Blog Articles

The Natural

Joyce Nimocks looking at a cosmetics mirror

Joyce Nimocks ’15 has fond memories of her grandmother teaching her to make body butter out of olive oil and using natural, homemade concoctions on her granddaughter’s curly hair.

Nimocks’ grandmother was both creative and resourceful. Store-bought hair products were usually made for women who wore their hair straight. Mainstream cosmetics made Nimocks’ skin break out. And money was tight.

After graduating from Pomona last May with a $12,000 Napier Initiative grant in hand, Nimocks returned to her hometown of Chicago to conduct free summer workshops for low-income women of color to inform them of the ingredients in commercial cosmetics and teach them how to make their own products with natural, non-toxic ingredients.

An environmental analysis major, Nimocks wrote her thesis on the health implications of hair relaxers. Exploring the issue in depth through the Summer Undergraduate Research Program, as well as her study-abroad in Brazil, she found an extensive study showing an association between African American women who frequently used hair relaxers and the presence of uterine fibroids.

She cites research indicating that hair relaxers seep through the epidermis,   making it easier for estrogen-mimicking hormones to enter the bloodstream. In addition to inducing fibroids and uterine cysts, they have been implicated in causing premature puberty in girls as young as six months old.

“What I found is that this isn’t just a public health issue; this is also a social justice issue, in my opinion, because these products are only being marketed toward women of color,” says Nimocks.

The injustice continues because all-natural products are prohibitively expensive for low-income women, she says. “You can get a bottle of a non-natural brand of lotion—32 ounces for four dollars at Walmart. You get a small 12-16 ounces of a natural brand, and it costs you seven to eight dollars,” says Nimocks.

In her workshops, she focused on teaching women how to make lipsticks on stovetops with beeswax, shea butter and crayons; body butters using a cake mixer, with aloe vera gel, cocoa butter and, of course, olive oil; and natural perfumes with witch hazel and essential oils. One of Nimocks’ favorite homemade products is her deodorant, a blend of coconut oil and baking soda, infused with lavender, orange and tea tree oils.

Nimocks herself is a powerhouse blend, according to Professor of Environmental Analysis Char Miller. “She has a compelling ability to weave together her academic interests with her activism, her professional and civic engagement,” says Miller.

Nimocks hopes to someday open a center where low-income women can come and make their own cosmetics for free, funded by workshops she’d conduct for a fee in middle-to-high-income communities.

Thanks to a six-week Social Entrepreneurship class taught through the Draper Center for Community Partnerships, Nimocks has written a business proposal to start a nonprofit. She says her summer research and classes like these have given her the confidence required to believe she can bring big ideas to life.

“It’s about beauty,” she explains. “It’s about relaxation. It’s about self-care and self-love. I can really see my organization being a place where women feel comfortable going to and even talking about community issues. I can see it being a really integral part of communities and also partnering with other community organizations, like libraries or YMCAs in Chicago.”

But before she launches into that project, she has more research to do. Funded by a prestigious $30,000 Watson Fellowship, Nimocks is currently on a tour of Ghana, Japan and South Africa to work with artisans, farmers and other groups and learn about the ways they use local ingredients to produce sustainable, handmade cosmetics.

Nimocks recalls conversations with her grandmother while making their beauty products in the kitchen. Years later, recreating relationships around all-natural cosmetics is a tribute to her heritage. “My grandmother would be really happy,” she says.

The New Face of Cuba

Cuban flag map
A middle-aged Cuban sat at an outdoor table in an alley across from a Havana restaurant that our group would soon enter. Wearing a red and blue baseball shirt, he smiled faintly, and I thought, “Not another panhandler in this impoverished but on-the-way-up nation.”

As I would soon learn, however, this was no panhandler, but a former athlete, one of a number of Cubans of all ages chosen by tour planners to put a human face on today’s Cuba. Rey Vicente Anglada dined with us that afternoon, and then, through an interpreter, highlighted his career as a player and manager for the Industriales and the Cuban national baseball team.

We were 24 Americans visiting Cuba for 10 days. Although at this writing, individual visits by American tourists remain illegal, the recent thaw in relations with Cuba has opened the door to people-to-people (“P2P”) programs like ours, this one operated by smarTours of New York. For my part, I was here to satisfy my own curiosity about the intertwining histories of our two countries, to find out for myself how this Caribbean communist state worked or didn’t, and to meet the island’s people.

The cultural exchanges turned out to be mostly one-sided, but we talked to countless Cubans in all lines of work—artists, teachers, students, cowboys, musicians, actors, guides, fishermen, restaurant owners and one former baseball player.

