Articles Written By: emae2021@pomona.edu

Art in his DNA

Steve Comba

Before he was cataloguing the nearly 10,000 pieces in the Pomona College Museum of Art (PCMA) collection, museum Associate Director and Registrar Steve Comba was earning a reputation among his fifth-grade classmates for copying Peanuts cartoons and drawing “Wanted” posters of his least favorite teachers—a feat which often got him into trouble. Comba still has a sharp, sly sense of humor, but when it comes to managing the College’s art collection, he’s all business.

comba-350Comba never set out to work for a museum. As an undergraduate, he attended the UC Santa Barbara College of Creative Studies, later relocating to Claremont, where he received his MFA in Studio Art from the Claremont Graduate University in 1986. All he wanted was a teaching job that would enable him to pay the rent for his own studio. Until he could find a position, he took a part-time job photographing, mapping and framing prints at the Galleries of The Claremont Colleges, the former museum jointly run by Pomona and Scripps colleges. When two positions at the gallery opened up, Comba inquired about being gallery manager. “I thought it would be more appropriate for a studio artist to be the person who hangs the work, but the curator of collections thought I should look at the position of registrar instead,” he recalls. “My response was, ‘Okay…what is that?’”

As it turns out, it’s a lot. Comba’s official job description is to track everything about every object in the museum, whether it belongs to the PCMA collection or is on loan from another institution. If someone needs to know where an object is and how it’s doing, Comba is the person to call. He also oversees conservation efforts of pieces that have seen better days. “I get a lot of personal gratification when I’ve done something for an object that I know will further its preservation,” he says.

But for Comba, being the museum’s registrar is more than just cataloguing. When his daughter was a student at Sycamore Elementary, he enjoyed being able to supplement her class’s lessons about native peoples by bringing in real Cherokee sandals. Now he is one of the main coordinators of the museum’s two-year-old outreach program to local third grade classes. In the College-sponsored program, students take a field trip to the museum to see in person the artifacts they studied in the classroom. Comba advocates a hands-on approach, sometimes even letting students wear gloves and pass around a 130-year-old Cherokee lacrosse ball. He works hard to structure his lessons so that students have an opportunity to see the continuity of culture.

Comba is also an active figure in the museum’s internship program. He has been in the museum business so long—July marked his 28th year with PCMA—that several influential figures behind the doors of larger institutions, such as the registrar of Pasadena’s Norton Simon Museum, were his students. However, the most rewarding part of the job for Comba is still his intimate connection to the art. “At a certain point, you can say it’s no longer a choice,” he explains. “The need becomes ingrained in the DNA. Whenever we travel on vacation and we’re anywhere within reasonable distance of a museum, my family knows that I’m going to start to sweat if I don’t get to go in there and see it. I was asked how I get ideas for my paintings and it’s the same thing. I no longer have to look for them, because every time I look out I see the world through a painting.”

As for the future of PCMA, Comba says that talk of a new, larger museum is in the works. With a collection that grows by 100 to 170 objects a year, adding more space only makes sense. “A museum isn’t just about the contents,” he explains. “It’s a place. The place either enhances or detracts from the experience of the visitor. What’s exciting about the future is that our desire to expand is not just about making the museum bigger. It’s about having that relationship be fundamentally better. It’s an exciting thing to be a part of.”

And yet, playing such a vital role in running a college museum was never what Comba initially imagined he would end up doing. “I lucked into it. It wasn’t a plan, but this gig with the museum is working out,” he says, laughing. “If you asked, I’d say I still don’t know what I want to be when I grow up.”

Hitting Winners

Mae Coyiuto ’16

Many collegiate student-athletes arrive on campus with lofty aspirations. They might hope to represent their country in international competition one day. Maybe they dream of becoming published authors, or coming up with their own ideas for non-profit organizations and building them from scratch.

Mae Coyiuto ’16, the top-ranked singles player on Pomona-Pitzer’s women’s tennis team, had already accomplished all of that before her first day at Pomona.

The inspiration to become a writer caught hold very early in her life.

tennis-300“When I was about five years old, my mom got this new laptop computer,” said Coyiuto. “To me, it looked like the shiniest, best toy ever, but my mom told me I wasn’t allowed to play with it. In the morning, though, I would sneak in the living room and play around with the computer. I discovered this magical thing called Microsoft Powerpoint and I wrote my first story on a slideshow presentation. One day my mom caught me on the computer and instead of scolding me for disobeying her, she read my story. From that day on, I never really stopped writing.”

By the time she was 10, Coyiuto was a published author, writing three children’s books in her native Philippines. As she grew older, she was inspired to write a book of short stories at age 16, titled Flight to the Stars.

