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The Fire Chronicle: John Stephens ’94 on writing the second book in his fantasy trilogy

Veteran TV writer John Stephens’ (Pomona College Class of ’94) first foray into children’s fantasy books, The Emerald Atlas, was a hit in a hot publishing genre. Now he is back with The Fire Chronicle, the second in the Books of Beginning trilogy. Kirkus Reviews gave the new book, released this fall a starred review: “Irreverent humor and swashbuckling adventure collide in a fetching fantasy.”

Stephens’ stories follow three children who have been hidden by the wizard Stanislaus Pym at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans, but are soon discovered by their enemies. In Chronicle, Kate is chased 100 years into the past to a dangerous and enchanted New York City and left searching for her brother and sister, Michael and Emma, who are following clues into a hidden world to find the legendary book of fire.

Stephens ’94 is already well-established in television, where he spent 10 years as executive producer of Gossip Girl and a writer for Gilmore Girls and The O.C. And while The Emerald Atlas was highly sought after among publishers, Stephens found writing the follow-up brought a new set of challenges, as he describes in this abridged interview:

Is it easier or harder to write the second book in a trilogy? 

Writing the second book is both harder and easier. On the easier side, you already have your main characters. You know who they are, their strengths and weaknesses.  Also, in a trilogy such as this, you have a certain level of story momentum.  There are specific plot points which have to happen. Granted, you want to get to them by unexpected paths, but you know that sooner or later you have to get to them.  That said, writing the second is in many ways more difficult than the first. The first I wrote more or less in private, almost on a lark. There was no deadline, no one waiting for the book. I could write in my own time, and if the book ended up stinking, well, no one ever had to know.  With the second book, there was a deadline.  People were waiting.  The pressure was totally different.  When you write a first book that ‘works,’ it feels like you somehow managed to pull a rabbit out of your hat in the privacy of your own office. Writing the second book, you’re suddenly on stage in front of a thousand people, and there’s a worldwide rabbit shortage. And you’re naked.

Did you start The Fire Chronicle soon after the first book? How long did it take you to complete it? 

I started The Fire Chronicle when I was in the process of selling The Emerald Atlas, which in some ways meant going from one book right into the other. You have to understand, I was kind of terrified. I had managed to write one book, but to me, all that proved was that I could write one book. Who was to say I could write two, much less three? But I’d signed a contract promising three. I had this image where angry publishers would come to my house and take my dog when I failed to produce the books. From my first notes to the locked book was almost exactly two years. Two wonderful, wonderful panic-filled years.

Have you completed book three? What are you working on now?

I have not completed book three. I have done a rough outline and begun writing. Though right now, I’m taking a little bit of a break to direct a couple episodes of television. After two years alone in a room, I worried I was getting a little weird, and I felt it’d be a good idea to venture out into the world before I descend again into my hobbit hole.

–Sneha Abraham

More about John Stephens in PCM

Backroads scholar Dan Hickstein ’06 writes the guide to mountain biking in Colorado

During his Pomona College days, Dan Hickstein ’06 landed a prestigious Churchill Scholarship to study at Cambridge (where he earned his master’s in physics), co-authored articles for such publications as the Journal of the American Chemical Society and  completed two internships at the National Institutes of Health.

But Hickstein also knows how to let off some steam in the great outdoors, and he recently took a year off from pursuing his Ph.D. in chemical physics at the University of Colorado at Boulder to write The Mountain Biker’s Guide to Colorado, earning rave reviews on amazon. The result: 367 pages chock full o’ trail details and ratings, maps, photos and even tidbits on bike shops and places to eat from Fort Collins to Aspen.

As Hickstein told Colorado Daily:

“A week at a time I’d drive out to some part of Colorado and ride all the trails — and ride them all with a GPS. I wanted to have really good maps in the book. I would ride with digital camera and each time I got to a turn I’d make a point on the GPS and record the instructions as a little movie on my  camera. I spent hours going through the videos and GPS tracks. I really tried to be out there most every day, rain or shine, trying to get the trails ridden and get the research done.”

 

 

 

Susan Beilby Magee ’66 delves into the art and life of Holocaust survivor Kalman Aron

When Susan Beilby Magee ’66 was 6 years old, she posed for a portrait by Kalman Aron, a Holocaust survivor and fine artist who had come to Los Angeles after World War II and was barely eking out a living.

Fifty years later, Aron, a respected portrait and landscape artist, whose com- missioned subjects include Ronald Reagan, Henry Miller and André Previn, would ask Magee to write the story of his life.

The result, nearly 10 years in the making, is Into the Light: The Healing Art of Kalman Aron, co-published in October by Hard Press Editions and Posterity Press, Inc. in association with Hudson Hills Press. A compelling and graceful mix of first-person memoir, biography and commentary, the book is also a comprehensive retrospective of Aron’s work, encompassing 210 stunning color plates and 30 black-and-white images.

