Blog Articles

Rural Voices

Rural Voices

Sebastian Kahale Naehu-Ramos ’21

Kaunakakai, Moloka’i, Hawaii

Sebastian Kahale Naehu-Ramos '21

“I was born on another Hawaiian island, Maui, but my stepfather is from Moloka’i, so I moved there when I was 7, and that’s been home ever since. It’s a very close-knit community. You grow up knowing almost everyone. Everyone knows you; they know your parents; so everything you do is a reflection on your family. The economy is not so great. A lot of people actually sustain themselves through gathering what’s available. We have fish. We also have axis deer, though they’re not indigenous. I do some deer hunting with my dad. This photo is of one of my favorite places. It’s a fresh-water spring—what we call a pūnāwai—that my dad and his best friend restored as a nursery for baby fish. It’s really cold, but it’s nice for swimming. On the other side of the bank is a traditional fish pond—the kind we call a kuapa. It’s about 800 years old. Coming from that setting to a place like Pomona was pretty intimidating at first. I was less politically aware than most people here, so coming here was pretty eye-opening. I tell people I feel like I grew up on a rock. I’ve gotten used to California’s faster pace, but I really miss my family and Hawaiian food and being close to the ocean all the time.”

Katy Swiere ’21

Orangefield, Texas

Katy Swiere ’21

“My community is pretty small. We have a gas station, a fire station now—that’s new—a school and a small grocery store. The lumber industry built my town, but today the main industry is the petrochemical plants along the coast of Southeast Texas and Southwest Louisiana. Most families have at least one member who works there. They call it the cancer belt because there are higher rates of cancer in the area. When I left my hometown, I was kind of like, ‘I’m never coming back here.’ You know—a very typical, small-town person who wants to get out to the big city. But then Hurricane Harvey affected my hometown in the first few weeks after I got here, and that was kind of like a slap in the face. My first thought was that my community really needed me right now, but the last thing they heard me say was, ‘I’m never coming back.’ That really made me think. And then, especially, going back home over break and seeing the destruction, but also seeing the recovery and the ways that my community was coming together and helping each other—that was just a really awesome experience. Maybe that’s not unique, but it’s very special. And I think that’s part of the strong communities these small places have. It’s just that everyone feels so connected, and even if you don’t know each other, there is this connection that you share.”

Malyq McElroy ’18

Soldotna, Alaska

Malyq McElroy '18

“It’s kind of weird, because there’s a whole bunch of small Alaskan villages in the area, but they lump them together into cities. I live in a log cabin in the middle of the woods, roughly 10 miles outside of town, but I’m considered to live in Soldotna. A lot of the people there don’t want government or neighbors or anyone interfering with their lives, so I guess it’s not very communal. I don’t want to speak for all Alaskans, but people in my town really pride themselves on being independent—being able to hunt and fish and provide for themselves. I really didn’t do any of that—if I had, maybe I’d subscribe more to the Alaskan mentality. But I do feel like I don’t rely on things as much as maybe some other people who weren’t forced to live in that kind of environment. Along with a few Alaskan natives, my sister and I were among the only people of color in my school, so it’s been a big contrast coming here to Pomona. But my experience is so different from that of most other people of color here that at first it was kind of uncomfortable. I’m still not a very social person, so I don’t really participate in a lot of things, but I’ve become more acclimated. When I go back home, I enjoy seeing my family and knowing who everyone is when I go to the grocery store, but I don’t think I would want to go back there permanently.”

Alyson Smock ’20

Cozad, Nebraska

Alyson Smock ’20

“Cozad is a town of 4,000 people, give or take a few. The last census was around 2010, and I’m sure we’ve lost folks since then. I was born and raised there. Both of my parents were born and raised there, and their parents came there from other places in Nebraska. It’s a pretty stereotypical small, rural town in the Midwest. The nearest Walmart is in the next town over, so you have to drive like 15 minutes on the interstate to get there. The nearest mall’s even farther than that—an hour away. But it’s a place worth visiting. I ask my friends all the time—sometimes jokingly, sometimes seriously—if they ever want to come visit me in Nebraska, and usually the answer’s no. But it’s a place where people who don’t know you make you feel welcome. If you’ve never been to rural, small-town America, it’s an experience you need to have at least once in your life. I personally prefer small-town living to living here next to L.A, and I often think about going back after getting my law degree. The pace is slower. When you think of California, you think of it being laid back. You think of surfer dudes—or at least I do—and beaches and just a cool, chill pace. But the real slow pace is in rural America, where people aren’t in a hurry to get from place to place. They’re enjoying the day; they’re enjoying talking with people they run into on the street, or when they come into their businesses. They’re catching up. That’s probably one of my favorite parts about small-town living.”

