Blog Articles

New Dean of Students has Pomona Homecoming

Avis E. HinksonPomona College’s new vice president for student affairs and dean of students, Avis E. Hinkson, brings more than three decades of higher education experience in areas ranging from residential life to student recruitment to undergraduate advising. Her new role, which she began on Aug. 1, marks her return to Pomona College, where she was an associate dean of admissions from 1990 to 1994.

As dean of the college at Barnard College in New York, Hinkson led a staff of more than 100, overseeing academic advising, career development, registrar, health and wellness services, counseling services, Title IX services, residential and campus life, international and intercultural programs and diversity initiatives.

At Barnard, she worked with colleagues to shape the student experience and campus culture while sustaining direct involvement with many of Barnard’s 2,500 undergraduate women and serving as a key partner in Barnard’s unique connection with Columbia University.

“Avis brings just the right experience, energy and high level of engagement to this crucial role,” says Pomona College President G. Gabrielle Starr. “She is someone who reaches out, listens and helps spark change where it is needed. Our students and the wider campus community will benefit from collaborating with her.”

Hinkson’s other roles have included dean of admission and enrollment planning at Mills College in Oakland, Calif.; associate director of admission and director of minority recruitment at the University of Southern California; and associate director of admission and minority recruitment director at Cornell University.

Among her current professional activities, Hinkson serves on the board of the Consortium on Financing Higher Education as chair of the assembly for the organization of 35 highly selective private colleges and universities committed to meeting the full demonstrated financial need of admitted students.

In addition to earning a doctor of education degree from the University of Pennsylvania, Hinkson holds a master’s degree in student personnel administration from Columbia University’s Teachers College and a bachelor’s degree in psychology from Barnard.

She succeeds Miriam Feldblum, who departed in February after a decade of service to become executive director of the Presidents’ Alliance on Higher Education and Immigration, a new initiative that advocates for the legislative interests of immigrant, undocumented and international students on college campuses.

Going Swimmingly

Lukas Menkhoff ’21 swims a winding path from Singapore to Pomona College to an NCAA Championship.

Lukas Ming Menkhoff ’21

The line at the bottom of the pool is always straight, but it has taken Lukas Ming Menkhoff ’21 on a winding path around the world. The 6-foot-4 swimmer from Singapore has competed in Beijing, Berlin, Stockholm, Dubai and Moscow on his dripping-wet international tour.

Indianapolis might not have the same ring, but the first-year swimmer made Pomona-Pitzer history there in March, becoming the first men’s swimmer in Sagehen history to win an individual NCAA title when he claimed the 100-yard breaststroke at the NCAA Division III Swimming and Diving Championships.

Sports Update


Pomona-Pitzer claimed its first Southern California Intercollegiate Athletic Conference (SCIAC) All-Sports Trophy in 26 years last spring, taking the men’s trophy after winning four SCIAC championships.


Read more Sagehens Claim All-Sports Trophy for Men’s Teams.

The Pomona-Pitzer men’s team finished eighth overall and the women were ninth, marking the first time both teams have finished in the top 10 in the same season. His time of 53.39 also shattered the old Pomona-Pitzer record and earned him first-team All-American honors.

“It’s a deep honor. I couldn’t have done it without the support of my teammates and coach,” Menkhoff says. “Strangely I wasn’t nervous at all for this race. I was determined to start the race well, kick the wall and stick with my plan. I was able to execute what I visualized.”

Menkhoff also combined with Mark Hallman ’18, Samuel To ’18 and Ryan Drover ’19 to take third in the 400 freestyle relay in 2:59.08, a Pomona-Pitzer record, and Menkhoff finished ninth in the 100 freestyle in 44.22.

By the time his record-breaking race began, Menkhoff had already competed in nine other races over the course of three days, and he was exhausted. During the race, he refrained from looking left or right—“By looking left, you lose like one-hundredth of a second,” he explains—so he didn’t know he’d won until he looked up at the scoreboard.

International Experience

Lukas Ming Menkhoff ’21Menkhoff hardly could have taken a more circuitous route to Pomona College. Already 22 years old as a first-year student, he completed Singapore’s mandatory military service before beginning his college career. He also spent a year focused almost entirely on training with the national team between high school and the military.

