Bookshelf

Bookmarks

Fear of God, by Daniel E. An

Fear of God, by Daniel E. An

Focusing on monastic communities in the eastern Mediterranean during late antiquity, Daniel Eastman An ’08 examines why the language of fear was so prevalent in their writings.

Learning to Bend, by Marie Eaton

Learning to Bend, by Marie Eaton

In her latest poetry collection, Marie Eaton ’68 offers tender, lyrical poems that reflect on the challenges and joys of aging, the inevitability of death and the enduring power of love.

Napoleon's Closet, by Margaret Waller

Napoleon’s Closet, by Margaret Waller

Margaret Waller, professor emerita of French, explores the paradoxical history of male clothing, revealing the origins of modern ideas about normative masculinity, queerness and “the closet.”

Petrology and Plate Tectonics, by Allen F. Glazner and Matthew J. Kohn

Petrology and Plate Tectonics, by Allen F. Glazner and Matthew J. Kohn

This new textbook co-written
by Allen Glazner ’76 introduces an innovative approach to teaching petrology, using
plate tectonics as its unifying framework.

Mountain Climber, by Bill Katra

Mountain Climber, by Bill Katra

Approaching his sixth decade as a devoted climber, Bill Katra ’68 recounts his ascents in vivid detail, emphasizing that scenic beauty is as important to a hike as technical difficulty.

Colorblind, by Amy Motlagh

Colorblind, by Amy Motlagh

Amy Motlagh ’98 examines how racial thinking shapes cultural practices in Iran and the Iranian diaspora, charting new ground in the cultural history of race and slavery in Iran.

Creative Belonging, by Yanshuo Zhang

Creative Belonging, by Yanshuo Zhang

Yanshuo Zhang, assistant professor of Asian languages and literatures, explores how the Qiang people evolved over time as well as their interactions with mainstream Chinese society.

Book Submissions

If you’ve had a book published and would like to submit it for inclusion in Bookmarks, please email us at pcmbooks@pomona.edu or mail a review copy to:

Lorraine Wu Harry ’97,
PCM Books Editor,
550 North College Ave.
Claremont, CA 91711

First-Year Read

A Novel by Louise Erdrich: The Sentence,Each year, Pomona selects a work for the entire first-year class and transfers to read before arriving on campus. For 2026, the chosen book is The Sentence by Louise Erdrich.

“It takes such a fascinating approach to describe a moment in time, the pandemic, filled with constant fear and uncertainty,” says Meiya Rollins ’29. “The book is full of humor, mystery, excitement and grief that makes you keep turning the page.”

What Was Your Class Book?

Sagehens, we need your help. If you graduated before 2003, do you remember what class book you were assigned to read your first year? The first-year annual orientation book program had some stops and starts over the years, but we’d love to fill in as many blanks as possible. Write and tell us about your class book at pcm@pomona.edu.

Rethinking The Food System

A Conversation with Author Nancy Matsumoto ’80

Portrait of Nancy Matsumoto ’80, author of Reaping What She Sows

Matsumoto ’80, author of Reaping What She Sows

In Reaping What She Sows, award-winning author Nancy Matsumoto ’80 highlights how women farmers are quietly reshaping agriculture. Drawing on her experience as a longtime food and agriculture journalist, she illuminates an alternative food system rooted in reciprocity, community and respect for the land.

In a recent conversation with Pomona alumnus and fellow food writer Steve Sabicer ’00—author of the Substack newsletter Enlightened Omnivore—Matsumoto reflected on the personal roots of her work, the challenges and opportunities within the “alt food” movement and how flavor, community and connection can drive meaningful change.

What made this book personal enough that you felt you had to write it?

I didn’t really start this book as a personal story. I wrote it because I wanted to highlight these amazing women. And in the process of writing it, I started putting a little bit of my own story in. And what was interesting is that I realized how much my family had really shaped me, and how much of my interest in food and agriculture really came from very early experiences in my background.

My grandfather was both a fruit picker and a cannery worker up in the Pacific Northwest. Both sides of my family were in the [Japanese internment] camps of World War II. My grandmother wrote poems about being a farmer in the prison camp, and I think a connection to nature gave her a sense of agency that she wouldn’t have otherwise had.

We often romanticize local food systems, but global supply chains feed billions. What do you think about the benefits of local versus large-scale agriculture?