 

Bulletin Board

2018 Winter Break Parties

2018 Winter Break Parties

In January, 699 Sagehens in eight cities found warmth, treats and the kind of great conversation that bonds Pomona people at the College’s popular Winter Break Parties. 47 chirps to this year’s party hosts and speakers: Gladys Reyes ’09 and Reena Patel ’10 (Chicago),

Diane Ung ’85 (LA), Elise Gerrard P’20 (Miami), Elizabeth Bailey P’21 and David Bither P’21 (New York – cancelled due to weather), Steve and Tricia Sipowicz ’85 (Portland), Michael Spicer (San Diego), President G. Gabrielle Starr (San Francisco), Allison Keeler ’90 and Shelley Whelan ’92 (Seattle), and Frank Albinder ’80 (DC).

2018 Winter Break Parties2018 Winter Break Parties


And the Next Pomona Book Club Selection Is…

The Lost City of the Monkey God: A True Story by Douglas Preston ’78This spring, the Pomona College Book Club will discuss The Lost City of the Monkey God: A True Story by Douglas Preston ’78. Named a New York Times Notable Book of 2017, the story follows Preston’s rugged expedition in search of pre-Columbian ruins in the Honduran rain forest. Join the Pomona College Book Club and read along with your fellow Sagehens!

 

 

 

 


Spring Webinar Series Offers Career Insights for Young Alumni

Throughout the spring, young alumni were invited to participate in three online webinars focused on career growth. Presenters included Carol Fishman Cohen ’81 P’12, CEO and founder of iRelaunch; Lindsey Pollak, millennial career expert and best-selling author; and Christine Souffrant Ntim, startup ecosystem expert and international speaker. View archived versions of these presentations, and enter the password Pomona1887.


2018 Family Weekend

More than 750 Pomona parents and family members flocked to campus in February for the College’s annual Family Weekend celebration. Guests spent four sunshine-filled days attending classes, concerts, plays, open houses and art exhibitions; hearing from faculty, staff and guest speakers during info sessions and the inaugural Ideas@Pomona: Family Edition speaker series; enjoying food trucks and a craft beer tasting on the Quad; and sipping Coop shakes with their students.

2018 Family Weekend2018 Family Weekend

 

 

 

 

 

 

 

 

 


Alumni Board & Student Leadership Get Creative About Collaboration

Alumni Board & Student Leadership Get Creative About Collaboration

Student-alumni collaboration was one focus of the Alumni Association Board’s creative energy at their annual February meeting. In a session hosted at the Rick and Susan Sontag Center for Collaborative Creativity (“The Hive”) and facilitated by Andikan Archibong ’17, the Board spent an afternoon with students from Pomona’s Peer Mentor Groups and the Associated Students of Pomona College (ASPC), brainstorming ideas to develop and strengthen career networking, community service, and learning collaborations. Learn more about The Hive, a 5C center dedicated to exploration, collaboration and creativity at creativity.claremont.edu. Learn more about the Alumni Board.


Alumni Travel/Study: Galápagos Aboard National Geographic Islander

 June 15 – 24, 2019

Alumni Travel/Study: Galápagos Aboard National Geographic Islander

Join W.M. Keck Professor of Environmental Analysis Char Miller PZ ’75, PO P’03 for a once-in-a-lifetime trip to the Galápagos Islands with Lindblad/National Geographic Expeditions. See Galápagos as Darwin did—aboard an intimate expedition ship equipped to give you the most engaging experience possible. Contact the Alumni and Parent Engagement Office at 909-621-8110 or alumni@pomona.edu for more information.


Mark Your Calendar: Spring Event Highlights

Alumni Weekend 2018

Alumni Weekend 2018Alumni Weekend 2018

Thursday, April 26 – Sunday, April 29

It’s reunion time for classes ending in 3s and 8s – and, as always, alumni from all class years are welcome back to campus to enjoy the Sagehen party of the year! Don’t miss out on new programs and favorite traditions like the Parade of Classes; “A Taste of Pomona” craft beer and alumni-vintner wine tasting; the All-Class Dinner under the stars on Marston Quad with President Starr; and Ideas@Pomona: a series of TED-style talks from Pomona-affiliated scholars and luminaries. Visit the Alumni Weekend website for event and registration details.

Pomona in the City: SeattlePomona in the City: Seattle

Saturday, June 2 /

Four Seasons Hotel Seattle

Join fellow Sagehens in the beautiful Pacific Northwest for the spring edition of this signature event designed for lifelong learners. Seattle sessions include a welcome and College update from President Starr, keynote lecture and breakout sessions from favorite Pomona faculty, and a networking reception for Seattle area students, alumni, parents and friends. Watch for registration and event details on the Pomona in the City website.

The Wilds of L.A.

The Wilds of L.A.
The 2017 La Tuna Fire in the hills above Los Angeles.

The 2017 La Tuna Fire in the hills above Los Angeles.

Wild Los Angeles? That seems a contradiction in terms, for surely it is nearly impossible to locate nature inside the nation’s second-largest, and second-most-dense city. This metropolitan region, which gave birth to the concept of smog and sprawl—the two being parts of a whole—is now so thickly settled that it is almost fully built out and paved over. In the City of Angels, where even the eponymous river looks like an inverted freeway, there is no rural.