His arrival at Pomona-Pitzer added a new level of international experience to the program this season. Menkhoff has swum in 14 FINA Swimming World Cups and almost made the prestigious Commonwealth Games team. Singapore’s small population gave him opportunities he wouldn’t have had as an American.

“For me, it was a true privilege to be able to represent Singapore and swim on the world stage with Olympians and world-record holders, train alongside and converse with them, learn from them and even dine with them,” says Menkhoff, whose races for the national team as a teenager were sometimes televised.

After making Singapore’s national team at 14, Menkhoff had the opportunity at a young age to mingle with some of swimming’s stars, including Ian Thorpe and Michael Phelps. He also had a few Phelps moments while training at the North Baltimore Aquatic Club, Phelps’ home club, for several weeks one summer as a teenager.

Phelps approached him on the pool deck, complimenting Menkhoff’s freestyle stroke as “so long and smooth” and comparing it to Thorpe’s, with the whole interaction captured on video.

“So that was a surreal moment, but he also imparted a lot of great advice,” Menkhoff says, remembering how Phelps gave him some technique tips, told him never to quit and to always swim from the heart.

“Obviously I was dumbfounded by that whole interaction, but you realize that these swimming idols of yours are human beings and you’re able to converse at the same level as anyone else,” Menkhoff says.

A year later, Menkhoff was swimming in a World Cup meet in Singapore when Thorpe, the Australian Olympian, came out of retirement. “Same heat, four lanes down,” Menkhoff says.

Menkhoff knew mandatory military service awaited six months after high school, but scheduled an additional six-month deferment.

“In that year, I was a full-time swimmer, training with the national team, traveling the world, competing,” he says. “That was an incredible experience. I managed to squeeze in two internships in that period, but I was mostly swimming.”

The College Search

During his year in the military, Menkhoff also undertook what became an exhaustive and methodical college search. “It was quite remarkable how organized he was about his college search process,” says Jean-Paul Gowdy, the Pomona-Pitzer coach. “He was looking at schools in Britain and he was looking at schools in the U.S. He had a whole spreadsheet that he showed us after the fact.”

Menkhoff researched and communicated with dozens of universities. Yet Pomona College was the first he visited in the U.S., and Gowdy the first coach he met with. He considered Division I programs before learning his post-high school competitions would cost him a year of eligibility, and ultimately circled back to where he began with that first chat in Gowdy’s office.

He began to think, “Where is swimming in my life right now?” he recalls. “It’s not, certainly, my career. It has in many ways been keeping me back from finding myself and my true interests. I realized that the Division III setting is perfect for me, the best of both worlds. For me, deep down, within that four-month college search process, I knew Pomona was for me, and it was mostly the interaction I had with Coach Gowdy.”

Despite all his international experience, Menkhoff also benefitted from the presence of Hallman and To, two seniors who competed alongside him in the NCAA meet.

“In a lot of ways, Lukas is good for them; in a lot of ways, they’re very good for him,” Gowdy says.

For Menkhoff, it would seem, this is just the beginning.

Sports Update

Sagehens Claim All-Sports Trophy for Men’s Teams

Pomona-Pitzer claimed its first Southern California Intercollegiate Athletic Conference (SCIAC) All-Sports Trophy in 26 years last spring, taking the men’s trophy after winning four SCIAC championships.

On the women’s side, the Sagehens finished second to Claremont-Mudd-Scripps (CMS). CMS claimed the combined All-Sports Trophy in a closely contested battle with Pomona-Pitzer, finishing the year with a total of 159.5 points to the Sagehens’ 153.

“We knew we were having a strong year and to finish it like this is a huge step forward for our department,” said Director of Athletics Lesley Irvine.

On the men’s side, the 2017–18 Sagehens won SCIAC championships in cross country, swimming and diving, water polo and track and field.

The men’s cross country’s championship was Pomona-Pitzer’s first since 2005, and the men’s track and field team rose to the top of the SCIAC for the first time in 27 years. In Jordan Carpenter’s first year as head coach of both cross country and track and field, he took SCIAC Coaching Staff of the Year along with SCIAC Athlete of the Year in Andy Reischling ’19.

