Blog Articles

Pomona’s Kabuki Heritage

wig from a kabuki-related productionIn the early 1960s, the late Professor Leonard Pronko discovered the Japanese art of kabuki while studying theatre in Asia on a Guggenheim Fellowship. He then made history in 1970 as the first non-Japanese person ever accepted to study kabuki at the National Theatre of Japan. Bringing his fascination back to Pomona College, he directed more than 40 kabuki-related productions over the years, ranging from classic plays to original creations. The wig pictured here is one of several that remain from those productions. Below are a few facts about that intriguing Pomona artifact. (For more about Professor Pronko’s life, see In Memoriam.)

Fact 1: One of about 20 wigs kept by Pomona’s Department of Theatre and Dance in its restricted costume storage area, this geisha-style wig is part of a collection of props and costumes obtained by Pronko from Japan for his classic kabuki and kabuki-inspired theatre productions.

Fact 2: Like all wigs for female characters, it was intended to be worn by an onnagata, a male kabuki actor who performed in women’s roles.

Fact 3: Other kabuki-related items in theatre storage include swords, wigs, costumes and costume accessories.

Fact 4: Today, the costume storage area holds more than 200 period garments and 300 pieces of jewelry.

Fact 5: Most such wigs are made of either human or horse hair and styled with lacquer.

Fact 6: The origins of the Japanese word “kabuki” are simple and elegant: “Ka” means song; “bu” means dance; and “ki” means skill.

Fact 7: Pronko wrote extensively about the art of kabuki, which he said attracted him because it was so “wildly theatrical.”

Fact 8: Pronko also taught the stylized movement and vocal techniques of kabuki to generations of Pomona College students.

Fact 9: He directed a number of classic kabuki plays, including Narukami Thundergod, Ibaraki and Gohiki Kanjincho.

Fact 10: He also staged kabuki versions of such Western classics as Macbeth.

Fact 11: One of his most original productions was a “kabuki western” titled Revenge at Spider Mountain, based on his love of Native American folklore and inspired by two classic plays: Yoshitsune and the Thousand Cherry Trees and The Monster Spider.

The Poetry of Grief

Grief Sequence By Prageeta Sharma

Grief Sequence
By Prageeta Sharma
Wave Books
104 pages
Paperback $20

PROFESSOR PRAGEETA SHARMA’S recently released collection of poems, Grief Sequence, has garnered acclaim from corners with cachet. In this, her fifth book, Sharma chronicles the loss of her husband to cancer and, as The New York Times put it, she “complicates her narrative away from sentimentality and into reality-fracturing emotionality.” PCM’s Sneha Abraham sat down with Sharma to talk about death, life and the poetry she made in the midst of it all. This interview has been edited and condensed for space and clarity.

PCM: What was the inspiration? It’s loss but can you explain a little bit about it?

Sharma: This one is very different from my other books. My last book had a lot to do with race and thinking through the ideas of belonging and institutions and race and community and who gets to be a part of a community and who is outside of that community by the nature of racial differences and gender. But this one just happened because in 2014 my late husband Dale was diagnosed with esophageal cancer and he died two months after diagnosis.

And so, I was in shock and I had no sense of what had happened and, often they say with shock you lose your memory. So, for several months I couldn’t remember our long marriage. I could only remember those two months of his progressing sickness. When I told my father, who’s a mathematician who specializes in math education, that I was having trouble with sequencing (because it was something I was starting to notice), he said, “Oh well, you’ve always had trouble with sequencing. I tested you when you were five or six.” So it was sort of this joke we had about the concept of sequencing. It led me to research theories of sequential thinking; I started to think about the process of sequencing events and what to do for your recall, and what you do to process trauma, deep feelings and difficulty; I started to write in a prose poem format as much as I could: to place on a page what I could recall. And I was also doing that because I felt truly abandoned by Dale’s illness and death, which were very sudden. He died of a secondary tumor that they discovered after he inexplicably lost consciousness. So, I never had any closure.  I didn’t get to say goodbye. We thought we had several months left and didn’t prepare for his death. We had no plans of action.

He was such a complicated person that, to not have had any last conversations just put me into a state of despair. It was an unsettling place, so I had to write myself through it and speak to him and document the days through my poems. And what I didn’t realize was that with such grief comes a fierce sense of loving—believing in the concept of love. Many people say this especially when they lose a spouse—they lost someone they loved, and they didn’t plan on losing them, so they’re still open to the world and to love. They’re still open to feeling feelings. So I started to learn more about my own resilience and my strength, and I was really receptive to the process of becoming my own person. It was painful, but I wanted to document the fact that I knew that when I was at a better place of healing I would feel very differently, and the poems might look different, which they did.

PCM: People talk about the stages of grief. Did you find yourself going through that as you wrote the poems?

Sharma: The joke is that you’re always going through different stages so they’re never linear.

PCM: No, no. They’re not linear.

Sharma: So, I think I went through them all in a jumbled way. I think they hold you in them. Dale was a really complicated person, so I had to really think about who he was, who he is.  I learned you love two people at once — you stay in the living world but you still love the person you lost. Grief Sequence has many kinds of love poems. Towards the end of the book are love poems to my current partner Mike, a widower, who helped me through the grieving process.

PCM: You both have that understanding, what that’s like.

Sharma: Yeah. The poems are about grief, love, and they’re about really trying to learn to trust the journey. These poems have taught me so much about my emotions, sequencing and my community.

PCM: Is there a particular poem in “Grief Sequence” that really gets to you or pierces through all of it for you? Is there a pivotal poem in there?

Sharma: I think that there are a variety of poems here. Some poems are processing Dale getting sick. Some are processing experiences with others that are sort of surprising—people can alienate you when they witness you in deep grieving, because some gestures or reactions aren’t pleasant. I began processing what gets in the way of your grief. We can sometimes get hijacked by other people’s treatment, and you forget that you’re really spending this time trying to just protect your feelings. Speaking to widows really helped me. Reading all the books I could find helped; my biggest joke is that the book that helped me the most, which—I mean, it’s sort of embarrassing, but it’s hilarious—is Dr. Joyce Brothers’ Widowed.

PCM: No shame.

Sharma: It was so practical: You have to learn how to shovel the driveway, relearn the basics. It was all of these lists. These basics are the ones that people don’t talk about: the shared labor you have with your partner and what you then have to figure out after their death. For example, my cat brought in mice, and I didn’t realize how often Dale would handle that. Things like that. So, the book was so practical that I just remember reading it cover to cover. I laughed so much when I recognized myself in there.

PCM: Those day-to-day gaps that you don’t realize you’re missing.

Sharma: Make sure to eat breakfast. Try to get enough sleep. So many basics.

PCM: When you’re in grief, I’m sure all those … you need it.

Sharma: All those things, yeah.

PCM: What did you find people’s responses are to the poems? Did you find that people expected you’ve gotten over it now that you’ve written this book?

Sharma: It may be the book; it may be also including a new relationship in the book. I never understood how somebody could move forward, but you really understand it when you have no choice. I think the book helped me document the experiences in real time. Readers have been very generous. I think they didn’t expect the book to be so explicit. One thing that I was also trying to negotiate in the book was poetic forms. Because I’ve taught creative writing for a long time and we teach form, and particularly the elegy, I was reacting to the beauty of the elegiac poem; it can be so crafted that often you’re not feeling like it’s an honest form to hold tragic grief. You can write a beautiful elegy in a certain way, but the tragic losses some of us can experience—or lots of us—may not produce a beautiful poem, and that beauty can be something that almost feels false to access. And so, I started to question the role of how the poem works or what people expect to read as an elegy.