The first person we met, and in many ways the most interesting, was our 43-year old national guide, Enedis Tamayo Traba. Accompanying us throughout the tour, she put her own spin on both Cuba’s achievements and its failures. A married mother of two, she modestly declared at the outset: “Welcome to my humble country. It is not perfect.” Another time, she noted: “Under Batista, we were mostly poor. Fidel gave us food, housing and health care, which is why we love him.” And in what might have been a popular joke during the Soviet-influenced era, she offered this explanation for the fact that few Cubans are overweight: “The elevators don’t work.”Street in Cuba

The tour put us up in a series of luxury properties in Havana (the Melia Cohiba) and Guardalavaca (Playa Pesquaro) near Holguin and at modest but comfortable hotels in Cienfuegos and Camaguey. However, as we toured, there were frequent reminders of the nation’s poverty. Once, Enedis took us to visit a cheerless government store where a farmer had lined up with his rationing book to claim his meager allowance of rice.

However, we also caught frequent glimpses of burgeoning free enterprise—rooms for rent in private dwellings, roadside fruit stands and elderly vendors hawking tiny roasted peanuts to supplement their incomes. In Camaguey, two budding entrepreneurs set up a makeshift display to sell shoes, and puppeteers put on a professional show in a makeshift theatre where seating consisted of about 20 folding chairs.

And then, there are the paladares—homes converted into surprisingly good restaurants. In a country that rations rice, cooking oil, milk and other staples, tourists dine in these privately owned restaurants on shrimp, lobster, crab and fish. At the retro art-decorated La California in Havana, a family-style dinner included pumpkin soup, rolls, black beans and rice, lobster tails, red snapper with vegetables and ropa vieja, a classic dish of shredded beef and spices.

On our final day in Havana, we entered the Partagas Cigar Factory, divided between experienced workers and trainees in hot, humid rooms. Our factory guide, Augustin, related how tobacco leaves are selected for different cigars. By Cuban standards, rolling cigars is a relatively well-paid job, and one that is eagerly sought. Two Romeo and Juliet cigars packed in metal tubes, a gift for a friend, cost me $6.95 each, about 20 percent of the average Cuban’s monthly wage.

Wherever we went in Cuba, we found the artistic muse alive and well. We visited five galleries of different creative pursuits, including the manic display of ceramic art of Jose Fuster in Havana and the feminist art at the Martha Jimenez Gallery in Camaguey.

Musicians entertained us endlessly at concerts and restaurants. At dinner one night in Camaguey, a young man played a trumpet as a woman danced to Latin music near our tables. The musician used a mute to soften the sound against a background of recorded music on a CD, and his partner made her hip-moves while waitresses dodged around her to serve the meal. After one tune, I asked him if he had just played a John Coltrane piece, “Straight, No Chaser.” He quickly answered, “Night in Tunisia … Dizzy Gillespie.”

And of course, any account of a visit to Cuba would be incomplete without some mention of those amazing vintage American cars, visible on postcards, placemats and paintings as well as in the streets. Without them, Cuba simply wouldn’t be Cuba. At different times, drivers chauffeured members of our group in a 1940 Chevrolet sedan and a 1958 Edsel convertible, both impeccably maintained in spite of the seemingly insurmountable obstacle of the U.S. embargo. A 1954 Studebaker parked at a roadside gasoline station could undoubtedly win top prize in a restored vehicle competition in the States.

This tour didn’t come cheap, but we met Cubans and toured their country in ways that I couldn’t have done on my own—even if it were legal.

For those interested in taking part in a people-to-people visit to Cuba, it’s important to keep in mind that (in the words of a customer service representative at smarTours) “it’s not like going to the Jersey shore for a weekend.”

The required paperwork is extensive, including a registration form and a copy of your passport page for the tour company, a Treasury Department travel affidavit confirming that you’re participating in a people-to-people visit; a reservation form for Cuba Travel Services; a visa application; and a variety of health forms.

Here are a few other things to keep in mind:

  • Credit cards aren’t accepted and ATMs aren’t available, so be sure to bring extra cash for emergencies.
  • Cuba charges a 13% fee to exchange American dollars into Cuban convertible pesos (known as CUCs) but no fee to exchange Canadian dollars or Euros into the national currency, so you can save money by converting your travel money into Canadian bills before you leave
  • Photography is prohibited at Cuban airports and military facilities.
  • The Treasury Department mandates that P2P tourists keep a daily travel journal and keep it for five years, in order to prove that the trip was legal.

Before I Die

Before I Die: For end-of-life crusader Peggy Arnold ’65, thinking about death is just another way of thinking about life.

GoWish cardsMost of the people gathered around the card tables at the Senior Center in Longmont, Colo., this morning seem to be my age or older—in their 60s or 70s. They sit three or four to a table and peek at their cards, as I do at mine.

Unlike most card games, GoWish gives each player a full deck—cards bearing no diamonds or spades, no aces or deuces. Just words. Words like: “To be mentally aware.” And “Not to be connected to machines.” And “To be at peace with God.”

The object here isn’t winning—it’s understanding. By organizing our cards into numbered priorities, we’re all seeking to come to grips with the nitty-gritty of our own mortality—that is, to decide how we would prefer to die.