The men’s water polo team appeared in their second straight NCAA tournament with back-to-back SCIAC championships, finishing the year ranked No. 17 across all divisions. Head Coach Alex Rodriguez and his staff earned SCIAC Coaching Staff of the Year, and goalkeeper Daniel Diemer (Pitzer ’18) was named SCIAC Player of the Year.

Swimming and diving claimed the program’s first SCIAC championship with Athlete of the Year Mark Hallman ’18 and Newcomer of the Year Lukas Menkhoff ’21.

The women’s teams claimed two SCIAC championships. The women’s swim and dive team captured their second SCIAC championship in three seasons behind SCIAC Coach of the Year J.P. Gowdy and SCIAC Athlete of the Year Maddie Kauahi. The women’s water polo team won the SCIAC championship for the second year in a row and moved on to play in the opening round of the NCAA Tournament. Alex Rodriguez and his team finished the regular season undefeated in SCIAC play earning him SCIAC Coach of the Year along with SCIAC Athlete of the Year in Jocelyn Castro.

Picture This

Berto Gonzalez ’20 as Puck and Rieanna Duncan ’21 as 1st Fairy in Pomona College’s hip-hop-inspired, gender-bending production of Shakespeare’s A Midsummer Night’s Dream, directed by Carolyn Ratteray.

Shakespeare’s A Midsummer Night's Dream

—Photo by Ian Poveda ’21

In Memoriam: Martha Andresen Wilder (1944–2018)

Martha Andresen WilderIt’s safe to say that no Pomona faculty member has ever been more beloved among students and alumni than Emerita Professor of English Martha Andresen Wilder, who died on March 24 from multiple myeloma at the age of 74. Over the 34 years of her Pomona career, she was honored by the students themselves seven times with the coveted Wig Award for Excellence in Teaching, setting a record in the 60-plus-year history of the award that is unlikely ever to be surpassed. If she hadn’t been ineligible for four years following each win, she probably would have garnered many more.

Former students remember her for her contagious enthusiasm, her love and thorough knowledge of the material, her always strikingly creative presentation and her deep warmth and kindness. “I can attest to the most luminous, powerful, soul-searching teaching I have ever seen,” one student commented. “She awakens the heart,” said another. “She gives the students a lesson plus the reasons for taking that lesson to heart.”

She is remembered and revered in particular for her legendary Shakespeare classes, in which she was known for her “page to stage” approach, urging her students to experience the Bard’s genius from every possible perspective—as readers, scholars, spectators and actors.

Inspired by the phrase “only connect,” the epigraph from the E.M. Forster novel, Howard’s End, she sought to make the works of Shakespeare relevant to the lives of her students. She would often take an ordinary phrase, like the first line from Hamlet—“Who’s there?”—and lead her listeners through the process of parsing its many levels of meaning, transforming it into something profound, personal and unforgettable. She described the core of her approach as asking students not only for close textual and linguistic analysis of the Bard’s words, but also “to ‘take another’s part,’ to understand and inhabit the Other, always a leap of empathetic, theatrical and moral imagination.”

As each semester came to a close, members of the college community would keep an eye out for her class’s signature culminating exercise—a series of pop-up performances in which groups of students would present a scene from one of the plays, staged in a site of their choosing—from the likely (dormitory balcony) to the unlikely (among the dumpsters behind a dining hall). Many of her former students have called the process of interpreting, conceptualizing and performing a scene from one of Shakespeare’s plays, under her inspiration, one of the seminal experiences of their college career.

Referring to the fact that her Shakespeare classes were always waitlisted as students vied for the privilege of studying with her, Emeritus Professor of English Thomas Pinney once dubbed her “the Pied Piper of the Pomona College English Department,” remarking that, “we joke that she’d have to turn away students if she were teaching the minor poems of John Lidgate.”

A noted scholar of Renaissance literature with a special love for and expertise in the works of the Bard, she was the author of numerous published articles in scholarly journals and was a consultant for such projects as the BBC/TV series “The Shakespeare Plays” and the reconstruction of the Globe Theatre on its original London site. In addition to her famous Shakespeare classes, she taught a range of other courses through the years, including Milton, Major British Authors and the English Lyric Before 1700.

