Articles Written By: jori2025@pomona.edu

Book Blurb: Marcia Aldrich ’75, Enough

Cover artwork for "Studio of the Voice"I am lying awake in an unfamiliar bed, thinking about success. It is not a king- or queen-size bed, but a double, shared with my husband in a 400-square-foot cottage that I call The Hut. I am lying here, thinking about success, because I have left my home and driven across the country to take up a semester’s residence as the Mary Routt Chair in Writing at Scripps College. It is the bottom hour of the night, and ahead of me lies the long ascent of time toward morning.

The Hut sits a few blocks north of Pomona, where decades ago I was an undergraduate. Much has changed in Claremont, yet much remains the same. Old halls have been torn down, replaced by modern structures, yet the streets still carry the thick smell of eucalyptus. Once I earned my degree I moved on to a working life, to commutes on subway and bus, to corporate work and housecleaning, to graduate school, marriage and children, teaching and writing. I didn’t envision coming back. And yet this return has felt necessary, even preordained, as if the time for a reckoning has come.

Marcia Aldrich 75

Marcia Aldrich ’75

By many measures my return is a sign of success. I have done enough of what I set out to do—be a writer and a professor—to warrant selection to this named position. But I do not feel triumphant. No wreath of bay circles my crown. Just the opposite: I feel as if I’m lying on a bed of nails. Wandering the old campus gardens and courtyards, I meet my younger self, who doesn’t give me a congratulatory wave, passing by on her way to an important appointment. Instead she sits down beside me on the bench under the wisteria and stares into my face, assessing what I have become. Her eyes darken with disappointment. She finds me wanting. What happened? she asks. I thought you would amount to so much more. I thought there would be so much more of you. It isn’t enough, she says.

How slender she is, yet filled with expectation! Could I ever have been so young and fierce and yet so innocent? How her eyes brim with yearning! She’s sure she’s going to do something great with her life; no obstacle will derail her. Little angel, I say, what did you expect of me, and why are you so disappointed?

It is not enough to be a success—there’s always someone more successful. I rarely compare myself to someone who has achieved less. I notice the person ahead of me, not the person behind. I’m focused on the one who won the prize and forget about the people who were passed over. I ask myself how many among us are where we want to be, who we want to be—as if I could argue my way out of the night. There’s always somewhere we want to get, something more we need to accomplish, something to fix. Such dissatisfaction is good, keeps us moving forward. But too much self-criticism can mist our compass, make us lose our bearings. When will the tallying end, this measuring of myself against every other, this measuring myself against myself, this feeling of finding myself wanting?

I’m not sure when it hit me forcefully that I was flawed, essentially flawed, and no regimen of self-improvement would change that, but I’m sure my mother had something to do with it. She did a good job convincing me I was doomed to disappoint, that everything about me required renovation, though back in high school I didn’t realize that I would disappoint myself more than anyone else. I considered having a T-shirt made that said I am a deeply disappointing person because I felt a duty to warn people, to push them away in case they didn’t see my flaws and became attached to me. Any success took me by surprise and seemed a mistake. I waited for the correction to follow—I’d be stripped of the part in the play, the teacher would recalculate my A, the SATs would be rescored, the boy would come to his senses and dump me, the college acceptance revoked. Nothing seemed too small to worry about. I envisioned a grand tribunal sitting in golden chairs in the night sky, glaring down through my windows and judging me. The tribunal was made up of ancient women with white hair falling past their shoulders to their knees, who would ask in hushed voices: What did you do today? What do you plan on doing tomorrow? Will it be enough?

Enough. A word like a high mountain I can’t cross to see what’s on the other side—perchance a valley of milk and honey where every woman has plenty of what she needs and what she wants and knows she has reached her paradise. She’s satisfied—she doesn’t hanker after what hasn’t been done. Enough. What’s enough for me may not be enough for you. I may have wanted to tell my mother and a whole line of mother substitutes that I’d done enough, but I didn’t because I knew my mother would say, No, you haven’t and I wasn’t sure that she wasn’t right.