PCM: Talk about some of your early influences in terms of poetry.

Sharma: I think I started writing poetry in high school like lots of people, and so I was really fascinated with what contemporary poetry looked like, reading it from The Norton Anthology of Poetry. And I think about it now and I was often interested in women writers of color, though they were very few. And then I think some women who were writing “poetry of witness” and kind of trying to figure out what their narratives in the poems were about.

PCM: Can you explain “poetry of witness”?

Sharma: According to many poets, it is poetry that feels it is morally and ethically obligated to bear witness to events and injustices like war, genocide, racism and tyranny. Many poets I read during my high school years who wrote about these events bore witness to it in other countries and often about cultures outside of their own. It led me to wonder and examine the distance between their testimony and the culture itself. It also forged the desire in me to read more internationally and in translation rather than through this particular style and method of writing.

PCM: When did it crystallize for you that you wanted to be a poet?

Sharma: I felt like it was a calling back in college but I think it was really applying to graduate school right from undergraduate and getting into a top creative writing program (also getting a fully funded scholarship). I was 21 years old and I just thought, well, this must mean something. And then when I got to grad school, I found a community of poets and that felt right to me. I am so grateful to those people—many are still very close friends today.

Ideas@Pomona: The Summit

THE IDEAS@POMONA SUMMIT, Pomona’s premier lifelong learning event, brought together more than 200 Sagehen alumni, families, students and friends from around the globe for an energetic day-and-a-half conference under the theme Liberal Arts NOW and NEXT. Dedicated to meaningful connection and active dialogue around timely, newsworthy and captivating ideas, the inaugural event took place October 25-26, 2019, at the Hyatt Centric Fisherman’s Wharf in San Francisco.

What does cutting-edge research tell us about who we are and where we are going? How are liberal arts values such as critical thinking and creative learning being brought to bear on today’s unique challenges and tomorrow’s opportunities? The sold-out event featured sessions led by alumni, parents, faculty and friends of the College including featured speaker Ari Shapiro, host of NPR’s “All Things Considered,” Laszlo Bock ’93, Liz Fosslien ’09, professors Kevin Dettmar, Nicholas Ball, Nicole Holliday and more.

Attendees left invigorated, with an increased enthusiasm for the liberal arts and a strong sense of a visit back to class on campus.

Planning is underway for the next Summit in 2021. Watch for details at Ideas@Pomona Summit

Ari Shapiro gives the keynote address

Ari Shapiro of NPR’s “All Things Considered’ gives the keynote address at the Ideas@Pomona Summit in San Francisco.

Ari Shapiro speaks to a sold-out crowd

Ari Shapiro speaks to a sold-out crowd on Saturday morning.

Fabian Fernandez-Han ’20 and Peter Han P’20 lead an interactive workshop

Fabian Fernandez-Han ’20 and Peter Han P’20 lead an interactive workshop showcasing the creative power Human-Centered Design.

Professor Nicholas Ball

Professor Nicholas Ball on “The Challenges of a Petroleum-Free Society.”

Brian Prestwich P’20

“Creating a Healthcare System that Works for Everyone” panelists (Brian Prestwich P’20) take audience questions.

Alfredo Romero ’91 and Cecil Sagehen

Alumni Association Board member Alfredo Romero ’91 and Cecil Sagehen.

Professor Alexandra Papoutsaki and Laszlo Bock ’93

Professor Alexandra Papoutsaki and Laszlo Bock ’93 discuss “Liberal Arts and the Future of Work.”

Teamwork

National Title for Men’s Cross Country

Men’s Cross CountryTHE POMONA-PITZER men’s cross country team claimed its first national championship last fall, winning the NCAA Division III title in Louisville, Kentucky.

“This really is surreal. Words can’t really describe the feelings from today,” Coach Jordan Carpenter said after the Sagehens ended the three-year reign of North Central College, a perennial power from Illinois that had won seven of the last 10 titles. “So much elation and excitement for what these guys accomplished today.”

The title is the first NCAA team championship for Pomona-Pitzer since the champion women’s tennis team of 1992.

“We came in with the goal of finishing on the podium, but we hadn’t really talked about the ability to win,” Carpenter said. “We have such a young group and only had three runners with national meet experience, so I honestly thought that next year would be our chance to win. The guys proved me wrong, and we had an amazing day today.”

On the women’s side of the event, Pomona-Pitzer finished in 12th place.

Two Pomona-Pitzer men and two Sagehen women took All-American honors. Ethan Widlansky ’22 came off his NCAA West Region Championship to take a seventh-place national finish in a time of 24:32.9. Not far behind him was Dante Paszkeicz ’22, who also earned All-American honors with a 16th-place finish in 24:48.5. Lila Cardillo ’22 led the way for the women with a 12th-place finish at 21:38.3 and Helen Guo ’20 took 14th at 21:41.0.

The men’s depth helped bring the title home. Just missing the cut for All-American honors was Daniel Rosen ’20, who finished just outside the top 40, in 41st place, with a time of 24:57.9. Ethan Ashby ’21 finished 68th overall with a time of 25:15.0, Owen Keiser PI ’22 finished in 71st place with a time of 25:15.8, and Hugo Ward PI ’21 took 122nd in 25:35.8. Rounding out the performances for the Sagehens was Joe Hesse-Withbroe ’22, who was 164th with a time of 25:51.5.

“The improvement this group has made from last year is remarkable,” Carpenter said.

500 Wins for Coach Kat

Professor of Physical Education and Men’s Basketball Coach Charles C. KatsiaficasWIN NO. 500 ARRIVED in January for Coach Kat—or, more formally, Professor of Physical Education and Men’s Basketball Coach Charles C. Katsiaficas.

It’s little surprise that the week before his milestone victory against Cal Lutheran, Katsiaficas didn’t know when it might come or have any opinion on where it would rank among the most important wins in his 33 seasons as Pomona-Pitzer’s coach.

That’s because the biggest win in his mind is usually the last one. Or the next one. (When this issue went to press Sagehens had won 16 of their last 18 on their way to a 16-4 start.)

“I think it’s hard for any coach to get outside of the current moment—moving on from the last game, preparing for your next game,” Katsiaficas says. “I can say, however, those questions and conversations definitely shine a spotlight on all the remarkable young men that have left their mark on our program through the years.”

The Sagehens have had winning records in 26 of his 32 seasons, with the 27th of 33 well on its way. They have won 11 Southern California Intercollegiate Athletic Conference championships and played in the NCAA Division III Tournament 11 times.

Those 500 wins rank Katsiaficas 15th among all active Division III men’s basketball coaches, and he has won more games than any coach in any sport in Pomona-Pitzer history.

Last season’s team was among his best, cracking the top 10 of the national rankings for the first time and setting a program record with 26 wins while advancing to the second round of the NCAA Division III Tournament.

Back in 1986, Katsiaficas was a Pomona-Pitzer assistant coach who got a chance to be interim head coach when the Sagehens’ coach, Gregg Popovich—now the five-time NBA champion coach of the San Antonio Spurs—took a one-year leave of absence.

When Popovich returned, Katsiaficas spent one season as an assistant at the University of San Diego before returning to take over the Pomona-Pitzer program in 1988, when Popovich left to become an assistant with the Spurs.