Yet as concretized and controlled as Los Angeles appears, it does not stand apart from nature—any more than do small towns tucked away in remote locales. Consider the natural systems that over the millennia have given shape to this region. They are still at work.

The most obvious of these is manifest whenever the grinding earth moves: Tremors radiate along the Southland’s weblike set of fault lines, an unsettling reminder that we stand on shaky ground.

Even when (relatively) still, the landscape conveys an important message about how we live within and depend on the natural world. While strolling through Marston Quad, for example, look due north, focusing in on Mt. Baldy, which the Tongvan people call Snowy Mountain. The latter name is more evocative and revelatory of that 10,050-foot peak’s role as the apex of the local watershed. It is the source of the alluvial soils on which the College is built and of the aquifer that supplies much of the potable water that contemporary Claremont consumes.

Perhaps the most dramatic signal of just how close Angelenos are to nature, and how compressed is the distance between where we reside and that space we imagine as “rural,” flares up every time a wind-driven wildfire sweeps down canyon or howls over ridge. We have endured too many of these fires over the past decade (unlike Northern California, which has a deficit of fire, SoCal has experienced a surfeit).

Some of these conflagrations have been massive, like the Station Fire (2009: 160,000 acres) and the Thomas (2017-18: 282,000 acres); others have been much smaller, such as the Skirball (2017: 422 acres). Notwithstanding their differences in size, these contemporary blazes follow a historic pattern: Wherever people have gone, fire has followed.

A member of the California National Guard on a rescue mission following the January 2018 mudslide in Montecito, California. (Air National Guard photo by Senior Airman Crystal Housman)

A member of the California National Guard on a rescue mission following the January 2018 mudslide in Montecito, California. (Air National Guard photo by Senior Airman Crystal Housman)

Beginning in the late 19th century, tens of thousands of residents and tourists hopped aboard the Los Angeles & Pasadena Railway’s parlor cars that took them straight to the Altadena station, nestled in the San Gabriel foothills. There, by foot, bicycle or the Mt. Lowe Incline, they headed uphill to frolic in the rough-and-tumble terrain. By the 1920s, with the ability to drive a car to local trailheads or up into the mountains directly, those numbers swelled to millions. Some of those engines sparked. Some of the many visitors smoked. The resulting fires, especially the infernos of the late teens and the 1920s, turned the sky black.

Fires also erupted as housing developments, following rail and road, pressed out toward an expanding periphery. For those with the requisite means, the lure of a quiet suburban arcadia segregated from the disquieting urban hustle, yet situated close enough to commute between family and work, was a powerful magnet. Even as this white flight rearranged the city’s spatial dimensions, class interactions and racial dynamics, it proved incendiary in another sense.

In the immediate aftermath of World War II, Army-surplus bulldozers leveled large lots for grand homes in the Hollywood hills and Beverly Hills, and furious firestorms erupted. For all its damage, then, the Bel Air Fire of 1961, which consumed more than 16,000 acres and incinerated 484 homes, was not unique. In subsequent years, blazes popped up in and around new subdivisions cut into the high ground above the San Fernando and San Gabriel valleys, and, later still, crackled through upland acreage overlooking the Simi and Santa Clarita valleys. Like the August 2016 Blue Cut Fire that torched portions of the rugged Cajon Pass, shut down Interstate 15, and forced upwards of 80,000 people to flee for their lives, the Thomas Fire disrupted freeway traffic in its furious run from Santa Paula to Ventura to Montecito and drove 100,000 from their tree-shaded homes.

With fires come floods. Punishing winter storms, like those that pounded Montecito less than a month after the Thomas Fire sputtered out, can unleash a scouring surge of boulder, gravel, and mud that destroys all within its path. The resulting death and destruction—horrifying, terrifying—is, alas, also predictable. Since the late 1880s, some Angelenos have cautioned about the dire consequences of developing high ground, of turning the inaccessible, accessible. We have ignored those warnings at our peril—peril that climate change is accelerating as it intensifies the oscillation between drought and deluge, fire and flood.

Further evidence that this most urbanized place is, and will remain, inextricably integrated with wild nature.

Char Miller is the W.M. Keck Professor of Environmental Analysis at Pomona. His recent books include Not So Golden State: Sustainability vs. the California Dream and Where There’s Smoke: The Environmental Science, Public Policy, and Politics of Marijuana.

Letter from the Editor

Letter from the Editor

March 2018

Dear PCM Reader,

Over the past year, Pomona College Magazine has given you the opportunity to walk in lots of different shoes. As a reader, you’ve experienced the struggle to protect an endangered species, the challenge of writing poetry in an alien tongue, the stress of gowning up for a trauma case and the nightmare of homelessness. You’ve welcomed a new Pomona president, explored little-known chapters in College history, witnessed the discovery of a lost civilization—and more. All through people with whom you share an indelible connection as fellow members of the Sagehen family.

