Blog Articles

Sustainable Numbers

Layout 1The number of gallons of water the College expects to save each year due to new pH controllers installed on its 10 water-cooling towers. Purchased last March, the new controllers reduce the number of water replacement cycles in building air conditioning systems.

Layout 1The number of pounds of used appliances, furnishings, books and other items (including 100+ couches) saved from the landfill last May in the College’s Clean Sweep, which picks up items left behind in residence halls for resale the next fall. This year’s sale raised more than $9,500 for sustainability programs.

Layout 1The number of new low-flow faucets and showerheads installed as part of the College’s Drought Action Plan. The College also reduced irrigation to landscaped areas by at least 20%, timed watering schedules for night-time and prohibited washing of outside walkways.

Layout 1The number of bicycles available to students last year through the College’s Green Bikes program, in which students check out bikes for the entire semester and learn how to repair and maintain them.

Layout 1The percentage of produce served in Pomona’s dining halls last year that came from local sources

How Classes Are Born

POMONA OFFERS MORE than 600 classes in 47 majors, and each year new courses are born. Here’s a look at the origins of seven of the newest:

1) Behaviorial Economics (Professor of Economics John Clithero ’05) was added by popular student demand. It explores a growing subfield that attempts to incorporate more psychologically plausible assumptions into the traditional economic model of “unbounded rationality.”

PCM-winter2015-48_Page_05_Image_00042) Laughing Matters (Professor of Romance Languages and Literatures Jose Cartagena-Calderón) grew out of the professor’s research into the meaning and value of humor in Hispanic literature and art.

3) Anthropology of Food (Professor of Anthropology Drew Gladney) explores food and culture with special attention to food taboos and security issues. The course was born out of a discussion of California’s ban on foie gras in an Introduction to Anthropology class.

4) Genes and Behavior (Professor of Neuroscience Elizabeth Glater) originated in a conference the professor attended that focused on the gap between what the public believes and what studies have shown about the dominant influence of genes on behavior. The class examines the science behind the fundamental question of “nature vs. nurture.”

5) The Science of Empire (Professor Pey-Yi Chu) explores the history of science in connection with the expansion of European empires. The class grew out of a book Chu is writing on the history of frozen earth and permafrost research in Russia and the Soviet Union.PCM-winter2015-48_Page_05_Image_0005

6) Surveillance and the Media (Professor of Media Studies Mark Andrejevic) was created in the wake of recent revelations about the NSA and increasingly intrusive technologies of surveillance. Originating in the professor’s writings, it examines “how the media in which we are immersed double as tools for monitoring and surveillance.”

7) Disability Studies (Hentyle Yapp, Mellon Chau Post-Doctoral Fellow in Gender and Women’s Studies) was formed to examine the changing definitions and approaches to the concept of disability and related areas of activism as part of Pomona’s emphasis on Dynamics of Difference and Power.

Rocking Studio Art

A SELECTION OF interesting rocks placed in the courtyard of the new Studio Art Hall will serve as instructional tools, artistic inspiration—and occasional outdoor seating.PCM-winter2015-48_Page_05_Image_0006

The idea came from Art Professor Michael O’Malley and Geology Professors Bob Gaines and Jade Star Lackey. Original plans calling for the placement of some generic granite stones were replaced by a more eclectic arrangement of rocks as a way to enliven the building’s stark open spaces, inspire young artists and bring in other disciplines. The Geology Department plans to use the rocks as teaching tools in introductory courses.

“Artists draw inspiration and knowledge from all sources,” says O’Malley. “As a sculptor, I love learning about stones and the fascinating stories behind them. The art faculty hopes that the building draws students from across the campus, and we saw the stones as a device to create a more complex community.”

Standouts among the stones include a brilliant sheet of green quartzite from Utah and a dazzling marble boulderin its raw, unpolished form. One rock, a checkered block of granite, even has a strong connection to the L.A. art world, having been discovered in the same Riverside quarry as Michael Heizer’s Levitated Mass installation at LACMA.

A CRISPR Cut

A CRISPR Cut: Jennifer Doudna ’85 didn't set out to revolutionize Genetic Engineering, but that may be exactly what she did.

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THE ACTION AT scientific conferences mostly happens in conference rooms and hotel bars, but sometimes the players break out to see the sights. That’s what Jennifer Doudna was doing at a conference put on by the American Society of Microbiology in spring 2011. She attended a session on a type of bacterial genetic sequence called a clustered, regularly interspaced, short palindromic repeat—CRISPR, for short. They seemed to have something to do with an immune system for bacteria, though to be honest, Doudna, a biochemist at UC Berkeley who specializes in the three-dimensional structure of genetic material, thought they were “a boutique area of science” at best.

That night, Doudna ran into someone else who was working on the same problem. In Germany, Emmanuelle Charpentier’s lab was studying what most people call “flesh-eating bacteria,” a species of Streptococcus, and Charpentier’s team had found something important in one of their pet bug’s CRISPRs—it made a protein called Cas9. But she needed help to understand all of the moving parts. So Charpentier asked Doudna if she wanted to team up. Doudna said yes. Typical conference stuff.

Over the next few months, Doudna’s postdocs in California worked with Charpentier’s teams in France and Germany. But what they started to figure out began, slowly, to look a lot bigger than just an immune system for flesh-eating bacteria. CRISPR/Cas9 made a complex structure of protein and genetic material that looked like it could cut DNA—which is to say, genes—but it was precisely targeted, almost as simple as putting a cursor between two letters on a computer screen and clicking delete. “There were other techniques in the literature, but they were difficult,” Doudna says. “This is the kind of technique that, in principle, anybody who knows anything about molecular biology will be able to do.”

Doudna and Charpentier wrote a paper for Science, one of the world’s premiere scientific journals. When it came out, in summer 2012, the scientific community went nuts. By the end of 2013, hundreds of papers from labs all over the world had confirmed that, yes, not only was CRISPR a quick-and-easy way to edit a genome as easily as Word edits a magazine article, but it worked in just about every living thing—yeast, zebrafish, mice, stem cells, in-vitro tissue cultures, and even cells from human beings. Most gene-editing techniques work in theory, but in practice require wrestling to the ground complicated, ornery techniques that often fail. But with CRISPR: You want that gene over there? You got it. Companies formed seemingly overnight to turn CRISPR into medicines, research tools, and maybe even profits. Doudna’s lab was at the center of a shift that could be every bit as significant as being able to sequence the genome.

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THE KIND OF CELLS that you and I have encode information in the form of deoxyribonucleic acid—DNA, a long backbone of two spiraling strands bridged by “base pairs,” the famous A, T, C, and G that comprise the genetic sequence. But DNA isn’t the only genetic material. When it’s time to make proteins, cells unspool lengths of DNA from their tightly-packed chromosomes and make a cheap copy called ribonucleic acid, or RNA. It’s this RNA that other machinery in the cell reads—the sequence of A, C, G, and U (replacing the T) represent amino acids, and amino acids put together are the proteins of which we are mostly made. It’s a cool system.