Enough can’t be precisely measured, precisely stated because it’s part of an emotional economy. One has to guess, make an estimate. How many hours of work is enough to consider myself productive? How much love is enough to feel loved? How many kisses are enough to feel kissed? How much money is enough to feel secure? Whatever scheme of measurement used, the evidence suggests it is the rare woman who has enough of anything, who doesn’t want more money, more love, more time, more kisses. And in my world it is the rare woman who doesn’t taunt herself because she hasn’t accomplished enough, who isn’t lying awake at night making yet another tally.

Booktalk: Pamela Prickett: The Unclaimed

Cover artwork for The UnclaimedPamela Prickett, associate professor of sociology, co-authored a recently published book, The Unclaimed, telling the stories of people who were abandoned after death in Los Angeles County. Through narrative nonfiction, the book shares the poignancy of the subjects’ lives and deaths, and the heartwarming ways strangers stepped in to provide dignity.

The Unclaimed was named to the “top books of 2024” lists at The Atlantic, BookPage, LAist, and NPR. In an interview with PCM, Prickett shares perspectives on societal alienation and the profound need for connection, offering insights into the importance of reconciliation. (Interview edited for length.)

PCM: You’ve co-written a fascinating book telling the life stories of people whose bodies were unclaimed in Los Angeles County. Who are these people?

Prickett: The unclaimed are people for whom next of kin—usually immediate family—decline to arrange a funeral or burial, cremation or some other form of disposition. When families cannot, or will not, claim a body, it becomes the responsibility of local governments to figure out what to do. Often these governments are resource-strapped and seek the cheapest, most efficient arrangements. In Los Angeles, after 30 days, a body not claimed by family is declared “abandoned” and, unless the person has assets, is cremated by the County of Los Angeles. To give the family extra time, the county stores the ashes for up to three years. At the end of that period, the ashes are interred in a common grave with everyone who died that same year.

PCM: How did you get interested in the topic?

Portrait of Pamela Prickett, associate professor of sociology

Pamela Prickett

Prickett: I hadn’t thought about it until someone I knew was on the path toward going unclaimed. A quick internet search revealed only a modest selection of news stories about unclaimed bodies in the U.S. A handful were features in the Los Angeles Times about the crematorium and annual burial in Boyle Heights. Once I read about the mass burial, I couldn’t get it out of my mind. How had I lived five miles away and not known about it? So I reached out to Stefan Timmermans, who I had worked with at UCLA, and we agreed to embark on this research project.

PCM: The book is, surprisingly, a page-turner. How did your career background contribute to this?

Prickett: I started my career as a journalist, working mostly in television. That experience helped shape my academic choices, including what I study and how I write. I’m committed to making research accessible to many audiences. For this book, we had the good fortune to have a skilled trade book editor who helped us envision it as narrative nonfiction, reading more like a novel. The result is a set of stories that takes readers into the lives of four Angelenos at risk of being unclaimed. We also meet the volunteers, community members and government workers dedicated to providing burials for unclaimed strangers, imparting a sense of dignity after their deaths.

PCM: The number of unclaimed in Los Angeles is rising. Why?

Prickett: The poor have always been more likely than the wealthy to be buried in unmarked graves and so-called potter’s fields. Today, Americans from all walks of life, including people with jobs and homes and families, who think they did everything right to prepare for old age, are ending up unclaimed. An estimated 2 percent to 4 percent of the people who die every year in the U.S. go unclaimed. In Los Angeles County—the most populous in the country—the number has more than doubled since the 1970s.

Shifts in the rate of the unclaimed tell us something fundamental has changed in what Americans are willing to do for their relatives—and it’s far less than in past generations.

PCM: A key commitment among members of the military is to leave no one behind. How is a group of veterans in Southern California acting on that commitment on behalf of unclaimed veterans?

Prickett: This is one way the research has revealed unexpected and heartwarming surprises. Every Wednesday, rain or shine, a group of motorcycle-riding veterans and their supporters, calling themselves Veterans Without Family, gather at Riverside National Cemetery to bury unclaimed veterans. The group takes on the role of surrogate relatives to draw attention to society’s neglect of veterans and express solidarity with their veteran “brothers and sisters,” who were often estranged from their biological families.

PCM: You also write about a group in Boyle Heights who gets together to mourn those they never knew. What motivates groups such as these?

Prickett: I attended that ceremony for the first time in 2015 and was forever changed. It felt incredible to be surrounded by people who were willing to take time out of their busy schedules to honor people they never knew. It’s a 35-minute interfaith, multi-lingual ceremony organized by a hospital chaplain, a man who walks the walk on radical kindness. By the end, you’re reminded that there is more good than evil in the world and that there is a space to create dignity and humanity for all.