My point is this: PCM is there to keep you connected to this special institution and its community of doers and thinkers. Our mission is to inform, entertain and challenge you with Pomona-related stories that make you think, reminisce, learn, laugh, cry, share or simply feel proud to be part of this remarkable college family.

Receiving PCM is a free benefit of your membership in that family. However, the cost of producing an award-winning publication like PCM and mailing it to some 25,000 recipients across the country and around the globe continues to grow, even as budgets tighten. That’s why, three years ago, we launched this voluntary subscription program to supplement our funding and to give you, our readers, an opportunity to help, if you’re so inclined.

Again, let me assure you that you will continue to receive every issue of PCM whether or not you choose to make a gift. This is truly meant to be a voluntary show of appreciation. I know there are plenty of other worthy causes clamoring for your attention, and I would never claim that PCM
needs your help more than those that you’ve already chosen to support (including, I hope, Pomona’s Annual Fund). But if you value what this publication brings to your door with each issue and you can afford to make another gift, we could certainly use your help.

Your generous gift provides direct support for our effort to keep you informed and connected. It also signals that PCM is still a meaningful and valued part of your life. If you wish to make a gift, we’ve tried to make it as easy as possible, using our online giving site.

We are deeply grateful to those of you who have seen fit to show your support in the past and to those who plan to do so this year—again or for the first time. We promise to use these resources wisely to make this magazine even better in the year ahead. In the meantime, we hope you enjoy the enclosed issue on the voices of rural America.

Sincerely,
Mark Wood
Editor

In Memoriam: Professor Arden Reed

Arden Reed

Arden Reed, noted scholar, lecturer and Arthur M. and Fanny M. Dole Professor of English at Pomona College, passed away on Dec. 21, 2017, at the age of 70 from an aggressive form of cancer.

Born in 1947 in Denver, Colo., Reed was a boundary-crossing scholar—an expert on 19th-century English and French literature and visual art, including contemporary visual culture. His research covered the spectrum of English Romantic literature; 19th-century French painting and literature; modernism across the arts; relationships between painting and literature, image and text; contemporary art; and tableaux vivants. His most recent and seminal work, Slow Art: The Experience of Looking, Sacred Images to James Turrell, was published this past summer by the University of California Press.

Covering works from the Middle Ages to the present, Slow Art calls on everyday museum visitors to contemplate artwork and trust that their novice observations are just as meaningful as those of art experts. In its review, The Wall Street Journal called Reed “an enormously erudite writer,” and his book, “a lively ramble through high and low culture.”

Kurt Andersen, novelist and host of NPR’s Studio 360, reflected that “Arden Reed refused to stay in his lane: as a scholar and a human being, his extreme, gleeful curiosity about all kinds of ideas and art and people, and the connections among them, was positively infectious, and an inspiration to me.”

His past work includes Manet: Art, Words, Music (2014), Manet, Flaubert, and the Emergence of Modernism: Blurring Genre Boundaries (2003), Constance De Jong: Metal (2003) and Romantic Weather: The Climates of Coleridge and Baudelaire (1984). He was the editor of Romanticism and Language: A Collection of Critical Essays (1984) and had numerous articles published in Art in America. In 1983, he was awarded a First Book Prize from Brown University Press for Romantic Weather: The Climates of Coleridge and Baudelaire.

In 2006, Reed received a John Simon Guggenheim Memorial Foundation Fellowship, which he used to pursue research that helped raise the deep questions that would animate Slow Art.

In addition to the Guggenheim Fellowship, Reed’s distinguished awards and honors include a Bellagio Study Center Residency in 2007 by the Rockefeller Foundation; a fellowship at the American Academy in Rome in 2007; a Bogliasco Foundation Fellowship at the Centro Studi Ligure per le Arti et le Lettere in 2007; and a fellowship at the Clark Art Institute in 2006.

Under the auspices of The Albert & Elaine Borchard Foundation, he was a scholar in residence at Château de la Bretesche in Missillac, France, from 1990 to 1991, and under the aegis of The Camargo Foundation, he served as a research fellow in Cassis, France, from 1994 to 1995. Through an award from the Institute for Advanced Studies in the Humanities, he was a fellow at the University of Edinburgh, among other honors.

Reed came to Pomona as an assistant professor in 1979 and was named the Arthur M. Dole and Fanny M. Dole Professor in English in 2004. Before Pomona, he was an assistant professor at Wayne State University and a lecturer at The Johns Hopkins University.

Reed earned his bachelor of arts from Wesleyan University, and his master’s and doctoral degrees in comparative literature from The Johns Hopkins University.

He is survived by his partner of 35 years, Drury Sherrod of Pasadena and Santa Fe; his beloved son, Jonathan Reed and husband, Jeffrey Dodd, of New York; his former wife, Anita Comtois of New York; as well as a brother, Edward Reed of Denver; a sister, Susan Reed of Sedona; an uncle, Stanley Ely of New York; and cousins Elissa Ely of Boston and Marcia Ely of New York.

Reed’s family has requested that those who wish to honor his memory do so through the Arden Reed Summer Undergraduate Endowed Research Fund at Pomona, which will support the student research he found so essential to a liberal arts education.

