Articles Written By: emae2021@pomona.edu

Bookmarks Summer 2016

 

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First Words

On Dostoevky’s Introductions

Lewis Bagby ’66, emeritus professor of Russian at the University of Wyoming, examines Fyodor Dostoevsky’s use of forewords to introduce some of his greatest and most challenging works of fiction, from Notes from the Underground to The Brothers Karamozov. Excerpt: “Dostoevsky did not wish to be overtly directive in his fiction. Nor did he wish to poke his nose out of his hole into the great world: in the manner of Gogol’s Rudy Panko. Like his beloved Pushkin, he chose to remain in the background and to allow other voices to speak, not for him, but for themselves.”

 


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Mediterranean Summers

Karen Heath Clark ’66 invites you to join her, her husband and their dog, Roka, on an eight-year Mediterranean adventure aboard their 39-foot trawler. Excerpt: “Roka went with us everywhere. She learned to sit between us on a motorscooter seat. She sat quietly under the table during dinner. She is an expert at taking escalators and elevators and riding buses. She learned to ride in a basket on Bruce’s bike attached behind his seat and trotted on her leash alongside my bike, even in heavy traffic. She seemed to relish her time with us on the boat and the many adventures she experienced.“

 


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Collier’s Guide to Night Photography in the Great Outdoors

Nature photographer Grant Collier ’96 shares his detailed expertise in capturing the beauty of nighttime scenes and the wonders of the heavens with a camera. Excerpt: “I’ve seen many night shots where there is just a flat, dark horizon with the night sky above it. While the sky may be dramatic, the shots are little different from countless other images of the night sky. What really sets a good night photo apart from the others is the foreground. Not only does it make the image more unique, but it can also add depth to an image and draw the viewer into the scene.”

 


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Fairfield’s Auction

A Witherston Murder Mystery

An auction of rare Cherokee artifacts, Appalachian antiques and a young African grey parrot leads to murder in the second Witherston murder mystery by Betty Jean Craige ’68. Excerpt: “Why should this story matter to us Witherstonians? Because those of us living in the twenty-first century have inherited more than money and furniture from our ancestors. And we’ve inherited more than their genes. We have inherited perspectives and prejudices—through the stories we’ve heard at family dinners, the novels we’ve read, the songs we’ve sung.”

 


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Red Flags

A Kate Reilly Mystery

In her fourth mystery about racecar driver Kate Reilly, Tammy Kaehler ’92 offers up another high-octane thriller, this time from the world of Grand Prix racing. Excerpt: “As a driver, I actively listened to the health of my racecar with my entire body. I was attuned to the feel of balanced suspension and a happy engine—in a Corvette C7.R set up for right and left turns. This IndyCar chassis might have a Chevrolet engine, but that was the only similarity. The car felt bent—less so on the banking than on the flat. But still broken.”

 


 

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21 Days to Resilience

How to Transcend the Daily Grind, Deal with the Tough Stuff, and Discover Your Strongest Self

In this practical self-help guide,

psychologist and health and wellness expert Dr. Zelana Montminy ’04 offers a research-based toolkit to help people develop their capacity to handle whatever life may throw at them. Excerpt: “Hope is our fuel. It’s our choice. Resilient people choose to overcome feelings of hopelessness. They don’t rely on changing experiences or emotions to define their reality. They choose to look forward, to hope.”

 


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America’s Great National Forests, Wildernesses & Grasslands

Professor of Environmental Analysis Char Miller and photographer Tim Palmer create an arresting tome about America’s diverse public lands. Excerpt: “The Sandhills of Nebraska, a vast stretch of rolling prairie in the center of the state, seem an unlikely place for a national forest, let alone one administered in conjunction with the iconic high-elevation forests of the Rocky Mountains. Yet the Nebraska National Forest’s very existence is a perfect reflection of the ambition of late 19th-century and early 20th-century foresters to manage landscapes, treeless or wooded, and make them productive.”