As I shuffle through my cards and grapple with my own priorities (Do I want to be free from pain more than I want the chance to see my close friends one last time? Should I rank having my financial affairs in order above having a doctor I trust?), my host, Peggy Arnold ’65 wanders from table to table, asking probing questions and offering nuggets of information about the world of modern death. Just starting the process of talking about the subject, she says, is therapeutic—taking us back to a day when death was a visible part of life.

“Death in our culture has become a medical event, not a personal experience,” she says. “It used to be that children would run in and out of the parlor when the body was lying there. Or people grew up on farms, where life and death were always present.” Modern death, she says, is often hidden away behind hospital curtains, and most people have no clue what awaits them there.

At my table, one person picks as her top priority “To be free from anxiety.” Another chooses “To have an advocate who knows my values and priorities.” I settle on “To have my family with me.”

In each case, it soon becomes clear that there are personal    experiences behind the choice. The person who wants to be free from anxiety explains that her mother spent weeks before her death in a terrible state of fear. The person who hopes for an advocate worries about having no one she can trust. It only occurs to me afterward that my own choice might have something to do with the fact that both my parents died suddenly, without a chance to say goodbye.

“What’s really interesting about that game,” Arnold says, “is what happens when people have a discussion about why they chose what they chose. Really, it’s a values clarification game.”

Taking Back Dying

For Arnold, the program coordinator for Longmont United Hospital’s AgeWell program, this game, and the reflections and conversations it prompts, are also part of a larger movement—a grass-roots crusade that has been spreading across the country for the past few years. The goal: to reclaim death from the medical establishment and empower people to make choices about how they wish to spend their final days.

“To me, what’s exciting is that people are starting to take back their own death and dying process,” she says. “Look at everything that goes on around birth—all the joy and the care, the respect and the dignity that goes on. But on the other end of the conveyor belt, this hasn’t been happening.”

Today, medical technology can prolong life almost indefinitely, but as Arnold points out, in too many cases that has simply prolonged suffering and turned the end of life into a horror show. “Most people—there are always exceptions, but most people—are not going to want to go out of this life hooked to beeping machines, with tubes everywhere,” she says.

Like the Advanced Directives class she teaches at the Senior Center, this game of GoWish is intended to help participants think clearly about their options while there’s still time. Arnold likes to quote Pulitzer Prize-winning journalist Ellen Goodman, the founder of The Conversation Project, who said: “It’s always too soon, until it’s too late.”

Since 2010, The Conversation Project has been focusing on encouraging people to have a conversation with their loved ones about their end-of-life wishes. That, however, is only one of the visible prongs of this burgeoning movement. Another is the Death Cafés, which sprang up in the United Kingdom, also in 2010, and have now spread across the United States, offering people a forum for freewheeling discussions of death and dying over cookies or a slice of cake. Then there’s the Green Burial movement, which seeks to reclaim the long-lost right of natural burial, without embalming or caskets or concrete vaults to inhibit the natural recycling process. And at the heart of it all, there’s an increasing number of activist physicians like Dr. Angelo Volandes, author of The Conversation, and Dr. Atul Gawande, author of Being Mortal, who are seeking to change the ethos of end-of-life care by pulling back the curtain on hospital death and challenging both their fellow doctors and the public to look at the subject differently.

Peggy Arnold writing her wish

Peggy Arnold ’65 adds her wish to the “Before I Die” Wall at the Art Museum of the University of Colorado, Boulder.

In the area around Longmont and Boulder, Arnold is at the center of a small but determined community of end-of-life reformers whom she dubs, with affection and “M*A*S*H”-style humor, “the Deathies.” There’s Kim Mooney, an experienced end-of-life counselor and certified thanatologist (death scholar) who recently started her own company, called Practically Dying. There’s Bart Windrum, who, following the disastrous hospital experiences of his two dying parents, was moved to write Notes from the Waiting Room, a guide book for families of the terminally ill. There’s retired emergency room physician Jean Abbott, who is urging her fellow doctors to get over their squeamishness about removing patients from life-prolonging equipment when the outcome is no longer in doubt.

What the Deathies all have in common is that they’re passionate about returning control over the end of life to the dying and their families.

One Death

For her part, Arnold says death has always seemed an integral part of her life. Her mother’s father died two months before she was born, and she suspects that her mother’s grief may have affected her in the womb. One of her first playgrounds in her hometown of Oberlin, Ohio, was a cemetery where she played among the tombstones of runaway slaves. Then there was her grandfather’s suicide by walking in front of a train here in Claremont. “I could go on and on with all these experiences of death,” she says. “So it’s really no surprise that it’s been a theme for me. Maybe not THE theme, but it’s definitely been part of the story.”

Having worked as a hospice volunteer before taking her current job 15 years ago, she says the part of her work that relates to “the death trade” just evolved naturally. “You could call it ‘unbidden,’” she says. “It just appeared, and I was the one who was asked to do it.”

