thesis performance that uses magic and music to explore emotional reactions to music. Mull whether to go on to film school. Plan to keep performing and producing videos. Watch those YouTube numbers grow.

The Island of California

The Island of California: Examine the original 17- and 18th century maps of the New World at Honnold-Mudd Library and you'll find an array of creative geography. But there's one point on which all seem to be in agreement: California was an island.

 

1600s map of California from Honnold-Mudd Library Special Collections.

1600s map of California from Honnold-Mudd Library Special Collections.

Somehow it seems fitting that the story of California should begin with a fabulous tale about a mythical island.

Both the island and the myth, along with the state’s future name, seem to have sprung first from the pen of Spanish writer Garci Ordóñez de Montalvo, whose lavish romantic novel Las Sergas de Esplandián (The Deeds of Esplandián), published around 1510, described a race of griffin-riding Amazons living in a far-off realm rich in gold and precious stones—“an island on the right hand of the Indies … very close to the side of the Terrestrial Paradise.” He dubbed this imaginary isle California, a name that may have been constructed from Latin roots meaning “hot oven.”

So, right from the start, California was portrayed as isolated, rich, strange, adventurous, bigger than life, sunburned and next door to Paradise. Is this starting to sound familiar?

The real California—the Baja part—was first discovered by Europeans in 1533 by an expedition commissioned by Hernán Cortés, the Spanish conqueror of Mexico. Sailing west from the Mexican mainland, the crew set ashore on what they believed to be an island. After their shore party was slain in a clash with the inhabitants, the survivors returned to the mainland with tales of an island full of pearls and other riches.

No one knows exactly when or where place and name actually came together, but at some point in the ensuing years of failed colonization, someone—probably some conquistador familiar with Montalvo’s tale and eager to believe in its treasures—gave the presumed island its suitably mythic name.

Here’s where things get a bit strange. Through the rest of the 1500s and early 1600s, the few surviving maps depicted the west coast of North America as a continuous line and Baja California as a peninsula. Then, in the early 1600s, the supposed island of California suddenly returned to the scene, apparently firing the imagination of mapmakers across Europe. For more than a century thereafter, California would be depicted as a huge, rugged outline separated from the west coast of the North American mainland by a narrow strait.

Perhaps the most intriguing thing about maps from this period is that the truth was already known by the time they were made. As early as 1539, one of Cortés’s lieutenants, Francisco de Ulloa, sailed north and confirmed that the so-called island was actually a peninsula, and by the mid-1600s, the geographic facts of the place had been pretty clearly established by its Spanish masters. So why did the island of California resist reattachment to the mainland for so long?

One practical reason may be that the people most familiar with the actual place weren’t making the maps. In the 16th and 17th centuries, the Spanish held sway over much of western North America. Most of the surviving maps from this period, however, were drawn by cartographers in Venice, Paris, Amsterdam and London. These maps were meant for public consumption, so they needed to appeal to the romantic notions of the time. Meanwhile, Spanish mapmakers were drawing their maps behind closed doors to be used by actual navigators, and Spanish officials, jealous of their secrets and worried about foreign intrusions into their New World possessions, had good reason to keep them under wraps—or even to encourage misinformation.

Historian Dora Beale Polk blames the voyage of the famous English explorer (and gentleman pirate) Sir Francis Drake into Pacific waters in 1578 for the myth’s 17th-century revival. Confused stories about Drake’s exploits along the west coast shores seem to have lent new strength to the notion that there was a continuous strait separating those lands from the continent.

But by the beginning of the 18th century, the only remaining prop for this geographical blunder seems to have been the persistence of myth. Mapmakers who should have known better still clung to the diminishing evidence that California was an island. Perhaps they were so enthralled by the notion of California as a strange and magical place—a place that simply felt more suitable as an island—that they couldn’t bring themselves to accept the more pedestrian truth.

A lot has changed, of course, since those maps were made. The California of the 1600s was eventually subdivided into three huge, modern states, one north of the border and two south of it. Here in the United States, the 31st state became the biggest, most populous, most diverse, and, in many ways, most controversial state in the Union.