I think COVID was a real wake-up call to many people. Not being able to get things on the supermarket shelves was a shock. And then it also forced people to look in their own backyards and discover local farmers. They could get eggs that taste way better. And when avian bird flu came, they realized it didn’t affect their small, local organic farmer because they’re not part of the industrial poultry egg system. And so they began to see that there are real benefits to this, to not being part of a system where front-line workers were dying of COVID, where something like avian bird flu can just spread like wildfire because these are not great conditions for animals.

As a former butcher and someone raised for some of my childhood by a depression-era grandfather, wasting things was a huge deal. Do you think we’ve lost the sense of morality or responsibility about what we throw away?

Yes, and I think industry is complicit in making us that way because it’s a way to sell more stuff. If you don’t save and reuse and recycle, you buy more. You know, the way recycling works in our country is a perfect example. It’s made to make us feel good when actually it’s not really doing that much. It’s kind of like the cynical corporate mentality that wants to get us addicted to ultra-processed foods. It’s all about making more money.

And so yes, I think we’ve moved very far away from those traditional “waste not” [values]. It’s very strong in Japanese and Asian culture. And my parents were probably shaped by their wartime prison experience and their Japanese culture. That’s still very important to me, and I think it’s important for us to return to because food waste is huge.

Book Cover, Reaping What She Sows, MatsumotoYou write that taste may be one of the strongest drivers of change when it comes to agriculture. What do you mean by that?

Absolutely. There are bakers who I’ve met who are passionate about regeneration, about organic production methods, about the value of organic and regenerative grain growing, but they’re not going to mention that in their bakery or when they’re selling their goods to customers. In fact, they’re quiet about it. And some have actually said to me, you know, I don’t want to be preachy. Customers come to the bakery every week because it’s delicious. Do they know anything about the farming practice? Do they care about it? No. Not everyone is going to tell the whole regenerative story when they’re creating a delicious food. They want the food to speak for itself, which is completely legitimate.

What role do consumers play in building a better food system?

The consumer does have a big role and actually a lot of power. Of course we can all go to our farmers market. We can all grow vegetables in our backyard. But think a little bit more broadly. Does your community have a food policy council? Can you join it? Can you start one? How can we get more local and regenerative and organic sourcing for our elementary school or our charter school or our local hospital or prison? Going one step up from the individual level to the corporate, the institutional, and then you’re starting to talk about more business for these farmers who are really trying to create system change.

You have to really get in the weeds sometimes, and so work that may seem sort of nerdy and boring and geeky—digging into supply chains and sourcing—can actually be a source of real community and joy.

What gives you hope about the food system right now?

I think it’s really these amazing women that I meet all over the country. Every event I do, I meet more and more incredible people who are thinking of innovative ways to make a difference. You have dropouts from corporate America, people like you who are moved to join this movement because it speaks to them. And I can’t tell you how much joy there is in the room when you’re with people and they are energized. It is really one of the most rewarding parts of doing this work.

 

Neuroscience Meets Dance in Move Your Body, Grow Your Brain

Niketa Kou ’25 with her book, Move Your Body, Grow Your Brain

Niketa Kou ’25 with her book, Move Your Body, Grow Your Brain

Niketa Kou ’25 created a children’s book for her senior thesis to spark curiosity and encourage young readers to explore both movement and science.

A lifelong dancer from Taiwan who double majored in dance and neuroscience at Pomona, Kou worked with Jonathan T. King, director and assistant professor of neuroscience, and the writing partners at the Center for Speaking, Writing, and the Image (CSWIM) on a narrative explaining the brain in a fun, accessible way.

In April 2025, Kou self-published Move Your Body, Grow Your Brain.

“In the book, Lazy Larry goes on a journey with Nike the Neuron and learns that physical activity strengthens neural connections and encourages new ones,” she says. “It also boosts blood flow and oxygen to the brain, supporting neuron health and improving memory and learning.”

As she brainstormed possible neuroscience theses, Kou drew inspiration from her time explaining complex ideas to children as a tutor. A longtime believer in the power of movement as medicine, she decided to explain the science behind her conviction.

“I thought, ‘As a kid, I would love to know these things.’”