 


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The Babylon Complex

Theopolitical Fantasies of War, Sex, and Sovereignty

Associate Professor of Religious Studies Erin Runions examines the tangled intersection of religion and politics in the U.S., focusing on the ambivalent image of Babel or Babylon. Excerpt: “For those bothered by the increasing diversity that appears within the nation as a result of globalization, Babel is a negative term. For instance, the conservative Pat Buchanan consistently applies the image to complain about difference: that the United States is converting from a Christian nation into the Tower of Babel (1997) or that love of diversity is producing the Tower of Babel and destroying the idea of America (2009).”

Glee Club in Rome

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The Pomona College Glee Club, under the direction of Professor Donna Di Grazia, performs in St. Peter’s Basilica in Rome during the group’s spring tour of Italy.

Buonasera Glee Club

This May, St. Peter’s Basilica in Rome and St. Mark’s Basilica in Venice will ring with the voices of the Pomona College Glee Club, as the group brings its annual concert tour for the first time to Italy. Each year after the end of the spring semester, the Glee Club takes a little piece of Pomona on the road, performing in venues across the country and around the world. Last year’s East Coast tour included a performance at the National Cathedral in Washington, D.C. (below). The last time the troop went transatlantic was in 2012, when they performed at venues across Poland, England and Germany, including the famous Thomaskirche in Leipzig (Bach’s home church for nearly 30 years), St. James’s Piccadilly in London, and the Berliner Dom in Berlin.

For Sagehens abroad or those who plan to be abroad in May, here’s the complete schedule (all are concert performances unless otherwise noted):

  • Basilica San Nicolo, Lecco (Lake Como region), Italy—May 19, 9 p.m.
  • Chiesa San Salvador, Venice, Italy—May 21, 7 p.m.
  • St. Mark’s Basilica, Venice, Italy—May 22, noon (featured choir at mass)
  • Chiesa di Santa Caterina, Pisa, Italy—May 24, 9 p.m. (concert sponsored by UNESCO.)
  • Basilica Santa Trinita, Florence, Italy—May 25, 9 p.m.
  • Chiesa San Marcello, Rome, Italy—May 27, 9 p.m.
  • St. Peter’s Basilica, Vatican City, Rome, Italy —May 28, 5 p.m. (featured choir at mass)

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Artwork by James Hueter ’46 Acquired by The Huntington Library

1946-HueterThe sculpture-painting, “The Figure Rising,” by artist James Hueter has been acquired by The Huntington Library, Art Collection and Botanical Gardens in San Marino, CA, for their permanent collection of American Art. James studied art at Pomona and received his M.F.A. at CGS. He has been an active artist since then and continues to show and work. A 60-year retrospective of his work, curated by Steve Comba, associate director of Pomona College Museum of Art, was shown at the Claremont Museum of Art in 2009, and he will have a show at Bunny Gunner Gallery in Claremont in May 2016. See photo of James with his work at the Huntington. He and his family had a private tour of the gallery space in Jan. with Hal Nelson, curator of Decorative Art, and Jessica Todd Smith, chief curator of American Art.

New Work by Linda Kawasaki Yoshizawa ’78

Artwork by Linda Kawasaki YoshizawaA new work by Linda Kawasaki Yoshizawa ’78  was included in the visual arts portion of the 10th annual “East Meets West” art and poetry exhibit, integrating visual and literary arts, held in the Civic Center at the main Livermore, California, library. Yoshizawa is a printmaker from the San Francisco Bay Area whose artwork reflects the mixing of two cultural sensibilities—American and Japanese. Her nature-inspired drawings are used as symbols of our own struggles and yearnings. She uses colors, values, and textures to elicit mood, questions, and a sense of serenity. Her monotype printing technique balances serendipity and design with a personal aesthetic that reflects her Japanese-American identity. An art major at Pomona, she is a member of the California Society of Printmakers and the Los Angeles Printmaking Society. Her work is included in many personal and corporate collections across the country, including Kaiser Permanente in San Ramon and Pleasanton, California.

President Oxtoby Plans to Step Down in 2017

President David Oxtoby portraitPresident David Oxtoby has announced plans to step down as president of Pomona College at the end of June 2017, bringing to a close what will then be a 14-year tenure. He informed the Board of Trustees of his plans at their February meeting to give the institution ample time to conduct a search for his successor.