First she was designated as the hospital representative to a short-lived organization called the Front Range End of Life, which focused on creating resources for the terminally ill. Then the hospital decided to do a video about planning for the end of life, and guess who got the job? Then they needed someone to teach a class on advanced directives… “It’s like the underground of aspen groves,” she says. “Their root systems go on for acres and keep shooting up new stems. The time for this had come, and I happened to be in the middle of the grove.”

Then, five years ago, her focus on death and dying took a turn for the personal. An old friend, Mogens Baungaard Thomsen—a Danish exchange student in her high school who had become a vascular surgeon in Sweden—revealed that he was living with a death sentence—kidney cancer that had metastasized to his lungs.

“We just started Skyping a lot and had the most fascinating conversations,” Arnold says. “At some point, I said, ‘Mo, I’d love to record what you’re saying. I think it is so wise.’ He was a physician. He was a widower. Now he was facing his own end.”

So they made a video together about his experience of dying. “He talked about all the adventures he’d had in his life, like being with headhunters in New Guinea, and how everything he did was just a new adventure,” she says. “Sometimes it was scary, but he knew that was part of who he was. He loved all those adventures. And so, he was looking at death as the next adventure.”

Peggy Arnold writes at her desk with a photo of Mogens Thomsen and his granddaughter

Peggy Arnold ’65 at her desk with a photo of Mogens Thomsen and his granddaughter.

At the time, Thomsen didn’t expect to live long enough to see his new grandchild, but he outlived his own prognosis. “There’s a picture of them together,” Arnold says, pointing to a photo pinned above her desk of Thomsen holding his granddaughter. “And he actually lived almost two years longer.”

During that time, they made two more videos together. The first, prompted by Thomsen’s terrible experiences with the Swedish healthcare system, is aimed at his fellow doctors, giving them heart-felt advice on how to relate to people who are dying.

The second, made shortly before his death, is less philosophical, more practical and more emotionally raw—what he wants for his last meal (a cheeseburger or maybe fish and chips); what music he would like to hear on his deathbed (a piece by Felix Mendelssohn Bartholdy that he listened to with his wife while she was dying); what he wants on his epitaph (“I don’t want one”).

The exchanges between Thomsen and Arnold sound at times like an interview, at times like old friends chatting, at times like therapy. “Although I’ve seen so many people die, I still don’t know what goes on at the end,” Thomsen reflects at one point. “As long as I’m aware of what’s going on, I would probably want to cling to my relatives and have them with me, but that’s a very egoistic way of thinking. I don’t think it’s a pleasure for them to see me die.”

“You could ask,” Arnold gently suggests. “It may not be a pleasure, but it may be important.”

“You’re right,” Thomsen says. “I hadn’t even thought of asking. Thank you.”

Four months later, when Thomsen finally reached what he called his “expiration date,” both of his sons were at his side.

“As it turned out, he had a medical emergency, went to the hospital, and though he would never have wanted to die there, that’s exactly what happened,” Arnold recalls. “And it was probably the best thing, as it turned out, because a really good friend who was a doctor was able to be there to make sure everything was going to happen the way Mo would want it. And it meant that his two sons could actually be there.”

It’s About Life

In the end, Arnold says, her experience with Thomsen taught her something important—not about death, but about life.

“What we learned from him is that, first of all, we do need to be looking at death face to face. No one should tell anybody else how to do this, but I think there’s a lot to gain from looking at it—not just at the end, but in relation to the end. What is life about? What is today about? Tomorrow isn’t here yet, so what do I want my life to be about today? That, to me, is the goal of doing this work.”

In the end, as much as we may avoid the subject, we all have our own expiration dates—we just don’t know what they are yet. Arnold sometimes wonders how she would respond to a terminal diagnosis herself. Would her work still have meaning? Would she find joy in little things, as her friend Mo did at the end?

In the meantime, she continues to teach her classes and organize events and counsel seniors who come to her for advice. And she continues to let her involvement with death inform her thinking about life.

“Advanced directives are just documents,” she says. “The medical people need them. But what’s interesting to me is the thought that has to go into them. So that means people have to look at what their values are, what their beliefs are, what their goals in life are, what quality of life means to them, all of these things. If they’re really thinking about it and taking it seriously, they’ve got to look death in the face and figure out what their relationship is to it. And that means, ‘What’s your relationship to life?’”

Bulletin Board

Looking for your chance to come face to face with fellow Sagehens?

This Bulletin Board is a great place to learn about alumni community events on campus, in your area and around the globe. For more frequent updates on opportunities to come together with fellow Sagehens, join the Pomona Alumni Facebook group at facebook.com/groups/Sagehens, check listings of upcoming events at pomona.edu/alumnievents and update your email address at pomona.edu/alumniupdate.