RNA, though, is kind of weird. Because in addition to containing information, it can also form structures that do jobs. In fact, the biological machine that reads RNA and outputs proteins, called a ribosome, is itself made of RNA. In this particular corner of molecular biology, the map is also the terrain. This dual personality is behind the “RNA world” theory, the idea that RNA’s ability to both carry and initiate the code of life means it gave rise to all life on earth.

It’s also what compelled Jennifer Doudna, freshly graduated from Pomona, to get her PhD. Growing up in Oahu she knew she wanted to be a biochemist; a set of seminars she attended in high school had sealed that deal. She studied biology as an undergraduate, worked in real labs, and pointed herself at grad school in Boston as soon as it was time to apply. She ended up getting in the laboratory of Jack Szostak, who came up with the RNA world idea.

Doudna decided that she wanted to understand those RNA structures—figuring out the structure of ribosomes and other so-called catalytic RNA. Basically that meant trying to get them to crystalize and then x-ray them. It was, Doudna says, a methodological challenge that was “every bit as cool as I could have imagined.” Eventually she ended up a professor at Yale, and she solved a few of those structures. Doudna was earning a reputation as an ace in a field without many practitioners. “She’s careful and diligent in pursuing all the leads without cutting corners,” says George Church, a Harvard Medical School geneticist who remembers Doudna’s student days there. “And she has a good knack for picking the right topics.”

The West Coast lured her back; in 2010, Doudna took a job at UC Berkeley. “I had always considered myself a basic scientist,” she says. “But you want to feel like your work is going to help solve human problems at some level.” She started working on diseases caused by RNA mutations, and on a technique called RNA interference, or RNAi. Basically it uses small molecules to interrupt the translation of RNA into proteins, to try to fix problems before they start. And to make it work, you have to understand the structural characteristics of RNA.

At about the same time, some food researchers in Copenhagen were learning something new about yogurt. Turning milk into yogurt requires specialized bacteria, but every so often those bacteria get sick—just like people, they get attacked by viruses trying to hijack their cellular machinery. The Danish team found that bacteria exposed in advance to the viruses, called bacteriophages, became immune. It was like vaccination, but for microbes.

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HOW’D IT WORK? In the late 1980s scientists found long, repeating sequences in bacterial DNA that were the same back-to-front—palindromes, in other words. And between the palindromes: nonsense. At least, that’s what they thought at the time. But the genetic gibberish turned out to be quoted from bacteriophage DNA. Put all that together and you got RNA structures that could target specific DNA sequences in a virus, and a protein that would chop that DNA up, destroying it. It was, in other words, an immune system. The Danish yogurt makers had hit upon a rudimentary way of programming it to hit specific viral targets.

That’s why Charpentier started studying it. “I’m interested in how bacteria cause diseases, and how they can become resistant to antibiotics,” she says. “Initially the goal was to look for this class of small RNAs to find one with a nice regulatory function. Coming to CRISPR was in a way a bit by chance.” It wasn’t crazy to imagine that she’d find a useful enzyme in her work—most of the DNA- and RNA-cutting enzymes used in labs were isolated from organisms found in nature.

The thing was, though, that even the most advanced techniques for cutting-and-pasting DNA and RNA were really tough to use. The two best approaches, “zinc-finger nucleases” and “TALEN,” required the creation of a new, bespoke protein every time, coded to the specific sequence a researcher wanted to cut. “Zinc finger nucleases were originally priced at about $25,000 each. You could do it yourself for a little less, but it extracted a corresponding amount of flesh,” says Church. “TALENs looked easier, but they were particularly hard to engineer biologically. It lasted for about a year, a year and a half, as a fad.”

The RNAi Doudna was working with turned out to have similar problems. Usually you try to engineer a bacterial or insect cell to make protein or RNA. However, you then have to purify the protein or RNA that you want out of all the gunk you don’t. Those methods took a whole skill set, and not everyone had it.

In the late 2000s, though, postdocs in Doudna’s lab were starting to get really good results in experimenting with CRISPR. It was easier to do and didn’t need custom-made proteins. Doudna’s and Charpentier’s two labs together realized that in the case of CRISPR/Cas9, the same protein was doing the cutting every time. The only thing that changed were two adjacent structures made of RNA—and you could engineer their function into one, a short, synthetic stretch called a guide RNA that was really easy to make. “We figured out how to program Cas9 to cut any sequence in DNA just by changing the guide RNA,” says Doudna. When she and one of her students realized what they had, sitting in her office at Cal, “we looked at each other and said, this could be an incredible tool for genome engineering.”

On the other side of the world, Charpentier was just as stunned. “All the other tools, each time you want to target DNA at a specific site you have to engineer a new protein. This requires time, and it’s not easy for someone who isn’t used to it,” Charpentier says. “With Cas9, anyone can use the tool. It’s cheap, it’s fast, it’s efficient, and it works in any size organism. It’s revolutionizing biology.”

So what’s CRISPR actually going to be for? That’s still being determined, at labs all around the world—and a handful of companies that spun up in the dizzy aftermath of the Doudna-Charpentier paper. “There’s a distinction between CRISPR-Cas9 as a therapeutic tool, using it to correct mutations in cells that would then be reimplanted in a patient—or delivering Cas9 directly,” says Charpentier. “But the other possibility is more indirect. That’s using it as a tool in labs for development, to help screen drugs or to understand a disease by using it to create models of the disease in animals.” In other words, you could use the technique as a medicine, to correct a mutation directly, or use it to induce a mutation you wanted to study in an animal to test other possible drugs.

Charpentier herself is one of the founders of a company, Crispr Therapeutics, based in Basel, that’s planning to focus on making treatments for people. The company’s CEO, Rodger Novak, is a longtime drug development exec, and the company is well-funded, but even Novak acknowledges what they’re doing won’t be easy. “What biotech pharma always struggles with is the biology of the target. In many instances we don’t know until late-stage development, pivotal human trials, if the target we’re using is the target we need.” Novak says. “The other challenge is delivery. If you go after the liver or the lungs or the brain, very different requirements apply.” He says he’s cautiously confident.

Meanwhile on the other side of the Atlantic, Doudna had teamed up with a few other CRISPR pioneers, as well as George Church, to start her own company: Editas, based in Cambridge. Doudna remains a “co-founder,” but is no longer associated with the company. Church and Doudna got $43 million from a handful of well-known venture investors to spin the company up, aiming, he says, at “a large number of genetic diseases, both common and rare, especially those that might require the removal or editing of DNA, rather than just the addition.” Other therapies in trials are better than CRISPR-Cas9 at adding DNA, inserting a gene, says Church. CRISPR-Cas9 is much better at cutting—harkening back to its original function in the flesh-eating Streptococcus Charpentier studied.