“I am very proud of Pomona College and grateful for the years spent here, and for the successful conclusion of Campaign Pomona: Daring Minds,” he said in an email to the college community. “While I am considering opportunities I might pursue, my highest priority will remain leading this amazing institution in the months ahead. I am confident that the leadership and expertise of our faculty, the experience of our staff, the determination and talent of our students, and the time we have to partner together on shared goals will make this a smooth transition and allow us to remain focused on the critical work at hand. We also have so much to enjoy and learn each day on our campus and in our classrooms. I appreciate the support I received from Board members and I am committed to continuing to advance the College’s key priorities and the successful operations of the institution.”

Board Chair Sam Glick ’04 said the College will make plans to celebrate President Oxtoby’s many contributions to the College at an appropriate time. Meanwhile, he said, the Board will begin the task of choosing the 10th president of Pomona College. “Selecting a new leader is the highest duty a governing body has—a duty that my colleagues on the Board and I intend to carry out with humility and careful deliberation.” Glick said.

The Freedom to Work

Cover of Work Rules

WORK RULES! INSIGHTS FROM INSIDE GOOGLE THAT WILL TRANSFORM HOW YOU LIVE AND LEAD BY LASZLO BOCK ’93 TWELVE, HACHETTE BOOK GROUP, 2015 416 PAGES | $30

The reviews for Work Rules! by Google’s Vice President for People Operations Laszlo Bock ’93 have been, to say the least, laudatory. Forbes.com called it “a masterpiece.” Tom Gardner, founder and CEO of Motley Fool, called it “the finest book on organizational culture that I have ever read.” So this spring, PCM Editor Mark Wood sat down with Bock (long distance) to talk about how the book came about.

PCM: Tell me how you came to write Work Rules! Is it something you’ve been thinking about for a long time?

Bock: Yes, it has been, actually. Not about writing a book, but I’ve been thinking for a long time about how work really kind of sucks for too many people. Work is just not fun. I’ve got a great job. I love what I do. And even I have lousy days. But if I think about jobs I’ve had in the past, the jobs my friends and classmates have, work just sucks way more than it should.

And I realized it actually doesn’t have to. There’s actually a lot of things we’ve done and studied at Google, as well as great things other companies have done, about how to make work better, have a better, more meaningful, more fulfilling, more impactful, more productive experience, without spending money. I got it in my head to tell that story about how you can do that.

PCM: I was struck by how optimistic you are about people. Is that something you’ve always felt?

Bock: I’ve always felt you could learn something from everyone around you. I remember a philosophy class in high school that was just a complete random mix of people from all kinds of different backgrounds—kids who were stoners, kids who were into punk rock, kids who were never, ever going to go to college and a very few who had a background like mine, with two parents with master’s degrees. By the end of it, I absolutely learned something from every single kid in that class. I realized you can learn from the people all around you. Whatever they look like on the outside, whatever baggage they bring, whatever damage they have or trauma they’ve been through, there’s just a core of goodness in there. There’s something they can teach you if you just take the time to open your ears and listen.

That, I think, has informed not just a lot of things I’ve done in my life, but also the book. It’s premised on the notion that you have to ask yourself, “Are people good or are they evil?” If you believe they’re good, you have to treat them that way and act that way.

PCM: Reviewers have called Work Rules! “unconventional,” “innovative,” “surprising.” What would you say is the most revolutionary idea in the book?

Laszlo BockBock: I think the biggest thing is, “Don’t trust your instincts,” or as I write, “Don’t trust your gut.” We have all kinds of biases. Our instincts and intuition feel good. The problem is we’re wrong most of the time.

For example, it feels good when we interview somebody and find out that they like the same teams or they went to the same school. Turns out, those are terrible reasons to hire somebody.

It feels good when you’re hungry to reach in the fridge and grab whatever is at eye level and convenient. The problem with that is: what’s at eye level and convenient tends to be sugary snacks and sugary drinks which are actually bad for you.

It feels good to be able to tell everybody we pay everyone fairly because everyone makes the same money. The reality is your best people generate way more value than your average people and you’re actually disadvantaging them if you pay them all the same or within 10 percent or 20 percent. So our instincts on how to manage people are just wrong.