Born March 7, 1944 in Minneapolis, Minnesota to Karl and Elizabeth Andresen, she graduated from the University of Minnesota, summa cum laude and Phi Beta Kappa; and went on to receive her master’s degree and doctorate in English from Yale University. She came to Pomona in 1972 after a two-year sojourn on the faculty of the University of Pittsburgh. For the final 16 years of her career at Pomona, she held the distinguished title of Phebe Estelle Spalding Professor of English.

In 1992, she was chosen by the Council for Advancement and Support of Education to be the California Professor of the Year and by Baylor University as the recipient of the Robert Foster Cherry Award for Great Teaching. In 2000 she was elected a Fellow of the Radcliffe Center for Intellectual Renewal.

A compelling public speaker, Martha was sought after by groups across the country and over the years presented well over 500 public lectures. She was in demand for alumni events throughout her tenure and after her retirement. Although her subjects were drawn primarily from Shakespeare and his plays, three of the talks she gave in the last years of her life illustrate her remarkable range: at the LA Arboretum, “Shakespeare’s Gardens and Green Worlds;” for the American Association of University Women, “Isn’t Wonder Woman Still Among Us?” inspired by her reading of Jill Lepore’s recent history; and at a Gala for the City of Hope Foundation, a personal meditation on the transformation and transmutation she had experienced as a patient, and the way she had come to understand it and to take solace from Shakespeare’s explorations of those states.

In Memoriam: Arthur Horowitz (1945–2018)

Arthur HorowitzProfessor of Theatre Arthur Horowitz, who retired last spring after 14 years on Pomona College’s theatre faculty, passed away suddenly in New Orleans on June 16, at the age of 73.

Students who took Horowitz’s classes or took part in the plays he directed described him as kind, generous, funny, inquisitive and always creative. At Pomona, he taught theatre history, playwriting and dramaturgy and was an expert on the dramaturgy of Anton Chekhov and Carlo Goldoni. He also had research interests in the performance vocabularies of commedia dell’arte, Russian biomechanics and Shakespeare in performance, with particular emphasis on international, non-English-language adaptations of the Bard’s work.

In 2011, Horowitz was awarded a grant from the Folger Institute for Shakespeare Studies National Endowment for the Humanities Institute Project, “Shakespeare from the Globe to the Global,” which culminated in the “Shakespeare in Performance Syllabus,” a prototype for courses in international Shakespeare. During his 2017–2018 sabbatical year, he conducted research on the common dramaturgical and emotional threads linking the characters and relationships in Chekhov’s works and those in the late plays of Goldoni.

A graduate of Hofstra University, he earned his Ph.D. from University of California, Davis, in 1997 after 20 years teaching high school English. Before joining the Pomona faculty as assistant professor in theatre in 2004, he taught at CalArts, UC Santa Barbara and Cal Poly Pomona. Serving 14 years on the Pomona faculty, he was named associate professor in 2010.

His writing was published in such publications as The Journal for Cultural and Religious Theory, Contemporary Dramatists, New England Theatre Journal, The Journal of Beckett Studies, and Western European Stages. His book Prospero’s ‘True Preservers’: Peter Brook, Yukio Ninagawa, and Giorgio Strehler—International Post-World War II Directors Approach to Shakespeare’s “The Tempest” was published by the University of Delaware Press in 2004, and his chapter, “Scrutinizing the feminine in Waiting for Godot,” recently appeared in In Dialogue with Godot: Waiting and Other Thoughts.

Horowitz was involved in numerous theatrical productions in Southern California, working as dramaturge for several companies, such as the Unknown Theater and the Bootleg Theater in Los Angeles and A Noise Within Theatre in Pasadena. He directed a production of Macbeth for the Ojai Shakespeare Festival in 2004, and was on the Board of Directors of Unknown Theater from 2005 until 2011.

Walking Through Time

Alison Rose Jefferson ’80 brings the history of L.A.’s Central Avenue to life.

Alison Rose Jefferson ’80

Buildings tend to stand still. History never does.

Central Avenue, the hub of Black life in Los Angeles during the Jim Crow era, is now more associated with the taquerias and vibrant Spanish-speaking community that share the sidewalks today.