Women’s Soccer Reaches Final Four

Women’s Soccer Reaches Final FourEVERY SENIOR ON the Pomona-Pitzer women’s soccer team that has reached the Final Four of the NCAA Division III Championship for the first time knows exactly how slender the margin between winning and losing could be

It could be a single goal by first-team All-American Bria VarnBuhler ’20, who set a Pomona-Pitzer record with 21 this season—including nine game-winners, tied for third-most among all Division III players.

It could be a game-saving stop by third-team All-American Isa Berardo PZ ’20, the starting goalkeeper for a strong defense that has shut out 20 of 23 opponents on the way to a 20–1–2 record. After leading Division III in goals-against average and save percentage last season, Berardo is in the top three in both national categories again.

Or it could be as slim a margin as a single penalty kick settling into the back of the net—or tipped away by a finger.

Close games have become a specialty. They advanced to the Final Four with three final scores of 1-0, including a win in penalty kicks after a scoreless tie against No. 3-ranked Washington University, with Berardo making the save that set off a celebration.

It was a reversal of what happened three years ago, when these seniors were playing in their first NCAA postseason and a loss to the University of Chicago in penalty kicks sent them home, one step shy of the Final Four. “I mean, gosh, it was heartbreaking after losing that,” remembers VarnBuhler. “Coming back and having our season potentially end the same way as it did freshman year—that was just not really an option. We had just worked too hard for that to happen.”

It didn’t. The Sagehens got payback against Chicago this time with a 1-0 overtime victory in the regional semifinal on a golden goal by Anna Ponzio PZ ’22. Then they edged Washington in the final, thanks in large measure to what Coach Jen Scanlon calls “this pretty amazing group of seniors.”

A national championship, however, will have to wait for another year, as the team’s incredible season come to a close in the Final Four with a 2-0 semifinal loss against William Smith College.

Player of the Year

BRIA VARNBUHLER ’20, a midfielder on the first Pomona-Pitzer women’s soccer team to reach the Final Four, has been named the United Soccer Coaches Division III National Player of the Year. The first-team All-American scored 21 goals this season, a Pomona-Pitzer record.VarnBuhler is the first Pomona-Pitzer soccer athlete to earn National Player of the Year honors. She also is the first player from the Southern California Intercollegiate Athletic Conference (SCIAC) to win the award.

Milestones

Pomona’s new Chief Operating Officer and Treasurer Brings Extensive Track Record

Robert Goldberg

Robert Goldberg

ROBERT GOLDBERG, formerly chief operating officer of Barnard College, became vice president, chief operating officer (COO) and treasurer of Pomona College on Jan. 1, succeeding Karen Sisson ’79, who served in the role for 11 years.

President G. Gabrielle Starr said Goldberg “will bring to Pomona vast experience, a strong sense of mission and a true commitment to people. I am looking forward to working with Rob as the College moves ahead in completing our strategic plan and creating a community in which everyone can flourish.”

Goldberg arrived at Barnard College in 2014, after a 25-year career in the federal government. At Barnard, he quickly made his mark by effectively managing a $220 million budget, leading a staff of more than 500 in areas ranging from finance to dining to human resources and information technology (IT) and working in a thoughtful and open manner with faculty, staff and students.

He oversaw the design and construction of the Milstein Center for Teaching and Learning, Barnard’s award-winning $150 million library and academic building, which opened on time and on budget last year. And just this past year he led a process to acquire a new residence hall to expand the inventory of Barnard’s student housing in New York City. He worked side-by-side with faculty committees on budgets and resources, partnering with the provost to support academic endeavors. In 2017, Barnard turned to Goldberg to serve as its interim president, a role in which he guided the College during a period of transition and oversaw the creation of Barnard’s Council on Diversity and Inclusion.

In his time as Barnard’s COO, he worked with students to help reduce out-of-pocket expenses for low-income and first-generation students. He also increased the transparency of the College’s budgeting process through regular briefings and discussions with the faculty Budget and Planning Committee, faculty meetings and student government.

“It’s important to note that with the majority of our staff members working in this division, the vice president, COO and treasurer role is a particularly important one at Pomona,” adds Starr. “Rob has a strong track record: At Barnard, he created a year-long professional development training program for new managers and worked with staff to create the Barnard Staff Advisory Council.”

Before Barnard, during his government service, Goldberg served as a senior budget official for the U.S. State Department, where he was responsible for the formulation, management and implementation of a foreign assistance budget of more than $32 billion,. He received the Department of State’s Distinguished Honor Award in 2013.

Earlier, working for the U.S. Office of Management and Budget (OMB), he was the senior career executive responsible for management of the U.S. government’s $52 billion international affairs budget, leading OMB’s work in crafting the president’s annual budget requests as well as legislative proposals for international affairs programs.

He earned both his B.A. and M.A. in international affairs from The George Washington University.

New Advancement VP Seeks to Strengthen Pomona’s Culture of Support

Maria Watson

Maria Watson

MARIA WATSON joined Pomona’s executive team on Jan. 6 as vice president for advancement, succeeding Pamela Besnard, who led Pomona’s advancement staff for six years.

With more than 25 years of nonprofit leadership experience, Watson has followed a career path that has taken her from cultural institutions such as Lincoln Center and the New World Symphony to Fordham University and, most recently, the University of Southern California, where she served as associate vice president of development.

In her eight years at USC, she conceptualized and launched that institution’s first New York City/Northeast advancement office, led major gift and regional teams and played a key role in the success of USC’s $7 billion campaign.

In Pomona, Watson says she sees a highly successful institution with true intellectual purpose, strong values and an enduring commitment to access and opportunity—what she calls the “perfect combination.”

“In meeting students, faculty members, staff, trustees and alumni, I was struck by how deeply people care about Pomona and how deeply the College has affected their lives,” says Watson. “There is such strong sentiment for the College—we are going to work together to build a culture of philanthropic support for the world-changing work here and strengthen our ties to one another along the way. I am honored to now be part of this community of scholars, leaders, creators and innovators.”

Watson’s own interest in the liberal arts began during her undergraduate days at the University of Michigan, where she earned her B.M.A. in clarinet performance with a minor in political science. She went on to lead marketing for The Chamber Music Society of Lincoln Center, the New World Symphony in Miami Beach and the Brooklyn Philharmonic. From there, she became chief development director for Fordham University’s WFUV, designing and launching the first capital campaign for the beloved public radio station.

After opening USC’s New York office in 2011, she later moved to Southern California and joined the senior leadership team responsible for organizing, planning and executing the Campaign for USC. She has led the strategic integration and growth of USC’s central major gifts and regional teams and the securing of principal gifts for USC. Watson also has shown a deep belief in and commitment to diversity in building her teams at USC.

As vice president for advancement at Pomona, Watson will lead philanthropic initiatives and oversee key programs—including major gifts, alumni and parent engagement and planned giving—while serving on President G. Gabrielle Starr’s executive team.

“Maria truly understands the liberal arts and will be an energetic and effective advocate for providing the resources that allow Pomona to be Pomona, offering the best undergraduate education anywhere,” says Starr.

Benton Museum Has New Director

Victoria Sancho Lobis

Victoria Sancho Lobis

VICTORIA SANCHO LOBIS, a talented art historian, curator and administrator whose most recent curatorial appointment was at The Art Institute of Chicago, became the director of the new Benton Museum of Art at Pomona College, starting Jan. 6.