PCM: I’ve always thought the skills you need to excel in a standard interview usually aren’t the skills you need to do a good job.

Bock: You’re absolutely right. Most people that are doing interviews don’t know how to interview. I’ve been back to Pomona a few times, to talk to students about how to write a resume, how to interview, questions you can anticipate. “Tell me about yourself. What’s your greatest strength, greatest weakness?” None of those common interview questions tell you anything about whether the person is going to be good in the job.

The only questions that do are questions that actually say, “Give me an example of work you did that is exactly like the work you’re going to do.” They’re called “structured behavioral interview questions.” Everything else is kind of a waste of time.

PCM: At one point in the book, you say, “We want owners not employees.” What do you mean by that?

Bock: Ideally, here’s what it boils down to. If there’s garbage on the floor or a scrap of paper left in a conference room, you want people who are going to pick it up and throw it away. You want people who think this is their company or team or department. The reason is those people are always going to do the right thing rather than just doing what’s in their short-term interests. As a result, you end up better serving your customers, your shareholders, and your users.

PCM: There are a lot of little maxims in this book, and one of my favorites is, “If you’re comfortable with the amount of freedom you’ve given your employees, you haven’t gone far enough.” Tell me about that.

Bock: The secret to growing and developing is you just keep giving people more freedom. As long as you give them more, they get excited, they feel challenged, they grow and do great work. But our impulse is to titrate that out very slowly when we think they’re ready for it rather than saying, “You know, this is an amazing person. I don’t know what’s going to happen and it may blow up, but I’m going to make a bet on that person.” That’s uncomfortable and scary, because as a manager, you’re on the hook for that person’s results. But you have to remember, too, that you’re also an employee, and what you want more than anything else is for your own manager to get out of your way and give you a bunch of freedom. So remember that and get uncomfortable.

PCM: How does that high-freedom workplace work in real life? Do you have to be able to tolerate a little bit of anarchy?

Bock: Yeah. Part of the way we solve for it at Google is: there’s a tremendous belief in transparency. It’s okay to ask anyone what they’re doing, and people post their goals on our internal website, so you can see what everyone is working on all the time. What’s beautiful about that is: you have all this freedom, but as one of our executives, Jonathan Rosenberg, used to say, “Trust but verify.” I think that was Ronald Reagan’s cold war maxim.

You give people freedom, you just check on them once in a while to see how things are going, and 99 times out of 100, they’re doing great stuff. So there is a little bit of anarchy, and you try to observe what’s going on without jumping in and telling people, “You can do this; you can’t do this other thing.”

PCM: You say one of the things you’re looking for in hiring is “emergent leadership.” What do you mean by that and how do you find it?

Bock: The conventional model of leadership is somebody who stands at the bow of the ship and says, “Onward. We’re going in this direction.” The problem is that one  person isn’t going to have the best judgment in the world in every situation, and they may be sending you in the wrong direction. If you want to retain your best people and keep them motivated, you actually have to let them all lead in some different way.

Rather than having a single person saying, “This is the way it’s going to be,” what we focus on is emergent leadership. When there’s a problem, let somebody emerge as a natural leader. Do they actually take charge? And just as importantly, do they relinquish control? Do they then let go and let somebody else step in? Those are the things we look for.

Larry [Page] and Sergey [Brin], in running Google, have done this multiple times. They could have said, “I’m going to make every decision. Here’s how it’s going to go.” But instead, most recently, they handed off the position of CEO of Google—the crown jewel of the company, the big source of revenue—and they just gave it to Sundar Pichai, who is fantastic. So they’re willing to lead and step back, lead and step back. And that’s essential because, while in conventional leadership theory, there is a leader who is the right leader who is going to lead in all situations, the reality is we all have different strengths and weaknesses, and we will be most effective as leaders in very different kinds of circumstances. There’s no one person who is the right leader all the time.

The way we screen for that, quite frankly, is pretty boring. We structured these interview questions where we basically said, “Give me an example of a time you led a team,” or “give me an example of when your leadership led to solving a problem.” And the signifiers that everyone knows about are things like: people who say “we” a lot, people who describe taking power and letting go of it, people who describe a lot of collaboration. Those people tend to do better in the interview process.