The Lincoln Theatre, nicknamed the “West Coast Apollo” in its heyday for hosting such performers as Count Basie, Duke Ellington, Nat “King” Cole and Billie Holiday, now hosts the congregation of the Iglesia de Jesucristo Judá. Yet at the nearby 28th Street YMCA, built in 1926, one can still glimpse the terra cotta likenesses of Booker T. Washington and Frederick Douglass in the upper corners, watching over a building that housed one of the few swimming pools where Blacks were always welcome.

Historian Alison Rose Jefferson ’80 seeks to illuminate both the past and present of this important South L.A. neighborhood in a deeply researched walking tour she created with Angels Walk LA, a nonprofit that has produced 10 other self-guided historic trails around the city. Jefferson and collaborator Martha Groves chose an inclusive embrace, highlighting both the 27th Street Bakery – owned by 1984 Olympic sprinter Jeanette Bolden and known for its Southern sweet potato pies – and the nearby Las Palmas Carniceria, known for its chorizo.

Angels Walk LA will install 15 stanchions highlighting some of the 65 sites along the trail that stretches roughly from 24th Street to Vernon Avenue later this year. They will tell the story of the neighborhood not only to those who live there but to curious visitors and the music lovers who flock to the Central Avenue Jazz Festival each July.

A Different Kind of Historian

A sociology major at Pomona College, Jefferson took an unusual academic path, returning to school to earn a master’s degree in heritage conservation from the University of Southern California in 2007 and a Ph.D. in history at UC Santa Barbara in 2015, 35 years after earning her undergraduate degree.

Her goal was to enhance a career in writing and public projects that has made her a sought-after expert for documentaries and other reports. It is a role sometimes defined as a “public historian,” and just one of many career paths for history majors beyond academia.

“I’ve always been interested in history,” says Jefferson, who worked for a historic preservation firm before pursuing a doctorate. But even as she devoted her days to documenting and preserving brick-and-mortar sites, Jefferson understood that history is what happens within and beyond the walls.

“The world of historic preservation really focuses on the built environment,” she says. “I decided I wanted a broader platform.”

By completing her doctorate, she acquired the training and credentials that bolster her qualifications for various efforts and grants.

“With a Ph.D., I could do a broader array of projects,” Jefferson says.

Among her many endeavors, she has expanded awareness of the Santa Monica beach at Bay Street that was sometimes known as the Inkwell during the era of de facto segregation in California, along with the life story of Nick Gabaldón, L.A.’s first documented surfer of African-American and Mexican-American descent. Jefferson also has an upcoming book, Leisure’s Race, Power and Place in Los Angeles and California Dreams in the Jim Crow Era, to be published by the University of Nebraska Press in late 2019.

A Walk in the Neighborhood

The stretch of Central Avenue that lies south of the 10 Freeway and north of Vernon is in some ways nondescript, like so many others in South Los Angeles marked by older storefronts with hand-painted signs and the occasional street vendor. But a stroll with Jefferson reveals the unseen history of the Jim Crow era and the early civil rights movement in L.A., along with the melding of the old neighborhood with the influx of Latin American immigrants.

It is not merely history to Jefferson: It’s also personal: Her grandfather, Dr. Peter Price Cobbs, was a neighborhood physician for many years before his death in 1960.

“My mother would bring us over here. I was little. I’d be fascinated, thinking, ‘I’m in the old neighborhood,’” Jefferson says.

Besides her long familiarity with the area, Jefferson drew on her extensive previous research and writing on the Black Angeleno experience to create the Central Avenue guide with Groves, a former Los Angeles Times reporter and editor. The pair delved into archive collections, examined census records, perused old photographs, and read articles from the three newspapers that once covered the community, the California Eagle, the Los Angeles Sentinel and the Times. They also drew from books and scholarly articles.

“A special treat of the research process that I enjoyed was visiting the businesses along the avenue and interviewing the owners for the information that was to go into the guidebook,” Jefferson says.

Middle-class Black families flourished in the area around Central Avenue during the first half of the 20th century in what was largely a parallel society to white L.A., where Blacks faced restrictions in the workplace and community. Blacks were even limited by which homes they could buy, Jefferson notes, at least until the system of racially restrictive “covenants” in property deeds was ruled unenforceable under the 14th Amendment in the 1948 U.S. Supreme Court decision Shelley v. Kraemer.