Aron and Magee saw each other only sporadically after her 1951 portrait sitting. Graduating in 1966 from Pomona with a B.A. in international relations, Magee became a leader in the women’s movement in Seattle. She was a White House Fellow, earned her M.B.A. at the Wharton School and held positions in domestic finance and economic development in the U.S. Treas- ury and Commerce departments during the Ford and Carter administrations.

“Pomona College,” Magee says, “gave me the foundation that a liberal arts education is supposed to give you. It was a springboard for me to explore and be curious about life.”

In the mid-1980s, Magee’s life took an unexpected turn. She became a certified hypnotherapist and meditation teacher, founded the Washington Circle of Master Healers and is involved with healing pro- grams at the Center for Prayer and Pilgrimage at the Washington National Cathedral.

Meditation would play a part, too, in Magee’s understanding of Aron’s story and how it informed his art. “If you ask Kalman, ‘Why did you paint that particular painting about that subject?,’ he’ll say, ‘I don’t know.’ His work is unconsciously done.

“Yet you can see in his work that he metabolized his experiences,” she says. “In Kalman’s early work, he was painting all of the desolation and lack of light and color that he saw. That was what was going on in- side him. As he regained texture and color in his life, his paintings exploded with it.

“I sat in silence for five months by myself with 10 groups of his paintings,” Magee says. “What was going on in his life at the time he painted them? What was he working out? What was the influence of the Holocaust? I depended on that quiet listening for the answers.”

It was during a mutual visit with Magee’s ailing mother that Aron asked Magee to write his story. (An interior decorator and art patron, Magee’s mother played a major role in Aron’s early success as a portrait painter. “She sent him all her clients,” Magee explains.)

Aron’s request came after seeing the 2002 film The Pianist. Based on a Jewish-Polish musician’s World War II memoir, the film, Magee says, had somehow given Aron the freedom to tell the story he had tried to forget.

“I wasn’t going to have anybody write it,” 88-year-old Aron says from his home in Los Angeles, “because I didn’t want to remember it.” Magee, he says, “did a good job.”

After an initial 18 hours of interviews, Magee’s research took her to the U.S. Holocaust Memorial Museum in Washington and to Europe, where she visited the sites of Aron’s childhood home in Riga and the camps where he was incarcerated in Poland, Germany and then-Czechoslovakia. Among the records that she found was the transit paper marking Aron’s arrival at Buchenwald.

From Prague to Salzburg, Magee followed Aron’s post-liberation route as he fled Russian Army custody. She went to Vienna, where the artist and his first wife lived before emigrating to the United States in 1949, and where Aron attended the Vienna Fine Arts Academy on a full scholarship after the war.

At the site of the Rumbula massacre where Aron’s mother was among 25,000 Jewish Latvians killed over two days in 1941, Magee placed a memorial stone honoring both of Aron’s parents.

Aron, who refuses to go back to Latvia, was uneasy about the trip. “I didn’t want her to go,” he says. “It was brave of her.”

Magee, who is not Jewish, believes, however, that she could not have written the book if not for her own “deep healing journey” as a victim of child abuse. “People who know me know the history of what happened to me,” she adds, “but this is the first time that I’ve written it in print.”

For Magee, one of Aron’s most revelatory pieces is a small, dark painting from the early 1950s called “Kalman Marching in the Camp.” In it, Aron is the skeletal central figure, flanked by smaller faces that appear alternately “wise, sad or terrorized.”

“I realized that those were all aspects of Kalman in the camps,” she says. “But the one that survived is the one upfront and center, the one who is utterly determined to survive, even though he has had to let go of most of his light.

“That’s what he would reclaim,” Magee says. “He wanted to live so that he could see the world and paint it.”

Perfect placement for Pomona art tome

The critically-acclaimed, year-long Pomona College Museum of Art exhibition, “It Happened At Pomona: Art at the Edge of Angeles, 1969-1973,” ended in May. But as this photo tweeted by KSPC’s Erica Tyron shows, interest in the exhibition carries on, far beyond Pomona. The shot shows the display window of San Francisco’s famous City Lights Bookstore, and the gray-colored tome is the catalogue for “It Happened.”

New Book Looks into the Birth of Mirth

If you’re reading James Thurber and Robert Benchley and composing comedic poetry at the tender age of 7, then writing a book that examines humor from every conceivable angle doesn’t feel like that much of a stretch. Indeed, when David Misch ’72 began putting together Funny: The Book three years ago, it felt like the next logical step in a four-decade career that has included stints as a comedic folk singer, stand-up comedian and writer for such shows as Mork and Mindy and Saturday Night Live. Misch credits his days at Pomona for both the beginning of his life’s work and its latest chapter. During his senior year, Misch was goofing around, making up songs on guitar with some friends in his Clark dorm room.Their laughter prompted a concert booking at the Smudge Pot coffee house and a postgraduate career as a “professional funny folk singer,” an occupation that, Misch notes, “went out around the same time as ‘buggy whip maker.’”