Back in Doudna’s lab at Berkeley, though, her team is still trying to answer some fundamental questions. No one doubts that CRISPR works, but some researchers still worry about whether they can target it narrowly enough to work as a therapeutic. But Doudna would like to know how its targeting system works at all—with just 20 bases of RNA it can somehow home in on any sequence of DNA. No one knows how. “We’d love to figure that out,” Doudna says. And no one knows how it acquires the “spacer” sequences, the genetic information between the palindromes. That would be the secret to how CRISPR works as an immune system in bacteria, and for now it’s a mystery.

As the excitement around CRISPR has continued to grow, no one seems more surprised than Doudna herself. “I was working away in my lab on a bacterial immune system. Genome engineering wasn’t on my radar,” she says. “If you had asked me in 2007 if the CRISPR system was going to be useful, I don’t know what I would have answered.” Today, though, Doudna is a little more sure: If it continues to work as we expect, it’s going to change everything.

 

EDITOR’S NOTE: In November, Doudna and Charpentier were awarded the 2015 Breakthrough Prize for Life Sciences, each receiving a stipend of $3 million. Their discovery was also featured as one of 10 “World Changing Ideas” on the cover of Scientific American.

Bamboo Bicycles Beijing

Bamboo Bicycles Beijing: In a city besieged by six million motor vehicles, how do you bring about change? David Wang ’09 believes it might be one bamboo bicycle at a time.

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IN A NARROW ALLEY between the twelve-lane roar of Beijing’s second ring road and the touristy mayhem of the Drum and Bell towers is a whitewashed shoebox of a space that is more an extension of the little concrete stoop out front than an actual room. There, on a late-summer Saturday this year, four early risers stand peering at a matter-of-fact list of instructions jotted on a white board. Sweet odors of epoxy and sawdust mask the gritty, metallic smell of the smog blanketing the city.

Knobby sticks of bamboo are lined up on four workbenches. A diagram of a bicycle frame is posted on the wall above each bench. In a day’s time these sticks will be frames and, in a few days more, they will be rolling off down the street with their builders on board.

At the moment, though, the diagrams look like a dare.

Here at Bamboo Bicycles Beijing’s ninth and last bicycle-building workshop of the year, David Chin-Fei Wang ’09, compact and boyish at 28, moves calmly among the participants, taking up a saw and guiding its teeth into a bamboo tube, adjusting a vise or murmuring encouragement to someone who has improvised a solution to a tricky cut. The industrious humility of the scene belies the seriousness of the issue Wang hopes to address: the smog-belching, land-devouring, atomizing urban gridlock that besets cities across Asia as newly wealthy societies embrace the private automobile.

In Beijing, a city once famous for its bicycles, car worship is powerful. Tree-lined bike paths have been leveled to accommodate the city’s six million vehicles. An ever-expanding network of ring roads radiates deeper and deeper into the countryside, and car exhaust accounts for a quarter of the city’s infamous smog. All of this brings little joy to drivers. Though China has become the number one consumer of some of the world’s fastest cars—Lamborghinis, Porsches and Ferraris abound—traffic creeps along at an average speed of under 10 miles per hour.

Wang hopes that, by helping people make fine bikes by hand he can get them to think differently about the way they move around the city.

“It’s not about getting rid of cars,” says Wang. “It’s about starting a conversation about a more diverse mobility culture.”

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AFTER GRADUATING FROM Pomona with a degree in Asian Studies, Wang won a Fulbright to study physical fitness programs and nationalism in China, where Mao Zedong once prescribed a regimen of exercises, saying, “The body is the capital of the revolution.” After spending time at Xi’an Jiatong University, though, he found what the students did in their free time more interesting than the program of study.

Moving to Beijing, he took a job with China Youthology, a market research company set up to help brands like Mercedes, Pepsi Co. and Nokia understand how Chinese kids in their teens and twenties make decisions.

As Wang settled in Beijing, he started noticing the old bicycles abandoned around the city, sometimes in heaps and sometimes tethered alone to a fence or tree. It seemed like a waste. Scouring the sidewalks for something he could refurbish, he decided on a Yongjiu brand cruiser from the 1980s.

In his living room he cleaned and stripped the old frame, tinkering with components until everything was back in working order. He painted the bike Fanta orange, added some tiger stripes and set it atop white tires.

Wherever the tiger bike went, it drew curious onlookers. Though China produces more goods than any other country, making stuff by hand is not a pastime for the urban elite. A new middle class has so thoroughly rejected handicraft that even the building of IKEA furniture is mostly outsourced. So Beijingers were uncertain what to make of something so humble made with such obvious care.

Wang, however, wasn’t satisfied. In a country where mining and refinement of metals has tainted rivers, soil and air, he wanted to work with something friendlier to the environment. So naturally, he thought of a resource that China has in great abundance—something beautiful and rapidly renewable, a species of grass that can grow as much as 35 inches in a day, producing a material pliant enough to act as a natural shock absorber, yet durable and stiff enough to handle well.

He thought of bamboo.

The idea of building bicycle frames out of bamboo isn’t new. The first bamboo bicycles were a sensation at the London Stanley Show of 1894, and there are several companies manufacturing and selling them today. In China, a small start-up called Shanghai Bamboo Bicycles has been marketing bamboo bikes and trikes since 2009. But Wang wasn’t interested in selling bamboo bikes—he just wanted to build one.

So he ordered a few lengths of bamboo on Taobao, China’s vaster version of eBay, and set to work figuring out how to make them into a frame. Cobbling together information from the web, Wang worked in the living room of the apartment he shared with friends until he had his first completed bamboo bike.

If his tiger bike attracted attention, the bamboo bike was a showstopper. “People were always stopping me to ask about the bike,” he says. Wang enjoyed the resulting conversations with people from all walks of life, from stolid middle-class citizens to fashion-conscious kids, and in their curiosity, he sensed an opportunity to make a difference.

During his research on the web, he had stumbled onto a number of bike-building workshops in places ranging from Africa to Australia. Maybe, he thought, a workshop to teach people in Beijing to build their own bamboo bikes would deepen the impromptu conversations he was having in the street and create a cascade of conversations about the sustainability of China’s growing car culture.

But first, he had to scale up.

He streamlined his building process and equipment so that four participants could be fairly certain to produce a bamboo frame in just two days. Then, to get a better understanding of his new medium, he traveled to Taiwan, where some of the best bamboo craftsmen taught him which bamboo was best suited for bicycles and how to work with it. Through a Kickstarter campaign, he raised $17,869. A campaign on China’s Dreamore crowdsourcing platform brought in another $3,000, and Bamboo Bicycles Beijing was born.

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“I AM YOUR TYPICAL victim of a Chinese education,” laughs Danna Zhu as she works on her bicycle frame. “There are so many of us. They don’t let us make anything in school.” Posing with a bandsaw poised above a tube of bamboo, she asks the gangly bespectacled college dropout at the next station to take her picture. She’s never used a saw before.