PCM: What can we do as a society to reduce the alienation that too often results in people being unclaimed?

Prickett: The Unclaimed is a wake-up call to take stock of what really matters in life—social relationships. The book poses the haunting question, “How much did your life matter if no one close to you cares you died?” A few suggestions:

Reach out and break through social isolation and work to repair broken relationships.

Talk through the discomfort and sadness we often try to numb. Learn to work through conflict.

Before cutting off ties, think about the long-term consequences. While some relationships are indeed toxic, sometimes what we label as toxic is simple disagreement. Conflict is integral to social interaction, and the more we can work to repair fissures, the better off we will be.

We can change laws to create a more inclusive definition of next-of-kin. We rely on centuries-old English common law definitions of family to determine who qualifies as next-of-kin. It’s my hope that we push policymakers to assess the right to claiming based on the quality of the tie, not whether it is by blood or marriage.

PCM: How can we as individuals and communities expand our circle of caring?

Prickett: I encourage people to attend a local ceremony for the unclaimed. Respect in death can be a rallying cry for respect in life. The unclaimed remind us that unless everybody counts, nobody counts.

New Study on Global Benefits and Tradeoffs of Natural Climate Solutions

Innovative research by faculty at Pomona, The Nature Conservancy (TNC) and other partners reveals how protecting, better managing and restoring nature for climate change can enhance human well-being, biodiversity and ecosystems.

Charlotte Chang ’10, assistant professor of biology and environmental analysis, is the lead co-author of the new research, which shows that natural climate solution pathways with the highest potential to mitigate carbon also have the most evidence of their impacts on people and nature. Using advanced machine-learning methods and large language models, the researchers analyzed more than 250,000 peer-reviewed publications to assess the benefits and tradeoffs of natural climate solutions. The study was published on December 2 in the journal Nature Sustainability.

“We’ve achieved something unprecedented—the first comprehensive analysis of how natural climate solutions impact every dimension of human and environmental well-being,” says Chang, who is also the inaugural One Conservancy Science Fellow at TNC. “By using open-source large language models, we could evaluate vast amounts of data in ways that were previously impossible.”

This global evidence map will help countries implement natural climate solutions by showing the impacts that pathways such as reforestation and wetland protection can have on human well-being, biodiversity and the environment beyond climate change mitigation.

“Natural climate solutions hold the promise of transforming ecosystems and livelihoods, but their implementation must be informed by evidence,” says J.T. Erbaugh, an applied social scientist at TNC and co-lead author.

“Our evidence base can help ensure that these solutions provide benefits for people and ecosystems more equitably and effectively,” adds Brian Robinson, co-lead author and associate professor of geography at McGill University. “The scale of our evidence base transforms how we understand environmental and climate solutions.”

Now Checking in For Pomona: The Cottrell Sisters!

The Cottrell sisters may be far from home at Pomona, but on campus, a piece of home is always near.

Elsa Cottrell ’28 followed her older sister, Sydney, from Portland, Oregon, to Claremont to play for the Sagehens women’s basketball team. The Cottrells grew up avid sports fans, and in eighth grade, Sydney Cottrell ’26 began taking stats for Elsa’s middle school basketball team—the Sellwood Kangaroos.

The Cottrells, Sydney ’26 and Elsa ’28

The Cottrells, Sydney ’26 and Elsa ’28

All these years later, Sydney remains a core part of Elsa’s playing career as a statistician and game-day announcer for Sagehens women’s basketball.

“As soon as Elsa made the decision to come to Pomona,” Sydney says, “I knew I had to do everything in my power to call her games, even if only to sneak in an embarrassing story or two while on air.”

Elsa, a 5-foot-11 guard, was one of seven first-year players on a young Sagehens team that exceeded preseason expectations. As a newcomer, Elsa found the team culture “positive and so encouraging, a rarity in competitive sports.”

In her first season, Elsa averaged 13 minutes a game, and until leaving for Germany in the winter to study abroad for a semester, Sydney sat courtside calling all the action.