Volcanic Venus

Volcanic Venus

For Professor of Geology Eric Grosfils, the scorching planet Venus is a “volcanologist’s playground,” where interpreting well-preserved geological records could help lead to better understanding of volcanoes here on Earth.

Now, a $425,000 NASA research grant will allow Grosfils—the Minnie B. Cairns Memorial Professor of Geology at Pomona—and his research colleague, Pat McGovern from the Lunar and Planetary Institute, to push forward with their efforts to better understand the evolution of stresses within and beneath a volcano as it grows.

The grant proposal, “Breaking the barriers: Time-dependent, stress-controlled growth of large volcanoes on Venus and implications for the mechanics of magma ascent, storage and emplacement,” is a continuation of ongoing research started in 2006 by McGovern and Grosfils.

Their latest grant, awarded by NASA’s Solar System Workings division, provides funding for three years of research and will include a range of new opportunities for student involvement. For instance, students who are just starting their geology education can help perform GIS mapping and analysis of Magellan radar data—work that will help the research team “evaluate the sequence of eruptive events, as well as what structures were forming when, at several large volcanoes on Venus.” More advanced undergraduates can take on more challenging tasks, such as numerical modeling.

In his research as a physical volcanologist, Grosfils investigates the mechanics of magma reservoirs—bodies of potentially eruptible molten rock within the subsurface—and what causes them to destabilize. The question is an important one because knowing when and how a reservoir destabilizes and ruptures is critical to efforts to understand whether escaping magma is likely to move toward the surface and erupt.

“When a magma reservoir destabilizes and feeds materials toward the surface, it can produce an eruption, and persistent eruptions gradually build a load—a volcano—sitting at the surface. The addition of that load over time flexes the crust, however, and changes the stresses around the magma reservoir. This can either enhance the ongoing eruption or shut it down,” explains Grosfils, “and we’re striving to decipher what controls how this mechanical process will play out.”

What makes Venus, the closest planet to the sun, a “volcanologist’s playground”?

“Volcanoes on Earth get affected by a lot of different processes: our atmosphere, oceans, erosion, humans, landslides, plate tectonics … but on Venus, the geological record is in essence not compromised by any of those factors—no plate tectonics, minimal erosion, w  no water, no liquid—so when something happens at the surface on Venus, the record is much more likely to be preserved for the long haul.”

The scientists will use observations derived from radar data and topography of Venus to construct numerical models they will use to examine the evolution of stresses within the crust and uppermost mantle as a volcano is growing.

Their research will add to our knowledge about the formation and evolution of the Venusian surface, which in turn helps scientists apply those findings to better understand the long-term evolution of volcanoes on Earth and the hazards they present to surrounding populations.

The Pearl Harbor Diaries

Pearl Harbor

The attack on Pearl Harbor is familiar history to most Americans, but Pomona College Professor of History Samuel Yamashita has spent years researching little-known aspects of that fateful day.

Poring over prefectural and municipal records and personal diaries, Yamashita chronicles how ordinary Japanese people responded to news of the attack, not only through mass, orchestrated gatherings but also in individual reflections. While “nearly everyone reacted enthusiastically,” with young men the most enthusiastic, Yamashita discovered exceptions that belie the notion of a monolithic response in Japan to news of war.

No one was sorrier that the war had broken out than a Tokyo housewife. Although she was born and raised in Japan, she had spent her 20s and early 30s in Los Angeles. She married and both of her children were born in the U.S. “We firmly believed that no matter how bad our relationship with America got, it would never come to war. … In fighting, one expects that the absolute and final goal was winning. … This was because I thought it was like a child challenging an adult [to fight],” wrote the housewife.

A 48-year-old aeronautical engineer was convinced that Japan could not win a modern war, and he never missed a chance to say so in public. As it happens, he was presenting his views at Tokyo’s Municipal Officials Institute on the morning of the Pearl Harbor attack. “I lectured on my pet theory that Japan was poor in resources, and scientific technique was low; no matter how much we persevered, there would be no victory in modern war,” he said.

Other accounts from young people addressed their ability to continue their schooling if the war continued. “From this point on, I would happily graduate from middle school, but would I be able to enter [ one of ] my choices-Ichiko or Niko [the top high schools in the country]? But if the war situation gets worse while I am a student, I would be drafted and probably would have to go to the battlefield with a weapon,” wrote an anxious middle-school-aged child.

A 13-year old schoolgirl in Tokyo, whose father worked in the U.S., also had mixed feelings about the war. “Today is a very exciting day. At one o’clock the emperor of Japan declared war against England and America. It was so sudden that I could not believe my ears. To fight against the places and friends I love is very hard, because my father is still there. I especially disliked and feared this news.”

A Confucian specialist with mastery of both classical Chinese and classical Japanese, Professor of History Samuel Yamashita has written extensively about early modern and modern Japanese intellectual and cultural history, focusing most recently on Japan during World War II and Japanese and fusion cuisine. He is the author of Daily Life in Wartime Japan 1940–1945 and Leaves from an Autumn of Emergencies: Selections from the Wartime Diaries of Ordinary Japanese.

