A new work by Linda Kawasaki Yoshizawa ’78 was included in the visual arts portion of the 10th annual “East Meets West” art and poetry exhibit, integrating visual and literary arts, held in the Civic Center at the main Livermore, California, library. Yoshizawa is a printmaker from the San Francisco Bay Area whose artwork reflects the mixing of two cultural sensibilities—American and Japanese. Her nature-inspired drawings are used as symbols of our own struggles and yearnings. She uses colors, values, and textures to elicit mood, questions, and a sense of serenity. Her monotype printing technique balances serendipity and design with a personal aesthetic that reflects her Japanese-American identity. An art major at Pomona, she is a member of the California Society of Printmakers and the Los Angeles Printmaking Society. Her work is included in many personal and corporate collections across the country, including Kaiser Permanente in San Ramon and Pleasanton, California.
THE ART EXHIBIT “Vertigo@Midnight: New Visual AfroFuturisms & Speculative Migrations,” on view Feb. 23 – March 6, at Pomona College and Scripps College, invites viewers to contemplate the visceral, spiritual, emotional and political dimensions of diaspora.
The artists from around the world include Chakaia Booker, Michele Bringier, Maria Magdalena Campos-Pons, Krista Franklin, Renee Stout, Lee Blalock, Chris Christion, Oluwatobi Clement, Sydney Dyson, Sharon Grier, Karen Hampton, Zeal Harris, David Huffman, Lek Jeyifous, Ademola Olugebefola, Glynnis Reed, Cauleen Smith, Jaye Thomas, Sheila Walker, Jessica Wimbley and Saya Woolfalk.
The artists are linked through their interest in and reimaginings of race, gender, the body, space and time. The artwork collected here considers the tensions and joys of identity through multiplicity, remixed histories, storytelling, memories, fragmentations and reinventions, disorientation and vertiginous boundary crossings.
The Vertigo@Midnight exhibition is hosted by two campus galleries – the Pomona College Studio Art Hall Chan Gallery, (370 N. Columbia Ave., Claremont) and the Scripps College Clark Humanities Museum (981 N. Amherst Ave., Claremont). The opening reception, with readings by Kima Jones, Peter Harris, and 5Cs students, will be held on Wednesday, Feb. 25, at 4:15 p.m., at the Clark Museum. Both museums are open Monday-Friday 9 a.m. to 5 p.m. and Saturday-Sunday, 12 – 5 pm.
Curated by Pomona College Prof. Valorie Thomas, “Vertigo@Midnight” opens dialogue about disorientation and equilibrium through her theorizing of African Diasporic Vertigo as a cultural idiom that crosses borders, cultures and languages.
- Feb 21, Film/Performance, 8 p.m., King Britt presents “Brother From Another Planet (Recontextualized),” Smith Campus Center (Edmunds Ballroom, 170 E. Sixth St., Claremont)
- February 27-28 & March 6-7, Film Screenings, AfroFuturisms and the Speculative Arts, 12-6 p.m., Crookshank Hall (140 W. Sixth St., Claremont)
- March 4, Artist Talk, Jessica Wimbley, 1:15 p.m. with reception at 4 p.m., featuring a dance performance by Sesa Bakenra (Claremont McKenna College ’15), Pomona College Studio Art Hall, Room 122.
- March 5, Artist Talk, Claude Fiddler, 4:15 p.m., Pomona College Studio Art Hall, Room 122.
- March 6-7, Film Screenings, AfroFuturisms and the Speculative Arts, 12-6 p.m., Pomona College Studio Art Hall, Room 122.
For more information on AfroFuturisms and the Speculative Arts, contact email@example.com.
“AMERICAN SPRING, A CAUSE FOR JUSTICE,” 23 story quilts that narrate the Trayvon Martin shooting in Florida, will be on display at Pomona College, beginning Feb. 23. The quilts come from the Fiber Artists of Hope Network and reveal reactions to Martin’s death in 2012 and hopes for a better America.
The exhibition will be open Feb. 23 to March 8, 2015, at the Pomona College Bridges Auditorium (450 N. College Way, Claremont) and is free to the public. An opening reception will be held on Thursday, Feb. 26, with lectures at 6 p.m. and the reception at 7 p.m.