Pomona in a City Near You…

Speaker at Pomona in the City Southern California

Pomona in the City Southern California

The fall 2015 edition of a popular new Sagehen tradition, Pomona in the City Southern California, took place on Sunday, November 8 in Dana Point, California. 135 alumni, parents, faculty, staff and friends flocked to the St. Regis Monarch Beach to reconnect with the College community and attend a series of learning sessions, kicked off with a welcome from President David Oxtoby and a keynote address by Professor Char Miller. The afternoon of learning concluded with an outdoor cocktail reception on the Pacific Ballroom Promenade. To date, Pomona in the City—a conference-style program that takes the academic offerings of the College to major cities to share the classroom experience with the Pomona community—has been held in Seattle, San Francisco, New York, Washington, D.C., and Southern California. Pomona in the City speakers have included David Oxtoby, Pierre Englebert, George Gorse, Lesley Irvine, Susan McWilliams, Char Miller, John Seery, Shahriar Shahriari, Nicole Weekes, Ken Wolf and Sam Yamashita.

Pomona in the City: San Francisco

The most recent Pomona in the City program was scheduled for Saturday, April 9, 2016, at the Hotel Nikko San Francisco. Watch for details of future editions of this popular program in your mailbox and at pomona.edu/alumnievents.

Honor a Daring Mind Wrap-Up
Two Daring Minds honorees Daring Mind honoree Cecil and a Daring Mind participantNote from Professor Andresen

What makes a meaningful finale for a years-long, record-breaking campaign? A celebration of the people at its heart, of course! Members of the Pomona community showed up in droves for the Honor a Daring Mind celebration, which kicked off in November and gained momentum through December as Sagehens around the world caught word. More than 1,100 students, alumni, parents and friends answered the call to honor their favorite Pomona person, recognizing 678 inspirational professors, coaches, classmates, mentors and friends. Gifts given in honor of Daring Minds during the celebration, totaling $447,064, were matched by the Daring Minds Fund, fulfilling a $1 million matching grant to support Pomona education. Thank you, Pomona community, for recognizing the people at the heart of this effort and closing the Campaign with a ringing “Chirp!” To see the full list of honorees, please visit pomona.edu/hdm before June 30.

Quest Student/Alumni Engagement Reception at Alumni Weekend 2016

Happy Anniversary, Quest alumni! This year, Pomona celebrates 10 years of partnership with QuestBridge, a program with a mission to match high-achieving, low-income students with top-tier colleges and to support them from high school through college to their first job. Since 2006, Pomona has enrolled 325 students through the program.

Students, alumni and friends of the Quest program are invited to a special Quest Student/Alumni Engagement Reception on the Pomona campus on Friday, April 29 to celebrate as part of the Alumni Weekend 2016 festivities. 47 chirps to our Quest alums!

To see the growing list of events and receptions planned for Pomona College cohorts, campus organizations, academic departments, visit pomona.edu/alumniweekend. Make your plans soon to come back to Claremont for the biggest Sagehen party of the year!

Winter Break Parties

More than 800 Sagehen alumni, parents, current students (and early decision admittees of the Class of 2020!) gathered in 10 major cities this January for Pomona’s annual Winter Break Parties. Held during the first two weeks of January, Winter Break Parties are one of the best ways for Sagehens of all ages to connect with the Pomona community in their own city. For more information on Winter Break Parties and other events in your area, visit pomona.edu/alumnievents and join us in the Pomona College Alumni Facebook Group.

Celebrating Campaign Pomona

“Five years ago, the Pomona College community set out on a daring quest to make an extraordinary liberal arts education even better—more equitable, more experiential, more sustainable and better suited to the needs of the 21st century,” President David Oxtoby told the crowd of campaign donors, trustees, faculty, staff and students who gathered on Feb. 27 to celebrate the successful conclusion of Campaign Pomona: Daring Minds. “I am proud to report that together, we have done all of that and more.” The campaign closed Dec. 31, 2015, after eclipsing its $250 million goal with a total of $316 million raised.

—Photos by Jeanine Hill

Edmunds Ballroom

Edmunds Ballroom decorated for the campaign celebration dinner

SCC decorations

Welcoming decorations in the Smith Campus Center hallwa

President David Oxtoby offering a toast

President David Oxtoby offers a toast

Sam and Emily Glick

Board Chair and master of ceremonies Sam Glick ’04 and Emily Glick ’04

Stewart Smith at the podium

Campaign Chair Stewart Smith ’68, P’00, P’09, addresses the crowd

Cocktail glass

A special “Daring Mind” cocktail

Chocolate dessert

Dessert with Campaign Pomona chocolate decoration

Libby Gates at the podium

Campaign Co-chair Libby Gates Armintrout ’86 makes a point

Trustees and a student chatting

Trustees Allyson Harris ’89 and Jack Long P’13, P’15, chat with student Jaureese Gaines ’16

Ashley Land and Nico Kass

Student speakers Ashley Land ’16 and Nico Kass ’16

Attendees watching campaign video

The crowd watches a special video

Choir members singing

Members of the Pomona College Glee Club entertain the assemblage

Man of the World

Portrait of Adan Amaya

Adan Amaya knows that to travel the world, you don’t necessarily have to go very far. Known for his outgoing personality, Amaya enjoys meeting students, faculty and staff in his daily rounds with Pomona’s mail services team. And when he’s not delivering the mail, he’s at Oldenborg Dining Hall using his passion for language to travel the world himself.

