Big Laughs for Joel McHale at Little Bridges

mchaleblog2Comedian Joel McHale entertained a packed house of Claremont Colleges students at Little Bridges on Saturday night.

McHale, who is the host of “Talk Soup” and stars on the sitcom “Community,” did his research, commenting that Claremont is like Tolkein’s Shire and ribbing the audience on the differences between the colleges. From his time hosting E!’s “The Soup,” McHale shared stories of angering reality TV stars like Tyra Banks and the Kardashians, as well as shared a tribute joke for Joan Rivers, before segueing into stories about raising young sons.

He even took a crack at Pomona’s beloved mascot: “Cecil the Sagehen is not very intimidating. It’s like, ‘We’re gonna beat you… if you were to eat us and we were undercooked. We’re gonna salmonella you all over the field!’”

The event was co-sponsored by the CUC Holmes Fund; Bridges Auditorium, which produced the event; and Bridges Hall of Music, which hosted the event. Each of The Claremont Colleges received a set amount of free tickets, distributed through the respective college’s student affairs staff.

Pomona College often hosts top-bill comedians, including Wanda Sykes, Eddie Izzard and Aziz Ansari in recent years.

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New CD from Professor Tom Flaherty

looking1Music Professor Tom Flaherty has a new CD out, Looking for Answers, from Albany Records featuring chamber music recorded in Pomona’s Little Bridges.

“I have been long been fascinated with how the meanings of simple things can be transformed when they are juxtaposed in interesting ways,” writes Flaherty.” Colliding meters, tempos, modes, levels of dissonance, and the like permeate my recent music, and are often the focus of its progress.”

The CD features six pieces, written over seven years, and “all inspired by and written for friends, family and admired colleagues.”

A Look Inside Pomona’s New Studio Art Hall

drawingstudioEarlier this week, we took a hard-hat tour of the Pomona’s under-construction Studio Art Hall, set to open in fall. Pomona’s web will be reporting more about the innovative design, environmental features and creative spaces in coming months, but here are some quick takeaways from our tour:

The building’s layout – described as four structures under one roof canopy to create an “art village” – has no interior hallways, leaving plenty of open spaces for students to gather or work on their art.

Those include a large terrace on the northeast corner of the second floor and a covered open-space area beckoning from the southeast corner, with the rustic oaks of the Wash only a stone’s throw away.

Expect plenty of natural light: More than half of the exterior of the building will be glass. Upstairs, Professor Mercedes Texeido’s drawing studio will be lit with help from gill-like skylights (see photo.) The painting studio on the north side of the second floor looks out at a sweeping view of the San Gabriel Mountains.

Along with spaces for painting, sculpture, drawing, metal work, a digital studio, a wood shop, photography, a computer lab and more, the building also includes a lounge with a kitchen, adjacent to the artist-in-residence space.

The grounds of the large courtyard – another distinctive feature of the building — are starting to take shape. A cork oak has been planted, and faculty from both the art and geology departments have selected boulders that will be placed in the courtyard and used for both casual seating and for instruction by geology classes.

The art-geology connection is just one example of the interdisciplinary aims behind the new building. One purpose for of the open-air gathering spaces is to allow students in different artistic disciplines to work side by side, and junior/senior studios also will be shared between disciplines.

There could even be some unplanned interdisciplinary interaction between art and athletics: the balcony and terrace on the northern end of the upper floor offer a view into the outfield of Pomona’s baseball field.

Photo by Laura Tiffany

Pomona Pair Mix Alt-Pop, Entrepreneurship and Environmental Activism

Skylar Funk Boorman ’10 and Merritt Graves ’10 have spent their years since Pomona successfully combining their love of music with the fight against climate change. Their outlet is Trapdoor Social, a band self-described as “Los Angeles Alternative Energy Rock and Sustainability Activism.” They recently released their second album and have been touring, doing shows throughout the Midwest and West Coast. The music videos for their alt-pop songs from their first album “Death of a Friend,” which featured Death Cab for Cutie’s well-known drummer Jason McGerr, have drawn large viewership online and play on the radio.

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Boss Guy marks three decades on KSPC

John Stout starts this night’s KSPC (88.7 FM) broadcast the same way he has for the last three decades: “Good evening and welcome to the show. This is Boss Guy in Claremont with music from the late 50s, 60s, and 70s.” He jumps right in, begins taking requests and sits back to enjoy the music. Pomona’s campus radio station has hosted the The Boss Guy in Claremont show since the fall of 1983, and though much has changed since then, John still lugs eight boxes of records and CDs to the station every Sunday for his show, which lasts from 10 p.m. to 1 a.m. (Afterwards, John hosts the World’s Music Without Boundaries show from 1 a.m. to 3 a.m.). The station's crew reaches beyond students: Stout is part of a group of community members who fill key slots in the station's schedule, offering a mix of music -- ranging from polka to a show devoted to movie soundtracks -- that might not find a home on commercial radio. Here, Stout talks about how it all began, what it’s like to host radio and how it felt to recently reach the milestone of 30 years on the air.