The exhibition is open on Monday–Wednesday and Friday-Saturday, from 10 a.m. to 4 p.m. On Thursdays, the exhibition will be open 1-7 p.m. in connection with the Pomona College Museum of Art’s Art After Hours program. On Sundays, the exhibit will be open 12-3 p.m.
Story quilting expands on traditional textile-arts techniques to record, in fabric, events of personal or historical significance. Through the accessibility of their colors, patterns and symbols, the quilts of ”American Spring: A Cause for Justice” relate narratives that enable conversations about sensitive topics from our national history, furthering the discussion of racial reconciliation in America. This exhibition is curated by Theresa Shellcroft and is organized by the Fiber Artists of Hope in Victorville, Calif.
The quilts have been exhibited to the Congressional Black Caucus, in Atlanta, Baltimore, Little Rock, Los Angeles, Marion (IN), Philadelphia, Victorville and Washington, DC, among other locations.
Associate Dean Jan Collins-Eaglin saw the quilts at the African American Quilting Guild meeting in Los Angeles last year. “Each quilt tells a story,” she says. “They’re very evocative and interpretations of what happened. I really wanted our students to be able to see them. Then there were the shootings of Michael Brown in Ferguson and Eric Garner in New York.
“Through art, we can heal, and this has that power. We can begin to talk about what these artists hope for, and what we hope for. There are so many little details in the quilts, and as you look at them more closely, you begin to talk about them.”
Comedian Joel McHale entertained a packed house of Claremont Colleges students at Little Bridges on Saturday night.
McHale, who is the host of “Talk Soup” and stars on the sitcom “Community,” did his research, commenting that Claremont is like Tolkein’s Shire and ribbing the audience on the differences between the colleges. From his time hosting E!’s “The Soup,” McHale shared stories of angering reality TV stars like Tyra Banks and the Kardashians, as well as shared a tribute joke for Joan Rivers, before segueing into stories about raising young sons.
He even took a crack at Pomona’s beloved mascot: “Cecil the Sagehen is not very intimidating. It’s like, ‘We’re gonna beat you… if you were to eat us and we were undercooked. We’re gonna salmonella you all over the field!’”
The event was co-sponsored by the CUC Holmes Fund; Bridges Auditorium, which produced the event; and Bridges Hall of Music, which hosted the event. Each of The Claremont Colleges received a set amount of free tickets, distributed through the respective college’s student affairs staff.
Pomona College often hosts top-bill comedians, including Wanda Sykes, Eddie Izzard and Aziz Ansari in recent years.
Music Professor Tom Flaherty has a new CD out, Looking for Answers, from Albany Records featuring chamber music recorded in Pomona’s Little Bridges.
“I have been long been fascinated with how the meanings of simple things can be transformed when they are juxtaposed in interesting ways,” writes Flaherty.” Colliding meters, tempos, modes, levels of dissonance, and the like permeate my recent music, and are often the focus of its progress.”
The CD features six pieces, written over seven years, and “all inspired by and written for friends, family and admired colleagues.”
Earlier this week, we took a hard-hat tour of the Pomona’s under-construction Studio Art Hall, set to open in fall. Pomona’s web will be reporting more about the innovative design, environmental features and creative spaces in coming months, but here are some quick takeaways from our tour:
The building’s layout – described as four structures under one roof canopy to create an “art village” – has no interior hallways, leaving plenty of open spaces for students to gather or work on their art.
Those include a large terrace on the northeast corner of the second floor and a covered open-space area beckoning from the southeast corner, with the rustic oaks of the Wash only a stone’s throw away.
Expect plenty of natural light: More than half of the exterior of the building will be glass. Upstairs, Professor Mercedes Texeido’s drawing studio will be lit with help from gill-like skylights (see photo.) The painting studio on the north side of the second floor looks out at a sweeping view of the San Gabriel Mountains.
Along with spaces for painting, sculpture, drawing, metal work, a digital studio, a wood shop, photography, a computer lab and more, the building also includes a lounge with a kitchen, adjacent to the artist-in-residence space.
The grounds of the large courtyard – another distinctive feature of the building — are starting to take shape. A cork oak has been planted, and faculty from both the art and geology departments have selected boulders that will be placed in the courtyard and used for both casual seating and for instruction by geology classes.
The art-geology connection is just one example of the interdisciplinary aims behind the new building. One purpose for of the open-air gathering spaces is to allow students in different artistic disciplines to work side by side, and junior/senior studios also will be shared between disciplines.