At 23, Danna is part of a post-1990 generation of Chinese women widely chastised for their materialism. Back in 2010, when a contestant on a reality TV show told a young bachelor she would “rather cry in the back of a BMW” than take a ride on the back of his bicycle, government regulators ordered reality shows to rein in the broadcast of “incorrect social and love values such as money worship.”

But a car, like a house, remains a prerequisite for many brides and their families.

“They’ll still want cars,” Zhu says of her friends.

Ragtag kids from the hutong—the narrow lane outside—skitter about her as she works, steadying a bamboo tube while she saws or pilfering bamboo scraps to paint on the steps, where an old woman driving a tricycle cart loaded with soda stops to banter. Another grandma pauses on her way from the wet market to give a thumbs up.

The kids seem to appreciate the workshop more than anyone. Against one wall is propped a small bike. The kids built it themselves. For days before the September workshop, they have been coming by, clamoring to know whether Wang has finished adding components like wheels and a seat. On the first day of the workshop, Fei Fei, 9, finds the bike ready at last. Quietly he lifts it out onto the street, pedaling a tentative few yards before disappearing around the corner.

Twice in the course of a few hours, people stop to compliment the bikes and ask how much they cost. When a grizzled man towing recycling on his tricycle cart repeats the query a third time, Wang, visibly piqued, says again that the bicycles are not for sale.

“They think it’s just about selling a bike and it’s not.” What it is about, as he often repeats, is starting a conversation.

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IT’S FALL 2014, and Wang is planning an October trip to Massachusetts, with several frames for supporters of his Kickstarter campaign stashed in his luggage. The project is at a turning point—the goal he had set for himself and online funders had been to build 25 bikes. He has doubled that and is on target to make 75 by the end of the year. All of this is good but he wonders how he might further the conversation, perhaps tapping into the kind of enthusiasm he’d seen in the kids on the lane.

He’s looking into partnering with local schools. At the same time, he’s searching for ways to make more and better bikes in as sustainable a way as possible, tracking down villages with abundant bamboo, looking for alternatives to epoxy, and working on kits for people to make bikes at home.

The frames themselves are slowly morphing—he made his first women’s and kid’s prototypes in late summer. Participants have egged him on with requests for things like cup-holders, children’s seats and multi-gear models.

“Right now I’m just concentrating on making the next bike,” Wang says. “I’ll follow my curiosity and hope it just grows.”

Recently, Mercedes, an old client of his, got in touch.

“Benz is doing a lot to create more efficient and sustainable urban mobility,” he says. “It’s to their credit. They see the way things are isn’t sustainable.”

Back on the lane, an old, flat-faced Liberation truck filled with sand for construction has blocked the T-junction. While a bleating line of cars and jerry-rigged motorized tricycle trucks forms along the cross road, an antlike stream of pedestrians and scooters improvise a path through a pile of sand. It’s along this path that two bamboo bicycles slip quietly northward, leaving a Lexus SUV in the dust.

 

Making Ideas Happen

Making Ideas Happen: Dick Post ’40 has had an amazingly productive life in science, and at age 96, he’s still going strong.

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REMEMBER THE U.S. ARMY commercials from the 1980s? A voice intones: “We do more before 9 a.m. than most people do all day.” If Mad Men’s Don Draper were to coin a catchphrase for Dick Post, it would read: “He’s made more discoveries after age 90 than most scientists do in their careers.”

For more than six decades, Richard F. Post ’40 has dedicated his life to solving energy challenges. “My whole career has been shaped by energy,” he says. An applied physicist at Lawrence Livermore National Laboratory (LLNL), Post has 34 patents to his name—nine issued since he turned 90—in nuclear fusion, magnetics and flywheel energy storage.

Post, who turned 96 in November, maintains a work schedule that would exhaust a man a quarter of his age. Retired since 1994 and officially known as a “rehired retired scientist,” Post clocks 30 hours at the lab each week. Until a fall last year injured his shoulder, he was driving himself the 60-mile round trip from his home four days each week to LLNL. “You know why he takes the fifth day off?” asks Steve Wampler, a public information officer at LLNL. “Because he’s retired.”

Post may take a day off at the lab, but that doesn’t mean he stops working. “Friday through Sunday are not always days off for Dick,” says Post’s colleague Robert Yamamoto, principal Investigator for LLNL’s electromechanical battery program. “When Dick comes to work at LLNL on Monday morning, I can generally expect to get a call from him. Dick will want to chat about his latest ideas and thoughts he has developed over the past 72 hours,” adds Yamamoto. The two often meet for lunch on Mondays in Dick’s office. “Dick wants to know if his ideas are practical and have some ‘real meat on the bones.’”

“I learn so much, and am equally amazed at the quality of the new ideas Dick has and his extreme enthusiasm for his ideas—as if he was a person just starting off in his science career,” he says.

 

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Post’s family connections with Pomona College go back more than 100 years. His grandfather, Daniel H. Colcord, was professor of classics, and his mother, Miriam Colcord, graduated in 1910. Post credits Pomona College with helping him discover both his life’s work and the love of his life.

In Professor of Physics Roland R. Tileston he found both an academic mentor and a life mentor. “He not only looked after my academic side; he looked after my social side,” Post says. “He would call me in on Monday morning and say, ‘There was a dance on Saturday. Did you go to it? Did you take a different girl?’”

Tileston took special care to ensure that promising students had the financial means to undertake graduate studies. “In my case, for financial reasons, he kept me on for a year as a graduate assistant—700 bucks, saved half of it. And then, in 1941, he started me as an instructor in physics because he had arranged for a fellowship for me at MIT.”

Then came Pearl Harbor. Tileston immediately recommended Post for a position at the Naval Research Laboratory near Washington, D.C., where a former student of Tileston’s, Dr. John Ide, was director of the sonar program. “When I left, I flew from Los Angeles airport and he brought the whole physics class to see me off,” recalls Post. “He was a marvelous professor, and I owe him a tremendous debt.”

It was while he was living in Virginia that a friend and fellow alumnus, Vince Peterson ’43, heard that some Pomona College girls were in town and decided to throw a party. “Marylee [Marylee Armstrong ’47] and her friends came,” Post recalls, “and it was 15 minutes before I knew that this is the one I wanted to spend my life with.”

 

FROM FUSION TO FLYWHEELS

It was nuclear fusion that brought Dick Post to Lawrence Livermore National Laboratory in 1952. Following his completion of a doctorate in physics at Stanford and a brief stint at nearby Lawrence Berkeley National Laboratory, Post had heard Herb York, the first director of LLNL, deliver some lectures on the topic. Post later followed York to LLNL, interviewing for the job with the lab’s co-founder and future director, Edward Teller, known as the father of the hydrogen bomb. Magnetic nuclear fusion would be the focus of Post’s research until the mid-1980s.

