Blog Articles

On Board:

Jack Long, chairman and co-founder of SchoolAdmin, LLC, and father of a Pomona graduate and a current student, has been named to the Pomona College Board of Trustees.

Long’s SchoolAdmin produces web-based administrative systems for K–12 independent and charter schools—more than 130 in all. Long is past chairman and co-founder of PeopleAdmin, Inc., and Lone Star Overnight, L.P., both recognized in Inc. magazine’s Inc. 500 list of fastest-growing privately-held businesses. In 1994, he was named an Entrepreneur of the Year by Ernst & Young. In 2003, Long became part of the founding faculty of the Acton School of Business, where he currently teaches. Prior to that, he was an adjunct professor at the University of Texas at Austin McCombs School of Business MBA program.

Long serves on the board of directors of Blue Avocado Company and Greenling, Inc. His nonprofit work includes serving on the boards of the Texas chapter of The Nature Conservancy, the Pilatus Owners and Pilots Association and the Board of Visitors of Vanderbilt University’s Owen School of Business. He is a past trustee and finance chair of St. Stephen’s Episcopal School. Long and his wife, Carolyn, have chaired the Pomona College Parent’s Council for the last three years.

Currently pursuing a bachelor of science in astronomy at the University of Texas at Austin, Long earned his undergraduate degree in business administration from the University of Richmond and an MBA from Vanderbilt University.

Long and his wife make their home in Austin, Texas. He is the father of Adam Jackson Long ’13 and Carlen Elizabeth Long ’15.

Andrew Hong ’13

Andrew Hong ’13 wants you to start tinkering. As Public Programs Coordinator for the MIT Museum in Cambridge, Mass., Hong works to shine a light on the university’s high-tech research break throughs while bringing science education to local communities. Along the way, he’s found an outlet for his passion for getting people to engage with new technology and making the field of science less intimidating and more accessible for everyone.

INNOVATION MEETS EDUCATION

At MIT, Hong organizes programs designed to demystify research and create a “public face” for the institution. To draw in children and families, the museum offers interactive discussions with MIT scientists who share their latest experiments and discoveries, from projects like creating new prosthetic body parts to designing better solar-powered lighting. Other events are geared more to an older crowd, like a program called “Drinkable Science” that explains the physics and chemistry behind the trendy art of mixology. The idea is to “sneak science into fun, everyday topics,” Hong explains.

A key mission of the museum is encouraging people to reconsider their assumptions that a certain technology or concept might be too complicated to understand. Hong tries to make visitors feel more confident about their abilities by giving them a taste of the trial-and-error process that engineers and scientists wrestle with every day. “We structure our activities with failure built in,” he says.

“There’s an expectation that you’re not going to get it right the first time.”

DELVING INTO DESIGN

One of Hong’s favorite projects has been creating a new design and engineering space called the Idea Hub, where  museum-goers can experiment with unfamiliar tools and learn skills like computer programming. Visitors do hands-on activities like assembling electronic circuits and creating art with 3D printers. “Our goal is to teach people—to give people this hands-on experience—so that they feel empowered to engage with technology in the future.”

Hong has been building up his own expertise by taking advantage of the resources he’s found in Cambridge. The job gives him access to courses at MIT, where his assignments include tasks like programming 3D printers to generate artistic designs and models. “Since getting here, it’s just been a constant crash course in how to build things and how to tinker,” he says.

By expanding his knowledge, Hong says he’s been inspired to get others excited about tinkering. “It feeds back into my desire to show people that you can do this stuff. I’m a walking example of someone who didn’t have a background in this field, and now is competent enough to teach people creative problem-solving and the design process.”

FINDING HIS FIT

A neuroscience major at Pomona, Hong was always fascinated with the sciences, but didn’t picture himself as a teacher or researcher. After sophomore year he began to chart his own path, starting with a SURP project at Professor of Art Mark Allen’s L.A. nonprofit, Machine Project, where he was exposed to the idea of learning about technology through the use of art and creativity. The next summer he landed an internship funded by the Career Development Office at the  Exploratorium science museum in San Francisco, known for its participatory exhibits.

His experience in Cambridge has given Hong a clearer vision for the future. His ultimate goal is to design educational technologies for the museum field, like the kind he uses every day in his work. Wherever he ends up, Hong says he will keep following his personal career philosophy, inspired by the advice of Pomona neuroscience professor Rachel Levin.

“Her advice to me was, ‘Get really good at something you love, and convince someone that they need you.’”

Hackers

Hackers: Hackathon: A deadline-driven, energy-drink-fueld rush to create something that just might become a Silicon Valley startup but is more likely to be remembered as one of those crazily fun things people do in college when they are alight with intelligence and passion.

It was almost dawn outside Lincoln and Edmunds halls, and the clicking of laptop keys on a Saturday morning had slowed to a persistent few. Three students slept in chairs in the Edmunds lobby, one next to a lone coder at his keyboard. In the Lincoln lobby, a quilt lay seemingly abandoned in a clump on the floor. Then it moved, and the petite student who had been slumbering beneath it climbed into a chair and disappeared under the quilt again.

Upstairs, John Verticchio ’15 looked around the windowless room where he’d spent the night working with three friends. “Is the sun up yet?” he asked.

hackers-400Welcome to the 5C Hackathon, the all-nighter that lures as many as 250 students from The Claremont Colleges each semester to stay up building creative and often elaborate software projects and apps in a mere 12-hour span. It is a deadline-driven, energy-drink-fueled rush to create something that just might become a Silicon Valley startup but is more likely to be remembered as one of those crazily fun things people do in college when they are alight with intelligence and passion.

The event is student-created and student-led, built from scratch by three Pomona College students in 2012 with a budget of $1,000 and 30 participants. By the fifth 5C Hackathon in April, the budget had grown to $13,000 and the semiannual event had drawn sponsors that have included Intuit, Google and Microsoft. The codefest also is supported by Claremont McKenna’s Silicon Valley Program, which helps students of The Claremont Colleges spend a sort of “semester abroad,” studying while interning at a technology company in Northern California.

The 5C Hackathon is a one-night gig. Competitors are allowed to come in with an idea in mind, but “the rules are that you have to start from scratch. You’re not allowed to have pre-written code,” said Kim Merrill ’14, one of the three co-founders. “It’s all about learning, having fun, staying up all night. It’s not a heavy competition.”

As students wandered into the Seaver North Auditorium around 7 on a Friday night, Merrill, who will go to work for Google as a software engineer in the fall, sat on a table in front wearing shorts and a green H5CKATHON t-shirt as hip music played on the audio system.

The aspiring hackers—how odd that a term that once referred to computer criminals has become a compliment—carried backpacks and laptops, sleeping bags and pillows, the occasional stuffed animal and Google swag bags holding USB chargers, blue Google knit caps and Lego-like toys in boxes emblazoned with the words “google.com/jobs.” This looked like serious fun, and contrary to the stereotypical image of computer geeks, there were women everywhere.

“Having Kim leading the whole thing, I think, has been really powerful for that,” said Jesse Pollak ’15, a former Pomona student who was visiting Claremont for the event he co-founded with Merrill and Brennen Byrne ’12 before leaving school last year to join Byrne in founding a Bay Area startup. (Clef, a mobile app, replaces user passwords on websites with a wave of your smartphone and has been featured by The New York Times.)

“I came in my first year and I knew I wanted to study computer science, and I was hoping there would be, like, a scene here for people who like building stuff, and there wasn’t then. There was nothing,” said Pollak, who didn’t start coding until his senior year in high school. “So I started trying to track down people who were interested in that sort of thing.”

He found them in Byrne and in Merrill, who had planned to be an English major but started coding after an introductory computer science class as a freshman at Pomona.

The event they founded gave the 5Cs an early start on what has now become a national phenomenon. “Hackathons were a new thing and most were on large campuses,” Merrill said.

Hackathons have exploded into prominence in the last two years. The second LA Hacks competition at UCLA in April drew more than 4,000 registrants from universities that included UCLA, USC, Stanford, UC Berkeley and Harvard for a 36-hour event it touted as a “5-star hacking experience” with VIP attendees. Civic groups and government organizations have gotten into the act, too, with the second National Day of Civic Hacking on May 31 and June 1 featuring events in 103 cities, many focused on building software that could help improve communities and government.

hack-cup-350While some hackathons have gone grander and glitzier—MHack at the University of Michigan awarded a $5,000 first prize this year and HackMIT drew 1,000 competitors to compete for $14,000 in prizes at the Massachusetts Institute of Technology last year—the 5C Hackathon has remained doggedly itself. “We really wanted, instead of pushing for bigger things, to think about how we can get more people into this,” Pollak said. “You’ll see people present (projects) in the morning who didn’t know how to code at the beginning of the week and who actually built something. It’ll be small and ugly, but it will work.”