There could even be some unplanned interdisciplinary interaction between art and athletics: the balcony and terrace on the northern end of the upper floor offer a view into the outfield of Pomona’s baseball field.
Photo by Laura Tiffany
Skylar Funk Boorman ’10 and Merritt Graves ’10 have spent their years since Pomona successfully combining their love of music with the fight against climate change. Their outlet is Trapdoor Social, a band self-described as “Los Angeles Alternative Energy Rock and Sustainability Activism.” They recently released their second album and have been touring, doing shows throughout the Midwest and West Coast. The music videos for their alt-pop songs from their first album “Death of a Friend,” which featured Death Cab for Cutie’s well-known drummer Jason McGerr, have drawn large viewership online and play on the radio.
John Stout starts this night’s KSPC (88.7 FM) broadcast the same way he has for the last three decades: “Good evening and welcome to the show. This is Boss Guy in Claremont with music from the late 50s, 60s, and 70s.” He jumps right in, begins taking requests and sits back to enjoy the music. Pomona’s campus radio station has hosted the The Boss Guy in Claremont show since the fall of 1983, and though much has changed since then, John still lugs eight boxes of records and CDs to the station every Sunday for his show, which lasts from 10 p.m. to 1 a.m. (Afterwards, John hosts the World’s Music Without Boundaries show from 1 a.m. to 3 a.m.). The station's crew reaches beyond students: Stout is part of a group of community members who fill key slots in the station's schedule, offering a mix of music -- ranging from polka to a show devoted to movie soundtracks -- that might not find a home on commercial radio. Here, Stout talks about how it all began, what it’s like to host radio and how it felt to recently reach the milestone of 30 years on the air.
Pomona College English Professor Kevin Dettmar is teaching a Critical Inquiry (ID1) course this semester about Radiohead as a way to “test-drive” the idea of writing a book about the influential English rock band. “I thought the full-immersion experience of an ID1 would be a great way for me to do all the reading, think through the questions and issues,” says Dettmar, who has three times previously taught a freshman seminar on Flashpoints in Rock ‘n’ Roll History.
In class, students discuss Radiohead’s lyrics and music, the meanings behind them and how the songs affect listeners. They’ll look at Thomas Pynchon’s novel The Crying of Lot 49 and its influence on Radiohead, as well as band’s effect on debates over such issues as climate change.
Says Dettmar: “When I heard OK Computer (1997) for the first time, the experience was powerful enough to convert me back into a rabid music fan. There was something both utterly new and at the same time so familiar about the sound of that record…. It sounded like the music I’d been waiting for all my life.”
Dettmar knows that the class has to work to stay away from becoming merely fandom. The professor recalls a conversation following a session devoted to analyzing the song “Paranoid Android.”
“I maintained that it was the first time that the band had achieved real greatness, real transcendence. A student came up after class to talk about the fact that, after all that analysis and discussion, he still really didn’t like the song. I think that’s huge: again, fan and critic are two very different jobs.”
The class, meanwhile, has its own fans. “I love getting together and just discussing music from an academic perspective with my peers,” says Grace Lamdin ’17. “He knows how to lead thoughtful discussions—and I really want to own his entire iTunes library.”
Dettmar, who wrote the textbook Think Rock, also has a forthcoming entry in the 33-1/3 book series on Gang of Four’s Entertainment! View a sample from the book here.
The latest issue of Harvard Magazine highlights Andrew Hoyem ’57 and his San Francisco-based Arion Press which, the article notes, is “now the only full-service letterpress left in the United States.”
Although facets of traditional bookmaking linger—some letterpress printing here, some hand-binding there—no other workshop houses the complete process, from the casting of type to the trimming of covers. … Contemporary publishing favors open access; recent advances in the technology of reading offer many text formats, not the perfection of a single one. Data suggest that Americans read more now than ever before, but how they read is increasingly unmoored from paper’s physical aspect.
And yet the book persists, with something of a second wind. Today, Arion Press leads a growing group of small Bay Area–based publishers placing a fresh emphasis on physical type and centuries-long tradition, revivifying the old arts at the heart of screen-age creativity. Users of the iPhone might forget that Apple’s early rise in design-based computing drew from the traditions of typography, but the press has not: it is among the leading custodians of that craft and one of the few remaining producers of cast type.
More about Hoyem: PCM archive article