Since 2013, Lobis has served in a range of curatorial and administrative roles at The Art Institute of Chicago, and she was interim chair of the Department of Prints and Drawings in 2016-–17. She recently completed a multi-year project related to the Art Institute’s holdings of Dutch and Flemish drawings, culminating in a scholarly catalogue and exhibition: Rubens, Rembrandt and Drawing in the Golden Age.

Lobis was instrumental in developing the Art Institute’s permanent collection in the field of Dutch and Flemish prints and drawings, and she also contributed to an institution-wide effort to enhance the representation of Viceregal Latin American art.

Her curatorial experience reaches across a broad range of subject areas, including projects treating medieval manuscript illuminations, early modern prints and drawings, Viceregal Latin American painting, Whistler and his influence, modern and contemporary Latin American works on paper and contemporary American drawings. She has also published in the fields of contemporary artists’ books and contemporary American photography.

In addition to her role as the Sarah Rempel and Herbert S. Rempel ’23 Director of Pomona’s museum, Lobis will hold a co-terminous appointment in the Art History Department.

She received her B.A. from Yale University, her M.A. from Williams College and her M.Phil. and Ph.D. from Columbia University.

Baseball by the Numbers

Rapsodo device provides pitching data that includes velocity, spin rate and vertical and horizontal breakGATHERED ON THE pitcher’s mound during class, Pomona College students feed balls into a pitching machine, then quickly glance down at an iPad.

On the ground between them and home plate is a boxlike device called a Rapsodo, a $4,000 radar-based system that provides data not only on pitch velocity, but also spin rate, spin axis, horizontal and vertical break, 3D trajectory and a strike zone analysis.

The Rapsodo device provides pitching data that includes velocity, spin rate and vertical and horizontal break.

Welcome to PE 086: Baseball Analytics, a new course taught by Frank Pericolosi, a professor of physical education and coach of the Pomona-Pitzer baseball team.

The class formalizes what has emerged as a notable career path for Pomona alumni: More than a dozen graduates or current students have put backgrounds in mathematics and computer science to work for Major League Baseball teams analyzing the game-changing explosion of data in baseball.

They’re following a trail blazed by Guy Stevens ’13, a former Sagehens pitcher and math major who has risen to senior director of research and development/strategy for the Kansas City Royals. He was on staff for a World Series championship in 2015, less than three years after working with Math Professor Gabe Chandler to publish a statistical analysis of minor league data.

“Talking to Guy [Stevens] over the years, I ask, ‘What do we need to be doing on campus to make these kids better candidates for these internships and for these jobs?’” Pericolosi says. “He gave some suggestions in terms of, ‘They need to be doing creative, innovative projects on their own.’ The driving force for getting this technology on campus was initially to help our kids who want to go into analytics. Also, we’re in a heavy-data era of baseball even more so than before, and it’s going to give us good data to evaluate our players as well.”

Five of the 15 students in the class play baseball for the Sagehens. One of them, catcher and math major Jack Hanley ’20, worked for the Oakland Athletics two summers ago and spent last summer as an associate in quantitative analysis with the New York Yankees. This October, he watched his former colleagues advance to the American League Championship Series.

“It’s definitely very rewarding to know that whatever small role I played this summer in making the team better, it paid dividends,” says Hanley, whose description of his research for the Yankees is vague. That’s because he had to sign a non-disclosure agreement to protect what amount to industry secrets.

Not all the alumni putting data analysis to work for major league teams are former baseball players. Jake Coleman ’13 played Ultimate Frisbee at Pomona but completed a Ph.D. in statistics at Duke University in May and joined the Los Angeles Dodgers in August as a senior quantitative analyst. Nor are they all men: Christina Williamson ’17, a former water polo player and swimmer who majored in math, was featured by The Athletic as one of 35 people under 35 shaping the game of baseball for her work with the Yankees using biomechanical data to aid player development and reduce injuries.

Pomona, Stevens is confident, is gaining a reputation in the game.

“If you think about how small the sport is, with only 30 teams, and how well-connected it is, there’s a pretty good chance if you’re in baseball, you know someone who knows someone who went to Pomona,” he says. “A lot of these jobs in baseball, it’s the same set of skills that translate anywhere: If you’re working with data, it’s curiosity and creativity and thinking outside the box. And Pomona trains you for that 100%, whether it’s baseball or finance or whatever else.”

Baseball analytics once was based on information available in a box score, but has evolved rapidly in the era since it was popularized by the 2003 book Moneyball and the movie that followed. It is now decidedly high-tech, requiring expensive equipment that Pericolosi was able to purchase for the course through Pomona’s Hahn Teaching with Technology Grants. He’s in the process of acquiring a second Rapsodo that gathers hitting data, measuring such things such as exit velocity—the speed of the ball off the bat—launch angle, 3D ball flight and expected landing location. Blast Motion swing sensors that attach to the knob of a bat are yet another tool in an array of devices that are used in training to aid the development of players and to help shape strategies.

Though some of the students in the class chose the course as an intriguing elective—Noah Sasaki ’20 thinks it could help him in a planned sports media career—those who play baseball are earnestly using the data to improve their skills and approaches. Analyzing spin data has helped catcher Jake Lialios ’20 and pitchers Luka Green ’20 and Simon Heck ’22 determine a particular pitcher on the staff should throw higher in the strike zone because the spin rate makes his fastball appear higher than it is. Green suggests data also could be used to recognize injuries.

“If your slider spin rate gets cut in half, your elbow probably hurts—and sometimes people don’t tell anyone,” he says.

Hanley plans to use bat sensor data to study swing paths in a senior thesis supervised by Chandler, the math professor and former assistant baseball coach whose mentorship helped launch Stevens’ career. After Stevens showed Chandler a trove of minor league data he was struggling to shape into a project, the pair joined forces and published an article in the Journal of Quantitative Analysis in Sports in 2012. That, plus an introduction from Chandler to an East Coast statistics professor who also worked with the New York Mets, helped Stevens break into Major League Baseball.

“At that point, people at Pomona realized this is something that one can do,” Chandler says. “I don’t know if people were thinking this before they decided to enroll here, but all of a sudden we went from having almost no math major baseball players to having two or three a year.”

Hanley, who communicated with Stevens even before arriving at Pomona, would love to follow the same sort of path. For his thesis, he is building on research he began with the A’s to study swing mechanics through functional data analysis, a statistical method Chandler calls “cutting-edge stuff.”

“What I’m really interested in is the function of position or acceleration over time—not just to reduce the entire function down to one point, but to use the entire function in data analysis,” Hanley says. “Generally, the project is to look at these swings and see how much information we can really glean. Let’s not limit ourselves in terms of format or data structure. Let’s see what we can really do with this stuff.”

After graduation, Hanley hopes to land a position with a baseball team, but he notes that more and more baseball analytics researchers have graduate school training and he might also go that route after a couple of years. Peter Xenopoulos ’18, who has worked for the Philadelphia Phillies as a quantitative analyst associate, is now a Ph.D. student in computer science at NYU, and Mike Dairyko ’13 earned a Ph.D. in applied math at Iowa State and works as a data scientist for the Milwaukee Brewers, though he is on the business side. “I do think this is something where Pomona is getting a reputation,” Hanley says. “It’s really a great breeding ground, a great incubator for baseball analytics in college.”