Convinced of the promise of the technology, Post regards the premature termination of his line of fusion research, in an act of Cold War politics, a regrettable mistake. “The fuel reserve for fusion is infinite. There’s no long-term radioactive problems, no carbon. That’s why I devoted most of my career to fusion research—until the budget was cut in a deal between Reagan and Gorbachev,” he says. LLNL was forced to phase out its magnetic fusion program, and Post had to shift his attention to other fields. But, in what would become a hallmark of his career, Post was able to apply lessons learned from his research in nuclear fusion to a seemingly unrelated area: magnetically levitated trains.

With seed money dispensed under a competitive grant program run by the LLNL director, Post was awarded a couple of million dollars to develop a concept for maglev train technology. The concept, Inductrack, was later licensed by the San Diego-based defense contractor General Atomics and, in 2004, a 120-meter test track was built.

“It involves a special array of permanent magnets mounted underneath the train and a track, which consists of shorted parallel conductors. The levitation only requires motion. The test model levitates at walking speeds. The Japanese superconducting train has to be over 100 miles per hour before it levitates,” says Post.

“Why is this important?” he asks. “Because if all power fails, this train doesn’t give a darn. It slows down to walking speeds and settles down onto its wheels. It’s a totally fail-safe system. That’s going to be a very important characteristic of future maglevs—they’d better be fail-safe.”

Plans to build a 4.6-mile, full-scale demonstration system on the campus of California University of Pennsylvania were put on hold when the Great Recession hit in 2008. Post says Inductrack technology has been licensed to two other companies—he couldn’t give their names.

In another case of iterative innovation, Post is leveraging knowledge gained from the development of Inductrack to his latest—and likely last—research focus: flywheel energy storage. Post’s thinking on the topic has had a long gestation. In December 1973, Post and his son Stephen published an article in Scientific American making the case that advances in materials and mechanical design made it possible to use flywheels to store energy in the power sector and in the propulsion systems of vehicles.

Forty years later, Post believes he might actually see his concept hit the market within a few years.

The principle of the flywheel is quite simple. A spinning wheel stores mechanical energy; energy can be either put in or taken out of the device. Post’s flywheel research builds upon work done in the 1950s by MIT researcher John G. Trump on electrostatic generators. “He didn’t appreciate the importance of the charging circuit that charges this thing and puts the voltage on it. He used a resistor,” Post says. When Post started work on electrostatic generators for flywheels, he asked himself a question: “’Why the heck did Trump use a resistor? Why didn’t he use an inductor, to reduce losses?’” Post experimented on his computer, inserting an inductor value for the resistor. “All of a sudden, the power took off by almost a factor of 100,” he says.

Many flywheel manufacturers use what are called active magnetic bearings to suspend and stabilize the flywheel—not Post. “What we have developed over many years now,” he says, “is what is called passive magnetic bearings, which are self-stabilizing and don’t require any feedback circuits. They are extremely simple compared to the active bearings, much less expensive, and don’t require any maintenance.”

“If we design it right,” he adds, “it has an almost indefinite lifetime because there are no wearing parts.” This is in contrast to, say, the lithium-ion batteries used in smart phones, laptops, and electric vehicles, which have a limited life cycle of charges and discharges before they must be replaced. Because Post’s flywheel operates essentially friction free, energy dissipation is very low. The flywheel operates at 95% to 98% efficiency—that is, up to 98% of the energy stored in the flywheel can be extracted and put to use.

Post envisions the technology used in large- and small-scale applications. Grid-scale units would be deployed by utilities or grid operators to help balance the variable output from large solar and wind power plants. A 5-kilowatt residential unit would be about the size of a suitcase, says Post, with the flywheel sealed in a vacuum chamber, perhaps under the floor of the garage.

Post says a company is interested in adapting his flywheel technology for use in cars. The idea is not new. Flywheels are already used by Formula 1 racing cars to supply quick bursts of power. For the consumer market, manufacturers would install a series of small flywheels that would, in all-electric vehicles like the Nissan Leaf or Tesla Model S, replace a battery pack entirely; for hybrids like the Toyota Prius, flywheels would replace the small battery pack that boosts efficiency.

“We could substantially extend the range and eliminate the fire hazard posed by lithium-ion battery technology, and avoid the battery life cycle problem,” says Post.

Durell_140911_PCM_post_0464s

MAKING IT HAPPEN

“If I have seen further, it is by standing on the shoulders of giants,” said Sir Isaac Newton. If so, the spry Dick Post must be a contortionist, because one set of shoulders he is standing on is his own.

He says one reason he has been so productive for so long, especially after age 90, is that his recent patents build upon earlier discoveries. He is using magnetic bearings work from Inductrack, for instance, in his current flywheel research. “Even though it’s a totally different field, it’s the same concept,” he says. “One of the reasons that I can still file patents is I can draw on past experience and convert it to a present problem.” He has filed 28 of his 85 records of invention, a precursor to a patent, since he turned 90.

Asked where his ideas come from, Post mentions that he recently read a book about the inventor Nikola Tesla. “He was able to visualize, without hardware, his inventions. That’s part of the process for me. When I go to sleep, I think: The magnets could go this way.” Post also credits software invented decades after his career began. “The tremendous help to me in this whole process is I learned how to use Mathematica, which is a very sophisticated computer mathematics program. I couldn’t live without it.”

For Post, the labors of his theorizing mean nothing if the result cannot be used to solve a problem in the real world. “Dick certainly is an ‘idea’ man,” says colleague Robert Yamamoto, “but he truly understands the need to do the real engineering to make an idea come to fruition. He knows that theory alone can only take you so far, and that an idea, unless demonstrated completely, is not worth much. He sincerely understands the real-world, make-it-happen aspect that engineering brings to the table. This is not a common trait of many of the scientists I have worked with.”

Asked what drives him to come to the office four days a week, Post answers without hesitation: “The flywheel. I want to see this happen! I’ve devoted my career to energy. For Pete’s sake, we were torpedoed on fusion, which I think was a terrible mistake.

“My real hope is that this thing becomes commercial before I kick the bucket. I would like to see it happen.”

Rite of Passage

Linguistics Professor Michael Diercks

“HAMBA MUTALIA. Haaaaa woyeee. Hamba mutalia.”

Young Humphrey walks into the center of the crowd before his traditional mud-covered home. The metal jingles on the leather strips on his wrist, making a bright snap in the air.

Surrounded by their voices, chanting softly and clapping, he leads the procession, draped in the skin and testicles of a bull sacrificed to mark this momentous change. They make a clearing for him. He stops silent before an elder, who carefully lifts off the skin. More than 100 of the boy’s family, friends and fellow villagers envelope him with whoops of joy and dance.

The next phase of his coming-of-age ceremony has begun.