He plans to continue his Pearl Harbor attack response research in small towns and villages upon returning to Japan this year.

Something’s Happening in Greensboro

Something’s Happening in Greensboro
Dorsey on a street in Greensboro

Dorsey on a street in Greensboro (All photos by Porfirio Solórzano)

SOMETHING’S HAPPENING in Greensboro, Alabama.

The crisp winter air buzzes with activity one morning in early January: from construction at the historic Seay house to a pompom-making session at a nearby Victorian farmhouse to jokes and laughter in the converted kitchen of an old hotel downtown.

If you’re looking for a kudzu-wrapped cliché about well-meaning do-gooders who rescue a fading town and its impoverished citizens—well, this isn’t that.

“People have told the same old story over and over about Greensboro,” Dr. John Dorsey ’95 says. “This is a new story of potential and hope and movement forward.”

It’s the collision of past and present and future, all having a meeting in the middle of Main Street. In historic buildings downtown, brick residences serving as temporary office space and housing and a restored Victorian several miles away, Dorsey is leading a charge to provide a range of services through a series of community-based programs he founded under the name of Project Horseshoe Farm. These include adult and youth programs addressing mental and physical health, housing and after-school care, plus gap-year fellowships and internships for top recent college graduates from around the country.

His methods are creating a new model for the way mental health care and community health are addressed in communities while simultaneously helping reshape a thriving downtown and preparing the next generation of social entrepreneurs to create their own paths.

Alabama by Accident

Dorsey, a licensed psychiatrist, initially thought he’d live closer to his family in California.

Dorsey conducts a meeting with the Project Horseshoe Farm fellows in a room that is undergoing renovation by students of the Auburn University Rural Studio architecture program.

Dorsey conducts a meeting with the Project Horseshoe Farm fellows in a room that is undergoing renovation by students of the Auburn University Rural Studio architecture program.

However, part of him was pulling him to a more personal way of living and practicing medicine. A tip from a colleague at a medical conference led him to an interview at Bryce Hospital in Tuscaloosa, Alabama. While driving cross-country to begin working, however, he learned Bryce no longer needed his services. Unsure of what he would find in Alabama, he drove on to Tuscaloosa and took cover in the wake of Hurricane Katrina in a motel room.

His savings dwindling, he had to come up with a plan—and a place to live—fast.

“I stumbled upon a mobile home sales office in Moundville and asked them to rent me a mobile home. They sent me down to Greensboro and connected me with a local pastor and nonprofit director,” Dorsey remembers.

“It was a quintessential small town with interesting energy, and they didn’t have a psychiatrist,” he says. “That’s how I ended up here 12 years ago. There was no plan that I was going to Greensboro.”

And yet, this little town of 2,365 residents would turn out to be exactly the kind of community where Dorsey could carry out his grassroots vision of integrated, community-based health care—a vision that he developed in medical school while studying what he terms a “frustrating” disconnect between doctors and patients.

“‘Focusing my residency on community psychiatry and people on the margins really crystallized the mismatch: You have to understand the person’s housing, transportation, finances and relationships,” Dorsey says. “There’s a spectrum, and when you have someone who is homeless, in chaotic relationships or who abuses drugs or alcohol, a test in an ER or primary care setting won’t solve their issues. I wanted to set up systems to address the needs of the patients, particularly in underserved communities.”

Dorsey visits with children at Greensboro Elementary School during an after-school program.

Dorsey visits with children at Greensboro Elementary School during an after-school program.

Since then, Project Horseshoe Farm has grown through a series of small steps, beginning with an after-school program for kids that met a community need. Then, in 2009, Dorsey began building a housing program for women with mental illness. He also selected his first group of three student fellows to spend a year partnering with the community and learning to take care of patients in a holistic way. He describes his success at attracting them to a brand-new nonprofit with no reputation in little Greensboro, Alabama, as “a miracle. We had great fellows right from the start and have grown ever since.”

As the project celebrated its 10th anniversary last year, it had expanded to encompass a range of other services as well, including the Adult Day program, a kind of community center where people come together for companionship and mutual support, and the Health Partners program, pairing individual fellows with vulnerable adults to help them navigate the complexities of health care and social services.

“Welcome to the Hotel”

Seeing is believing, so Dorsey offers a tour of downtown and Project Horseshoe Farm, starting at the old Greensboro Hotel property, donated to Project Horseshoe Farm in 2014 for use as a community center and project headquarters. Located right on Main Street, the old hotel was once listed as a historic building in peril, but now it’s being lovingly restored. One can see glimpses of its former grandeur in the embossed ceilings, pale mint walls and gleaming wood floors. w

Project Horseshoe Farm fellow Greta Hartmann (second from left) plays dominos with adults in the community center on Greensboro's Main Avenue

Project Horseshoe Farm fellow Greta Hartmann (second from left) plays dominos with adults in the community center on Greensboro’s Main Avenue

“There is such a rich, complex history here,” Dorsey says. His tone is reverent. In addition to being a hotel, the building also once housed a dress shop, a café and a sewing plant that employed some who now come through its doors as patients.