“As an announcer, I think there is an expectation that you maintain a neutral tone and call the game as it is, providing insights where necessary,” Sydney says. “Thus, it’s kind of surreal having my sister out there, someone who I’ve been cheering for my whole life and who I know better than anyone.”

Objective as she was, Sydney says she couldn’t help but smile calling Elsa’s name and number.

In the fall, the Cottrell sisters settled into routines—Monday lunches, library study sessions—and embraced the novelty of having a sibling on campus. As Sydney was at her home games, Elsa was a regular at Sydney’s choir and a cappella group productions.

“Originally, I didn’t want to go to the same school as my sister because we’ve done everything the same our whole lives,” Elsa says. “But now that I’m here, it’s really nice to have her here.”

Adds Sydney: “At first I did have to tell her once or twice that she can’t keep calling me while I’m in class, but I am so grateful to have a shared college experience with her.”

New Sea Sponge Species Named for Turrell ’65

Bob Gaines exploring the Marjum Formation

Bob Gaines exploring the Marjum Formation, a fossil-rich deposit in western Utah.

Ever since his mother gifted him a Trilobite fossil at age 5, Edwin F. and Martha Hahn Professor of Geology Robert Gaines has been fascinated with hunting for history.

His latest quest, this one in western Utah, turned up dozens of specimens of a new species of sea sponge estimated to be half a billion years old—one of Earth’s earliest animals. And it’s named Polygoniella turrelli after James Turrell ’65, creator of Dividing the Light, the Skyspace at Pomona.

This fall Gaines and colleagues from Harvard University described the new species in a paper published in the journal Royal Society Open Science.

The discovery is the result of three years of research conducted on a fossil-rich mountainside in Utah, where layers of shale preserved the specimens.

Rock showing three specimens of new sea sponge species.

This rock shows three specimens of the new sea sponge species.

“Because there was preservation of the organic material, rather than a skeleton or a shell, it’s kind of an extraordinary view,” says Gaines, current acting president of Pomona. “This is at the time when animals first diverged from single-celled ancestors, so we are able to capture what the early family tree of all the animals looked like and understand how the big branches in the animal family tree are related.”

As he pieces together periods of time by exploring new ground and investigating both rocks and fossils, Gaines finds the more he learns, the more questions he has about the history of life. But he remains thrilled to link extraordinary fossils to prehistoric times in his eternal quest to understand the environment in which living things existed.

“For me,” he says, “it’s about the nature of the earliest ecosystems of our own ancestors and their relationship to the Earth system and how they fed on each other. As a student, I recall well the long periods of confusion. But in retrospect I’ve found that I’ve never really learned anything cool without being confused for some period of time first.”

Big Acts at Big Bridges

Since its ribbon-cutting in 1931, Bridges Auditorium—also known as “Big Bridges,” to distinguish it from Bridges Hall of Music (“Little Bridges”)—has been home to hundreds of concerts, speeches and events. Here’s our unofficial tally of the musicians who’ve performed most frequently at the 2,200-seat venue.*

Ella Fitzgerald performing at Downbeat

Ella Fitzgerald performing at Downbeat, New York in 1947 (Dizzy Gillespie looking on). Photo by William Gottlieb.

Six Times:
Singer-songwriter Ben Harper

Five Times:
Folk singer Judy Collins
Folk group the Irish Rovers

Four Times:
Singer-songwriter Johnny Cash
Violinist Isaac Stern

Three Times:
Country singer Willie Nelson
Pianist Arthur Rubinstein
Jazz singer Ella Fitzgerald
Pop/standards singer Johnny Mathis
The Preservation Hall Jazz Band

Other return performers include jazz legends Nat “King” Cole, Duke Ellington and Benny Goodman, as well as folk trio Peter, Paul and Mary. Mime Marcel Marceau also performed here six times!

Big Bridges has been the home to 90 performances from Inland Pacific Ballet, 86 performances by the L.A. Philharmonic, and at least 50 Claremont High School commencements.

Others who’ve spoken here: Bono, Amelia Earhart, Winston Churchill and the Dalai Lama.


*based on records taken from the Bridges Auditorium archive, in conjunction with the crowd-sourced concert repository website setlist.fm.