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Class explores the influence and importance of Radiohead

Pomona College English Professor Kevin Dettmar is teaching a Critical Inquiry (ID1) course this semester about Radiohead as a way to “test-drive” the idea of writing a book about the influential English rock band.  “I thought the full-immersion experience of an ID1 would be a great way for me to do all the reading, think through the questions and issues,” says Dettmar, who has three times previously taught a freshman seminar on Flashpoints in Rock ‘n’ Roll History.

In class, students discuss Radiohead’s lyrics and music, the meanings behind them and how the songs affect listeners. They’ll look at Thomas Pynchon’s novel The Crying of Lot 49 and its influence on Radiohead, as well as band’s effect on debates over such issues as climate change.

okcomputer1Says Dettmar: “When I heard OK Computer (1997) for the first time, the experience was powerful enough to convert me back into a rabid music fan. There was something both utterly new and at the same time so familiar about the sound of that record…. It sounded like the music I’d been waiting for all my life.”

Dettmar knows that the class has to work to stay away from becoming merely fandom. The professor recalls a conversation following a session devoted to analyzing the song “Paranoid Android.”

“I maintained that it was the first time that the band had achieved real greatness, real transcendence. A student came up after class to talk about the fact that, after all that analysis and discussion, he still really didn’t like the song. I think that’s huge: again, fan and critic are two very different jobs.”

The class, meanwhile, has its own fans. “I love getting together and just discussing music from an academic perspective with my peers,” says Grace Lamdin ’17. “He knows how to lead thoughtful discussions—and I really want to own his entire iTunes library.”

Dettmar, who wrote the textbook Think Rock, also has a forthcoming entry in the 33-1/3 book series on Gang of Four’s Entertainment! View a sample from the book here.

Andrew Hoyem ’57 keeps type tradition alive

The latest issue of Harvard Magazine highlights Andrew Hoyem ’57 and his San Francisco-based Arion Press  which, the article notes, is “now the only full-service letterpress left in the United States.”

Although facets of traditional bookmaking linger—some letterpress printing here, some hand-binding there—no other workshop houses the complete process, from the casting of type to the trimming of covers. … Contemporary publishing favors open access; recent advances in the technology of reading offer many text formats, not the perfection of a single one. Data suggest that Americans read more now than ever before, but how they read is increasingly unmoored from paper’s physical aspect.

And yet the book persists, with something of a second wind. Today, Arion Press leads a growing group of small Bay Area–based publishers placing a fresh emphasis on physical type and centuries-long tradition, revivifying the old arts at the heart of screen-age creativity. Users of the iPhone might forget that Apple’s early rise in design-based computing drew from the traditions of typography, but the press has not: it is among the leading custodians of that craft and one of the few remaining producers of cast type.

More about Hoyem: PCM archive article

Seinfeld’s Jason Alexander shares showbiz career tips at Pomona College

Jason Alexander

 

With his frequent firings and penchant for workplace naps, Seinfeld sidekick George Costanza would be the last person you’d turn to for career advice. But the man who became famous playing the role for nine seasons on the comedy? He’s golden.

Spending most of Monday at Pomona College, actor and director Jason Alexander impressed students with his candid, detailed advice in a career Q&A and in an afternoon teaching session with two introductory acting classes. “He was very frank,” said Rishi Sangani ’15, a Seinfeld fan excited about the chance to see Alexander in person. “He didn’t hide the truth at all.”

At the lunchtime session sponsored by the Career Development Office and Smith Campus Center, Alexander said students interested in showbiz careers are facing “the best of times and the worst of times.”

On the one hand, there are few gatekeepers – anyone can grab a camera and get to work. “No one can keep you from doing what you want to do,” he said. But the downside is “there’s so much product it’s very hard to be compensated for your work because they all have so many options.”

“If you do something brilliant, it will cut through, it will give you a name,” said Alexander, who won a Tony in 1989 for his role in Jerome Robbins’ Broadway. “But getting that thing to break through is incredible hard right now.”

The answer? Start now. College students should already be building the community they want to work with, he said. “Don’t wait for someone to give you an opportunity”

“Go out and do it. It’s not rocket science. You’ve been watching TV and movies since you were this big.”