This morning, the place is bustling with students preparing a meal and guests in conversation. Kevin Wang, a first-year fellow from Northwestern University and future medical student interested in health care delivery systems, steps away from lunch preparations to describe his own experience here. “I was surprised at how willing people were to work with us, especially having no personal ties to Alabama. It’s a testament to the organization,” he says. “People know we’re here for them and understand we’re here to learn from them, and they’re willing to share. That’s really cool.”

Toward the rear of the building, retired nurse Jane Prewitt, known as “Nurse Jane,” organizes patient prescription trays with the assistance of Berkeley graduate Michelle McKinlay. “Until you truly get down here and walk with the people, you have no idea,” McKinlay says. “Walking through health care barriers with them and really getting to know people has changed me and helped me understand the issues better.”

Prewitt invites patients and visitors to sit in one of the outsized white Adirondack-style chairs that dominate the space, a striking change from the usual exam chairs or tables one might see in a doctor’s office. Her husband made them. Prewitt had brought one in to use and it was a hit with patients who found the chairs comfortable and easy to get in and out of. Another plus—staff found them easy to clean.

It’s one way the group has learned to meet needs with practical solutions. “You don’t have to be fresh out of college to understand,” Prewitt says. “You just wonder at how well people do with the minimal resources they have.”

The tour proceeds across rough-hewn floorboards and around paint cans and stacked chairs. Dorsey bounds up a flight of stairs obscured by a tarp and stands in the center of his future office. “I love the light,” he says, walking to a window to point out the corner of the room where sunlight streams in.

Administrative space is planned for the area next to his, and the closed-off third floor may one day serve as housing for students in the health professions.

“Having a community center in the heart of Main Street where people are welcome and supported is a wonderful testament to Greensboro. It’s one of Greensboro’s strengths,” Dorsey says. “In most communities, Main Street renovation is about stores and restaurants. But Greensboro has embraced having people who are usually on the margins come right downtown. It’s not just about commerce. It’s about the soul of the community.”

“Build Around What is Beautiful”

Being situated on Main Street also allows the students to get a sense of how the community’s pieces fit together. A few doors down, a new sandwich shop and gym have opened. Across the street is the old opera house reimagined as event rental space, plus a specialty pie shop. The Hale County library and mayor’s office are within walking distance, and a technology center offers residents Internet access.

Fellow Kevin Wang, right, offers support to resident Sylvia Deason at the farmhouse.

Fellow Kevin Wang, right, offers support to resident Sylvia Deason at the farmhouse.

“There’s an interesting momentum on Main Street,” Dorsey says. “Each thing creates more movement.”

Construction equipment and stacked wood slats, piles of pale sawdust and brand new buckets of Ultra Spec 500 paint sit amid aged flooring and exposed beams. But one can see the dream taking shape throughout.

In another room upstairs, 10 church pews line one wall and windows look down over the grounds where a courtyard is being planned with the help of the Auburn University Rural Studio architecture program. “We imagine having community performances there,” Dorsey says, pointing.

Downstairs, he foresees a space where patients can gather while waiting to be seen. And he’d like to turn the grand old ballroom at the rear of the building into a fitness center for program participants. Its filigreed mantels, honeycomb-patterned floors and ornate ceiling hint at the elegant atmosphere guests once enjoyed. In many ways, that legacy of graceful hospitality and comfort is being continued.

Dorsey is quick to acknowledge that his efforts are part of a network of engaged leaders working together. He also considers the relationships he made at Pomona College instrumental. “Professor Richard Lewis worked with a group of us to start a neuroscience major and created a wonderful community. I wouldn’t have gotten into medical school without that support.”

His continued Pomona connections have also been important, Dorsey says. Tom Dwyer ’95, a founding and current Horseshoe Farm board member, was Dorsey’s first-year roommate in Harwood. “We’ve had several past Horseshoe Farm fellows who were also neuroscience majors at Pomona and who had some of the same classes and professors I had.”

For the future, he anticipates exploring opportunities to replicate Project Horseshoe Farm’s successes in other small towns, but he urges humility for anyone looking to improve a community. “The idea alone is not enough. The missing piece is understanding who people are and what they want and developing trust in order for it to work. So often people look at the deficits. But you can’t build around deficits. You build around what is beautiful and strong in an existing community.”

Dorsey’s love for Greensboro and its people is evident as he speaks. “Here you have all this richness and the complexity of the culture. It’s humanity—in one word,” he says.

He gestures to the inviting shops and businesses lining Main Street, “Ten years ago, 80 percent of this was boarded up. Now 80 percent of it is being used. People are sensing that ‘Hey, something is going on!’ You may ask, ‘How in the world is that happening in Greensboro?’

But it is.”