We’ll Do It Live! A Timeline of Some of Pomona’s Most Memorable Concerts

Big Bridges stage, Taylor Swift concert, 2012Kurt Vonnegut, 1986

OK, this one’s only tangentially music-related, but besides speaking at Big Bridges, Slaughterhouse-Five author Kurt Vonnegut has an unusual Pomona connection. In 1997 he was incorrectly attributed to be the author of one of the first pieces of viral content: a commencement speech sometimes referred to as “Wear Sunscreen,” which later became the “lyrics” of a top-40 hit released by Moulin Rouge director Baz Luhrmann. The actual author? Mary Schmich ’75, who wrote its words for a Chicago Tribune column, and later turned it into a book.

No Doubt, 1990

Gwen Stefani

2015 photo of Gwen Stefani by Lorie Shaull

Gwen Stefani’s ska-punk band played at least five shows at Pomona in their early gigging along the Southern California concert circuit, including a May 1990 show that pre-dated their signing with Interscope Records. Three decades later, the group has released six studio albums that sold 33 million copies globally, while Stefani became a popular solo artist (and voice judge) worth an estimated $160 million. ’90s alums, relive the glory with this fan-captured video from 1994.

Rage Against the Machine, 1992

When Mike Lin ’94 paid the newly formed four-piece rap-metal outfit $325 to play Harwood Courtyard, they hadn’t even released their debut album yet. Lin remembers lead singer Zack de la Rocha eagerly passing out cassette tapes beforehand, as well as receiving a thoughtful “thank you” note from guitarist Tom Morello afterward. They’ve since sold 16 million records and were inducted into the Rock & Roll Hall of Fame in 2023.

Bright Eyes, 2000

Indie band Bright Eyes

Indie band Bright Eyes playing Walker Lounge in 2000

When the campus radio station KSPC brought Conor Oberst and his Omaha indie-rock outfit to play a show in one of the Smith Campus Center’s social rooms, station advisor Erica Tyron said that she paid them $800 in cash. Just a few years later, the Associated Students of Pomona College tried to bring them back, but opted against after learning that their booking cost had ballooned to $50,000.

The White Stripes, 2001

Jack and Meg White—the mysterious red-and-white-adorned garage-rock duo who eventually filled stadiums with arena classics like “Seven Nation Army”—hadn’t yet exploded on the indie scene when they performed that spring on Walker Beach. KSPC still has the original flyer from that fateful concert in their office in Thatcher Music Building.

Taylor Swift, 2012

Taylor SwiftTouring behind her fourth album Red, Swift launched an online voting competition promising to perform at the college that got the most votes proportional to their size—spurring some crafty Harvey Mudd kids to organize on social media to get Claremont Colleges students to vote for Swift to come to the smallest of the 5Cs (though she ultimately performed at Big Bridges). For the record, Mudd’s student body president claimed that they didn’t engage in any “illegitimate activity” like bot voting. We plead the fifth!

SageChat: Favorite On-Campus Concerts

The column where we talk to the flock on the Pomona College Alumni Facebook group and share a few responses. Make sure to join the group if you haven’t already.


What’s the best concert you ever saw at Pomona?

Jessica Sitton and Pamela Keene with Gordon Lightfoot

Jessica Sitton ’85 and Pamela Keene ’85 with Gordon Lightfoot (photo credit Diane Ung ’85)

“Gordon Lightfoot at Big Bridges in 1984!”

-Jessica Sitton ’85 (see photo on right)

“When Michael [Mahler ’74] asked me out for our first date, I said ‘yes’ before I even knew where we were going to go. We went to Big Bridges to see the J. Geils Band and the Eagles—and then saw the Eagles again for our anniversary in 2014. This year we are celebrating our 47th anniversary!”

—Vicki Paterno ’75


“The Ramones in 1979 at Garrison Theater [technically at Scripps]. The music scene was changing in good and exciting ways, at least for this Midwest boy. The punk and new wave scene was just busting out in a big way. KSPC was leading the way.”

—Paul Martin ’83


“I saw Maroon 5 opening for Guster in about 2001. Now Guster opens for them!”

—Stephanie Lawton ’03


“Seeing Ozomatli freshman year at Harwood Halloween was incredible, but it’s hard to beat 1999 with Digital Underground, which predictably got shut down, leading to their rapper Shock G leading a mob of us through Lyon [Residence Hall].”