Alexander  encouraged the students to clarify their thinking and be more specific about their aims and the roles they want to play. “Actors tend to think of themselves as spaghetti thrown against the wall. Whatever hits, whatever sticks, I’ll do that,” he said. “If you want to be on stage … focus there. If you want to be on television … focus there. Give your ambitious life a little bit more of a laser focus and head that way.”

Narrowing your vision, he said, can give you a better sense of definition and purpose.

When Shani Paul ’16, a media studies major, asked how she should go about pursuing summer opportunities in New York, he pressed her for more detail about what she wanted to do. When she said her dream was to direct TV dramas, he suggested she seek out production companies and pursue any opportunity that will get her  the chance to watch the director at work. Or, he suggested, consider a summer film school. Or just start directing something now. “Find a piece of work and go direct it,” he said. “Make stuff.”

Alexander recounted a time early in his career when he became “crippled by stage fright” and was “too afraid to tell anybody.” He finally confided in his acting teacher Larry Moss, who refused to coddle him.

“He went, ‘Get over yourself. All you do is tell stories. Tell the … story,’” Alexander recalls. “After that, it got progressively better.”

Later in the day, Alexander spent two hours with students in Basic Acting classes taught by Professor Betty Bernhard and Visiting Lecturer Janet Hayatshahi. Afterward, students gathered to get their pictures taken with the actor.

“He definitely challenged my opinion about what real actors are like and what they do,” said Ben Brostoff ’14, adding that he was impressed that Alexander didn’t rely on mood and feeling. “It was very challenging,” added Tori Gaines CMC ’13, who acted out a scene while Alexander offered tips. “He expected detail right away.”

The glow from Pomona’s Skyspace reaches all the way to Sweden

Pomona College Museum of Art Director Kathleen Howe this summer set off for Sweden, home of the northernmost Skyspace created by artist James Turrell ’65, for the first-ever international gathering for owners and caretakers of these sought-after windows to the sky. At each of these Turrell creations, which now dot the globe from Argentina to China to Pomona’s own Draper Courtyard,  openings to the sky and shifts in ambient light create fascinating perceptual changes as the sun sets and rises. But the gathering near Stockholm offered something extra.

On a July night in the far north, Howe and 35 others watched in awe as the Skyspace light show went on for more than two hours in the long, lingering twilight. At quarter till midnight, when the show was over, “it was still light enough to walk home through the woods,” recalls Howe.

"Dividing the Light" -- copyright James Turrell. Photo by Florian Holzherr

“Dividing the Light” — copyright James Turrell.
Photo by Florian Holzherr

Pomona’s Skyspace – and the College itself — took on a special glow as well during the three-day gathering.  Griffith Observatory Director Edwin Krupp ’66 gave the keynote on archeoastronomy, the study of how past civilizations observed the starry skies, and Howe witnessed he and Turrell entrancing a tableful of attendees with their Pomona tales.

Howe, too, got the chance to address the group, noting the Pomona Skyspace’s unique role in campus life.  While some Skyspaces are in private hands and others only accessible during limited hours, Howe detailed the public and accessible nature of Pomona’s “Dividing the Light.” She described how classes use it, and told of families with kids gathering for the nightly light shows and of how she arrived at the campus Skyspace one dawn to happen upon a woman with tears streaming down her face as she sang a hymn beneath it. She told how students time their study breaks to the Skyspace’s color chime and how a student described it to her as “Pomona’s piazza.”

Attendees of the Skyspace gathering “were really taken with the sense of it being part of a living community and a living part of the community,” says Howe. Perhaps Turrell was taken most of all. When her presentation ended, “he got up and gave me this enormous bear hug.”

More about James Turrell
More about Pomona’s Skyspace

25 years of wine and jazz with the Thorntons

The U-T San Diego went big with its coverage of John ’53 and Sally Thornton’s 25 years running Thornton Winery and its Champagne Jazz Series. According to the piece by George Varga, the couple’s “impact as cultural and community philanthropists in the San Diego area has been enormous.” With their Temecula winery, the article notes, the pair “helped to put this wine region [located between San Diego and Riverside] on the map.”

The piece quotes jazz musician Dave Koz:

“I grew up in Los Angeles and I’d heard about Temecula, but had never been there until we first played at Thornton in 1992,” said Koz, whose June 22 and 23 concerts at the winery both sold out in advance. “Back then, they were pretty much the only game in town. Now, Temecula has become quite a destination for Californians and people from all over the world. And Thornton, with its unique combination of music, wine and food, is the granddaddy of it all.”