A centerpiece of the 5C Hackathon is “Hack Week,” a free beginners’ course of four two-hour evening tutorials leading up to the event, with students teaching other students such basics as HTML and CSS, JavaScript, jQuery and MongoDB, all of it an alphabet soup to the uninitiated.

Christina Tong ’17 tried her first hackathon the fall of her freshman year, picking up ideas during Hack Week that helped inspire her team to fashion a restaurant-ordering app for the Coop Fountain. This spring, continuing to teach themselves more programming languages with online tutorials, her team built a financial tracking system called Money Buddy.

It’s the “forced deadline” of a hackathon, Tong said, that helps coders power through the inevitable snags and bugs of building a program. Pressing on is a huge part of the task. “When you’re fresh, you could probably figure out those bugs decently quickly, but around 3 o’clock, it’s past your normal bedtime and you’re staring for hours at things you probably could fix when you’re fresh,” she said.

Tong’s strategy is catnaps and sustenance. The spring 5C Hackers got an 11 p.m. food truck visit and a snack spread featuring clementines, jelly beans, Oreos, Krispy Kreme doughnuts, bananas and a veggie tray. And at 3 a.m., just because it’s tradition, Merrill—who typically spends much of the night mentoring beginning teams—rallied the students for a two-minute, middle of the night campus run. “It can be hard to motivate people to run at 3 a.m.,” she said.

By 4 a.m., someone had scrawled a message on a whiteboard dotted with listings for tutors: “Countdown 4 hours!”

Some didn’t make it—“I think we lost a lot more teams than we usually do,” Merrill said—but by mid-morning Saturday, 30 teams of two to four people had made one-minute slam demonstrations of their completed projects, roughly half beginners and half advanced.

Judged by America Chambers, a Pomona visiting assistant professor of computer science, and representatives of some of the sponsoring tech companies—this could be the new model of campus recruiting—the entries included efforts such as 5Cribs and the Cyborg Dorm Chooser, designed to help students pick the best dormitory rooms or suites for them.

There was a Craigslist-type site exclusively for The Claremont Colleges and an app to help recreational athletes find a pickup game on campus. One called Expression uses a webcam and face recognition to automatically select music that seems to fit the user’s mood. Another named Echo was a message-in-a-bottle app that allows people to leave audio messages for strangers that can only be heard when the person is standing near the same spot.

The Drinx app suggests cocktail combinations based on what ingredients are in the fridge. But the winning advanced project—sense a theme here?—was the Shotbot, a boxlike robot controlled by a Siri hack that makes mixed drinks automatically. Nonalcoholic, for demonstration purposes.

“Siri loves to serve drinks,” the familiar voice said after taking an order.

“We definitely used it at parties the next few weeks,” said Sean Adler, Claremont McKenna ’14, who built the project, using Arduino, Python, iOS and Node.js, along with three other Claremont McKenna computer science students—brothers Joe and Chad Newbry, both ’14, and Remy Guercio ’16. Their prize? Each team member received an iPad2.

The winners in the beginners’ division, Matt Dahl, Patrick Shao, Ziqi Xiong and John Kim—all Pomona ’17—won Kindle Fires for their project,  a “confessions” site similar to other popular sites that allow people to post anonymous secrets or desires. The Pomona students added several features—systems for sorting posts, marking favorites and for hiding offensive content, often a concern on confessions sites.

The next 5C Hackathon will be in the fall, but with Merrill’s graduation in May—she was working for the nonprofit Girls Who Code in San Francisco during the summer before starting at Google in Seattle in late September—the three founders have left Pomona. Andy Russell ’15, Aloke Desai ’16 and Ryan Luo ’16, all of whom helped organize and competed in the spring hackathon, will return to stage more all-night programming binges, the tradition now entrenched.

Russell, his night of coding done, walked out into the quiet of an early Saturday morning, unable to make it to the presentations. He had a Frisbee tournament at 8.

Jerry Maguire Moments

mark sanchez

The walls of the Athletes First offices are filled with autographed jerseys, photos and other memorabilia from their National Football League clients, including such household names as Aaron Rodgers, Ray Lewis, Drew Bledsoe and Clay Matthews. Among the jerseys and photos in Andrew Kessler’s office is a framed copy of Newsday from 2011 showing a photo of New York Jets quarterback and Athletes First client Mark Sanchez celebrating a 28–21 playoff win over the New England Patriots with an exuberant scream and a handshake over the front railing of the stands.

Kessler ’03, who is a certified contract advisor and player agent with Athletes First in Laguna Hills, and who helped negotiate the (yes) 47-page rookie contract for Sanchez, is on the receiving end of the handshake. “My Jerry Maguire moment,” he laughs. “That was an AP photo, so it ended up everywhere.”

mcguire-moment-350After graduating from Pomona with a degree in English, and playing for four years on the Sagehens football team, Kessler jumped right into his current field working at IMG Sports with Tom Condon, ranked by Sports Illustrated as the most influential sports agent in the country last year. Kessler, whose father has been a long-time legal representative for the NFL Players Association, had already served an internship with NBA agent Marc Fleisher while attending Pomona, traveling with 18-year old client Tony Parker to various NBA workouts (Parker has since gone on to win four NBA titles with the San Antonio Spurs and former Sagehen coach Gregg Popovich).

In his first two years at IMG, Kessler assisted Condon in putting together landmark contracts for Peyton Manning (seven years, $90 million) and Eli Manning (six years, $54 million), while also attending law school at the University of Texas. In his decade in the field at IMG and Athletes First, where he has worked primarily with David Dunn (No. 11 on the Sports Illustrated list of most influential agents), Kessler has been a part of negotiating contracts that total well over a billion dollars.

Most recently, Kessler helped put together a four-year, $40 million dollar deal for Super Bowl champion safety Earl Thomas of the Seattle Seahawks, making him the highest-paid player ever at his position. Kessler returned to his original home in New York City in February to see Thomas win Super Bowl XLIII at the Meadowlands, before helping to negotiate his landmark deal. Of course, Athletes First was guaranteed to be on the winning side of that Super Bowl regardless, as the firm also represents several members of the Denver Broncos, including wide receiver Wes Welker and linebacker Von Miller.

Kessler, who resides in Laguna Beach with his wife, Alison, and son, Jordan (2), has found success in a highly-competitive, big-money industry at an age when he has been younger than some of his clients. He draws some personal parallels to his playing days for Pomona-Pitzer football, when his teams went a combined 17–15 over four years despite fielding small rosters that were often significantly outweighed by their opponents.

“One lesson I learned from playing at Pomona is that you can’t judge a book by its cover,” he said. “Just about every game we played, we would lose the eyesight test. Sometimes if you just looked at the two teams in warm-ups, you’d think we’d lose by three or four touchdowns, but then the game would start and we’d win by playing harder, smarter or more fundamental football. You see the same things on the job, whether it be negotiating a contract or signing a player or issues with a client. The odds might look against you from the outside looking in, but you can accomplish your goals by digging deeper than the other guys and not being intimidated.”

He is also quick to point out that his academic experience at Pomona has been a big influence on his career. “Most of what I have learned in this business has come from on-the-job training or from my dad,” he said. “But the critical thinking and analytical skills that I use in my profession have come just as much from what I learned at Pomona, as an English major studying Henry James novels, as they have from taking law school courses in contract law.”

Although Kessler willingly made a reference to Jerry Maguire, the fictional sports agent played by Tom Cruise in the 1996 movie (best remembered for the phrase, “show me the money”), he does laugh at the way the movie portrays his line of work. “I imagine it’s the same way that real spies view James Bond movies,” he says. “People may see the eight-figure deals in the headlines, but there’s a real grind and blue-collar element to the job, which I enjoy. It takes months of negotiations and legwork to reach those deals. You can’t just walk in and say ‘give me this, I want it.’ You have to justify your rationale to the team.”