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Author Douglas Preston ’78 part of expedition that may have found fabled lost city

It’s all over the news  this week: the president of Honduras has announced that a team of researchers, using airborne laser mapping, may have found a fabled lost city deep in the rain forest of the Central American nation. Reports Innovation News Daily via MSNBC:

“Underneath the thick, virgin rainforest cover in the Mosquitia region of Honduras, archaeologists have discovered ruins they think may be the lost city of Ciudad Blanca … researchers flew over the area in a small plane and shot billions of laser pulses at the ground, creating a 3-D digital map of the topology underneath the trees.”

Adds ScienceDaily:

“The project has demonstrated the power of airborne laser mapping to locate archaeological ruins in regions covered with thick forest, and it appears that the method will be used widely in the years ahead.”

And, then, via an author’s web link to the Honduran government’s press release, we learn that our very own Douglas Preston ’78, best-selling author of both thrillers and non-fiction as well as New Yorker archaeology correspondent,  was along on the expedition. Can’t wait to find out what he was up to.

More about Douglas Preston and his brother Richard Preston ’76, who is also a best-selling writer:

“The Man Who Cried Plague” (an interview with the brothers))
“Of Cannibals and Monsters” (about new books from the Preston brothers)
Douglas Preston’s 2011 Commencement speech
Richard Preston ’76, Michael Crichton and Micro

Professor’s Praise Launched Prolific Children’s Author

Children’s author Barbara Brooks Wallace ’45 has racked up more than her share of awards and rave reviews in a career spanning five decades. And, at 89, she’s still at it, with the Cinderella-themed Diary of a Little Devil released in December and another book in her Miss Switch series coming in the fall. But she hasn’t forgotten her shaky start. Wallace, who today lives in a retirement home in McLean, Va., credits her success to an initially-nerve-wracking encounter with her freshman-year English professor at Pomona. Wallace had always pleased her high school teachers. But at Pomona she came to realize she was prone to “flossy” overwriting and for the first time in her life, she was making C’s on papers. Then English Professor Charles C. Holmes called her into a meeting.

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The love lives of American Muslim women

Nura Maznavi ’00 was tired of hearing everyone talk about Muslim women, without ever stopping to listen to Muslim women themselves. “Nowhere in the public discourse did we see a reflection of the funny, independent and opinionated Muslim women we knew,” says Maznavi, who, with co-editor Ayesha Mattu, thought an anthology could help fill the void. “We decided to compile our faith community’s love stories as a celebration of our identity and heritage, and a way of amplifying our diverse voices, practice and perspectives.” In Love, InshAllah: The Secret Love Lives of American Muslim Women, 25 women chronicle their experiences of romance, dating, love and sex in the context of their varied relationships to their Muslim faith. (“InshAllah” means “God-willing.”) For the anthology’s co-editors, this was an opportunity to subvert popular perceptions and stereotypes of Muslim women and also remind readers of the universality and complexity of the search for love.

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Remembering David Foster Wallace on his 50th birthday

David Foster Wallace would have turned 50 today, and the web is full of fresh remembrances of his literary legacy. Wallace (Infinite Jest, The Pale King) was Pomona College’s Roy E. Disney Professor of Creative Writing at the time of his death in September 2008.

The Awl lists “46 Things to Read and See for David Foster Wallace’s 50th Birthday.” 

From the New York Daily News: “David Foster Wallace at 50: Why he still matters and always will.”

The Atlantic Wire also offers an interesting roundup  of links.

 Flavorwire: “Awesome Tattoos Inspired by David Foster Wallace.”

 From the PCM archives: Pomona students remember David Foster Wallace 

The Pomona Student Union held its own event this past Saturday discussing Wallace’s legacy with novelist and essayist Jonathan Lethem (Pomona’s Roy E. Disney Professor of Creative Writing and English), Laura Miller (author and writer for Salon and The New York Times Book Review), and D.T. Max (writer for The New Yorker and author of an upcoming Wallace biography). Update on 2/27: Video of the event is now available on the PSU web. (Photo below: Miller, moderator Julius Taranto ’12, Lethem and Max.)

 

Richard Preston ’76, Michael Crichton and the making of “Micro”

Richard Preston’s friendship with Michael Crichton is a strange one—mostly because the two writers never met. It developed as Preston ’76 finished writing Crichton’s 17th novel, a thriller that finds seven grad students lured to Hawaii for a research project that turns out to be run by a sociopath scientist. The students are plunged into the insect world of Oahu and must struggle to survive. “At first I thought I would be intimidated,” says Preston, “but I became entranced by Michael’s materials. It became an act of friendship, and I developed a feeling of affection for Michael even though I had never met him.”

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Pomoniana

All the fun stuff from campus: Pomona College tidbits, traditions, lore and more.

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Culture

From sculptors to screenwriters, creative Sagehens get the spotlight.

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