And yet, as a metaphor, the island of California still feels eerily appropriate, even today. Maybe because there’s so much truth in it. After all, as a bio-region, California has been termed an “island on the land,” isolated from the rest of the continent by such natural barriers as deserts and mountain ranges. And from an economic standpoint, the state is frequently described as if it were a separate nation. (With last year’s economic surge, California reportedly regained its theoretical place as the eighth largest national economy in the world, just behind the United Kingdom and Brazil and just ahead of Russia and Italy.)

Perhaps most importantly, California continues to occupy a place in the cultural life of our nation that sets it apart. Admired by some as a place of innovation and a harbinger of national change and decried by others as a narcotic in the body politic, intoxicating the rest of the country with its crazy ideas, the state seems to inspire in Middle America just about every emotion except apathy.

In 1747, Ferdinand VI of Spain issued a royal proclamation declaring: “California is not an island.” That may have helped bring an end to the literal vision of California as an enchanted isle, but the idea of California as a quasi-myth—a strange and wonderful place in the distant west where venturesome souls might go to find adventure or wealth or simply a spot in the sun—was just getting started.

 

Letterbox — Spring 2014

 

I had the good fortune of traveling to Borneo last summer and seeing orangutans and gibbons in their natural habitat. I also saw the absolutely devastating effects of palm oil plantations that are destroying one of the most biodiverse places on the planet. I want to express my support and enthusiasm for Madison Vorva’s work!

—Rebeca Plank ’92
Boston, Mass.

 Agricultural Adventurer

The cover story “Back to the Farm” in the fall issue caught my interest. During my last trip to Alumni Weekend five years ago, Pete Stephens ’68, Mark Sweeney ’69 and I stopped by the Wash to find hippie-style concrete domes with a garden of tomatoes and other vegetables, along with chickens in the area. Finding a young co-ed puttering around there, I inquired whether she thought such activity was worth the sizable tuition her parents were paying, particularly at a college with no courses in agriculture practice.

 The back story was that I graduated from Pomona a published author with Clifton Trafton in brain research, went on to UCSB and NYU grad schools to publish more brain research with M. S. Gazzaniga, only to run screaming to the horizon and the middle of nowhere (east of Garberville, Calif.) on 60 acres (with Jacob Smith ’69) to pursue a career in art, for which I was basically untrained and arguably unaccomplished.

 There, off the grid for the next 30 years, I hunted or raised, prepared and preserved my meat and foraged, or grew and preserved my fruit and vegetables in a 100-by-100-foot garden. Eventually, I returned to civilization, to the small village of Blue Lake, Calif., 100 miles north of my rural property. Along with doing some art, I’ve been propagating rare and endangered succulents and selling them along with fruits and vegetables my family grows at local farmers markets. In this sense, my entire adult life has been occupied with activities Pomona College did nothing to prepare me for, although I’m grateful for the wide worldview I obtained there. I wonder what percentage of other graduates have strayed so far from their training.

—Bob Filbey ’68
Blue Lake, Calif.

 Rooftop Memories

Every Christmas season, I think about how much I would enjoy having a CD of the “tower music” that we played from the roof of Big Bridges each December when I was at Pomona. For those who aren’t familiar with this bit of campus history, Professor William F. Russell was the director, and the group was meant to be similar to the musicians, apparently common in Renaissance villages, who would play for the townspeople from the tower of the village church on important occasions. At Pomona, the group was maybe 10 musicians, with prominent brass, and the tunes simple songs of that era such as “Il est ne le divin enfant” and “In dulce jubilo.”

 One thing that made the process memorable was getting to the roof of Big Bridges. We had to work our way through the labyrinth of the backstage passageways, following each other through a succession of narrow hallways and stairs until we finally emerged into the cool night air. We couldn’t actually see our audience, so we played to the night sky and hoped the people on the ground could hear well enough. It was a special privilege to be permitted to play up there.

 It wasn’t a spectacular event or a showing of musical virtuosity; it was just a comfortable holiday tradition. But for me it was a special part of the Christmas season. I expect many alumni have pleasant memories of playing in the group or listening from the quad. It may not be practical to produce a CD, but maybe a download would be economical. I hope there is a way to make the music available.

—Don Wolfe ’73
Portland, Ore.

[Alumni and friends are invited to email letters to pcm@pomona.edu or to send them by mail to Pomona College Magazine, 550 North College Ave., Claremont, CA 91711. Letters are selected for publication based on relevance and interest to our readers and may be edited for length, style and clarity.]