The ground vibrates as they lift their hands to the sky and dance. “Hamba mutalia … Haaaaa woyeee…”michael-diercks

Michael Diercks, assistant professor of linguistics and cognitive science at Pomona, smiles, watching the circle of bodies sway and jump. In an instant, many people reach out and pull him into the fray.

They will celebrate throughout the night, encouraging 12-year-old Humphrey to have courage for morning, when he will go with them to the river to be covered in mud, and run home for the circumcision ritual to become a man.

It is one of the most important events in Bukusu life—a rite of passage that few outsiders ever see. Humphrey’s parents trusted Diercks to share the event, and want to preserve it for future generations.

“I feel like I know more about the world than I did 24 hours ago,” says Diercks in the morning. “We were experiencing something ancient, right in the present, through their rituals and dancing and singing, that are the same things they have been practicing for ages, perhaps even hundreds of years. It was as if we were transported back in time. When you looked up in the sky in the middle of the night, it could have been 100 years ago.”

Such intimate sharing and insight into Luhya language-speaking communities is the result of a multi-year collaborative international research project, of which Diercks is a principal investigator. A team of seven American linguists are studying four small Kenyan languages—Bukusu, Wanga, Llogoori and Tiriki.

The team is supported by several grants, including a prestigious $477,000 National Science Foundation grant. Much of Diercks’ work so far was made possible by the Hirsch Research Initiation Grant from Pomona College. The team includes Pomona Linguistics and Cognitive Science Chair and Professor Mary Paster and Pomona linguistics students, as well as researchers at Ohio State University, Southern Illinois University, the University of Maryland and the University of Missouri.

While there are more than 1.6 million speakers of the four Luhya languages, they are at risk, says Diercks, as everyday life changes to a less forested area and young people move toward English and Swahili for economic advantage. One example is the circumcision itself. More families are choosing hospital circumcision over the traditional way.

PCM-winter2015-48_Page_19_Image_0001“As the community changes, so does the language, and what isn’t preserved may be lost,” says Diercks.

 

IN THE MOST comprehensive study of each of these languages to date, the team is collecting audio recordings from Luhya speakers and analyzing tone, sentence structure and other characteristics to describe how the language works. They are also collecting folk tales, narratives, songs and many other kinds of oral literature that document language use and aspects of each culture, as well as creating dictionaries for each language. Their research will be available in open-access venues for other scholars, and for Kenyans to learn about their languages.

“In the end, we are producing description and analysis of these languages that will be theoretically relevant and useful to furthering our knowledge of how human languages work,” says Diercks, “but also producing work that will be valuable to communities, whether for its role in preserving aspects of their language and culture, or in providing resources that will be useful in educational contexts, like adult and child literacy.”

So far, the team has collected and begun to analyze more than 100 hours of audio samples by Luhya speakers. Diercks, and phonologist and co-primary investigator Michael Marlo, from the University of Missouri English Department, have spent a lot of time in Kenya fostering the close-knit relationships needed to gain trust and access to different communities.

Diercks has been to Kenya many times. Earlier this year, he spent several months with a Tiriki family, gathering interviews and training Kenyan research assistants Kelvin Alulu and linguist Maurice Sifuna to collect interviews year-round.

Back in California, the students in Paster and Diercks’ Field Methods of Linguistics course are at the center of Luhya work.

“The field methods class is a great opportunity for students to apply their knowledge of linguistic theory to real languages, which are much messier and more interesting than the data sets they see in theory courses,” says Paster. “We try to find speakers of lesser-known languages so that students have an opportunity to break new ground and publish their findings. Our students this year are doing professional-quality research and writing that will be the basis for all of our future work on Llogoori.”

“I’ve been able to have so many experiences that I would not have had at another university,” says aspiring linguist Alex Samuels ’15. “Professors need research assistants. At other places, it would be graduate students doing the work I’m doing. Here, it gets to be me, which is awesome.”

As a Summer Undergraduate Research Program scholar, Samuels also spent the summer researching aspects of Llogoori with Paster. Since there is no published grammar of Llogoori, Samuels’ final paper from the previous semester is this fall’s required reading in the advanced fields methods class. “I was really proud,” he says.

 

WHAT LUHYA SPEAKERS choose to share is a mixed bag. Linet Kebeya Mmbone spoke about hardships after losing her husband, and raising her children as a single mother without skills. Mungambwe talked about Llogoori history. Retired police officer Benjamin Egadwe spoke about how men used to have several wives, and changes in community since Christianity arrived.

Ultimately, the stories will be shared with community members, along with images and stories generated by a volunteer photojournalist who spent several weeks in Kenya last summer. Together, they help to create an intimate portrait of the communities in which the linguistic team works; a snapshot of who they are and what’s important to them. Back at Pomona, the photographs and portraits are connections to the stories and texts students study, 9,500 miles away.

This summer, Diercks was able to see the pride Benjamin and other Llogoori speakers have in their culture and in the language project, when Alulu organized a celebration of progress so far.

They took motorbike taxis over windy dirt paths through the forest to their village. When they arrived, Mugangwe, Egadwe, and a dozen others ran out to meet them, dressed in their finest suits and traditional kanga cloths, and singing traditional greeting songs. They had walked hours into town for a goat, which they slaughtered for the feast.

“This was a big moment for me,” says Diercks. “We spend so much of our time michael-diercks-endwith individual people and then holed up analyzing the language, we don’t always get to see the whole community come together and celebrate research progress. It’s easy to focus on the academic side of things, but a celebration like this really drives home how intertwined language is with our identity, and how even small research advances matter so much to the community.”

At the celebration, Diercks also got a taste of what the project means to the Luhya speakers who have the opportunity to share. “This is how we teach our current children about how the Llogoori used to live,” says Egadwe. “Children have new customs. We feel it is good to teach them this way. Most of the old people do not remain. We are now the old people, telling our ways. This is a way to preserve our culture. We are taking good care of it.”

Preston Versus Amazon

Douglas Preston ’78

preston-versus-amazonTHE WORDS THAT galvanized a thousand authors to speak out against a powerful corporate retailer were written along a dirt road, in an 8-by-10 shack, by a wispy-haired, self-described “wimp.”

This past year Amazon spent many months in testy negotiations with Hachette, the fourth-largest book publisher in the U.S. When no agreement had been reached by May, Amazon began delaying shipment of Hachette books, shutting down pre-orders, and even removing the publisher’s titles from its all-important recommendation algorithms.

Such gestures aren’t trivial—when the entity responsible for selling 40 percent of America’s printed books makes yours difficult to buy, sales drop.

Sitting here on the deck of his spacious summer house overlooking Maine’s pristine Muscongus Bay, thriller writer Douglas Preston ’78 clearly isn’t worried for his own livelihood. He’s published more than a dozen best-sellers and cultivated a devout following that will find him with or without Amazon.

But what keeps him up at night—and what spurred him to write 500 words that put his name in the headlines and a sizable thorn in Amazon’s side—is thinking about all the young authors that he says have been “held hostage in the middle of a back-room deal between two big corporations.”