Well-Versed Research

Well-Versed ResearchWhat makes a poem appealing? People prefer poetry that paints a vivid picture, according to a new study from a trio of researchers, including Pomona College President G. Gabrielle Starr, a scholar of English literature and neuroscience.

The research, which appears in the journal Psychology of Aesthetics, Creativity, and the Arts, seeks to answer an age-old question—“Why do we like what we like?”—by gauging what we find aesthetically pleasing in poetry.

The researchers had more than 400 participants read and rate poems of two genres—haiku and sonnet. After reading each poem, participants answered questions about:

  • Vividness—How vivid is the imagery evoked by this poem?
  • Emotional arousal—How relaxing or stimulating is this poem?
  • Emotional valence—How positive or negative is the content of this poem? (For example, a poem about death might be negative, while a poem about beautiful flowers might be positive.)
  • Aesthetic appeal—How enjoyable or aesthetically appealing did you find this poem?

The results showed that poems that evoked greater imagery were more aesthetically pleasing. Emotional valence also predicted aesthetic appeal, though to a lesser extent; specifically, poems that were found to be more positive were generally found to be more appealing. By contrast, emotional arousal did not have a clear relationship to aesthetic appeal.

Amy Belfi, a postdoctoral fellow at New York University (NYU) at the time of the research, is the lead author. Her co-authors are President Starr, previously dean of NYU’s College of Arts and Science, and Edward Vessel, a research scientist at the Max Planck Institute for Empirical Aesthetics in Germany. Belfi is now an assistant professor of psychological science at Missouri University of Science and Technology.

Notably, readers differed greatly in what poems they found appealing. Nonetheless, there is common ground—vividness of imagery and emotional valence—in what explains these tastes, even if they vary.

“The vividness of a poem consistently predicted its aesthetic appeal,” notes Starr, author of Feeling Beauty: The Neuroscience of Aesthetic Experience (MIT Press). “Therefore, it seems that vividness of mental imagery may be a key component influencing what we like more broadly.”

“While limited to poetry,” she adds, “our work sheds light into which components most influence our aesthetic judgments and paves the way for future research investigating how we make such judgments in other domains.”

Starr’s research frequently reaches across disciplines, from the humanities into neuroscience. A recipient of the Guggenheim Fellowship, she looks closely at the brain, through the use of fMRI, to get to the heart of how people respond to paintings, music and other forms of art.

She became president of Pomona College in July 2017 after 15 years at NYU, where she conducted research with Belfi.

Bookmarks Spring 2018

Permission to Die Candid Conversations About Death and DyingPermission to Die
Candid Conversations About Death and Dying

Rabbi Anthony Fratello ’94 teamed with a neurologist, a psychotherapist and a physician to empower readers to think about death and dying.

 

 

 

 


Spiritual Citizenship Transnational Pathways from Black Power to Ifá in TrinidadSpiritual Citizenship
Transnational Pathways from Black Power to Ifá in Trinidad

Nicole Fadeke Castor ’89 explores the role of Ifá/Orisha religious practices in shaping local, national and transnational belonging in African diasporic communities.

 

 

 

 


My Pomona CollegeMy Pomona College

Emeritus Professor of Economics James D. Likens offers a memoir of 47 years on the faculty of Pomona College, stretching from the turbulent ’60s to the new millennium.

 

 

 

 

 

 


Indecorous Thinking Figures of Speech in Early Modern PoeticsIndecorous Thinking
Figures of Speech in Early Modern Poetics

Professor of English Colleen Rosenfeld examines the use of figures of speech by such poets as Edmund Spenser and Mary Wroth as a means of celebrating and expanding the craft of poetry.

 

 

 


Bones Around My Neck The Life and Exile of a Prince ProvocateurBones Around My Neck
The Life and Exile of a Prince Provocateur

Tamara Loos ’89 examines the life of Prince Prisdang Chumsai, Siam’s first diplomat to Europe, and, through him, the complexities of global imperialism.

 

 

 

 


A Second Course in Linear AlgebraA Second Course in Linear Algebra

This new textbook by Professor of Mathematics Stephan Garcia and coauthor Roger Horn helps students transition from basic theory to advanced topics and applications.

 

 

 

 

 


Where There’s SmokeWhere There’s Smoke

Professor of Environmental Analysis Char Miller edited this interdisciplinary anthology on the troubling environmental consequences of illegal marijuana production on public, private and tribal lands.

 

 

 

 

 


The Party’s Primary Control of Congressional NominationsThe Party’s Primary
Control of Congressional Nominations

Hans J.G. Hassell ’05 explores the ways in which political parties work behind the scenes to shape the options available to voters through the primary process.

 

 

 

 


The Ballad of Huck & MiguelThe Ballad of Huck & Miguel

In a provocative tribute to Mark Twain’s Huckleberry Finn, Tim DeRoche ’92 transports Huck to modern-day L.A., following his escape down the concrete gash of the Los Angeles River in the company of an undocumented immigrant falsely accused of murder.