Born in El Salvador, Amaya moved to San Bernardino 35 years ago. His 20-plus years of experience as cook made it easy to find a position with Scripps dining services in 2007, but he was soon ready for a change. He is now in his eighth year at Pomona, where he exercises his love of language every day at Oldenborg.

“Rita Bashaw [Director, Oldenborg Center] approached me one day and invited me. I really was kind of shy because I don’t have experience being around students, but I said ‘I’ll be there.’ I started going, and after that I liked it. I’m always there, every day.”

Amaya speaks four languages—his native Spanish, English, Greek and Italian—with more to come. On Wednesdays, he’s at the beginner Italian table, while on Thursdays, he goes Greek. He spends the rest of his lunches at the Spanish table, helping beginner and intermediate students with their conversation skills.

“I’m committing myself because I love it; it’s my passion to be there with the students because the students really want to learn Spanish, so I can give them a little motivation to practice and have conversations.”

Even before arriving at Pomona, Amaya was exploring his capacity for languages. His first goal upon coming to the United States from El Salvador was to learn English, but then his language learning took a turn. His cooking experience brought him into work with a Greek family as cook, manager, and eventually supervisor in their southern California restaurants. To advance in the business, he says, it became necessary to learn Greek. Between two trips to Greece (once in 1998 and again in 2000) and 10 years of studying, Amaya has mastered the language.

When he left the restaurant business, he didn’t stop there. “I do speak Italian too, but Italian is easier than Greek,” he says. “Italian is very easy because once you master Spanish, you can go ahead and do Italian.” What’s next for Amaya? French, he reveals, and a little farther down the road, Portuguese. “I always have a little space for learning something,” he adds.

When Adan isn’t traveling the world through language, he’s probably, well, traveling. He makes the trip back home to El Salvador twice a year; he has even brought Pomona students along with him, including a Chinese student he met during his Oldenborg lunches.

“He showed up to the Spanish table with his little Spanish,” recalls Amaya. “I said, Bob, do you really want to master Spanish? In order to do that, you have to put some passion into it. I’ve been seeing his improvement over two years, and he took the courage to go with my family back to El Salvador. That’s one of my greatest experiences.”

From his trips to Greece to his travels around Central and South America, Amaya is no stranger to exploration. His next destination: Roatan Island, Honduras. For someone who naturally likes to wander, he was surprised to discover he feels right at home with Pomona’s mail services team.

“I never thought that I would stay for very long. But since I’ve stayed at Pomona and seen how the environment is related to the work, and how you move around with people, I’ve liked it. I’m going to hang out here at Pomona for a long time.”

Stray Thoughts: Dinner With the Deathies

Floral-skull patternWhen I was in my early 20s, I briefly dated a young woman who, as I soon discovered, had already planned out her entire funeral. She had it all down on paper—from music to flowers to who would speak when—with corrections and notes in the margins. I suppose that funeral fetish might have had something to do with the fact that we only dated briefly. After all, in our society, thinking too much about death is considered morbid and strange.

Forty years have gone by since then. Thinking about death no longer feels strange—more like inevitable. Recently, a friend about my age said it about as well as it can be said: “The scary thing is to realize that I can no longer die an untimely death.”

So when Peggy Arnold ’65 invited me to Colorado to meet her group of end-of-life activists—whom she refers to as “the Deathies”—and to dip my toe into the the end-of-life revolution, I took it not only as a professional opportunity, but also as a personal challenge. The tangible result is the story titled “Before I Die” on page 44 of this issue. The intangible results are still percolating inside my head.

In retrospect, it was probably a good time for me to bring this part of my inner life out into the open and give it the thought it deserves. Five years ago, for an issue titled “Birth and Death,” I wrote a column that pulled together all my most memorable little moments of epiphany concerning those two great mysteries of life. But what used to come in tiny aha moments—some beautiful, some terrifying—now seems a permanent part of my thought process. I’ve become so acutely aware of endings that I almost dread going on vacation because I can already feel the wistfulness that comes with knowing that it’s over.

But sitting around the dinner table with the Deathies, I found their enthusiasm surprisingly contagious—these are people for whom death is truly an integral part of life. Around that table, thinking and talking about death isn’t morbid—in fact, it’s strangely liberating.

Of course, there are practical reasons for thinking about death, and the Deathies are focused mainly on those. There are decisions to be made while there’s still time to make them. There are preparations to be made to prevent loved ones from having to make them in times of extremis. There are situations ahead that we can’t foresee but that we hope to be able to control when the time comes.

But I’ve found that there are also hidden benefits, and one of them is a growing sense of acceptance. Don’t get me wrong—I trust that I still have miles to go before I sleep. But partly thanks to the Deathies, I’ve overcome some of my fear of the subject. My wife and I are making plans. And if tomorrow, a doctor reads my imminent fate in an x-ray or a blood test, I feel a little more confident that I’ll be able to swallow the news and get on with my life.