Kou collaborated with illustrator Dahlia Wang SC ’24 to give her words life. Across 32 colorful pages, Move Your Body, Grow Your Brain encourages young readers to explore both movement and science. Several pages include a physical activity to try and an explanation of its scientific benefit.

Kou’s project thesis was a natural extension of her longest hobby, dance, where she experienced—long before neuroscience gave her the language for it—how movement affects the mind and body.

While she danced ballet growing up in Shanghai, Kou fell in love with contemporary dance in high school and chose to explore the expressive, evolving genre at Pomona.

Kou started choreographing her sophomore year, a responsibility that transformed the way she thought. Beyond creative growth, she says,

Dancers in Niketa Kou’s senior thesis performance.

Dancers in Niketa Kou’s senior thesis performance.

choreography pushed her to trust her instincts, embrace uncertainty and approach problem-solving with curiosity rather than perfectionism.

Ahead of her senior year, Kou danced in Berlin on a summer scholarship. When she returned to Claremont, she says she had a more expansive, flexible mindset shaped by movement.

“The beauty of dance is getting to slow down time and have fun, which can be hard as a college student,” she says. “Movement changed the way my mind and body responded to pressure. Dance became a space where I could reset mentally and reconnect physically.”

A medical assistant by day, Kou moonlights as a freelance dancer in and around Los Angeles.

“I’m still living that Pomona College life—balancing both sides of me,” she says.

Got a Challenging Colleague? New Faculty Book Aims to Improve Interpersonal Conflict

Jessica Stern ’12 and her book, Beyond Difficult: An attachment-based guide to dealing with challenging people. Last summer Assistant Professor of Psychological Science Jessica Stern ’12 published Beyond Difficult: An attachment-based guide to dealing with challenging people. An expert in attachment theory, close relationships and child development, Stern spoke with PCM about how she hopes the book will help readers.

Who is this book for?

It’s for anybody who has had a difficult relationship—whether that’s in your family life, dealing with a difficult kid as an educator or as a parent, or navigating difficult work relationships. Most [of us] have had at least one relationship where we wished we had a guide we could pull out and say, “What do I do?” We wanted the book to be accessible, even to people who had never read a research paper before. We wanted them to know that there’s a fascinating science of how to build stronger marriages, friendships and workplace relationships.

You spend a lot of time focusing on highly sensitive and neurodivergent people. Why do you highlight these two groups?

These groups are often misunderstood and mislabeled, either as a bad kid or as a difficult adult. Everybody’s nervous system is wired a little bit differently [and] is not something we can change. But what we can do is provide a supportive environment that doesn’t overstimulate these kids so that they either act out or shut down. The same principle is true for adults—understanding that the person next to you might be more reactive to the context that they happen to be, we might look at the environmental circumstances that [lead] them to act in this way.

We also look at people’s relationship histories and attachment style. One major reason behind difficult behavior is that someone is feeling threatened, insecure or triggered. Usually that comes from a place of not having had secure, safe relationships as a child or as an adult. One nice thing about that framework is, first, it inspires a little bit more compassion, rather than combativeness, toward the person. But second, there are certain strategies that we can then use to help the relationship feel safe enough that the person can calm down and have a constructive conversation.

Secure vs. Insecure Attachment Styles

How did you and your co-author team up for this book?

Rachel [Samson] is a clinical psychologist in Australia. She and I met at a professional training many years ago and discovered that we had similar interests, but I was doing more of the scientific work and she was putting those ideas into practice with clients. It’s very easy for me, as a researcher, to say, “Here’s what people should do” in theory, but it’s a very different thing to be a practitioner who’s seen it in action with real people.

The book is divided into three parts. The first part is about understanding difficult behavior: getting a better grasp of what’s really going on when someone rubs you the wrong way. The second part is about working on oneself. Based on your own temperament and attachment style, what are the things that you’re bringing to this interaction that you can strengthen or improve? Part three is about the relationship. How do you strengthen it? What are specific things that you can do, like giving feedback in an effective way, not letting things stew? And what do you do when another person is just not going to change?

 

Bookmarks

Andrew Extein ’07 novelIn his debut YA novel, Andrew Extein ’07 tells the angsty story of a bullied straight teenage boy who comes out as an act of retribution.


Greg Hickey ’08 novelThis sci-fi crime novel by Greg Hickey ’08 follows a private detective hired by a space tech CEO to investigate a rival for illegal hydrocarbon combustion.