The life of a sports agent can also involve much more than negotiating the fine print of a 47-page contract, and Kessler feels that makes it even more rewarding. “One of my favorite things about this business is that you get to be involved in a lot of different charitable endeavors and other outside interests for your clients,” he says. “I’ve helped our clients raise money for sick kids, families of veterans, youth football organizations and all sorts of things. Some clients just want you involved in one specific part of their lives, and with other clients, you find yourself wearing a lot of different hats—relationship counselor, wedding planner, financial advisor, and you get to talk to them all the time.”

Kessler may also have a career-building opportunity as the primary agent representing Marqise Lee, a second-round pick of the Jacksonville Jaguars in the 2014 NFL Draft. Lee has a Hollywood-type story of overcoming a rough childhood that saw him bounce around several foster homes before becoming the Fred Biletnikoff Award winner at USC as the nation’s top wide receiver.

While his professional experience has been largely centered on the NFL, Kessler has also used his success at Athletes First to begin his own side project called K3 Tennis, which is representing Ernesto Escobedo, a 17-year-old rising star from West Covina. “I’m excited about it,” said Kessler. “It’s still in its early stages and if nothing else, it’s really fun. Some might call it a risky move to invest in something on my own, but that’s always been my personality. I traveled 3,000 miles from New York City to attend Pomona, which was a little bit risky, and I really liked my time at Pomona. When a risk like that pays off, you’re more willing to take other risks.”

His career as an athlete and as an agent has also given Kessler some philosophical perspective. Athletics is, by its nature, hyper-competitive, with a player’s or team’s value often defined by just a simple list of wins and losses. That attitude spills over into other sports-related industries as well. An agent’s success can be defined by wins and losses in contract negotiations, clients signed and dollars generated. Failures happen, and he sometimes sees colleagues who take each defeat as hard as the players on the field do.

“You have to appreciate successes,” he said. “You hear people say that they hate losing more than they like winning, and I understand that philosophy, but you have to have balance or you won’t be happy. My bad days aren’t really all that bad. On my good days, I’ve been there to see Earl Thomas win a Super Bowl. I’ve been there with Marqise Lee and his family when he was drafted, after he overcame so much adversity.”

Of course, he was also there to celebrate a big playoff win with Mark Sanchez and end up with his picture in newspapers all over the country.

“If you can’t enjoy a moment like that,” he says. “Something’s wrong.”

Alumni Awards for 2014

Blaisdell Distinguished Alumni Awards for 2014

The Blaisdell Distinguished Alumni Award honors alumni for achievement in their professions or community service, particularly those who have lived up to the quotation from James A. Blaisdell which is inscribed into the gates of the College: “They only are loyal to this college who departing bear their added riches in trust for mankind.” This year, there are three winners:

Ifeanyi “Tony” Menkiti’64 taught philosophy at Wellesley College for 40 years and is the author off our collections of poetry: Before a Common Soil (2007), Of Altair, the Bright Light (2005), The Jubilation of Falling Bodies (1978), and Affirmations (1971). He is the owner of the Grolier Poetry Book Shop in Harvard Square, the nation’s oldest continuous all-poetry bookshop.

Born in Onitsha, Nigeria, he came to Pomona in 1961 on the ASPAU program (African Scholar-ship Program of American Universities). After Pomona, he attended Columbia University Pulitzer School of Journalism, New York University and Harvard University. In 1975, he received a fellowship in poetry from the Massachusetts State Council on the Arts and Humanities, followed in 1978 by an award from the National Endowment for the Arts. In addition to his collections, his poems have appeared in Sewanee Review, Ploughshares, New Directions, The Massachusetts Review and other publications.

In 1996, he received the Pinanski Prize for Excellence in Teaching from Wellesley College.

Joe Palca’74 has been a science correspondent for National Public Radio since 1992. He has covered a range of topics, from biomedical research to astronomy, and is currently focused on the series, Joe’s Big Idea, which explores the minds and motivations of scientists and inventors.

Palca began his career in 1982 as a health producer for the CBS affiliate in Washington,D.C. In 1986, he began a seven-year stint as a print journalist, first with Nature and then with Science Magazine. In 2009, he took a six-month leave from NPR to become science writer in residence at The Huntington Library, Art Collections and Botanical Gardens.

Palca has won numerous awards for his work,including the National Academies Communications Award, the Science-in-Society Award of the National Association of Science Writers and the American Association for the Advancement of Science Journalism Prize. With Flora Lichtman, Palca is the co-author of Annoying: The Science of What Bugs Us (Wiley, 2011).

A psychology major at Pomona, he later earned both an M.S. and a Ph.D. in psychology at UC Santa Cruz, where he studied human sleep physiology.

Rip Rapson’74 is president and CEO of The Kresge Foundation, a national, private foundation based in Detroit. Since 2006, he has led Kresge in developing programs in arts and culture, education, environment, health,human services and the renewal of Detroit, distributing approximately $150 million annually.

Rapson was a political science major at Pomona, graduating magna cum laude. After at-tending Columbia Law School, he joined the Minneapolis law firm of Leonard, Street and Deinard. He was recruited in 1989 to become the deputy mayor of Minneapolis under Mayor Don Fraser, and was primary architect of the pioneering Neighborhood Revitalization program, a 20-year, $400 million effort to strengthen Minneapolis neighborhoods.

Prior to joining Kresge, Rapson was president of the Minnesota-based McKnight Foundation and also launched the Itasca Project, a private sector-led effort to develop a new regional agenda fort he Twin Cities.

He is the author of two books: Troubled Waters, a chronicle of the Boundary Waters Canoe Area Wilderness Act legislation, and Ralph Rap-son: Sixty Years of Modern Design, a biography of his father, a renowned architect.Inspirational Young Alumni Award Lt.

Inspirational Young Alumni Award

Francine Segovia’04, a U.S. Navy Reserve research psychologist at the Robert E.Mitchell Center for Prisoner of War Studies, assists survivors recovering from post-traumatic stress disorder (PTSD). She is part of a team of scientists and medical specialists examining how optimism and resilience may boost the health of extreme trauma victims.

Segovia, who will return to active-duty service at the U.S. Naval Medical Center in San Diego, attributes her research skills to experience she gained while at Pomona, including participation in the Summer Undergraduate Research Program (SURP). “The critical thinking skills graduates from an institution like Pomona possess have a direct impact on all your work moving forward,” she says. “These skills have helped me tremendously as I navigated my career.”

Code

This is surely a first, so (cue the trumpet fanfare) welcome to the first editor’s letter ever written in code.

Not all of it, of course—as you can tell from the simple fact that you’re reading this. But in an issue on the theme of “code,” in addition to articles about genetic code and computer code and decoding animal calls, there had to be something about the clandestine side of the word. But alas, try as I might, I was unable to unearth a single Pomona source for a story about ciphers. Which shouldn’t have surprised me, I suppose, since the world of cryptology is, by its very nature, a secretive one.

So to fill that void, please forgive me for offering this light-hearted tutorial on a subject I’ve found intriguing ever since my secret decoder ring childhood.

Each paragraph below demonstrates a different cipher, and—don’t say I didn’t warn you—the codes get progressively harder as they go along. There are instructions in each paragraph to help you translate the next, but if you want to play along, you’ll have to work for it.

We’ll start with one of the oldest and simplest of codes—the Caesar cipher, named for the great Roman himself, who used it in his letters. In this substitution cipher, each letter is replaced by another a fixed number of letters up or down the alphabet. Once you figure out that number, the rest is easy.

Ecguct ekrjgtu ctg ejknf’u rnca vq fgeqfg, dwv vjga ctg cnuq vjg dcuku qh eqorngz eqfgu nkmg vjg Xkpgig`tg ekrjgt, kp yjkej c yqtf rtqxkfgu vjg mga hqt ownvkrng Ecguct ekrjgtu kp c tqvcvkpi ugswgpeg. Vjg pgzv rctcitcrj, hqt gzcorng, wugu “CDE” cu kvu mga. Vjwu, vjg hktuv ngvvgt ku qpg ngvvgt qhh, vjg ugeqpf vyq qhh, vjg vjktf vjtgg qhh, vjgp dcem vq qpg, cpf uq qp.