Segregation was not only a feature of the American South; it was also pervasive in L.A. The African American Firefighter Museum at historic Fire Station No. 30 on Central Avenue just north of the 10 Freeway documents the era from 1924 to 1955 when the city’s Black firefighters were allowed to serve only in two segregated fire stations, and promotions were limited.

Even nightlife was affected. Central Avenue became home to the famous jazz club scene dubbed the “Brown Broadway” by the California Eagle newspaper in part because Black musicians and their fans were not welcome at all-white clubs – though whites made forays to Central Avenue to visit famous spots like Club Alabam and Jack’s Basket Room.

At a time when luxury hotels would not serve Blacks, traveling musicians such as Ella Fitzgerald, Lena Horne and Louis Armstrong stayed at Central Avenue’s Dunbar Hotel, which opened in 1928 under the name Somerville Hotel just in time to host delegates to the first West Coast convention of the NAACP. Other dignitaries also stayed there, including boxer Joe Louis, poet Langston Hughes and future Supreme Court Justice Thurgood Marshall. The Dunbar still stands, with a lovely renovated courtyard, and is now part of a complex for low-income seniors and others.

A Changing Community

By the 1950s, Black families – including Jefferson’s – began to move farther south and west in the city, no longer limited to the old neighborhood. Some businesses and institutions from the earlier era still thrive, among them the Los Angeles Sentinel newspaper, which moved to Crenshaw Boulevard, and Second Baptist Church, a stately Romanesque Revival church that hosted speeches by Martin Luther King Jr. and Malcolm X. Still home to one of the most influential Black congregations in L.A., the church at 24th Street and Griffith Avenue was designed by trailblazing Black architect Paul Revere Williams and is on the National Register of Historic Places, as is his 28th Street YMCA, now housing for special needs adults and former foster youth.

Along with the Angels Walk heritage trail, other efforts to revitalize the neighborhood include the Central Avenue Constituent Services Center, a strikingly contemporary building that is home to the district office of L.A. City Councilman Curren D. Price Jr. Yet the community’s most vibrant indicator of its past, present and perhaps its future might be the neighborhood’s many murals.

On 42nd Place across from the Dunbar Hotel is a mural featuring such important figures as Dodgers star Jackie Robinson, Los Angeles Mayor Tom Bradley, longtime legislator Augustus F. “Gus” Hawkins and Nobel Peace Prize winner Ralph J. Bunche, whose boyhood home is on 40thPlace.

Jefferson points out another mural on the side of El Montoso Market at 40th Place that pays tribute to the Latin American immigrants who now make up 75 percent of the neighborhood’s population. A man hauls a basket filled with vegetables and a depiction of a house on his back, and the L.A. skyscrapers are shown as stacks of U.S. currency.

At 41st Street, another shows a black and brown hand clasped together, and above it, the words cultura cura: Culture heals.

A walk, Jefferson knows, can sometimes teach more than a lecture.

How to Become a Circus Performer (and a Doctor)

How to Become a Circus Performer (and a Doctor)

Photo by Beihua Guo (Pitzer ’21)

Thanks to a childhood fascination with circus activities, Jack Gomberg ’18 found himself, at the tender age of 18, at a crossroads, having to choose between two radically different paths in life. Should he seize a rare opportunity with Cirque de Soleil or keep his love of the circus arts as an avocation while pursuing a more traditional education at Pomona? Put yourself in his shoes…

Jack Gomberg ’18

Jack Gomberg ’18
Neuroscience Major

1Grow up in a baseball-centric family in the Lakeview neighborhood of Chicago—near the Chicago Cubs’ famed ballpark, Wrigley Field—and start playing tee-ball at 3. Discover that you’re “a little above average” as a toddler-athlete, meaning that you can run all the way to first base without falling down.

2In kindergarten, attend a hands-on workshop by the nonprofit social-circus group CircEsteem. After failing miserably at juggling scarves, test your sense of balance on a rolling globe—a hard sphere about four feet in diameter—and do so well that the group invites you to join them for practices.