Garrett Hongo ’73 poemsThe fourth book of poems by Garrett Hongo ’73 draws inspiration from Hongo’s life journey and weaves in memories of various shorelines.


Prof. Jonathan Lethem’s short storiesThis collection of Prof. Jonathan Lethem’s short stories spans 35 years of writing, serving as a career survey and retrospective.


Nancy Matsumoto ’80 bookNancy Matsumoto ’80 reports on women who are building local and regional supply chains, offering the reader a blueprint for eating sustainably.


Zelana Montminy ’04 bookZelana Montminy ’04 explains the science behind focus and distraction and gives strategies to control our attention and improve our mental clarity.


Krystyn Moon ’97 bookKrystyn Moon ’97 examines the history of Alexandria’s African American community, focusing on its relationship with the federal government.


Ginny Kubitz Moyer ’95 novelIn this work of historical fiction, Ginny Kubitz Moyer ’95 tells the coming-of-age story of a young seamstress living in San Francisco during World War II.


Vera Nazarian ’88 novelA deadly asteroid is about to strike Atlantis in this prequel to The Atlantis Grail fantasy series by Vera Nazarian ’88.


Cassandra Phillips ’72 book

Version 1.0.0

co-authors this chronicle of a primate scientist’s 50-year journey living among and studying baboons.

Book Submissions:

Book Submissions: If you’ve had a book published and would like to submit it for inclusion in Bookmarks, please send a review copy to Lorraine Wu Harry ’97, PCM Books Editor, 550 North College Ave. Claremont, CA 91711 or email us at pcmbooks@pomona.edu.

Seven Decades of Summer Reading for First-Years

Paul and Flo Eckstein in front of the Pomona College Gate

The author with his wife, Flo, in front of the Pomona College Gate

Going back more than seven decades, Pomona College first-years have been assigned a common book to read during the summer before they pass through the Gates, which they typically discuss in small groups moderated by a professor during orientation week. The idea is to give first-years something challenging and interesting to discuss with their classmates and to provide them with a taste of what college will be like. Sometimes the idea works. Sometimes not.

Among the variety of books selected over the last two decades are James Baldwin’s If Beale Street Could Talk (2019), Justice Sonia Sotomayor’s My Beloved World (2015), Kazuo Ishiguro’s Never Let Me Go (2011) and Fareed Zakaria’s The Future of Freedom (2006). An Orientation Book Committee composed of faculty, staff and students is responsible for each year’s selection. According to English Professor and committee member Kevin Dettmar, the team wanted to select a book that “modeled a critically sophisticated engagement with contemporary popular culture. Critical-thinking skills aren’t just useful for the classroom: they’re lifelong skills.”

Stack of orientation books since 2003This year’s selection was African-American poet and music critic Hanif Abdurraqib’s They Can’t Kill Us Until They Kill Us (published in 2017), a collection of essays largely about music of the 1990s (much of it rap) and the artists who made that music. This year’s reading could not be more different than the reading assigned to my class in the fall of 1958, authored by social critic and essayist Lewis Mumford and titled The Human Prospect (published in 1955); that book was about almost everything under the sun except the music of the time.

About the only thing the two books have in common is that both are essay collections. Abdurraqib’s topics include “Chance the Rapper’s Golden Year,” “Death Becomes You: My Chemical Romance and the Ten Years of the Black Parade” and “The White Rapper Joke.” Mumford’s essays include such varied and unrelated topics as “The Monastery and the Clock,” “The Origins of the American Mind” and “Moby Dick.”

In 2024, literary critic Vincent Triola (author of numerous works of short fiction and a frequent book reviewer) described Abdurraqib’s collection of essays as “representing a generation’s lostness … caused by a technology-driven anti-intellectualism and superficiality that licenses poetry and authorship to anyone with a keyboard, inadvertently devaluing and obscuring quality literature.”

Abdurraqib’s essays are anything but superficial and anti-intellectual; they are well-crafted, beautifully written and, to use a word of the times, accessible, even for a reader now in his mid-80s. This year’s selection seems to have served as a good icebreaker for the racially, economically and geographically diverse Class of 2029.