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What If?Pomona College Magazine Fall 2015 cover

I have long admired your evident editorial hand displayed in the Pomona College Magazine, but the Fall 2015 “What If?” issue deserves special salutations. Others may have come up with the “What If?” idea, but you saw the power in it, which led to a marvelous and stimulating and coherent set of articles of intrinsic value, but which also reflect well on Pomona College as an institution of liberating education. Thank you for your continuing skilled efforts.

—Lee Cameron McDonald ’48
Emeritus Professor of Politics
Pomona, Calif.

 

A Breathing Institution

I received the email for the survey on improving Pomona College Magazine. I wanted to commend you on looking to improve what I believe is an already fine publication. PCM holds a special place in my heart because my exposure to it was the spark that sent me to Pomona.

My senior year of high school, I was doing the usual contacting of universities for their information packet and application. I received Pomona College Magazine in my request for information from Pomona. Rather than another vanilla college brochure intent on marketing to me why I should come to their school (“Small class sizes! Award-winning faculty! Here’s a picture of an ethnically diverse circle of students sitting on a grassy quad!”), PCM was something else altogether. PCM was a beautiful snapshot of a breathing institution, populated by what appeared to be really fascinating, really smart people. Back then my family had a good bunch of magazines coming into our home: Time, Discover, National Geographic, etc. In PCM, I saw a glossy, high-quality magazine that was on the same level as those national publications, both in the writing and in the gorgeous photography. PCM seemed to be making an unspoken promise to me: if I could make it into this college, I could be just as amazing as these people that were being profiled. A campus visit only confirmed what I saw, and I was hooked. At that point, every other college application would just be for safety schools. (Okay, that’s a little lie… If Stanford had accepted me, it would have been hard not to go!)

That issue of PCM that I received was probably Fall 1989. In all the intervening years, PCM has maintained the wonderful writing (I’m still a sucker for the alumni and faculty profiles) and the gorgeous photography. I wanted to thank you for your work at the magazine, in continuing the stewardship of what, for me, was a life-changing publication.

Needless to say, I’ve completed the survey. I hope the survey’s results will help you continue to steer the magazine toward fascinating waters.

—Andy Law ’94
San Diego, Calif.

 

Freedom of Speech

It was disappointing to read President Oxtoby’s email to the Pomona College community about the recent protests on college campuses around the nation without mention of a commitment to protect freedom of speech at Pomona. There is a dark side to the national protests seen in the ludicrous attempts to police Halloween costumes and more broadly, to silence and punish speech deemed “offensive.” Instead, President Oxtoby’s emphasis on “pain,” “sorrow,” and “institution-alized racism,” romanticizes and fetishizes victimhood. President Oxtoby should not be encouraging young men and women to see themselves as victims of oppression, but instead as adults with agency who have made a choice to attend a terrific, albeit imperfect, liberal arts college where they have consented to listen to competing, different, and sometimes offensive ideas in order to broaden their own minds and grow into tough-minded future leaders of their communities. I hope the students and the greater Pomona College community will continue to flirt with dangerous and offensive notions, to talk, argue, read and listen, in order to develop convictions born of experiences, mistakes and failures, instead of trying to create a protective cocoon from which all pain and sorrow can be avoided.

—Gregory Johnson ’00
Los Angeles, Calif.

 

In view of what happened at CMC I realize that David Oxtoby must tread warily in this minefield but I am appalled by what is taking place in Anglo-American universities. In England’s Warwick University, sophomore George Lawlor questioned ‘consent workshops’ arguing the vast majority of men ‘don’t have to be taught to not be rapists.’

I would have thought this was stating the obvious but in the atmosphere of politically-correct intolerance poisoning our universities he was denounced by radical feminists. The workshop was part of an attempt to create yet more “safe spaces” but it is clear there are to be no safe spaces for “unbelievers,” and feminists demand he be expelled.

He is in good company as Warwick has already banned human-rights campaigner Maryam Namazie over fears she might criticise Islam’s treatment of women. Universities should be the crucible of free expression and the interplay of ideas instead of the promoters of enforced conformism through the politics of grievance and resentment.

—Rev. Dr. John Cameron ’64
St. Andrews, Scotland

 

Tu Wit Ta Wu

I was saddened to learn of the passing of Doug Leedy ’59, who was Pomona College’s most prodigious and talented composer and musician. I was a first soprano in the Women’s Glee Club 1957-1961. He left us a lovely madrigal which he taught to the Women’s Glee Club:

“Tu Wit Ta Wu”
Lambs skip and play.
The shepherds pipe all day.
Birds sing this merry tune.
Ta Ee, Tu Oo,
Tu Wit, Ta Wu

—Katherine Holton Jones ’61
Alpine, Calif.