3Partly because the workshop was so cool and partly to escape the soccer practice you despise, join CircEsteem’s new after-school program and discover an awe-inspiring new world—a cavernous circus ring where kids up to high-school age are performing all sorts of acrobatics on the ground and in the air.

4At first, stay in your comfort zone with your rolling globe. Then slowly branch out to other circus arts, such as trampoline and partner acrobatics. Avoid two things like the plague: juggling and aerial acrobatics. Conquer your dread of juggling at the age of 8, and two years later, overcome your fear of heights on the static trapeze.

5See your first Cirque de Soleil—Corteo—at age 12 and realize that the circus can be truly artistic. Then, when world gym wheel champion Wolfgang Bientzle comes to Chicago to create a Team U.S.A. in the sport, catch his eye and fall in love with the gym wheel under his expert tutelage.

6Win your first national championship in gym wheel at 14 after telling your mom she didn’t need to stay because the competition was “no big deal.” Go to your first World Championships in Arnsberg, Germany, and make friends from around the world while reaching the finals in all three 18-and-under events, including one fourth-place finish.

7Two years later, apply to Cirque du Soleil to spend a week at their training facility in Montreal, Canada, and get invited to serve as a temporary gym wheel coach for the Cirque du Soleil acrobats. Then, when the World Championships come to Chicago, defend your home turf by winning two bronze medals.

8While applying for college, also apply to the École de Cirque in Quebec, a feeder school for Cirque du Soleil. Since you know its three-year program is impossibly exclusive, apply for a gap year in its slightly more accessible one-year program. Get accepted to the three-year program instead. Have to choose between a circus life and Pomona. Choose Pomona.

9Even before arriving on campus, make arrangements to form a club at The Claremont Colleges because you want to build a community of people with an interest in the circus arts. Name the club 5Circus and serve as its president for three years before, in the name of continuity, letting someone else take over during your senior year.

10Major in neuroscience and decide to become a doctor. But since you didn’t take a gap year before college, decide to take one before entering medical school. Win a Fulbright Fellowship to spend the year in Israel, melding your passions for medicine and the circus by studying an innovative para­medical practice known as “medical clowning.”

From Theory to Practice

From Theory to Practice
Professor Nicholas Ball

Professor Nicholas Ball

A rare collaboration between one of the world’s leading biopharmaceutical companies and a chemistry lab at a small liberal arts college began as the result of a chance encounter.

Chemistry major Ariana Tribby ’17 was presenting a poster at the American Chemistry Society (ACS) National Meeting in Philadelphia in 2016 when her research, under the guidance of Assistant Professor of Chemistry Nicholas Ball, caught the attention of Pfizer’s Senior Principal Scientist Dr. Christopher am Ende.

The biopharmaceutical giant was interested in Ball’s lab work using sulfonyl fluorides to make other sulfur-based molecules. Dr. am Ende was particularly interested in Ball’s work with sulfonamides.

Sulfonyl fluorides have been used in biology for decades, are valued for their stability in water and bioactivity and are now emerging as precursors for a myriad of sulfur-based compounds. According to Ball, the stability of sulfonyl fluorides are more attractive over traditional routes using sulfonamides that require reagents that have a short self-life or undesirable side reactions. The key challenge for Pomona-Pfizer collaborative study was to figure out a way to unlock the reactivity of sulfonyl fluorides for the desired reaction.

Sulfonamides are widely prevalent in the pharmaceutical and agrochemical industries. They represented 15 percent of the top 100 most prescribed drugs, with therapeutic applications against cardiovascular, infectious and neurological diseases in 2016.

This mutual interest between Pfizer and the Ball Lab led to a year-long research partnership to develop a methodology to make sulfonamides from sulfonyl fluorides using calcium salts. Pfizer did the initial work to come up with a sketch for a synthetic route, while Ball’s lab work involved optimizing that synthetic route and testing its versatility. After countless hours in the lab–both at Pfizer and at Pomona–many teleconference calls and more than 100 chemical reactions later, the research team had found an optimal reaction by the end of the summer of 2017.

The study was recently published as an open access article in Organic Letters, one of the most highly-regarded academic journals in organic chemistry. Their work will hopefully translate into more efficient ways to make a diverse array of sulfonamides, key for discovering new drug targets.