PCM: How do you answer critics who say this culture of empowerment is a luxury item that’s particular to Google?

Bock: That’s probably the most common question I get. The answer is, “It’s not at all unique to Google.” One of the cool things about writing a book is that you get to look for lots of data that either support or deny your argument. I was pleasantly surprised to see how many companies and organizations in very different circumstances choose to be high-freedom environments, and they don’t have to spend a lot of money. I talk about Wegmans, which is a Northeast grocery chain, complete opposite of Google. Family-led firm. Most people have a high school education at best. It’s regional. Their margins are 1 percent or 2 percent. But their values in terms of how they treat their people, the freedom they give their people, is a mirror image of what we do at Google.

There was a study done of two different Nike plants in Mexico, making tee shirts. One was very conventionally run. In the other, basically, the workers were told, “You all figure it out.” They doubled productivity when the workers were told, “You figure it out.”

Going back to your first question, the conventional approach is, “Well, I’m the boss, I know best. I’m going to tell people what to do. And by the way, my butt’s on the line, so I’m going to watch you very closely and make sure you deliver.” The reality is all of us hate to be managed like that. If you just get off our backs and give us some freedom, we’ll do our jobs and we’ll do great work. And that’s true in 99.9 percent of the cases. Anyone can do it.

PCM: Tell me about the response to the book so far?

Bock: It’s been surprising, and humbling, and flattering, and exciting, and a little embarrassing. The book came out last April. It’s out now in 11 languages. There’s another 10 to be published this year. Mainland Chinese just came out this last week, but World Arabic, for example, is coming out, I think, next month. So the appetite for it has been surprising. It’s kind of humbling and delightful. The critical reception was a huge relief, because I was terrified people were going to say, “This doesn’t make any sense. The math is wrong. The science doesn’t hold up.” Thanks to the analytics folks here, we dodged that bullet.

But the best thing is the emails and letters I get from people who have read it. I bump into people who say, “Hey, I got my job because I read your chapter on how to hire.” I got an email from a Pomona alumnus who’s got a law firm in Claremont. He said, “Hey, I read the book and I tried instituting spot bonuses in my company where people can give anyone a bonus. It’s been great. It’s been really cool.” So the direct feedback from people, saying, “I’m actually changing how I run my business, and people are happier,” has been amazing, and kind of surprising and delightful.

PCM: Do you have another book in mind?

Bock: I don’t know. Maybe. I think there’s a really tough problem around how to find a job. I’ve been thinking about what would be the most helpful way to help people find jobs. This book was sort of from the corporate side—if I’ve got a business or a team, how do I select people and how do I manage them?

The flip side of that is: if I’m a new grad, or if I’m out of work, or if I’m underemployed, or if I’m somebody who stepped out of the workforce for 10 years to start a family, how do I get back in? I think that’s a really hard question so I’ve been thinking about that.

Bookmarks

What’s Stressing Your Face? coverWhat’s Stressing Your Face?

In this “doctor’s guide to proactive aging and healing,” dermatologist and cosmetic surgeon Dr. Glynis Ablon ’88 discusses a variety of stress-related conditions, from rosacea to hair loss, psoriasis to shingles, along with treatments ranging from psychotherapy to electrical stimulation. (Basic Health Publications, 2015; 184 pages; $15.95)

 


Ira’s Shakespeare Dream coverIra’s Shakespeare Dream

Glenda Armand  ’75 joins with illustrator Floyd Cooper to tell the true story of Ira Aldridge, an aspiring Black actor who defied convention and prejudice to become one of the most celebrated Shakespearean  actors of the 19th century. (Lee and Low Books, 2015; 40 pages; $18.95)

 


Leopards at My DoorLeopards at My Door cover

Harriet Denison ’65 recalls her adventurous years in the Peace Corps during the mid-1960s, teaching at the Bwiru Girls’ Secondary School in Tanzania (where she had regular visits from leopards and an array of other wildlife), and later on, her work with Mother Teresa in Calcutta, India, treating people afflicted with leprosy. (Peace Corps Writers, 2014; 252 pages; $15.00)