Pomona’s Baseball Analysts

The following is a list of recent Pomona alumni who have worked for MLB teams in roles related to data and analytics:

Drew Hedman ’09
Run Production Coordinator
Arizona Diamondbacks

Guy Stevens ’13
Senior Director, Research & Development/Strategy
Kansas City Royals

Jake Coleman ’13
Senior Quantitative Analyst
Los Angeles Dodgers

Mike Dairyko ’13
Senior Manager, Data Science, Business Analytics
Milwaukee Brewers

Jake Bruml ’15
Pro Scouting Intern
Boston Red Sox

Kevin Brice ’16
Quantitative Analysis Assistant
Los Angeles Angels

Simon Rosenbaum ’16
Assistant, Baseball Development
Tampa Bay Rays

Dylan Quantz ’16
Player Development Assistant
Atlanta Braves

Christina Williamson ’17
Research Analyst, Performance Science
New York Yankees

Peter Xenopolous ’18
Former Quantitative Analyst Associate
Philadelphia Phillies

Bryce Rogan ’18
Quantitative Analysis Assistant
Los Angeles Angels

Andrew Brown ’19
Apprentice, Baseball Analytics
Texas Rangers

Jack Hanley ’20
Former Summer Associate
New York Yankees

Nolan McCafferty ’20
Former Quantitative Analyst Intern
Baltimore Orioles

Outsmarting the Market

Stocks with clever ticker symbols CASH. BABY. BOOM. Stocks with clever ticker symbols such as these continue to outperform the market as a whole, a new study has confirmed.

The study’s authors, Professor of Economics Gary Smith, along with recent Pomona graduates Naomi Baer ’19 and Erica Barry ’19 studied the performance of a portfolio of 82 stocks and found that companies with clever tickers outperformed the market from 2006 to 2018.

This new study is a follow up to a 2009 study in which Professor Smith and his co-authors Alex Head ’05 and Julia Wilson ’05 found that a portfolio of stocks with clever ticker symbols beat the market by a substantial margin during the years 1984–2005. Smith and his co-authors re-examined the 2009 study’s surprising conclusion by updating the analysis for the subsequent years 2006 through 2018. They pursued the new study to demonstrate the resiliency of this phenomenon with respect to both the original clever-ticker stocks and a more recent set of clever-ticker NASDAQ stocks, a phenomenon that strongly contradicts the efficient market hypothesis.

The authors replicated the earlier methodology with a new list, focusing on NASDAQ stocks, which historically use four-digit ticker symbols, in contrast to the NYSE and AMEX, which use three or fewer characters. Examples include PZZA for a pizza company, BDAY for online party supply retailer and BOOM for an explosives company, among others.

“For example, WOOF, the ticker for VCA Antech, which operates a network of animal hospitals and diagnostic laboratories, is a lot more amusing and memorable than something boring like VCAA or VCAN,” says Smith.

A possible explanation to this stock overperformance is that memory involves the acquisition, storage, retention and retrieval of information and the understanding of human memory suggests that clever tickers may heighten investors’ recall of companies, according to Smith and his co-authors.

Bulletin Board

Mark Your Calendar

Alumni Weekend 2020, which will take place April 30 to May 3It’s time to mark your calendars for a return to campus on Alumni Weekend 2020, which will take place April 30 to May 3. For more information, go to the Reunion & Alumni Weekend website.


2020 Winter Break Parties

This past January, Pomona’s annual Winter Break Parties welcomed over 400 Sagehen alumni, students, families and friends at events in New York City, San Francisco, Washington D.C., Seattle, Portland, Los Angeles and Orange County, Calif. Attendees enjoyed time to reconnect, meet new members of the Pomona community and learn about news from campus. Thank you to everyone who attended and to our hosts Elizabeth Bailey and David Bither P’21, Donna Yoshida Castro ’83 P’21, Jim McCallum ’70, Kathryn & Charles Wickham P’20, Tricia and Steve Sipowicz P’22, Meg Lodise ’85 and Diane Ung ’85 and the Orange County Alumni Chapter, all of whom helped make each event memorable for everyone!


Pomona Now and Next Campaign Raises Nearly $400,000 For Scholarships

Alumni at a Winter Break party in Newport Beach, Calif.

Alumni at a Winter Break party in Newport Beach, Calif.

Alumni at a Winter Break party in New York City.

Alumni at a Winter Break party in New York City.

Alumni at a Winter Break party in Los Angeles

Alumni at a Winter Break party in Los Angeles.

Running in tandem with the Ideas@Pomona Summit, the Pomona Now and Next crowdfunding campaign set out to support the Pomona liberal arts experience and scholarships and to meet a goal of 1,000 donors with $250,000 in bonus gifts unlocked by the end of the Summit. Thanks to the generosity of several Pomona College Trustees who contributed to create the unlocking gifts and the 1,200+ donors who exceeded the goal and gave almost $150,000 by the campaign’s close, Sagehens collectively raised nearly $400,000!

Our most successful crowdfunding campaign to date, Pomona Now and Next received gifts from over a third of the Summit attendees who excitedly watched the progress bar increase during the event and counted alumni, parents and more than 100 students among its donors.

Thank you to everyone for the incredible generosity shown in support of Pomona students. Chirp! Chirp!


Join the All-New Sagehen Connect

Announcing the launch of the all-new Sagehen Connect alumni community! New features include desktop and mobile versions, updated privacy settings and Sage Coaching for career interests and graduate school. For those who still have the previous Sagehen Connect mobile app, please be sure to remove it from your device as it is no longer functional.

With the new Sagehen Connect, alumni can:

  • Access Pomona’s full, official alumni directory with multiple search options.
  • Choose what profile information you want to display and share with fellow Sagehens.
  • Log in with email, LinkedIn, Google or Facebook.
  • Easily integrate your LinkedIn information with your profile.
  • Register as a Sage Coach to help alumni or students with career and graduate school advising, job and internship search, resume review, career panels and presentations and more. You choose your level of involvement.
  • See who has already registered on the site and invite your Pomona friends to join Sagehen Connect directly from the site, using email or social media.
  • Opt-out at any time.

Visit Sagehen Connect to learn more and set up your login today.


Call for Alumni Association Board Nominations

The Pomona College Alumni Association Board consists of highly-engaged alumni who foster connection, action and impact among the 25,000-person strong alumni community. Members serve three-year terms and are selected based on self-nominations and recommendations from active alumni. The Board represents a diverse range of backgrounds, experiences and professions and spans every decade from the 1960s through the 2010s.

Nominate yourself or another alumnus/a for the Alumni Association Board online.

Defy the Odds

Defy the Odds pane
Entrepreneurs in Training (EITs) welcome Glazier and other volunteers at a prison event in Lancaster, Calif.

Entrepreneurs in Training (EITs) welcome Glazier and other volunteers at a prison event in Lancaster, Calif.

GAMES AND ICEBREAKERS are often used at business conferences to create some fun and make strangers comfortable with each other. But at a recent meeting of Defy Ventures, which helps people from prisons prepare for life on the outside, one empathy-building exercise quickly turns dead serious. It’s called Step to the Line, and though not a word is spoken, much is revealed.

On a sunny Saturday in mid-January, about a dozen former inmates from two Los Angeles halfway houses gather for the event at a modern downtown office complex. They are met there by a group of volunteers, men and women from the business world recruited to lend their expertise on writing résumés, polishing personal statements and perfecting business plans.

Defy calls the event a Business Coaching Day, and it’s led by Andrew Glazier ’97, the nonprofit’s national president and CEO. It’s part of the organization’s overall prison rehabilitation program called CEO of Your New Life, which aims to build self-confidence as well as skills.

At Defy, the group exercises are meant to be healing. They help participants develop a healthy self-image and positive attitudes. The organizers provide a well-studied set of aphorisms to live by.