The article’s authors include five Pomona students who worked with Ball: Cristian Woroch ’19, Mark Rusznak ’18, Ryan Franzese ’19, Sarah Etuk ’19 and Sabrina Kwan ’20, who are a mixture of chemistry and neuroscience majors. On Pfizer’s side, along with am Ende, the research and article author team includes scientists and medical chemists: Paramita Mukherjee, Matthew Reese, Joseph Tucker, John Humphrey, who work in Pfizer’s Worldwide Research and Development division. Leah Cleary of Ideaya Biosciences was also part of the team.

For Ball, the goal for students in his lab is to learn how to turn theory into practice, to critically work through scientific challenges and to understand and take ownership of their work. With this Pfizer study, Pomona students were able to better understand the applications of pharmaceutical and medicinal chemistry.

“My experience with industry wasn’t until I was on the job market,” says Ball. “I was never exposed to the fantastic science that is occurring at these companies or realized that it was a career possibility. My hope is that this collaboration shows students that there are options for the them with a science degree other than academia.”

Woroch, who was second author in the study, worked closely with both Ball and Pfizer’s am Ende. This project had such an influence on Woroch’s research interests that he is continuing to pursue the topic for his senior thesis, and am Ende will be a second reader for it.

“What I am most excited for is an opportunity to answer questions that have been popping up since the project began,” says Woroch. “Since our collaboration started over a year ago, there has been a clear direction for the research and so when tangentially-related issues arose, I couldn’t address them. Now, I can revisit them and find an entirely new project that is derived from my interests. Dr. am Ende is a very talented scientist and will be a great guide to help me do meaningful and interesting research.”

Woroch adds that the ability to apply science to real world problems is a big part of what drew him to research. “Particularly when projects are challenging or frustrating, having a practical application for your work is a driving force,” he says.

According to ACS data from 2013, 53 percent of chemistry graduates are employed in industry sectors after attending graduate school, while 39 percent go to work in academia.

Besides this research study, Ball, am Ende and Woroch share another commonality: They all received a Beckman Scholarship at some point in their chemistry research careers. The Beckman Foundation provides grants to researchers and nonprofit research institutions in chemistry and life sciences to promote scientific discoveries and to foster the invention of methods, instruments and materials that will open up new avenues of research.

“I am very excited that our collaboration with Dr. am Ende’s group at Pfizer is continuing,” says Ball. “We already have a follow-up [study] to this recent paper underway. During my first conversation with Dr. am Ende, he stated that we should be working together versus working against each other and I couldn’t agree more! It is even more special that we share the bond of being Beckman Scholars.”

What’s Next for Women in Math?

Prestigious Fields MedalHidden figures no more. That’s the future that Professor of Mathematics Ami Radunskaya hopes to see soon in the world of mathematics: more women—particularly more women of color—in the field.

“There’s been an increase of awareness about equity in mathematics thanks to the Hidden Figures movie, which came out almost two years ago,” says Radunskaya, who has seen the success of programs like Black Girls Code—part of a growing trend to get middle and elementary school-aged girls interested in math.

The first and last time a woman received the prestigious Fields Medal, the highest honor a mathematician can receive, was in 2014, when Maryam Mirzakhani won the coveted medal, often described as the “Nobel Prize for mathematics,” for her work in the field of geometry.

Although the Fields Medal is awarded to only a handful of mathematicians every four years, Radunskaya is hopeful that more women will be named winners in the near future.

Radunskaya, who is also the president of the Association for Women in Mathematics (AWM), adds that while more young women are majoring in math at the undergraduate level, more needs to be done to see women continue studying math at the graduate level and beyond. “It’s like a leaky pipe,” she says.  “As you go up, the numbers of women faculty at large and prestigious research universities gets smaller and smaller. The gender equity needs to trickle up.”

So what’s needed exactly to see more women win the Fields Medal in the future? Radunskaya says, “It’s really about supporting women of color get into positions where they are visible who can then become role models for the future so that when we walk into a room at a math conference we’re not surprised to see all kinds of people: different genders, different races and different backgrounds.”

Previous (Alt Rock)