Even in those early years, Coyiuto knew she had found a life-long passion. Being behind a keyboard allowed her to open up in ways that were perhaps more difficult in real life.

“I’ve always been a person who never really said much, but writing has always been a venue where I can express myself. I can write the most bizarre things, and some might even call it creativity. One thing I love about writing is that no matter how old you are or where you’re from, there is someone out there who will pay attention to what you have to say.”

Coyiuto wasn’t content with merely finding her own inspiration and seeing it through. She wanted others to have the same opportunity, so she started an organization to help build libraries in Habitat for Humanity communities in the Philippines. “The idea of our “Gintong Isip” (Golden Minds) library stemmed from both my experiences with writing and tennis. My biggest role models were some of the kids I met in junior tennis. They all had big dreams of playing for the Davis Cup, ranking internationally or getting college scholarships. I’m very happy to say that some of these kids toured abroad and got full-ride scholarships to the top universities in the Philippines. I think that everyone should be given the chance to dream and strive for something the way these players have.

“I have been terribly blessed to find things that I love so much, and I wanted to help others find their passions, too. I think the best way to do this is through literacy. Exposing people to all kinds of stories can inspire them to dream. My main reason for coming up with the Golden Minds project was to help others (especially children) realize that they have this incredible potential to be whoever they want to be. Through the amazing help of Habitat for Humanity, we were able to put up our first library last summer. During the opening, there were kids there who told me that they wanted to be doctors, lawyers, and one even said she wanted to be the next president. The goal of Gintong Isip is to make these dreams a reality.”

Coyiuto was also an overachiever on the tennis courts at a young age, winning several junior tournaments and representing the Philippines in the Junior Fed Cup in Malaysia in 2010. She still came to Pomona uncertain of how she would fare at the collegiate tennis level, but her very first tournament during her freshman fall alleviated any fears, as she advanced to the semifinals of the ITA West Regionals before falling to the No. 1 seed (Kristin Lim of CMS).

“That tournament will always be one of my best memories in tennis,” she said. “Before coming here, I was really nervous about playing college tennis. But while I was playing in the fall tournament, I knew that I was going to love playing for Pomona-Pitzer. Even though we had been playing for three days and it was over 100 degrees out, every single member of the team was out there cheering for each other. It didn’t matter that it was only my first year on the team or if my opponent was one point away from winning, they were all there for me. I’ve never felt this kind of support until I came here. The support my teammates gave me during that fall tournament helped me start to believe more in myself.”

She felt the same support off the court as well, when tragedy struck last fall. She was thousands of miles away when Typhoon Haiyan (Typhoon Yolanda, as it is known in the Philippines) devastated her home country, and although her family and local community were spared the brunt of the storm, she knew plenty of people directly affected.

“The hardest part about being away during Typhoon Yolanda was hearing about the casualties, seeing the destruction and feeling that I couldn’t do anything to help. Thankfully, my amazing AAMP mentor, Kim Africa [’15], planned a fundraising dinner for the victims. This event made me realize how lucky I was to be part of the 5C community and the tennis team. I was so touched when my professors, even from my freshman year, sent me an e-mail checking up on me and asked if there was any way they could help with the fundraiser.

“Even with all their work and other responsibilities, my teammates spent hours helping me make Filipino desserts for the event. I also reached out to the CMS women’s tennis team, asking if they could donate a basket for the raffle and they made the most beautiful basket I’ve ever seen. Seeing all my friends and teammates at the dinner made me realize that I’ve found my second home in this community.”

Coyiuto played most of her freshman season at No. 2 singles, and led the team with a 17–6 record. As a sophomore this spring, she led the team in wins again (17–8) and moved up to the No. 1 position in singles, helping Pomona-Pitzer to a No. 6 national ranking and an appearance at the NCAA Regional finals. But ask her about specific goals she may have over the rest of her tennis career, and she turns attention away from herself after one sentence.

“I hope to grow more as a player and to never stop trying to get better,” she said. “More than that, I hope that each member of the team meets her goals and loves the sport more and more during her time in Pomona-Pitzer tennis. I want to help continue the tradition of the PP tennis team as an area of support, love and family for each member.”

Providing support and love to the greater community is one area where Coyiuto has always managed to hit a winner.