Sfb Ugkdeb`qc tzq qgmrffq sm yd skapbzixajb, asq hl zqwmsmdqymgw, qgmpd yod dxlmrr jxrr tnpar. Red mkkw qqsix skapbzixajb bgmgco hq qgc “lmc-qhkb oya,” vffbf rrcp zl bmrfqc qdvq zq x jcv. Sm adalcc, vns ptzqqyzs red lrlcohaxk txksb nd bzae kcqsco hl qgc hdw (X dorzjp ycon; X bpsxkq 25) cqmj sfb dorhtxkcks jbsrbq gk sfb lcprydd. Yac 26 rl zlv mcdzrfuc odqrkr. Ffllqc poyzdq xmb mtlzssxsglm, uehae zpb ccidrbc gk qcxk alcca lcpryddq xmwtzw. Qgc hdw edpb hq qgc chpps nxqydqymg mc sffr jbsrbq.

Bm ggc’nw wfqp rhna wsk qcw gyla fx rm ucxknghjd sc ysogg mw b of. Zs hweykewceokaarl.

And with that, welcome to the wonderful world of code.

///////////////////////////////

Stray Thoughts (decoded)

Here is the plain text of the three enciphered paragraphs in the Stray Thoughts:

[Caesar Cipher:]
Caesar ciphers are child’s play to decode, but they are also the basis of complex codes like the Vinegère cipher, in which a word provides the key for multiple Caesar ciphers in a rotating sequence. The next paragraph, for example, uses “ABC” as its key. Thus, the first letter is one letter off, the second two off, the third three off, then back to one, and so on.

[Vinegére Cipher:]
The Vinegère was thought to be unbreakable, but in cryptography, those are famous last words. The only truly unbreakable cipher is the “one-time pad,” which uses an entire text as a key. To decode, you subtract the numerical value of each letter in the key (A equals zero; Z equals 25) from the equivalent letter in the message. Add 26 to any negative  result. Ignore spaces and punctuation, which are deleted in real coded messages anyway. The key here is the first  paragraph of this letter.

[One-Time Pad Cipher:]
If you’ve come this far, you must be as intrigued by codes as I am. So congratulations.

The Message in the Song

The Message in the Song: National Geographic writer Virgina Morell '71 takes us inside the research of scientists working to decode the chitters and trills of animals ranging from bats to prairie dogs.

At the Mayan ruin of Uxmal, Mexico, bat researcher Kirsten Bohn bends down beside a narrow crack in one of the ancient limestone walls. “Do you hear them?,” she asks. “The twittering? That’s our bats, and they’re singing.”

I lean in, too, and listen. It takes a moment for my ears to adjust to the bats’ soft sounds, and then the air seems to fill with their birdlike trills, chirps and buzzes.

The twittering calls are the songs of Nyctinomops laticaudatus, the broad-eared bat—one of several species of bats that scientists have identified as having tunes remarkably similar to those of birds. Like the songs of birds, bats’ melodies are composed of multiple syllables; they’re rhythmic and have patterns that are repeated.

And like birds, these bats sing not during the dark of night, but in the middle of the day, making it easy for us to see them, too.

Bohn, a behavioral ecologist at Florida International University in Miami, presses her face against the crack in the wall, and squints. “Well, hello there,” she says. I follow her example, and find myself eyeball-to-eyeball with one of the bats that’s sandwiched inside. He scuttles back, but his jaws chatter at me, “Zzzzzzzz.”

“He’s telling us to back off, to go away,” Bohn says, translating. “He wants to get back to his singing.”

That suits Bohn, who has traveled to Uxmal to record the broad-eared bats’ tunes for her study on the evolution and function of bat song—research that may help decode what the bats are saying to one another with their songs, and even teach us something about the origins of human language.

Not so long ago, most animal scientists and linguists regarded the sounds that animals and humans make as markedly different. Language was considered to be something only humans possessed; supposedly it appeared de novo instead of evolving via natural selection. And animals were regarded as incapable of intentionally uttering any sound. Songs, barks, roars, whistles: These were involuntary responses to some stimulus, just as your knee jerks when your doctor taps it. But since the 1990s, the notion of language as a uniquely human skill has fallen to the wayside as researchers in genetics, neurobiology and ethology discover numerous links between animal vocalizations and those of humans.

in-song-250Take grammar and syntax, the rules that determine how words can be combined into phrases and sentences. Most linguists still insist that animal calls lack these fundamental elements of language. But primatologists studying the vocalizations of male Campbell’s monkeys in the forests of the Ivory Coast have found that they have rules (a “proto-syntax,” the scientists say) for adding extra sounds to their basic calls. We do this, too. For instance, we make a new word “henhouse,” when we add the word “house” to “hen.” The monkeys have three alarm calls: Hok for eagles, krak for leopards, and boom for disturbances such as a branch falling from a tree. By combining these three sounds the monkeys can form new messages. So, if a monkey wants another monkey to join him in a tree, he calls out “Boom boom!” They can also alter the meaning of their basic calls simply by adding the sound “oo” at the end, very much like we change the meanings of words by adding a suffix. Hok-oo alerts other monkeys to threats, such as an eagle perched in a tree, while krak-oo serves as a general warning.

Scientists have found—and decoded—warning calls in several species, including other primates, prairie dogs, meerkats and chickens. All convey a remarkable amount of information to their fellows. The high-pitched barks of prairie dogs may sound alike to us, but via some variation in tone and frequency he or she can shout out a surprisingly precise alert: “Look out! Tall human in blue, running.” Or, “Look out! Short human in yellow, walking!”

Many animals use their calls to announce that they’ve found food, or are seeking mates, or want others to stay out of their territories. Ornithologists studying birdsong often joke that all the musical notes are really about nothing more than sex, violence, food and alarms. Yet we’ve learned the most about the biological roots of language via songbirds because they learn their songs just as we learn to speak: by listening to others. The skill is called vocal learning, and it’s what makes it possible for mockingbirds to mimic a meowing cat or a melodious sparrow, and for pet parrots to imitate their owners. Our dogs and cats, alas, will never say “I love you, too” or “Good night, sweetheart, good night,” no matter how many times we repeat the phrases to them, because they lack both the neural and physical anatomy to hear a sound and then repeat it. Chimpanzees and bonobos, our closest relatives, cannot do this either, even if they are raised from infancy in our homes.

Via vocal learning, some species of songbirds acquire more than 100 tunes. And via vocal learning, the chicks of a small parrot, the green-rumped parrotlet, obtain their “signature contact calls”—sounds that serve the same function as our names.

A few years ago, I joined ornithologist Karl Berg from the University of Texas in Brownsville at his field site in Venezuela where he studies the parrotlets’ peeping calls. Although the peeps sound simple to our ears, Berg explained, they are actually complex, composed of discrete sequences and phrases. A male parrotlet returning to his mate at their nest, a hollow in a fence post, makes a series of these peeps. “He calls his name and the name of his mate,” Berg told me, “and then he’s saying something else. And it’s probably more than just, ‘Hi Honey, I’m home.’” Because the female lays eggs throughout the long nesting season, the pair frequently copulates. And so, Berg suspects that a male on his way home after laboring to fill his crop with seeds for his mate and their chicks, is apt to call out, “I’ve got food, but I want sex first.” His mate, on the other hand, is likely hungry and tired from tending their chicks. She may respond, “No, I want to eat first; we’ll have sex later.” “There’s some negotiating, some conversation between them,” Berg said, “meaning that what one says influences what the other says next.”

bird-in-song-300Berg discovered that parrotlets have names by collecting thousands of the birds’ peeps, then converting them to spectrograms, which he subsequently analyzed for subtle similarities and differences via a specialized computer program. And how does a young parrotlet get his or her name? “We think their parents name them,” Berg said—which would make parrots the first animals, aside from humans, known to assign names to their offspring.

Parrotlets aren’t the only animals that have names (or to be scientifically accurate, signature contact calls). Scientists have discovered that dolphins, which are also vocal-learners, have these calls, although these seem to be innate; the mothers aren’t naming their calves. And some species of bats have names, which they include when singing, and in other social situations.

Bats sing, for the same reason birds do: to attract mates and to defend territories. They’re not negotiating or conversing, but their lovelorn ditties are plenty informative nonetheless. After analyzing 3,000 recordings of male European Pipistrellus nathusii bats, for instance, a team of Czech researchers reported that the songs always begin with a phrase (which the scientists termed motif A) announcing the bat’s species. Next comes the vocal signature (motifs B and C), information about the bat’s population (motif D), and an explanation about where to land (motif E).

“Hence, translated into human words, the message ‘ABCED’ could be approximately: (A) ‘Pay attention: I am a P.nathusii, (B,C) specifically male 17b, (E) land here, (D) we share a common social identity and common communication pool,’” the researchers wrote in their report.