Shame is destructive. Learn to forgive, not judge. You are not defined by your mistakes. You deserve a second chance. Foreswear negative labels. You are not criminals, convicts or felons. You are EITs— Entrepreneurs In Training.

Above all, realize that the solution is already inside you. Many of the same skills that brought you success as, say, a drug dealer can be applied to any legal enterprise.

In short, to quote Defy’s main motto: Transform the Hustle.

Glazier listening to an EIT share his personal statement during a coaching day.

Glazier listening to an EIT share his personal statement during a coaching day.

GLAZIER HIMSELF COMES from a privileged background that could not be more remote from the life experience of his incarcerated clientele. For the public face of Defy Ventures and its chief fundraiser, that disparity can be a handicap, he concedes. Sometimes he finds himself forced to answer questions of class and race when pitching new potential donors.

“In the funding community now there’s a lot of interest in seeing people who have ‘lived experience’ running organizations and working in the nonprofit space,” he explains. “I think part of it comes from the idea that, look, for a long time it’s been just a bunch of well-meaning white people who come and work in communities of color. So sometimes I find I still battle this credibility stuff: What are you doing here?”

Glazier understands why people perceive a disconnect between his upbringing and his prison work and why they might challenge his street cred, so to speak. But he bristles at being “on the receiving end” of that mistrust. “It can be an uncomfortable spot to be in,” he says. “Look, I can’t change who I am. I do know that it’s critical to have people with lived experience within our organization, informing our work. And we do.”

If you’re looking for personal information on Glazier, you won’t find much on social media. He’s not one to overshare; so he keeps a light digital footprint, mostly on LinkedIn and all about business. But Glazier opened up during a casual lunch recently at the Wasabi Japanese Noodle House, a five-minute walk from his Wilshire Boulevard offices in Koreatown. He talked easily about his evolving life goals, his family, education and the circuitous career path that brought him to the transformative prison work he never dreamed he’d be doing.

Unlike many other Angelenos, Glazier’s roots in the city run deep. His mother descended from immigrants with a long history in Los Angeles. Her maternal relatives arrived from Italy, just in time for his great-grandmother to be “born off the boat from Sicily” in 1908.

Glazier’s father was a doctor who worked for the Veteran’s Administration, where he met his mother, who worked as a secretary for the agency. They married, had three children and settled in Studio City, a well-to-do neighborhood in the eastern San Fernando Valley.

Glazier attended Harvard-Westlake, a college prep he calls “the most elite private school in Los Angeles.” Today, he concedes that his exclusive education had put him in a protective bubble, cloistered from the social ills mushrooming all around him.

But all that changed on April 29, 1992, the day the Los Angeles Riots erupted over the verdict in the Rodney King case.

One of Defy’s entrepreneurs in training, referred to as EIPs.

One of Defy’s entrepreneurs in training, referred to as EIPs.

GLAZIER WAS 16. “I had lived my whole childhood in the valley, and I had no idea what was going on eight miles away,” he says. “Then the riots happened. I remember seeing Rodney King getting beaten on TV. Then the city burning. And even in the valley, where it wasn’t nearly as intense, you could still see all the smoke coming over the hill.

“That was really a moment for me of waking up: Oh, my life is not their life. There are things happening that are really close-by that I’m really not aware of. And when I suddenly had greater awareness of my opportunity and privilege, it felt all the more extreme, which in part, I think, drives me to do this work.”

Yet, Glazier never actually planned to work in prison reform. Until recently, if you had told this classically trained cellist with an MBA and a medium build that he would someday wind up working with hard-core prison inmates, he would have scoffed at the notion.

Nothing was further from his mind when he applied to college. He picked Pomona because he wanted a small school, and his parents wanted him to stay close-by.

The Claremont campus also had a strong academic appeal. “I’m a huge fan of the liberal arts,” he says. “It doesn’t matter what you get a degree in, because you’re learning critical thinking and writing. And that’s the education I came out with—a degree in critical thinking and knowing how to write, both important skills that are hard to find.”

Glazier majored in international relations, studied Spanish and Japanese, and spent a semester in Pomona’s program at Tokyo’s International Christian University.  At first, he considered joining the foreign service, but that plan never materialized. (Fun fact: his suitemate during junior year was David Holmes ’97, a U.S. State Department employee based in Ukraine who recently testified during the impeachment hearings against President Donald Trump.)

After graduation, Glazier took time to explore. He returned to Japan and taught English for a year. He travelled, settled down and started a family. From 2001 to 2004, he was chief of staff to Marlene Canter, then a newly elected member of the Los Angeles City Board of Education.

“Originally, I wanted to be an elected official,” he recalls, “but five years of working in local and state government sort of cured me of that impulse.”

Nevertheless, the experience continued to stoke a civic calling. The problems he saw in L.A. schools opened his eyes to new realities—kids who are afraid to go to school, who can’t read, who smoke weed in the hallways.

“This is where you really start to see inequities in the system, to see more of the injustices that exist in society,” he says. “I spent my life in private education; now suddenly I have this front-row seat in public schools, and you think, ‘How is this even possible?’”

Glazier then switched gears and joined a small real estate development team, managing an award-winning restoration of historic bungalows in Silverlake. On that job, he recalls, he met and interacted with people with criminal histories for the first time, giving him a glimpse into the challenges they face after prison.

EITs welcoming a volunteer at the start of a Defy coaching day

EITs welcoming a volunteer at the start of a Defy coaching day.

Meanwhile, Glazier also went back to school, earning his master’s in business administration from UCLA’s Anderson School of Management in 2006.

Two years later, he decided he’d had enough of real estate, which “didn’t feel meaningful to me.” In October of 2009, he took a job with City Year Los Angeles, a nonprofit that plunged him back into those vexing education problems. The agency works with AmeriCorps volunteers to serve as tutors, mentors, and role models for students in Los Angeles, grades three through 10.

The job gave Glazier his entrée into nonprofit work, where he finally found his mission. He stayed eight years with the education agency, having ascended to second in command in the Los Angeles chapter.  When he decided to leave—again with no job lined up—a friend referred him to the opening at Defy, which had recently launched a new Southern California branch.

Glazier has come to see parallels between the problems in public schools and those in public prisons. “They are both large bureau­cracies within the state government that are dealing with large numbers of people who are in need of intervention and education,” he explains. “So some of the basic reform ideas that apply to public education apply to prisons too.”

In either system, steering an organization in a new direction can be a herculean task. Glazier was well aware of the enormous challenge when he entered the criminal justice reform world three years ago, full of optimism and ambition. But he had no idea of the organizational landmines that awaited him at Defy Ventures, where a scandal was about to shake the nonprofit to its foundation while abruptly catapulting Glazier to the top job.

DEFY VENTURES WAS FOUNDED in 2010 in New York by a charismatic woman named Catherine Hoke, a UC Berkeley graduate and former Wall Street executive. But in 2018, she was forced to resign in the midst of accusations of sexual harassment, misuse of funds and misleading donors with inflated performance reports.

Glazier said the controversial leader had come to personify the organization. She had a golden touch for fundraising and promotion; she courted powerful people in politics and Silicon Valley and had a knack for drawing high-profile media coverage. When she stepped down, Glazier says, Defy seemed doomed, as donors rapidly retreated.

Hoke has denied the allegations, though she previously admitted having sex with ex-prisoners participating in a similar program she had established in Houston in 2004. After being banned from Texas prisons in 2009, she resurfaced in New York where she later faced the new allegations from former Defy employees. An internal investigation, conducted by an outside law firm, found evidence of personal impropriety, but no proof that program results were embellished, donors misled or funds misused.