In June, Preston penned an informal letter about Amazon’s actions, with the idea that a few writers might co-sign. After famous friends like Stephen King and Nora Roberts started spreading the word, the letter went viral, and within a matter of days more than 900 of his peers had gotten on-board and joined the group that Preston had dubbed “Authors United.”

It wasn’t a completely united front—a vocal contingent of self-published authors posted lengthy screeds online calling him a “one-percenter,” a “pinhead” and worse, while Amazon reps dismissed him in the press as “entitled” and “an opportunist.” When Amazon found out that he planned to publish his letter as a full-page ad in The New York Times, the company’s head of e-books tracked down his phone number and called to issue veiled threats and try to stop him.

Preston shrugs when he reflects on how the situation escalated and how he, improbably, became the face behind a movement that he never set out to lead.

“I’ve never been much of an activist about these things,” he says. “But [Amazon’s tactics] felt like an act of betrayal. We writers helped a struggling start-up become one of the world’s largest companies, and this is how they repay us?”

 

Amazon’s path to global dominance hasn’t come without making some enemies. CEO Jeff Bezos has internally referred to his team’s business strategy as “the Gazelle Project,” in that Amazon approaches publishers “the way a cheetah would pursue a sickly gazelle.”

The Hachette dispute is far from Amazon’s first: in 2010 it deleted the “buy” option for all MacMillan books, which quickly forced the publisher to cave in during negotiations. The company often paints publishing houses as middlemen and gatekeepers—relics from another era whose skills at distribution and publicity have been rendered moot by instant downloads and viral word-of-mouth.

Many self-published authors agree. Sci-fi writer Hugh Howey has collected more than 8,000 signatures for a Change.org petition arguing that companies like Hachette are “resisting technology” rather than adapting to the changing times.

Preston, naturally, begs to differ. He sees publishers as vital curators, editors and investors, and believes that the biggest challenge for Authors United is, ironically enough, telling the right stories.

Here’s his: it’s 1978, and he’s a fresh-faced college grad creating communications content for the American Museum of Natural History. The job pays peanuts but lets him explore all of the museum’s hidden treasures, from majestic butterfly exhibits to a hair-raising “dinosaur graveyard” in the basement.

A few years into the gig, he gives a tour to an editor named Lincoln Child, who suggests that he pull his anecdotes into a book.

While novels can often be cobbled together on nights and weekends, Preston’s journalistic writing would require some heavy daytime reporting. As a first-time author, Preston isn’t in a position to drop everything to write, but his publisher St. Martin’s Press gives him an advance of $7,200 that lets him take six months off from his job.

“Without that cash, there’d be no first book and I might not even be doing this for a living right now,” he says.

The experience made Preston recognize the importance of publishers as venture capitalists for ideas—a tradition that, in a sense, extends back to the Renaissance, when royal families like the Medicis funded artwork by Michelangelo and Sandro Botticelli.

“These publishers supported me when I was unknown and believed in me enough to keep releasing my books even when the first few didn’t sell,” says Preston, who’s been with Hachette for 20 years. “What’s lost in the narrative is that, if authors couldn’t get advances, an awful lot of extremely important books wouldn’t get written.”

 

As with most business disputes, Amazon and Hachette’s boils down to dollar signs. Their main disagreement has revolved around e-books, which now make up almost a third of the market. Currently 30 percent of each e-book’s revenues go to Amazon, and 70 percent go to Hachette, which then carves out a cut for the author (usually 10 to 15 percent). While nobody knows exactly what was happening behind closed doors during negotiations, Amazon was reportedly pressing for 50 percent of revenues.

What’s also at stake are e-book prices themselves. Amazon has famously been selling many e-books at a loss, and says that prices above $9.99 hurt overall sales. Hachette, meanwhile, has been reluctant to set a precedent for lower prices that might cannibalize hardcover sales.

Preston says he has no particular problems with $10 e-books, but at the same time is flummoxed by the animosity leveled at authors whose books are being sold for a few dollars more.

“Some people have said e-books should be cheaper because they’re ‘just words,’ but then why isn’t anybody out picketing the makers of ‘Grand Theft Auto’ for charging $65 for a video game that’s ‘just electrons?’” he asks. “It devalues all the work that goes into the creative process. Is every book really worth just $9.99 to you?”

Amazon has likened e-books to paperbacks, another technological advance that lowered literature’s costs but also allowed for its increased availability. Many authors would counter that the Amazon-driven trend toward lower and lower e-book prices threatens the long-term viability of the entire profession.

“Amazon is doing the same thing Spotify is doing—treating creative content as though it were a commodity, like a TV set or a vacuum,” Preston says. “They’ve spurred a massive price devaluation of books that’s caused consumers to expect artificially low prices—and the net result is that it’s now exceedingly difficult for young authors to make a living.”

 

It’s not just first-time authors who’ve felt the pinch, which is why many authors were wary about signing a letter like Preston’s that would pit them against such a massive retail juggernaut. Novelist Lucy Ferriss ’75 was gung-ho about Authors United last summer, but as the publication date of her next book approached, she started reflecting on the wide reach of Amazon, which owns both the review site Goodreads and Audible (the seller of the majority of the world’s audiobooks).

“It becomes much more real when your own sales are tied into it,” Ferriss says. “It’s startling to realize how much of my personal investment as an author is caught up in getting good results with Amazon.”

Despite her reservations, she’s stayed on-board—in no small part because of Preston’s dedication. She recalls that when he and his brother Richard ’76 (a fellow writer) joined Pomona’s literary magazine Passwords, it only took a matter of weeks for her team of editors to voluntarily hand over control.

“They were impeccably organized, they had goals, and we were hopelessly incompetent,” she says with a laugh. “With Authors United, it doesn’t surprise me that Doug’s been able to essentially herd an army of feral cats. Once he decides to get something done, he does it.”

Since the initial letter, Authors United tried to reach out directly to members of the Amazon Board, with no luck. Preston was also approached by a team of prestigious pro bono lawyers who will be submitting a formal brief for the Department of Justice that outlines Amazon’s antitrust violations. He hopes it will encourage, if not an actual lawsuit, then at least more transparency on the part of retailers and publishers’ business dealings.

“Amazon makes most publishers sign non-disclosure agreements, such that we don’t even know what’s going on with these contracts,” he says. “What’s the nature of these relationships, and what is Amazon asking for? The DOJ has to bring this all out in the open so the American people can look at the facts for themselves.”

 

When I met with Preston on a crisp autumn morning in October, he sounded frustrated and a tad overwhelmed. He was promoting the publication of his third novel of 2014, gearing up for a book fair in United Arab Emirates, working on the next installment in his popular “Pendergast” series, and fielding phone calls from journalists about the ongoing publishing feud.

“Truth be told, I’m sick and tired of the situation, and would love to get rid of Authors United and go back to writing books,” he told me then.