Pomona is a very different place today from what it was in 1958. Three-quarters of Pomona’s Class of 1962 was from California (mostly from Southern California) with fewer than 3 percent students of color. By contrast, Pomona’s Class of 2029 is composed of students from 26 countries and 41 states (only 34 percent from California) and 55 percent students of color. If Abdurraqib’s set of essays was selected to prompt discussion across a diverse class, it was an inspired choice.

No one still alive remembers why The Human Prospect was selected. Perhaps Steve Pauley ’62 is correct when he muses that Mumford’s book was “assigned to terrify freshmen, most of whom were stars in high school. I guess the faculty wanted to drive some humility into us. What was terrifying was that at least some understood the book—at least they bluffed enough to pull that off.”

In contrast to Abdurraqib’s writing style, Mumford’s was anything but accessible. The book was tough sledding for children of the 1950s and hardly seemed designed to capture the interest of the 17- and 18-year-olds of the time. Gerry Wick ’62, a Ph.D in nuclear physics and now a Zen Buddhist master and author, recalls that he found Mumford’s writing style “turgid, arcane and too erudite to make for enjoyable reading.” Retired schoolteacher Bonnie Bennett Home ’62 remembers: “My professor was so disappointed in the election of The Human Prospect that he declined to discuss the assigned reading.”

Not every classmate of mine found Mumford’s book disappointing. John Roth ’62, a retired philosophy professor at Claremont McKenna, said that “our 18-year-old critiques of Mumford don’t cut much ice with me, nor do our 80-year-old condemnations. We should all hope to leave as much of a mark on our times as Mumford did on his.” Roth was enlightened by the essay “The Monastery and the Clock,” as “it opened my eyes as to how relatively recent the measurement of time is.” I, too, particularly liked that essay, and have often thought about its importance over the years. The remainder of Mumford’s essays, not so much.

Hlib Olhovskyi ’27

Olhovskyi

Returning to the present, the selection committee spoke passionately about They Can’t Kill Us Until They Kill Us.

“This book paints an image of the U.S. that is often shown differently overseas,” said Hlib Olhovskyi ’27. “Among a diverse list of excellent books, this collection stood out the most
for its captivating fusion of scope and detail, intimacy
and universality.”

Zoe Dorado ’27

Dorado

Zoe Dorado ’27 agreed. “[Abdurraqib] writes with a specific obsession that seems fueled by both love and uncertainty about the world,” she said. “He’s not an optimist, yet his work has a propelling force. It’s the type of book that I know I’ll return to during different stages of my life.”

“As I prepared to leave for college and reckoned with a desire for the relationships, places, and moments in time that I felt were disappearing, the appearance of Abdurraqib’s work in my life felt serendipitous and necessary,” said Nadia Hsu ’27. “Everything I’ve ever written since then has been kind of an imitation of Abdurraqib, and the way under his observation everything becomes sacred.”

Nadia Hsu ’27

Hsu

One can only speculate how the Class of 2029 will see the book with the perspective of 67 years. All that really matters, however, is how they regarded it this summer. Did it pique an interest in things unknown and spur lively discussion? Let it be said for now that in the view of this octogenarian, who found much of the book shocking but exciting, the Orientation Book Committee did its job well this year.

Mr. Eckstein ’62 is a longtime trustee of Pomona College, the parent of Timothy Eckstein ’92 and grandparent of Owen Eckstein ’28.

Book Talk: Lessons in Leadership:  Ex-College President Reflects on the Empathy in Higher Ed

At a moment when college leaders are navigating choppy seas, Eileen Wilson-Oyelaran ’69 has written a timely analysis of university leadership that outlines what it will take to lead higher education institutions effectively in the coming decade and beyond.

Book, The New College President: How a Generation of Diverse Leaders Is Changing Higher EducationThe book, “The New College President: How a Generation of Diverse Leaders Is Changing Higher Education,” co-written with Terrence MacTaggart and published by the Johns Hopkins University Press, profiles seven university leaders and describes the skills and personal qualities they possess that have made them successful.

Few are as qualified as Wilson-Oyelaran to opine on the topic. She served as president of Kalamazoo College from 2005 to 2016, a period that included a major economic recession, and also was named as chair of the board of directors of the National Association of Independent Colleges and Universities for the 2013-2014 academic year.

In the book, Wilson-Oyelaran discusses some of the major challenges facing the college and university presidency, among them high turnover rates, debilitating financial pressures and conflicting institutional strategies. For example, she says that presidents’ shorter terms may negatively impact institutions, since it generally takes time for presidents to understand school culture and garner the trust of their communities.