Bohn suspects that the tunes of her bats at Uxmal convey the same type of information. “The guys are competing for females with their songs,” she says, “so they can’t afford to stop singing.” She doesn’t yet know what the females listen for in the voice of a N.laticaudatus, but expects that something in a male’s intonation or his song’s beat gives her clues about his suitability as a mate.

But her focus is on another question: Are these bats long-term vocal learners, as are humans and some species of birds, such as parrots? “If they are,” she explains, “then they might be a good model for studying the origins of human speech”—which would make bats the first mammal ever used for such research.

Bohn had earlier recorded some of the bats’ songs, and digitally altered these so that they sounded like the refrains of different bats—strangers. At the wall, she attaches a pair of microphones and a single speaker to a tripod, and points the equipment at the fissure, where the bats sing. Pushing a button on her laptop, she broadcasts the remixed bat songs to the tiny troubadours, who respond with even louder twitters, trills, and buzzes. Bohn watches their responses as they’re converted into sonograms that stream across her laptop’s screen like seismic pulses. These are territorial buzzes and contact calls, Bohn explains. “They know there’s an intruder.” She’s silent for a moment, and then beams. “Yes! One of the guys is trying to match the intruder’s call. He doesn’t have it exactly right, but he’s close—he’s so close, and it’s hard.”

But there it was: the first bit of evidence that bats are life-long vocal learners. Just like us.

The Ash Heap of Success

The Ash Heap of Success: As an expert witness in an international biotech patent suit, Professor Lenny Seligman finds his own research on trial.

ash-heap-400Expert witnesses at contentious trials can expect to be challenged, even discredited. But when he took the stand last year in a complex biotech patent case, Pomona Biology Professor Lenny Seligman never anticipated that his groundbreaking work at Pomona would be relegated to the “ash heap of failure.”

That attack line echoed from start to finish during the high-stakes federal trial in Maryland between two rival companies in the cutting-edge field of genetic engineering. The dismissive salvo was fired in the opening statement by the attorney for Cellectis, a large French firm that filed suit for patent infringement against its smaller U.S. competitor, Precision BioSciences, which had hired Seligman for its defense.

Seligman was more than just an expert witness. His research at Pomona had become a cornerstone for the case. Both sides cited Seligman’s work as a basis for the science on which their businesses had been built. Ironically, the plaintiff then found itself in the awkward position of having to undermine the validity of his work. It did so by claiming he had not actually produced anything concrete in his college lab that would invalidate the firm’s far-reaching claims.

“I don’t hold that against him,” said the counselor. “This is very complicated technology. It does not surprise me that he wasn’t able to do it. What does bother me is Precision attempting to rescue his (work) from the ash heap of failure.”

Seligman left court that day thinking, “Ouch! Did he really say that?” When cross-examined by that same lawyer, Paul Richter, Seligman found an opportunity to sneak in a mild retort, saying on the stand, “That was not very nice.” Considering the attack still in store, the lawyer might have mused, “If you thought that was bad, wait until you hear my summation.”

In those final arguments, though, Seligman’s side fired back with outrage and eloquence. Following a week of mind-numbing technical testimony, David Bassett, an attorney for Precision, rebutted the now infamous line. The court reporter transcribed the original reference as “ashes of failure,” but Seligman and others clearly remember it as a heap, and that’s the phrase that stuck.

To say Seligman’s work belonged in the “ash heap of failure” was “as incorrect as it is offensive,” said Bassett. “To the contrary, Professor Seligman’s article represented a monumental success from a small lab at Pomona College where (he) does his research with undergraduate students, 18 to 22-year-olds. And it paved the way for companies like Cellectis and Precision to do their work. … The real difference is that Professor Seligman was teaching the world what he had done and hoping that others would follow his blueprint.”

In the end, Precision won the infringement case and Seligman’s work was vindicated. The attack strategy against the likeable professor’s little-lab-that-could appeared to have backfired.

“I think that statement bit them in the ass,” he said. “Because even the jury kind of cringed when the lawyer said it. I mean, that’s really aggressive. And then when they got to know the witness—what a sympathetic guy I am—it was like, why would you do that? You could have made the point without going for the jugular like that.”

Indeed, it may have been the professor’s disarming, down home charm that won the day, as much as all the technical testimony about the DNA and microscopic structures called meganucleases. Beneath the complex science ran a compelling narrative that must have appealed to the federal jury empaneled in the district court of Delaware.

It was, in the end, a classic American underdog story.

The synopsis: Powerful and imperious European firm with raft of lawyers and battery of full-time scientists is defeated by scrappy U.S. start-up and its folksy professor with his one-man lab and part-time student assistants.

Seligman relished the role. In a PowerPoint presentation of the case presented recently to campus groups, he portrays the litigants as Team France v. Team USA. He uses slides to illustrate the uneven competition between the two companies and their dueling expert witnesses. For Cellectis, we see the flattering portrait of an award-winning genetics researcher from a big university. For the other side, we have Lenny Seligman, but the slide shows a picture of Homer Simpson.

The visual gets a big laugh.

A year after the verdict, Seligman still expresses astonishment when recalling the whirlwind experience of being a central figure in an intense international dispute about science. Interviewed in his office at Seaver Hall, where he presides as Biology Department chair, he also reflected on the awesome amounts of money circulating in science today, and what it means for those trying to teach and do research at a small, liberal arts college like Pomona.

“Part of me is happy with how things turned out,” he says. “At one level, it would have been great to be able to continue working on the I-CreI project without competition. However, we would never, at Pomona College, in my lab, have gotten to the point these two companies got to in five years. They were putting products out there, they were making enzymes that cut specific DNA sequences. It would’ve taken us so long to get there. So in the big picture, this is great. These companies are doing it, and they’re still graciously referencing our early work. It’s all good.

“We just have to find something new to do.”

Court and Class

Watching Seligman’s PowerPoint presentation about the case, posted online, gives viewers a flavor of his teaching style. He is engaging, enthusiastic and funny in a self-deprecating way. He’s also informal, standing casually at a podium with his shirttail hanging out and joking about wearing a suit only for court. But most importantly, he has a knack for explaining complex concepts to scientific novices, like college freshmen—or jurors.

The concepts in this case involved the business of protein engineering using meganucleases, which have been described as “extremely precise DNA scissors.” Scientists have developed ways to alter these naturally occurring enzymes and make them cut DNA segments at specific, targeted locations, with potentially lucrative uses in medicine and agriculture.

“Court is interesting because it’s kind of like a class,” Seligman says. “But it’s not like a class at Pomona where someone’s going to raise their hand and ask a question and stop you. When I’m in a class and I’m lecturing off-the-cuff and I can see that I’m losing students, I’ll stop and I’ll ask them certain questions. You can’t do that when you’re an expert witness, but you can still kind of get the visual cues. You still could get a sense that (the jurors) were with you, and I really felt that they were. They weren’t glazing over.”

Neither were the lawyers. They were ready to pounce on every word, eager to point out the smallest inconsistency or weakness. And Seligman was trying to make sure he didn’t slip up.

So there was no Homer Simpson on the witness stand. In court, Seligman’s easy-going, spontaneous classroom persona was restrained. The transcript of his testimony shows a witness who is cautious, serious and coldly factual. By then, he had been through hours of grueling depositions, and he knew the name of the game—Gotcha!

“Well, the whole idea (of pre-trial depositions) is for them to get a sound bite that they can use in trial,” he says. “So they ask questions really quickly. The thing that was hard, especially for someone who’s not a lawyer, is that they move from one aspect of the case to another, rapid-fire. …Your mind is over here and they’re trying to get you to slip up, so they can say to the jury, “But didn’t you testify that…?”

Seligman pounds on his office desk to impersonate an intimidating attorney.

“I felt really guarded. In class, when I get a question and don’t know the answer, the first thing I say is, ‘I don’t know.’ And so that’s my default mechanism, because I’ll figure it out, and we’ll talk about it next lecture. But if you’re getting deposed, you can’t fall back on that answer because lawyers will shoot back, ‘You don’t know? Well, on page 285 of your third report, didn’t you write this?’” Here, his tone mocks a Perry Mason moment. “So you feel you have to be on your toes all the time, and really be thinking about everything you’ve ever written.”