—Adam Boardman ’01


“In 1992 Soundgarden performed in front of about 200 of us right before the release of Badmotorfinger [their first top-40 album]. They were about to go on tour with Guns N’ Roses. It was insanely good music!”

­—Ben Johns ’95


“At Scripps in 1998[ish] Michelle Malone played a small show at the Motley with a young opening act named John Mayer. I remember liking his songs ‘Neon’ and ‘Comfortable.’ A couple years later he played at Big Bridges with Norah Jones, before she’d won all her Grammys.”

Brian Daniel Schwartz ’01

Beethoven, Bach, Wagner—and Zappa? 50 Years Later, A Pomona Prank Remembered

A 13-foot sailboat effortlessly floats from the rafters of Frary Dining Hall.

One of two doors into the mathematics department magically disappears overnight, leaving only a seamless stretch of blank wall in its place.

A safe containing student grades literally vanishes from Holmes Hall, discovered weeks later underneath the building’s creaking floorboards.

Pranks have played a storied role over the years at Pomona. One of the most ambitious took place 50 years ago, with the pranksters only claiming credit 37 years later. The dossier they back-channeled to Pomona College Magazine resulted in a 2012 story finally solving one of Pomona’s most enduring mysteries: Who replaced Chopin with a bust of Frank Zappa in the frieze on the face of Big Bridges?

John Irvine ’76 works on the Zappa frieze

John Irvine ’76 works on the Zappa frieze

John Irvine ’76 and Greg Johnson ’76—juniors at the time of the prank—told PCM clandestinely that they “weren’t huge Zappa fans at the time,” even though he had lived in Claremont for a while. They dreamed up the prank when they learned the Mothers of Invention rocker was coming to play Bridges in April of 1975.

“We were looking up at the front of Big Bridges and said, ‘Well, gosh, he should have his name up there,’” Irvine recalled. They envisioned Zappa right alongside other greats—Bach, Beethoven, Wagner and Schubert—over the front entrance. Chopin, they decided, was dispensable. “I’m not big on the Romantics,” Irvine explained.

Pulling off the prank took two intensive weeks of preparation. Obstacle one: how to get onto the roof of Bridges Auditorium? Johnson calculated they could lay a ladder between (long gone) Renwick Gym and Big Bridges and, perched more than 30 feet above the ground, crawl four feet across from one roof to the other. “Being young college students, we were stupid enough to do that,” Irvine told PCM.

Zappa frieze close-upJohnson and Irvine measured the space they would need to fill: a whopping 15 feet in length and five feet in height. Which led to obstacle two: how to make a replacement frieze light enough to hoist into position, but heavy enough to stay in place. Their answer was Styrofoam in an aluminum frame, with a papier-mâché bust of Zappa anchoring one end and a marijuana leaf the other. (Zappa was against drugs, but, the pair admitted to PCM, “Hey, we know, but it was the ’70s.”) They built it in a dorm room and were putting it together late at night in the Wash—when it began to rain. A quick move to the Mudd-Blaisdell trash room was almost a disaster. The next morning was trash day.

To overcome obstacle three—getting caught—Irvine and Johnson recruited the help of the Statpack, a group of fellow math and statistics students. They modeled the movement of Campus Security patrols in the wee hours of the morning to find the optimal time for evasion. Sometime between 2 and 3 in the morning, the 60- to 70-pound frieze was installed on the front of the building. The statistical modeling must have been sound, because until they finally took credit via PCM in 2012, the prankers’ identities went (almost) undetected. As PCM noted, “Frank Zappa was now shoulder to shoulder with Beethoven and Bach on the campus’s most imposing edifice. Chopin had been shown up, and the two math majors had succeeded in pulling off a highly visible prank.”

Just one miscalculation: Zappa’s bust joined the roster of the greats a week after his concert at Big Bridges. “We kind of got an incomplete,” Johnson told PCM. “We weren’t quite ready in time.”

Bridges Auditorium Zappa Frieze

Top Three Annual Pomona Events (Past and Present)

Fun fact (via Rachel Paterno-Mahler ’07):
“Having a Smiley 2000s today would be the equivalent of having Smiley 80s when those of us that graduated in the 2000s were at Pomona.”

#1 Harwood Halloween

#2 Smiley 80s

#3 Ski-Beach Day

Other popular events include Death by Chocolate, Freshman Dance, Middle School Dance

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