Vertigo@Midnight Art Exhibit Explores Afrofuturism

THE ART EXHIBIT “Vertigo@Midnight: New Visual AfroFuturisms & Speculative Migrations,” on view Feb. 23 – VatM-Posterside4cMarch 6, at Pomona College and Scripps College, invites viewers to contemplate the visceral, spiritual, emotional and political dimensions of diaspora.

The artists from around the world include Chakaia Booker, Michele Bringier, Maria Magdalena Campos-Pons, Krista Franklin, Renee Stout, Lee Blalock, Chris Christion, Oluwatobi Clement, Sydney Dyson, Sharon Grier, Karen Hampton, Zeal Harris, David Huffman, Lek Jeyifous, Ademola Olugebefola, Glynnis Reed, Cauleen Smith, Jaye Thomas, Sheila Walker, Jessica Wimbley and Saya Woolfalk.

The artists are linked through their interest in and reimaginings of race, gender, the body, space and time. The artwork collected here considers the tensions and joys of identity through multiplicity, remixed histories, storytelling, memories, fragmentations and reinventions, disorientation and vertiginous boundary crossings.

The Vertigo@Midnight exhibition is hosted by two campus galleries – the Pomona College Studio Art Hall Chan Gallery, (370 N. Columbia Ave., Claremont) and the Scripps College Clark Humanities Museum (981 N. Amherst Ave., Claremont). The opening reception, with readings by Kima Jones, Peter Harris, and 5Cs students, will be held on Wednesday, Feb. 25, at 4:15 p.m., at the Clark Museum. Both museums are open Monday-Friday 9 a.m. to 5 p.m. and Saturday-Sunday, 12 – 5 pm.

Curated by Pomona College Prof. Valorie Thomas, “Vertigo@Midnight” opens dialogue about disorientation and equilibrium through her theorizing of African Diasporic Vertigo as a cultural idiom that crosses borders, cultures and languages.

Related Events:

  • Feb 21, Film/Performance, 8 p.m., King Britt presents “Brother From Another Planet (Recontextualized),” Smith Campus Center (Edmunds Ballroom, 170 E. Sixth St., Claremont)
  • February 27-28 & March 6-7, Film Screenings, AfroFuturisms and the Speculative Arts, 12-6 p.m., Crookshank Hall (140 W. Sixth St., Claremont)
  • March 4, Artist Talk, Jessica Wimbley, 1:15 p.m. with reception at 4 p.m., featuring a dance performance by Sesa Bakenra (Claremont McKenna College ’15), Pomona College Studio Art Hall, Room 122.
  • March 5, Artist Talk, Claude Fiddler, 4:15 p.m., Pomona College Studio Art Hall, Room 122.
  • March 6-7, Film Screenings, AfroFuturisms and the Speculative Arts, 12-6 p.m., Pomona College Studio Art Hall, Room 122.

For more information on AfroFuturisms and the Speculative Arts, contact valorie.thomas@pomona.edu.

—Cynthia Peters

Story Quilt Exhibit Reveals Reactions to Trayvon Martin Shooting

“AMERICAN SPRING, A CAUSE FOR JUSTICE,” 23 story quilts that narrate the Trayvon Martin shooting in 11-quilt-bracy300Florida, will be on display at Pomona College, beginning Feb. 23. The quilts come from the Fiber Artists of Hope Network and reveal reactions to Martin’s death in 2012 and hopes for a better America.

The exhibition will be open Feb. 23 to March 8, 2015, at the Pomona College Bridges Auditorium (450 N. College Way, Claremont) and is free to the public. An opening reception will be held on Thursday, Feb. 26, with lectures at 6 p.m. and the reception at 7 p.m.

The exhibition is open on Monday–Wednesday and Friday-Saturday, from 10 a.m. to 4 p.m. On Thursdays, the exhibition will be open 1-7 p.m. in connection with the Pomona College Museum of Art’s Art After Hours program. On Sundays, the exhibit will be open 12-3 p.m.

Story quilting expands on traditional textile-arts techniques to record, in fabric, events of personal or historical significance. Through the accessibility of their colors, patterns and symbols, the quilts of ”American Spring: A Cause for Justice” relate narratives that enable conversations about sensitive topics from our national history, furthering the discussion of racial reconciliation in America. This exhibition is curated by Theresa Shellcroft and is organized by the Fiber Artists of Hope in Victorville, Calif.

The quilts have been exhibited to the Congressional Black Caucus, in Atlanta, Baltimore, Little Rock, Los Angeles, Marion (IN), Philadelphia, Victorville and Washington, DC, among other locations.11-quilt-shie

Associate Dean Jan Collins-Eaglin saw the quilts at the African American Quilting Guild meeting in Los Angeles last year. “Each quilt tells a story,” she says. “They’re very evocative and interpretations of what happened. I really wanted our students to be able to see them. Then there were the shootings of Michael Brown in Ferguson and Eric Garner in New York.

“Through art, we can heal, and this has that power. We can begin to talk about what these artists hope for, and what we hope for. There are so many little details in the quilts, and as you look at them more closely, you begin to talk about them.”

—Cynthia Peters