 


Nelson MandelaNelson Mandela cover

In her second book for young readers, Beatrice Gormley ’64 offers a moving biography of South African civil rights activist, long-time political prisoner, author, Nobel Prize winner and eventually President Nelson Mandela, exploring the man behind the iconic smile—his struggles, his triumphs, and the sacrifices he had to make along the way. (Alladin, 2015; 256 pages; $17.99)

 


Our Dried VoicesOur Dried Voices cover

This science fiction novel by Greg Hickey ’08 offers a vision of a far-distant future in which colonists on a planet called Pearl, where there is no longer any need for human labor, conflict or thought, suddenly find themselves struggling with the sabotage of the machines that their utopian lives depend upon. (Scribe Publishing Co, 2015; 234 pages; $13.99)

 


The Panchen Lama’s Debate Between Wisdom and the Reifying HabitThe Panchen Lama’s Debate Between Wisdom and the Reifying Habit cover

Kenneth Liberman ’70 spent a decade translating the principal work of the renowned first Panchen Lama, Lobsang Chökyi Gyaltsen (1570–1662), styled as a witty philosophical text employing the tension between shes rabs (wisdom) and bdag ’dzin (the reifying habit) as dramatic characters. (Motilal Banarsidass, India, 2014; 224 pages; $35.00)

 


Loving LA the Low Carbon WayLoving LA the Low Carbon Way cover

Grace Moremen ’52 and Jacqueline Chase offer a guide to the City of Angels by Metrolink, subway, light rail and bus, with 24 adventures that include such destinations as the Griffith Observatory, Watts Towers, the Observation Deck at City Hall, the Tar Pits and many other treasures hidden in plain sight. (Dream Boat Press, 2015; 230 pages; $15.00)

 


The Best Kind of CollegeThe Best Kind of College cover

Subtitled “An Insiders’ Guide to America’s Small Liberal Arts Colleges,” this set of essays, edited by Pomona Professors Susan McWilliams and John E. Seery, makes the case for the continuing importance of small, residential liberal arts colleges as a key part of America’s higher education smorgasbord. (SUNY Press, 2015; 314 pages; $80.00)

 


Daily Life in Wartime Japan, 1940–1945Daily Life in Wartime Japan, 1940–1945 cover

Pomona Professor Samuel Yamashita’s new book puts a human face on wartime Japan, with an intimate picture of what life was like for ordinary Japanese during the war. Drawing upon diaries and letters written by

servicemen, kamikaze pilots, evacuated children and many others, he lets us hear the rich mix of voices speaking during the course of the war. (University Press of Kansas, 2016; 256 pages; $29.95)

10-Minute Theatre

Students performing on stageFamily Weekend this year featured the world premiere of five new plays—each no more than 10 minutes long. The plays, written by members of the 5-college community around the theme of self-discovery, were all part of the eighth annual 10-Minute Play Festival, sponsored by Pomona’s Department of Theatre and Dance, organized by Carolyn Ratteray, visiting assistant professor of theatre and dance, who said the plays ranged “from the silly to the absurd, as well as the moving and the heartfelt.” At right, Peter Brown ’15 directs a group of Pomona actors in “While Away,” his play about three siblings dealing with the aftermath of their grandmother’s death, simultaneously bonding and fighting over her less-than-perfect legacy. Pictured, from left, are Rachel Tils ’19, Brown, Barbara Peisch ’19 and Ben Hogoboom ’19.

Michael J. Fox on Optimism

Professor Nicole Weekes and Michael J. Fox in conversation on-stage

“I just feel like if you throw a penny in the air a hundred times, at least 51 times it’s going to come up heads. It’s not that I’m blind to the possibilities. I’m not reckless, and I don’t put my family in jeopardy because—’Don’t worry. It’ll be okay. It’s just a bear. It’ll be okay. We’ll make friends.’ I can be pragmatic and realistic too, but I do believe that if we let it happen, it’ll happen the right way. And the times it doesn’t make you grateful for the times it does.”

—Actor, author and activist Michael J. Fox
in conversation with Neuroscience Professor Nicole Weekes
at Bridges Auditorium, Feb. 12, 2016