At times, the legal wrangling was so contentious, even the judge sounded exasperated. During one testy confrontation, U.S. District Court Judge Sue L. Robinson threatened to give the lawyers “a time out,” like an angry parent with misbehaving kids.

Underneath, Seligman perceived a bitter dislike between the two companies. It was like a battle to the death. He speculates that Cellectis’s strategy was to put Precision, the much smaller firm, out of business, bankrupted by legal fees. So Precision could win the battle and still lose the war.

Call it the ashes of success.

“Cynically, a lot of us (supporting the U.S. company) thought this was all about trying to bleed them.”

Money and Science

The experience was not all cutthroat and high anxiety, however. Seligman also recalls the excitement of being swept up into the high-flying world of international business and high-priced corporate lawyers. He describes it with the wide-eyed wonder of a kid who grew up in Claremont and still uses the nickname he was given in kindergarten, rather than his full name, Maurice Leonard Seligman.

To Lenny, it was a thrill just being in New York for the deposition and looking out onto that breathtaking Manhattan skyline. He often punctuates his story with youthful expressions, like “awesome” and “oh, my gosh!” He breathlessly describes the “war room” where a battalion of lawyers in a suite of offices prepared for testimony. (“Oh, my gosh!”) And he recalls how lawyers worked through the night preparing challenges even to illustrations planned for court the next day, putting pressure on a graphics guy to create instant substitutions. (“Oh, my gosh!”)

“And you mix that with all this adrenaline and dread of being deposed—it was really exciting,” he says.

When it came to how much the defense paid him, the response might also be, “Oh, my gosh!” That pesky attorney made a point of making him divulge the fee in court: $400 an hour. “It was more money than I had ever made in a short amount of time,” he recalled in the interview. “It was a lot of money for me.”

The amount of money these companies dumped on this lawsuit raises larger concerns about the corrupting influence of big profits on basic research.

“The whole privatization of science is something that’s certainly to be looked at carefully,” agrees Seligman. “Did I ever think to put a patent out? I’m glad I didn’t, in retrospect. If somebody wanted to choke me like they tried to choke Precision, they would serve me and I would say uncle. There’s just no way I would have the resources to fight. But beyond that, there’s just something that’s really special about open science, where everyone is sharing everything and building on each other. And once it gets into the industry, it’s not open science. They’re protecting it. They’re hiding it until they get the patent issued.”

Bringing it all back home, Seligman sees implications for his future work at a small college. How can his little research lab compete with wealthy companies, often with ties to large universities.

“That’s what we worry about all the time in a place like Pomona College,” Seligman says. “You want to do interesting science, but it’s got to be small enough that you’re not doing the same thing that the big labs are doing because we don’t have the same resources.”

Focus on Students

Beyond doing good science, Seligman and his colleagues at liberal arts colleges have another mission to worry about—teaching undergraduates. In his own lab, he notes, research must also be a teaching tool, a training ground for future scientists. In this regard, he says, Pomona is in a perfect position to compete.

The work on meganucleases is a prime example. In the early days, before big money entered the fray, much of the research was being done by students at Lenny’s lab. Today, they all have their names—as full-fledged co-authors—on those important research papers that figured so prominently in the trial.

These were not graduate students or post-docs. They were undergraduates like Karen Chisholm ’01, Adeline Veillet ’03, Sam Edwards ’99 and Jeremiah Savage ’98, who co-authored Seligman’s pioneering 2002 paper, marking the first time researchers described making mutations in a meganuclease, called I-Cre1, that altered the site where it cleaved DNA. Two years later, Steve Fauce ’02, Anna Bruett ’04 and Alex Engel ’01 co-authored another of Seligman’s key research papers, along with Dr. Ray Monnat of the University of Washington, where Seligman got his Ph.D. and did his first work on meganucleases as a post-doc in Monnat’s lab. Finally in 2006, five other Pomona undergrads—Laura Rosen ’08, Selma Masri ’02, Holly A. Morrison ’04, Brendan Springstubb ’05 and Mike Brown ’07—co-authored a third paper in which new mutant meganucleases were described.

Many former students praise Seligman as a great mentor who inspired them to pursue science in graduate school. At least 10 of these 12 student co-authors went on to get doctorates in biological sciences or M.D.’s.

“He really fostered a good environment for learning and being productive,” recalls Morrison, who got her Ph.D. from UC Berkeley in molecular and cell biology. “He had several students in there at any one time, and everybody was really good about helping each other. It was not at all cutthroat competition. It was very much a supportive team mentality and there was also a camaraderie about it.”

Today, Seligman speaks about his former students as if they were his kids. He makes a point of mentioning them in his PowerPoint presentation, and even notes who got married and who just had a baby.

“We are so lucky to be a place that gets such great students,” he says. “It’s our job to work with them, to get them excited about science and keep them excited about it. I have no doubt they’re going to do really amazing things.

“And I’m going to sit back and smile.”

Infographic-web1

 

Code Blue

Code Blue: October 2013: The President's health care web is in cardiac arrest, threatening to to drag his signature initiative down with it. Enter Mikey Dickerson '01...

code-blue-600Lunch was supposed to be casual. Mikey Dickerson ’01 was in Chicago catching up with Dan Wagner, a friend who’d been in the trenches with him on Barack Obama’s campaign for the presidency in 2012. Wagner had since gone on to found a company, Civis Analytics; Dickerson was a site reliability engineer at Google, one of the people who make sure that the search engine never, ever breaks down.

This was October of 2013, no time for the President’s geekiest loyalists to have a little fun. Healthcare.gov, the sign-up website that was the signature element of President Obama’s signature initiative, was a technological disaster. People couldn’t sign up even if they wanted to—the site would break, or fail. Delays were interminable. Information got lost. Customer service was about as good as you’d expect from a cable TV company. The Department of Health and Human Services, responsible for the new health care system, couldn’t seem to get it working.

“So, we got this phone call yesterday,” Wagner told Dickerson. “HHS is looking for help with healthcare.gov. Can I list you as an advisor or consultant?”

“Yeah, sure. If it’s any value to you, list me,” Dickerson replied. It seemed innocuous enough. Today, he smiles at his own naïveté. “I had no idea what I was getting into,” he says. About a week later, Dickerson found himself on a 5 a.m. conference call with a van full of technologists in Washington D.C., headed over to HHS. With him in the White House motor-pool car was Todd Park, the U.S. chief technology officer. And Park, whom Dickerson didn’t know, was selling the group as a team of experts who could solve any tech problem. Dickerson realized: They’re saying I can fix healthcare.gov.

Without really meaning to, Dickerson had become an anchor of the Obama administration’s “tech surge,” a Silicon Valley-powered push to fix the bugs in the healthcare.gov system. But the system was more than just software. In D.C., Dickerson and his new team found an organization in bureaucratic and technological meltdown, unable to execute what any e-commerce start-up would consider basic prerequisites for being in business.

The crazy part is, they fixed it.

To a Connecticut native like Dickerson, good at math and computers but with no desire to attend a big university, Pomona shows itself off pretty well—especially on a campus visit in May, when Dartmouth might still have slush on the ground. It’s not that he was so avid about computer science—in those days, as a major, CS really ran out of Harvey Mudd anyway—it’s just that Dickerson was an ace. He felt like he was cheating just a little. “It seemed dumb to be spending all that money on something I was already good at,” he says. In fact, Dickerson was already coding for various companies while in school. After graduation, he ended up working in Pomona’s computer lab.

Then the 2000 presidential election came around, with its photo finish in favor of George W. Bush. “It was a trauma for me,” Dickerson says. “That razor’s edge. All that was intensely painful. Almost anything would have moved those last 200 votes.” So in 2004 Dickerson volunteered with a poll-watching group … and caught the politics bug. Four years later he was working at Google, where CEO Eric Schmidt was (and remains) a multimillion-dollar Obama supporter. During campaign season an email went to a mass-distribution list that Dickerson was on, looking for people who could manage big databases for the Obama campaign.

Hey, Dickerson thought. I manage a group that runs large databases. And that was it. He worked as a volunteer in Chicago, one of a small group of techies who, during their long nights, idly wondered if maybe they could do something useful for the campaign with better records of people’s voting history. When the 2012 campaign came around, he was still on the campaign organizers’ list. This time, though, he was no newbie—though still technically a volunteer, his experience made him a trusted veteran. Those vague ideas about leveraging voter lists went into practice, and Dickerson’s group became the analytics team, credited by some political analysts as having been the key to Obama’s re-election. Once the campaign was over, Dickerson went back to managing a site reliability engineering team at Google, but he stayed in touch with his friends—which is why Dickerson was at lunch with Wagner on October 11.