For Wilson-Oyelaran, that trust is more vital now than ever. “Colleges and universities are being asked to change more rapidly and more dynamically, but the ability to do that requires someone who is known and trusted, which takes time,” she says. “A leader who is embedded in the community is much more able to make the changes that are necessary right now.”

One quality that Wilson-Oyelaran and MacTaggart found in all the successful presidents they profiled was the significant adversity they faced. “Adversity gives you empathy and a great deal of resilience, which is of particular importance for leading institutions of higher education right now,” says Wilson-Oyelaran. “As the arrows get slung at you, it’s critical to be able to let them roll off and continue to move forward. You develop a sixth sense of how to keep focusing on what is of value and what to let go of.”

Eileen Wilson-Oyelaran ’69During her years at Pomona, Wilson-Oyelaran was a galvanizing figure who was instrumental in creating The Claremont Colleges’ first Black Student Union in 1967 and the Black Studies Center in 1969. She says that she’s deeply encouraged by how her generation’s efforts transformed higher education, both in terms of what the student body looks like, and in the expanded breadth of the curriculum.

“When I look at Pomona today, in many ways the institution represents what we hoped to see,” she says. “It’s pretty incredible to see how the field of African American studies has flourished nationally, and to feel that I maybe did a little bit to move that forward.”

Bookmarks

Barbour, Los escritores y el flamencoLos escritores y el flamenco. La lucha antifranquista (1967-1978)

Tyler Barbour ’09 explores the intersections among Spanish literature, flamenco and the political resistance of the Franco Regime.


Booth, I Am WeI Am We

Leslie Barnard Booth ’04 delves into the mysteries of crow behavior in this lyrical informational picture book inspired by the urban crows of Portland, Oregon.


Choi, Disaster NationalismDisaster Nationalism

In this ethnography, Vivian Y. Choi ’01 examines how the 2004 Indian Ocean tsunami fostered new forms of governance and militarization during Sri Lanka’s decades-long civil war.


Citroën, The New Rules of InfluenceThe New Rules of Influence

Lida Citroën ’86 guides leaders through a new paradigm of leadership in which authenticity, passion and honesty
are required.


Covington, Hidden HealersHidden Healers

Through her experience providing therapeutic programs to prisoners, Stephanie Covington ’64 gives readers a look inside women’s prisons along with recommendations for change.


Dolan, Abigail and Alexa Save the WeddingAbigail and Alexa Save the Wedding

Lian Dolan ’87 writes a modern comedy of manners in this novel about two mothers planning their children’s dream wedding in Montecito, California.


Fleming, Animating the VictoriansAnimating the Victorians

Patrick C. Fleming ’05 traces the links between the Golden Age of children’s literature and Disney films, exploring Disney’s adaptations of Victorian texts.


Henneberg, I Trust Her CompletelyI Trust Her Completely

In this debut novel, Christine Henneberg ’05 observes female friendship and 21st-century motherhood alongside themes of abortion and ambition.


Severin, Deadly VisionDeadly Vision

Todd Severin ’85 crafts a medical and psychological thriller about a revolutionary medical breakthrough and the warring factions in medicine and politics to shut it down.

Book Submissions:

If you’ve had a book published and would like to submit it for inclusion in Bookmarks, please send a review copy to Lorraine Wu Harry ’97, PCM Books Editor, 550 North College Ave. Claremont, CA 91711 or email us.

Book Blurbs: Poetry Edition

Why have just one? For this issue’s “blurb,” we’re featuring five poems by alumni authors

Hongo standing in front of plaque of his poem

Hongo poses in front of his poem, inscribed on a plaque at the Smith Campus Center