Glazier joined Defy in May of 2017, charged with building the new L.A. chapter. But before he had completed his first year on the job, the scandal hit, and he was suddenly promoted to president and CEO as the organization ran out of money.

Glazier recalls how he perceived the promotion: “You’re in charge. Here’s a dumpster fire.”

The newcomer scrambled to keep the sinking agency afloat. He was forced to lay off two thirds of the staff, then proceeded “to engineer a turnaround.” Today, the agency is back on solid footing.

A Defy Ventures volunteer giving résumé feedback.Defy’s top goal, says Glazier, is cutting the rate of recidivism, the all-important measure that tracks the proportion of released offenders who return to prison over time. Nationwide, the rate has remained stubbornly high for decades. According to the most recent study released in 2018 by the federal Bureau of Justice Statistics, more than 83 percent of inmates released in 2005 had been re-arrested at least once within nine years. Most, 68 percent, were re-arrested within the first three years. The study followed a random sample of 67,966 prisoners from 30 states, including California, Colorado and New York, all places where Defy programs operate.

Defy’s strategy is essentially simple: Help men and women inside prisons prepare for a successful re-entry by teaching them business and career skills and personal development. Once they’re released, the agency provides continued support through a structured program to help them get a job or start a business.

While still in prison, participants engage in a seven-month curriculum that culminates in a Shark Tank-style competition, in which they pitch their ideas to a panel of business leaders and investors. After graduation and release, winners can bring their ideas to fruition through Defy’s Business Incubator.

ON ITS WEBSITE, Defy tracks results by the numbers: More than 5,200 prison participants, 4,800 volunteers, a one-year recidivism rate of 7.2 percent, an 84 percent employment rate and 143 businesses incorporated over the past eight years.

Like Defy itself, several of these small enterprises go on to employ former prisoners. Two Defy graduates work for Glazier at the agency’s spare and utilitarian offices, where the décor is corkboards and calendars.

Quan Huynh, the organization’s post-release program manager, joined the Defy program as a participant in 2015 while serving a life sentence for murder. He had been convicted in connection with a car-to-car shootout on the Santa Ana Freeway between his Vietnamese gang and members of a rival gang in the other car. He did time in some of the state’s toughest prisons, including Soledad and Pelican Bay.

“For the first 10 or 12 years, I never thought I was going to go home,” says Quan, whose parents fled the Vietnam War when he was an infant. At his parole hearing, he gambled on telling the truth, admitting he had lied in court and coached witnesses. His honesty paid off.

After his release, Defy helped him start his own cleaning company in Fountain Valley. Today, he is founder and CEO of Jade Janitors, currently with six employees, including five who were formerly incarcerated. He was Glazier’s first hire at Defy in 2017.

Another volunteer offering feedback to an EIT at a California prison.

Another volunteer offering feedback to an EIT at a California prison.

When asked, Quan thinks before offering a job assessment on his boss. “He’s very strategic and organized,” he says. “He’s all about systems and processes. He does not micromanage me at all. He empowers me. He sets the goal and sets high expectations, and we follow through with it.”

For Quan, that management style says, “I trust you.”

PRIVATELY, GLAZIER CAN “sometimes seem a little socially awkward,” Quan says, but he’s confident in the spotlight as Defy’s workshop leader. “He’s right in his comfort zone right there, actually connecting with the participants.”

During the recent Business Coaching Day, Glazier is clearly comfortable leading the icebreakers. In one, he asks people to introduce themselves by dancing their way from their seats to the front of the large hall.

“Quan, have you got some good dance music ready?”

There is no room to be bashful in this exercise. The participants, both budding entrepreneurs and volunteer counselors, make their way to the front, displaying individuality in their step. They strut, stroll, glide, vamp and slow-walk their way to the front, announcing the nicknames they gave themselves. There is Graceful Grace, Fantastic Frank, Kind Kyra and Bashful Benny. And here come Musical Michele, Ambitious Albert, Incredible Ian and Resilient Raul.

In the role of moderator, Glazier as Awesome Andrew is a cross between a motivational speaker, group therapy leader and game-show host. By the time these icebreakers work their wonder, the room is buzzing with laughter and chatter like a nightclub at midnight.

But when it comes time for Step to the Line, Glazier asks for silence. He instructs the group to form two lines along blue tape laid on the floor a few feet apart. Volunteers stand shoulder-to-shoulder on one side facing the Entrepreneurs in Training on the other. Then they all take two steps back from their respective lines, making the distance greater between them.

Glazier ’97 leading one of Defy's signature exercises, Step to the Line.

Glazier ’97 leading one of Defy’s signature exercises, Step to the Line.

Glazier then reads a series of questions. For each one, participants must step forward to their line if they feel the statement is “true for you.” As the exercise goes along, people on both sides of the divide step forward and back with each question, revealing both differences and commonalities.

Soothing guitar and piano music start playing, relaxing as a spa. Glazier’s words float over the room like spiritual meditations. “We don’t do shame at Defy,” he says, speaking slowly with deliberate pauses. “We’re forward-looking. We do empathy. Now, empathy is not pity. Nobody is asking for anybody to feel sorry for them. Feeling sorry for someone isn’t built on respect. But empathy is built on respect and shared humanity. Empathy says that I see you. I hear you. And I understand.”

The first few questions are for fun.

I like scary movies.

I know who Billie Eilish is.

I was the class clown.

As the statements get more probing, responses reveal social divisions. Only two of the EITs, but half of the volunteers, indicate their parents paid for private schools. Only one former prisoner earned a four-year college degree; most dropped out of high school.

Yet people on both sides share sad experiences, with random movements back and forth from the line of truth.

I struggle with my self-confidence to this day.

My mother or father have been to jail or prison.

My parents split up and their divorce deeply wounded me.

I’ve lost someone I love to violence.

An EIT hugs members of his family during an emotional Defy Ventures graduation exercise.

An EIT hugs members of his family during an emotional Defy Ventures graduation exercise.

When the questions turn to crime, the results are both surprising and shocking. Surprising to learn that many of the mostly white mentors have been stopped or questioned by police for no reason, and almost all have been arrested. Shocking to see what the EITs have endured in prison. The majority have spent more than four years behind bars, a few more than 20. The visual of men stepping back or remaining on the line as the number of years are called out makes for a powerful moment. Even more so when Glazier asks about a harsh psychological punishment.

I’ve spent time in solitary confinement. (All but two step foward.)

More than two years. (Two men step back.)

Three years. (Three men remain.)

Five years. (Two left.)

Seven. (One man still on the line.)

Ten years. (Finally, all have stepped back.)

The exercise has succeeded. It has stirred passion and compassion, even from this casual observer. And it has forged strong bonds among this unlikely team of strangers, as indicated by their collective shared movement when Glazier delivers the final statements.

I feel proud of the person I am becoming.

Everybody steps up to the lines, and a couple give high fives across the quickly closing gap.

Okay, last one. If it’s true for you, let me hear it. I love being part of the Defy community.

The session ends with cheers, laughter, spontaneous hugs all around.

Inside Out

Inside Out thumbnail

fences topped with razor-sharp wireBEHIND FENCES TOPPED with razor-sharp wire, students from the 5Cs sit next to incarcerated students each semester in classes taught by Claremont Colleges professors at the California state prison in Norco.