Less than a month later, Hachette and Amazon reached a deal that made Hachette responsible for setting e-book prices, but also gave Amazon the opportunity to offer “specific financial incentives for Hachette to deliver lower prices.”

Preston views the resolution as just the end of one battle in a larger war for writers, publishers and retailers. Despite the tedious and thankless nature of his role, he says he takes comfort in the fact that his efforts have put a spotlight on the changing landscape of his industry—and the tricky economics that come with being an author in the digital age.

“If nothing else, it’s reassuring to look at the list of folks who’ve signed the letter and see everyone from cookbook authors and sci-fi writers to poets and Nobel laureates,” he says. “I’ve been in this industry long enough to know that it’s rare to get writers to agree on anything.”

 

Bookmarks

Axioms to Grind & Rhyme and Punishment

rhyme-and-punishment

These posthumously published tomes by Richard Armour ’27 were edited by his son, Geoff Armour ’63. Axioms to Grind includes 900 of Armour’s famed aphorisms. Rhyme and Punishment is his autobiography.

Phoenix Publishing Group 2012 / 225 pages / $14.95axioms-to-grind

Phoenix Publishing Group 2013 / 122 pages / $14.95

 

Quest

In a visually stunning  sequel to his Caldecott Honor-winning picture book Jourquestney, Aaron Becker ’96 offers the second installment in an intended trilogy of brightly colored fantasy adventures without words.

Candlewick 2014 / 40 pages / $15.99

 

Clavichord for Beginners

calvichordJoan Benson ’46, a champion of the clavichord in the modern world, offers a method book for practitioners and enthusiasts alike, including a master class DVD and a CD of Benson performing.

Indiana University Press 2014 / 144 pages / $50.00

 

The Shelburne Escape Line

the-shelburne-escape-lineReanne Hemingway-Douglass ’63 tells the little-known World War II story of an escape route that the French Resistance used to rescue Allied airmen shot down over France.

Cave Art Press 2014 / 104 pages / $18.95

 

 

Plato’s Rivalry with Medicine

A Struggle and Its Dissolutionplato

Susan Levin ’84, professor of philosophy at Smith College, examines the famous philosopher’s evolving engagement with the subject of medicine and argues that his works have much to offer in the world of bioethics.

Oxford University Press 2014 / 320 pages / $65.00

 

Fractured Legacy

In his sixth novel, Charles Neff ’54 revisits the Pacific Northwest, where  a fractured-legacyclash between an old family legacy, tribal land rights, and a marriage in trouble results in a suspicious death, threatening the lives of those who try to solve it.

Bennett & Hastings Publishing 2014 / 276 pages / $14.95

 

Sky Blue Stone

The Turquoise Trade in World Historysky-blue-stone

Assistant Professor of History Arash Khazeni examines the origins, trade, and circulation of turquoise in the history of Islamic Eurasia and global encounters between empire and nature.

University of California Press 2014 / 216 pages / $29.95

 

Citizen

An American Lyric

citizenA National Book Award finalist, Professor of English Claudia Rankine’s meditation on race recounts the racial aggressions of daily life in America in a progression of revealing vignettes.

Graywolf Press 2014 / 160 pages / $20.00

Making Waves: Youth-Led Change

Celia Neustadt ’12

celia-neustadtDURING VISITS TO her hometown of Baltimore while she was a student at Pomona, Celia Neustadt ’12 started to notice some interesting shifts in the makeup of the city’s public spaces. The Inner Harbor waterfront, long seen by locals as a tourist-only enclave, had started attracting black teens from around the city looking for a place to shop and meet friends, a big change from when Neustadt herself was a Baltimore City high school student.

The influx of a new crowd, however, had also sparked new tensions. Complaints and concerns from business owners over loitering, theft and “rowdy” behavior were leading to curfews that prevented groups of teens from enjoying thedowntown district at night and after school, and bans that kept them out of popular clothing stores. Negative iteractions with police and security staff added to the resentment felt by Baltimore youth. The friction was palpable, Neustadt recalls, as she walked around the Harbor one night after an Orioles baseball game.

“Not only were there more teenagers than I remembered, but it felt kind of tense. There was a feeling in the air, like if someone lit a match, it would spread like wildfire.”

Intrigued and concerned, Neustadt came back to Pomona for her senior year and began making connections between her own observations and concepts she was studying as a sociology major.

“I had become really interested in these ideas about the power of public spaces,” she says. “I wanted to see if teens were intentionally staking a claim to this space, and figure out how they were using it.”celia-neustadt-high-schoolers

Neustadt channeled her curiosity into a proposal for a youth-led research team that would help amplify the voices of young people of color who felt excluded from the area. After winning a Napier Grant designed to promote leadership in social change, she went back to Baltimore the summer after her graduation and kicked off a new community organization, the Inner Harbor Project (IHP).

Since its launch in 2012, the IHP has brought together a cohort of high school students from neighborhoods around Baltimore to try to uncover the sources of conflict in the city’s downtown. Building on a tradition in social justice work known as participatory action research, the IHP’s student staffers have combed the city to hold focus groups with other teens, while also interviewing stakeholders such as land developers, security companies and business owners.

The conversations have shed some much-needed light on the issue. Community leaders now have a better understanding of why the Harbor is so valuable to young people looking for a vibrant and inclusive space to call their own.

“Teenagers don’t have that many places to go to in Baltimore, and so they really flock to the Inner Harbor,” Neustadt explains. “They feel like they’ve lucked into this larger world.”

Still, the project has also put a focus on problems like encounters between teens and police, which often cause mistrust and lead to more serious confrontations down the road. To create a takeaway for policymakers and officials, the group used its findings to draw up a list of proposals to reduce tensions and improve safety, catching the attention of local media and politicians. Some of their recommendations were even incorporated into the city’s most recent master plan for the waterfront district.

Neustadt, who says the response from City Hall and local businesses has been “overwhelmingly positive,” credits the Inner Harbor Project’s success to the teens themselves and their ability to draw upon their own lived experiences.

“This organization is about recognizing the extreme potential that these young people have to effect change in their city,” she insists. “They and only they have the answers to this issue that has people at the city level scratching their heads.”

While Neustadt is modest about her own contributions, others stress how her clear values and vision laid the foundation for the program and the positive results that have followed.

“I think Celia’s commitment to community and change has been instrumental in this work,” says Professor of Sociology and Chicana/o-Latina/o Studies Gilda Ochoa, a trusted mentor from Pomona who encouraged Neustadt to involve youth in the project and work from their perspective.

Looking ahead, Neustadt is hopeful that the organization might serve as a model for other cities that struggle with conflict between police and youth of color at their tourist attractions, mentioning locations like the French Quarter in New Orleans and Millennium Park in Chicago.

“This is my attempt to create a little ounce of change, to create a structure for having a discussion about inequality and the way spaces are used. I don’t see myself doing anything else for a long time.”