Under The Oaks At Holmes Hall, Overtaken By Rain

By Garrett Hongo ’73

A desert downpour in early spring,
and I’m standing under California oaks,
gazing through rain as the grey sky thunders.
I don’t know why the nightingale sings
to Kubla Khan and not to me, nineteen
and marked by nothing, not even ceremony
or the slash of wind tearing through trees.
I don’t know why Ishmael alone is left
to speak of the sea’s great beast, why
the ground sinks and slides against itself,
why the blue lupines will rise and quilt
through the tawny grasses on the hillsides.
I can’t explain this garment of rain on
   my shoulders
or the sour cloth of my poverty unwinding
like a shroud as the giant eucalyptus
strips and sheds its grey parchments of skin
and stands mottled and nude in the
   shining rains.
I want something sullen as thundering skies,
thick as earthmilk, brown and sluicing
across the streets, grievous as the flood of waters.
I want unfelt sorrows to give away and
   wrought absence
to exchange for the imperfect shelter of
   these oaks,
for the froth of green ivy around my feet,
for the sky without gods and the earth
   without perplexity.
I want to have something like prayer to pay
or a mission to renounce as a fee
for my innocence under cloud-cover
and these furious nightingales of thunder,
companions of song in this untormented sea
of memory uncrowded with bliss or pain.

From “OCEAN OF CLOUDS: Poems.” Reprinted by permission of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. Copyright © 2025 by Garrett Hongo. Hongo has published three books of poetry, including “The Perfect Sound: A Memoir in Stereo” (2022).

During Times of Trying to Forgive 

By Brenda Hillman ’73

Evening deepens, Jupiter lifts
   over Cetus, swaddled
  in ribbons of fog. Early stars
retreat into science broth,
  headlights on a hill, &
night stays calm. The source

of your hurt is tucked in.
Maybe you can’t forgive
each other yet, & who
   can blame you after all
    that happened, but still.
You try as a tide tries gray

   again. As a friend whose body
  had a tumor—whose body
has a tumor—reads in onyx light
   till day. How many Mondays
will she have? Is the mystery
  counting? She tries, it tries &

   the ones who are almost
loved walk through the field.
  Inexhaustible seeds are carried
  through the field like codes
    waiting to be read by air
  until the ground is ready.

A Pomona College Magazine exclusive. Copyright © 2025 by Brenda Hillman. Hillman has published more than 10 books of poetry, including In a Few Minutes Before Later (2022). She’s a professor of creative writing at St. Mary’s College in California, where she holds the Olivia Filippi Chair in Poetry.

Constellation of Cetus

Jodie Hollander and her book, NocturneMoon

By Jodie Hollander ’99

do you ever dream
just as I do,
of having a kind of sister
with you in the sky?
To comb one another’s
milky white surfaces,
or gaze out in awe
at fierce bright stars;
just to be together
amidst the emptiness.
Or are you content
all alone up there,
hovering high above
those darkening trees,
who too must hover
above the world below,
that still somehow sparkles
with artificial lights?

Reprinted with permission from Nocturne by Jodie Hollander. Reprinted by permission of Liverpool University Press. Copyright © 2023 by Jodie Hollander.

Hollander is the author of My Dark Horses (2017) and Nocturne (2023), which was longlisted for the Laurel Prize in nature writing.

Full moon over Glacier at Logan Pass

Cloud Study

By S. Brook Corfman ’13

I believed long hair alone
would, like rain, wash
my gender away but the rain

rarely cleans, now—it misses
the spot under the tree, moves
the dirt across the street, cannot

reach into my throat or under
the car unless I open for it.

Corfman (they/them) is the author of the poetry collections My Daily Actions, or The Meteorites and Luxury, Blue Lace.

Luxury, Blue Lace by S. Brook Corfman ’13


Poetry (July/August 2025) by Bruce Bond ’75Night
Class

By Bruce Bond ’75

We would only get so far,
    given the casualties
buried in each point of view.
  This one, this one, this.
To see them was to smell them.
One by one.
Then we read Wilfred Owen,
  a lyric
  whose anger comes later,
  after the specifics.
Take this face,
  how the penlight of the medic
  pierces the addled eye
    just so far.
  In each a sky so deep
  it swallows up the stars.
  Take this gate,
how it chatters like a telegraph key,
and you wake afraid,
knowing so little of your subject.
The siren
in the distance is no stranger
  anymore.
    It is headed
  for your hospital wing,
  where it could be a while,
  if you are waiting for your son.
We could stare at the wall
  together,
    as some at altars do,
  where the mouths
    of nocturnal flowers
  open to accept,
  as sacrament,
  a bee across the tongue.

Poem first appeared in Poetry (July/August 2025) and is reprinted with permission. Bond has authored 37 books and poetry collections and is an Emeritus Professor at the University of North Texas.