They are part of the Inside-Out Prison Exchange program, an international effort introduced locally by Pitzer College in 2014 and expanded in 2018 to include courses from Pomona College and the other 5Cs. The classes inside the 3,600-inmate California Rehabilitation Center (CRC) are part of the groundbreaking Inside-Out program created by Temple University Professor Lori Pompa in 1997—an effort that took ‘outside’ undergraduate students into classes with ‘inside’ students serving sentences in Pennsylvania prisons. Since then, it has expanded to more than 150 colleges and universities at some 200 jails and prisons.

Education isn’t the only goal of the college-credit classes; it’s also an attempt to create dialogue between groups with profound social differences. But the inside and outside students are equals in the classroom: They read the same materials, complete the same assignments, earn the same college credit and in small ways start to echo each other. As one incarcerated student in Professor Jo Hardin’s Math 57 class, Thinking with Data, writes:

In the future I hope to organize communities that focus on sustainable, environmentally beneficial practices. With the skills I learned in this class I feel prepared to communicate and interpret complex scientific data in ways that are easily understood and enjoyable to contemplate. Also by broadening my interactions with young scholars I’m exposed to the issues pertinent to the change makers of tomorrow.

Ultimately, the differences are stark. The outside students get to leave after class and return to a bus where their cell phones and lives await. The inside students at the medium-security men’s facility will eventually be eligible for release, but for now their lives are confined by both fences and regulations. They answered questions about the program in anonymous handwritten responses, including this one from a student in Linguistics 114, a course on language and discrimination taught by Nicole Holliday, an assistant professor of linguistics at Pomona:

I thought I would just be an outcast for the rest of my life, but my interactions with the outside students showed me that not everyone will judge me, and maybe I’ll get to find a place I fit into society after all.

And another student:

Being part of an “inside-out” class also makes me feel like a regular person, not an inmate. It is a welcome reprieve from the highly punitive correctional environment that I live in.

And another:

Being treated like a human and not a monster.

The buses leave The Claremont Colleges at 12:30 p.m. on the days of classes at the prison. Six courses were offered in fall 2019 and another half-dozen this spring, each meeting once a week. The students and professors must be cleared by prison security and undergo orientation, as well as being tested for tuberculosis before classes begin. They invest a full afternoon for one class, often returning to campus as late as 5:30. “Walking into the prison for the first time, it felt incredibly surreal,” says Pomona student Sarah Sundermeyer ’21. “But I think that feeling of trepidation dissipated as soon as we were inside the classroom with the other students. They were so warm and friendly and just open and willing to share in a way that I don’t know that I expected.”

An experience different from what they expected is a common refrain. “I guess it’s been more striking how unremarkable it is,” Hardin says. “You think, ’Oh, this is a really big deal.’ Everybody says it’s really impactful, and in some ways it has been. But in terms of the class structure and the class dynamics, it’s really just a class.”

“And that’s what you’re actually trying to do, right?” interjects Holliday. “Part of the innovation is treating people who are incarcerated like people—and that means treating them like students, for us.”

The courses are partly tailored for the setting, with Hardin’s data class focused on interpreting such information as census statistics and medical research, but also on the probabilities involved in DNA analysis of the sort used in criminal investigations and trials. Discussion is also an integral part of the model. “The topic was statistics and right off the bat people were saying, ‘I feel I’m reduced to a number in the system,’” says Ahana Ganguly ’21.

Holliday’s class examines linguistic prejudice in the educational system as well as the criminal justice system. “Every single inside student had a story about being told that they talked ‘ghetto’ or literally having the Spanish beaten out of them in school,” she says. “When people tell you your language doesn’t work because of their racism, you don’t use your language. And then what happens to you in school? It’s really, really powerful. And maybe in some small way, you know, what the program is trying to do is just restore a little bit of the dignity that they lost through the way they were treated in the educational system to begin with.”

Inside students earn course credits and a small amount of time off their sentences. Outside students earn credit and a first-person experience of a system most had considered only in theory.

“I think the greatest benefit actually—I hope—accrues to the larger society,” Holliday says. “What does a world look like when every judge, every lawyer, every politician has had a real human connection with someone that’s incarcerated? And we know our students go on to do wonderful things. They’re going to grad school; they’re going to law school; they’re going to be important and powerful. I want a generation of people that have had that experience and seen how fundamentally unfair our system is, that have the power to change it when they get out.”

Involvement in research or activism involving the criminal justice system is nothing new at The Claremont Colleges, with a decades-long tradition among many faculty, particularly at Pitzer. Pomona Professor of Religious Studies Erin Runions has facilitated writing workshops inside a women’s prison and teaches a popular course on Religion, Punishment and Restoration that is now part of the Inside-Out program.

But it was Pitzer’s Tessa Hicks Peterson—an associate professor of urban studies and assistant vice president of community engagement who also heads the Office of Consortial Academic Collaboration—who piloted the first Inside-Out course, Healing Arts and Social Change, which took place at CRC in the spring of 2014. Since then she has worked to spread this model to the other Claremont Colleges, with the support from the 7C Deans and many engaged faculty.

The expansion came with the support of a $1.1 million grant Pitzer received from the Andrew W. Mellon Foundation in 2018 and is now run by Pitzer’s Tyee Griffith, founding manager of the Justice Education Initiative. In fall 2020, Pitzer will become the first Inside-Out program in the nation to offer a pathway to a bachelor’s degree for incarcerated students, who previously only have been able to earn associate’s degrees. The first class of incarcerated students to earn bachelor’s degrees in organizational studies from Pitzer would be in 2022.

All of these are complex issues, of course, involved in crime and punishment. Even on the Claremont campuses, a club called the 5C Prison Abolition Collective staged a panel last fall examining the ethics of Inside-Out that included formerly incarcerated speakers as well as Pomona’s Runions, a longtime activist and Inside-Out professor. Some who support the dismantling or reduction of the prison system over traditional reform contend that the Inside-Out program makes participants complicit with the system itself.

“There’s an idea that this ‘makes the prison look good,’” Peterson says. “But the prison is not necessarily pushing for this: We are really advocating for it on behalf of those inside who have asked us to do it. We’re there because we’re invited; we’re there because it’s their right to education, just like anyone else’s. And the educational experience is really transformative and does often provide a level of agency, like any educational experience does. That in and of itself is what we hope will change the system—both girding the folks inside with that sense of agency and education but also girding our 5C undergraduates with knowledge about this system, that for many people they have a luxury to not have to know and care what’s happening in these facilities that are state-run, that our tax dollars are going to. So we’re complicit with these institutions, regardless of whether we’re teaching inside or sitting here ignoring them. Those of us involved feel like we’d much rather be complicit with a solution of educating ourselves about these institutions so that we can become better advocates. Because certainly, you can’t teach inside without having resulting very strong feelings about the prison-industrial complex. It’s just impossible.”

The ideas a professor or student comes in with are not often the ones they leave with, says Darryl Yong, a professor of mathematics at Harvey Mudd who serves as faculty liaison for Inside-Out.

“It’s so black and white at first for many students,” he says. “Then when they see it and experience it, they realize it’s way more complicated than they could have possibly imagined. I think that complication is part of the learning. You learn by feeling squeezed in both worlds. Even the experience of having to walk through the gate, walk to our classroom, just being in the space, understanding what people are subjected to, it opens your eyes.”

Pomona students and others say they walk away changed.

“I love that idea that learning could provide an escape, and education could provide a kind of inner freedom for them and for us as well, as Claremont students,” Sundermeyer says.