The tech team’s first stop, in Virginia on October 17, was PowerPoint Hell. Technically, it was a large IT firm working as a government contractor. “They scheduled a three-hour meeting and sent a VP with, I shit you not, a 130-slide PowerPoint presentation,” Dickerson says. Over beers in a bar on San Francisco’s Embarcadero, about a block from Google’s offices, Dickerson wears the uniform of the coder—hoodie, Google ID badge, Google T-shirt, close-cropped hair and unshaven chin. In San Francisco, that’s stealth armor. In Washington’s blue-sports-coated, khaki-pantsed hallways, he was an alien.

The group fought its way out of the meeting and took over the office of someone who was on vacation. Then they went wandering, finding teams huddled in cubicles and asking them what they were working on, which bugs they were trying to fix. But they weren’t—mostly they were waiting for instructions. In their defense, it was hard to figure out what needed fixing. Engineers weren’t really allowed to talk to clients or users, and the people who created the healthcare.gov website hadn’t even built a dashboard, a way to monitor the health and status of their own system. If you wanted to know whether healthcare.gov was functioning, the only way to find out was to try to log on. “We thought this would be a targeted assessment and we’d spend a few days there,” says Paul Smith, another member of the team. “When we realized how bad things were, we just independently decided, we’re not going home. This is what we’re doing now, for an indefinite period of time, until it gets better.”

After a couple of days, Park asked them whether it could be fixed. “Todd, they have made all the mistakes that can be made,” Dickerson told him. “We can barely find a case where, when two decisions could be made, they made the right one. But low-hanging fruit isn’t the right metaphor. We’re stepping on the fruit.” The point was, some very simple fixes would yield some very big gains. Any improvement would be a massive improvement. Google site reliability engineers have a saying—they tell each other, if we have an outage that big it’ll be on the front page of The New York Times. Is that what you want? “But here’s the thing,” says Dickerson. “Healthcare.gov had been on the front page of The New York Times for four weeks. That was the silver lining. How much more could I screw it up?”

The group of coders decided that if no one was telling anyone what to do, they would. That’s when they started getting called “the Ad Hoc Team.” The name stuck. “We had a big stick, because we were the magical guys from the White House,” Dickerson says. “After a couple of days, we instituted a war room.” Every morning at 10 a.m., every team had to send a representative to a big meeting to explain what was going right, or wrong, and why. “It was an incredibly expensive thing to do—60 people in a room while we arbitrate disputes between two of them. But we made so much progress we stopped worrying,” Dickerson says. “Having a giant studio audience is better sometimes. It’s harder to say, ‘I didn’t do that because it wasn’t on my task order.’”

In other words, Dickerson had built into the system something no one had thought of: accountability. “What Mikey really excelled at was, if there’s a priority issue that needs to be addressed, how can people address it? What do they know? What do they need to know? What’s blocking them?” says Smith. “That’s just his demeanor and the way he operates.” The meetings were so productive and making so much of a difference in site performance that the Ad Hoc Team instituted a second one, making them twice a day, seven days a week.

When they weren’t in the war room, they coded. Problems started getting solved. A stupid little flaw that required the same kind of wait to connect to the database every time went away with the change of a couple of configuration settings, and poof! An eight-second response delay dropped to a two-second delay. “And that’s still terrible,” Dickerson says. The site stopped crashing. People actually started signing up for health care.

The work took a toll, though. Except for a quick trip back to California to pick up some clothes—Dickerson had come to the East Coast with a carry-on bag and a Google computer, expecting a short visit—he was in the greater D.C. area from mid-October through Christmas. Dickerson estimated he ran 150 war-room meetings in a row.

After a couple of moves to accommodate bureaucracy, Dickerson ended up working remotely, alone, from an operations center in Columbia, Md.—three hours from D.C. in what locals sometimes call “spook valley” for its preponderance of government contractors. Since healthcare.gov’s original creators hadn’t built a ship-in-a-bottle version of the software to test updates and fixes, everything the Ad Hoc Team fixed had to get changed on the live site, and the primary maintenance window was when traffic was lightest, between 1 and 5 a.m. “It was literally 20-hour days a lot of time. ” Dickerson says. “I was hallucinating by the end, hearing things.”

mikey-400With 12 days left before the deadline, Dickerson was ready to go home. He gave a speech listing the five mission-critical things remaining, and attempted to flee back to California. But the bosses panicked. The Ad Hoc guys can’t go home, they said. They gave him the service-to-your-country pitch. They begged. So Dickerson agreed to stay through to the end—with some conditions. He got to set the specific technical goals for what his team and the rest of the government coders would do. And he got to hire whomever he wanted, without arguing the point. He wanted to be able to trust the new team members, so he chose them himself. Eventually a rotating team of Google site reliability engineers started coming through to keep the project on track.

Dickerson got to dictate those terms because he was getting results. He had become indispensable. “Mikey is an incredible talent who was seemingly built in a lab to help fix healthcare.gov,” Park says. “It’s not just the fact that he’s got a sky-high tech IQ, honed over years as a star site reliability engineering leader. He’s also got tremendous EQ, enabling him to step into a tough situation, mesh well with others, and help rally them to the job at hand.”

The real bummer, of course, is that healthcare.gov, while an unprecedented attempt to link government services, private insurers and identity verification, shouldn’t have been that hard to build. “It’s basically a distributed, transactional, retail-type website, and we’ve been building those for years,” says Smith. “In the private sector, we know how to do that. We’re not forging new computer science ground here, right?”

By April of 2014, just a few days after Dickerson and I spoke, the Obama administration announced that over 7 million people had signed up for private health care through federal and state exchanges, and 3 million had signed up for Medicare. The program had made its numbers—barely, to be sure—because people, in the end, could actually use the website.

Dickerson is back at Google, but as he says, “you can never unsee the things you see in the federal government.” He has become an outspoken advocate for reform in the ways government builds technology, concentrating especially on trying to convince young technologists to go work for government. “You’re gonna eat free food and drink free soda in micro-kitchens and work on another version of what we’ll say, for argument’s sake, lets people share pictures of what they ate for breakfast, and tens of thousands of people will die of leukemia because we couldn’t get a website to work,” Dickerson says. “These are real people’s lives that will end in 2014, and you’re going to sit at your desk working on picture sharing.”

The problem isn’t competence. People who work on websites for the government are every bit as competent as the ones who work at Google or Facebook. “The mechanisms by which you do a contract with the federal government are so complex that it requires expertise in and of itself,” says Jennifer Pahlka, founder and executive director of Code for America, a group that connects software developers with local governments. “Fundamentally the process in government has evolved to meet government needs. A federal project has dozens of stakeholders, none of whom represent the user.”

That’s why Code for America focuses on local governments, Pahlka says. The feds are too hard to crack, and anyway, most people’s interactions with government are at the state and city level—think DMV, local parks, or trash pick-up. So Dickerson has started stumping for Code for America, giving speeches at their events. And he is lobbying Eric Schmidt and his other bosses at Google to develop programs that would allow—maybe even encourage—software developers there to take time to work on government projects. Consider: The feds paid $700 million for healthcare.gov, and it didn’t work. Imagine being able to bid for that contract at a tenth the price. “I don’t have to appeal to your altruism or desire to serve your country,” Dickerson says. “I can just say, ‘Do you want to make a ton of money?”

Pahlka thinks the pitch might actually work—and not just because of capitalism. “The consumer internet has influenced the way a generation feels about doing things together,” she says. “You have a generation of people who value collective intelligence and collective will—not necessarily collective political will, but the ability to actually do things together.” Software designers and engineers are already political, Pahlka and Dickerson are saying; it’s just that the web generation is ignoring the greater good. Going to work at Twitter is a political choice just as much as going to work for the Department of Veterans Affairs.

“I give the worst sales pitch,” Dickerson says. “I tell people, ‘This is what your world is going to be like: It’s a website that is a Lovecraft horror. They made every possible mistake at every possible layer. But if you succeed, you will save the lives of thousands of people.’”

The weird part: Almost everyone says yes.

————-

EDITOR’S NOTE: Shortly before this magazine went to press, Dickerson announced that he’s going to practice what he preaches, full time. He is leaving Google to join the Obama administration as administrator of the U.S. Digital Service, a newly created office overseeing government spending on information technology. And after signing on, he discovered that the lead designer on the initial staff for U.S.D.S. is another Pomona grad, Mollie Ruskin ’08.

The Code of Beauty, the Beauty of Code

Class Program
{
public static void Main()
{
System.Console.WriteLine(  “Hello, world!”  );
}
}

Even if you’re the kind of person who tells new acquaintances at dinner parties that you hate email and e-books, you probably recognize the words above as being some kind of computer code. You may even be able to work out, more or less, what this little ‘program’ does: it writes to the console of some system the line ‘Hello, world!’

hackers-300A geek hunched over a laptop tapping frantically at the keyboard, neon-bright lines of green code sliding up the screen—the programmer at work is now a familiar staple of popular entertainment. The clipped shorthand and digits of programming languages are familiar even to civilians, if only as runic incantations charged with world-changing power. Computing has transformed all our lives, but the processes and cultures that produce software remain largely opaque, alien, unknown. This is certainly true within my own professional community of fiction writers—whenever I tell one of my fellow authors that I supported myself through the writing of my first novel by working as a programmer and a computer consultant, I evoke a response that mixes bemusement, bafflement and a touch of awe, as if I’d just said that I could levitate. Most of the artists I know—painters, film-makers, actors, poets —seem to regard programming as an esoteric scientific discipline; they are keenly aware of its cultural mystique, envious of its potential profitability, and eager to extract metaphors, imagery and dramatic possibility from its history, but coding may as well be nuclear physics as far as relevance to their own daily practice is concerned.

Many programmers, on the other hand, regard themselves as artists. Since programmers create complex objects and care not just about function but also about beauty, they are just like painters and sculptors. The best-known assertion of this notion is the essay ‘Hackers and Painters’ by programmer and venture capitalist Paul Graham. ‘What hackers and painters have in common is that they’re both makers. Along with composers, architects and writers, what hackers and painters are trying to do is make good things.’

According to Graham, the iterative processes of programming—write, debug (discover and remove bugs, which are coding errors, mistakes), rewrite, experiment, debug, rewrite—exactly duplicate the methods of artists: ‘The way to create something beautiful is often to make subtle tweaks to something that already exists, or to combine existing ideas in a slightly new way … You should figure out programs as you’re writing them, just as writers and painters and architects do.’ Attention to detail further marks good hackers with artist-like passion:

All those unseen details [in a Leonardo da Vinci painting] combine to produce something that’s just stunning, like a thousand barely audible voices all singing in tune. Great software, likewise, requires a fanatical devotion to beauty. If you look inside good software, you find that parts no one is ever supposed to see are beautiful too.

This desire to equate art and programming has a lengthy pedigree. In 1972, the famed computer scientist Butler Lampson published an editorial titled ‘Programmers as Authors’ which began:

Creative endeavor varies greatly in the amount of overhead (i.e. money, manpower and organization) associated with a project which calls for a given amount of creative work. At one extreme is the activity of an aircraft designer, at the other that of a poet. The art of programming currently falls much closer to the former than the latter. I believe, however, that this situation is likely to change considerably in the next decade.

Lampson’s argument was that hardware would become so cheap that ‘almost everyone who uses a pencil will use a computer,’ and that these users would be able to use ‘reliable software components’ to put together complex programs. ‘As a result, millions of people will write non-trivial programs, and hundreds of thousands will try to sell them.’

hackers-250A poet, however, might wonder why Lampson would place poetry making on the same spectrum of complexity as aircraft design, how the two disciplines—besides being ‘creative’—are in any way similar. After all, if Lampson’s intent is to point towards the future reduction of technological overhead and the democratization of programming, there are plenty of other technical and scientific fields in which the employment of pencil and paper by individuals might produce substantial results. Architecture, perhaps, or carpentry, or mathematics. One thinks of Einstein in the patent office at Bern. But even the title of Lampson’s essay hints at a desire for kinship with writers, an identification that aligns what programmers and authors do and makes them—somehow, eventually—the same.

Both writers and programmers struggle with language. The code at the beginning of this chapter is in Microsoft’s C#, one of thousands of high-level programming languages invented over the last century.

Each of these is a ‘formal language,’ a language ‘with explicit and precise rules for its syntax and semantics,’ as the Oxford Dictionary of Computing puts it. Formal languages ‘contrast with natural languages such as English whose rules, evolving as they do with use, fall short of being either a complete or a precise definition of the syntax, much less the semantics, of the language.’ So these formal dialects may be less flexible and less forgiving of ambiguity than natural languages, but coders—like poets—manipulate linguistic structures and tropes, search for expressivity and clarity. While a piece of code may pass instructions to a computer, its real audience, its readers, are the programmers who will add features and remove bugs in the days and years after the code is first created. Donald Knuth is the author of the revered magnum opus on computer algorithms and data structure, The Art of Computer Programming. Volume 3 of the Art was published in 1973; the first part of Volume 4 appeared in 2011; the next part is ‘under preparation.’ If ever there was a person who fluently spoke the native idiom of machines, it is Knuth, computing’s greatest living sage. More than anyone else, he understands the paradox that programmers write code for other humans, not for machines: ‘Let us change our traditional attitude to the construction of programs: Instead of imagining that our main task is to instruct a computer what to do, let us concentrate rather on explaining to human beings what we want a computer to do.’ In 1984, therefore, he famously formalized the notion of ‘literate programming’:

The practitioner of literate programming can be regarded as an essayist, whose main concern is with exposition and excellence of style. Such an author, with thesaurus in hand, chooses the names of variables carefully and explains what each variable means. He or she strives for a program that is comprehensible because its concepts have been introduced in an order that is best for human understanding, using a mixture of formal and informal methods that reinforce each other.  

Good code, then, is marked by qualities that go beyond the purely practical; like equations in physics and mathematics, code can aspire to elegance. Knuth remarked about the code of a compiler that it was ‘plodding and excruciating to read, because it just didn’t possess any wit whatsoever. It got the job done, but its use of the computer was very disappointing.’

To get the job done—a novice may imagine that this is what code is supposed to do. Code is, after all, a series of commands issued to a dumb hunk of metal and silicon and plastic animated by electricity. What more could you want it to do, to be? Knuth answers: code must be ‘absolutely beautiful.’ He once said about a program called SOAP (Symbolic Optimal Assembly Program) that ‘reading it was like hearing a symphony, because every instruction was sort of doing two things and everything came together gracefully.’

We are now unmistakably in the realm of human perception, taste and pleasure, and therefore of aesthetics. Can code itself—as opposed to the programs that are constructed with code—be beautiful? Programmers certainly think so. Greg Wilson, the editor of Beautiful Code, an anthology of essays by programmers about ‘the most beautiful piece of code they knew,’ writes in his forward to that book:

I got my first job as a programmer in the summer of 1982. Two weeks after I started, one of the system administrators loaned me Kernighan and Plauger’s The Elements of Programming Style … and Wirth’s Algorithms + Data Structures = Programs. … [These books] were a revelation—for the first time, I saw that programs could be more than just instructions for computers. They could be as elegant as well-made kitchen cabinets, as graceful as a suspension bridge, or as eloquent as one of George Orwell’s essays.

Knuth himself is careful to limit the scope of his aesthetic claims: ‘I do think issues of style do come through and make certain programs a genuine pleasure to read. Probably not, however, to the extent that they would give me any transcendental emotions.’ But in the many discussions that programmers have about craftsmanship, elegance and beauty, there is an unmistakable tendency to assert—as Wilson does—that code is as ‘eloquent’ as literature. …

The day that millions will dash off beautiful programs—as easily as with a pencil—still remains distant. The ‘lovely gems and brilliant coups’ of coding remain hidden and largely incomprehensible to outsiders. But the beauty that programmers pursue leads to their own happiness, and—not incidentally—to the robustness of the systems they create, so the aesthetics of code impact your life more than you know.

This excerpt from Geek Sublime: The Beauty of Code, the Code of Beauty (Graywolf Press), by Vikram Chandra ’84, is published with permission of the author. In his first venture into nonfiction, the noted novelist roams from logic gates to the writings of 11th-century Indian philosopher Abhinavagupta, in search of connections between the worlds of art and technology.

Photos accompanying this excerpt are from the Spring 2014 Hackathon held at Pomona College and are by John Lucas.