The Code of Beauty, the Beauty of Code

Class Program
{
public static void Main()
{
System.Console.WriteLine(  “Hello, world!”  );
}
}

Even if you’re the kind of person who tells new acquaintances at dinner parties that you hate email and e-books, you probably recognize the words above as being some kind of computer code. You may even be able to work out, more or less, what this little ‘program’ does: it writes to the console of some system the line ‘Hello, world!’

hackers-300A geek hunched over a laptop tapping frantically at the keyboard, neon-bright lines of green code sliding up the screen—the programmer at work is now a familiar staple of popular entertainment. The clipped shorthand and digits of programming languages are familiar even to civilians, if only as runic incantations charged with world-changing power. Computing has transformed all our lives, but the processes and cultures that produce software remain largely opaque, alien, unknown. This is certainly true within my own professional community of fiction writers—whenever I tell one of my fellow authors that I supported myself through the writing of my first novel by working as a programmer and a computer consultant, I evoke a response that mixes bemusement, bafflement and a touch of awe, as if I’d just said that I could levitate. Most of the artists I know—painters, film-makers, actors, poets —seem to regard programming as an esoteric scientific discipline; they are keenly aware of its cultural mystique, envious of its potential profitability, and eager to extract metaphors, imagery and dramatic possibility from its history, but coding may as well be nuclear physics as far as relevance to their own daily practice is concerned.

Many programmers, on the other hand, regard themselves as artists. Since programmers create complex objects and care not just about function but also about beauty, they are just like painters and sculptors. The best-known assertion of this notion is the essay ‘Hackers and Painters’ by programmer and venture capitalist Paul Graham. ‘What hackers and painters have in common is that they’re both makers. Along with composers, architects and writers, what hackers and painters are trying to do is make good things.’

According to Graham, the iterative processes of programming—write, debug (discover and remove bugs, which are coding errors, mistakes), rewrite, experiment, debug, rewrite—exactly duplicate the methods of artists: ‘The way to create something beautiful is often to make subtle tweaks to something that already exists, or to combine existing ideas in a slightly new way … You should figure out programs as you’re writing them, just as writers and painters and architects do.’ Attention to detail further marks good hackers with artist-like passion:

All those unseen details [in a Leonardo da Vinci painting] combine to produce something that’s just stunning, like a thousand barely audible voices all singing in tune. Great software, likewise, requires a fanatical devotion to beauty. If you look inside good software, you find that parts no one is ever supposed to see are beautiful too.

This desire to equate art and programming has a lengthy pedigree. In 1972, the famed computer scientist Butler Lampson published an editorial titled ‘Programmers as Authors’ which began:

Creative endeavor varies greatly in the amount of overhead (i.e. money, manpower and organization) associated with a project which calls for a given amount of creative work. At one extreme is the activity of an aircraft designer, at the other that of a poet. The art of programming currently falls much closer to the former than the latter. I believe, however, that this situation is likely to change considerably in the next decade.

Lampson’s argument was that hardware would become so cheap that ‘almost everyone who uses a pencil will use a computer,’ and that these users would be able to use ‘reliable software components’ to put together complex programs. ‘As a result, millions of people will write non-trivial programs, and hundreds of thousands will try to sell them.’

hackers-250A poet, however, might wonder why Lampson would place poetry making on the same spectrum of complexity as aircraft design, how the two disciplines—besides being ‘creative’—are in any way similar. After all, if Lampson’s intent is to point towards the future reduction of technological overhead and the democratization of programming, there are plenty of other technical and scientific fields in which the employment of pencil and paper by individuals might produce substantial results. Architecture, perhaps, or carpentry, or mathematics. One thinks of Einstein in the patent office at Bern. But even the title of Lampson’s essay hints at a desire for kinship with writers, an identification that aligns what programmers and authors do and makes them—somehow, eventually—the same.

Both writers and programmers struggle with language. The code at the beginning of this chapter is in Microsoft’s C#, one of thousands of high-level programming languages invented over the last century.

Each of these is a ‘formal language,’ a language ‘with explicit and precise rules for its syntax and semantics,’ as the Oxford Dictionary of Computing puts it. Formal languages ‘contrast with natural languages such as English whose rules, evolving as they do with use, fall short of being either a complete or a precise definition of the syntax, much less the semantics, of the language.’ So these formal dialects may be less flexible and less forgiving of ambiguity than natural languages, but coders—like poets—manipulate linguistic structures and tropes, search for expressivity and clarity. While a piece of code may pass instructions to a computer, its real audience, its readers, are the programmers who will add features and remove bugs in the days and years after the code is first created. Donald Knuth is the author of the revered magnum opus on computer algorithms and data structure, The Art of Computer Programming. Volume 3 of the Art was published in 1973; the first part of Volume 4 appeared in 2011; the next part is ‘under preparation.’ If ever there was a person who fluently spoke the native idiom of machines, it is Knuth, computing’s greatest living sage. More than anyone else, he understands the paradox that programmers write code for other humans, not for machines: ‘Let us change our traditional attitude to the construction of programs: Instead of imagining that our main task is to instruct a computer what to do, let us concentrate rather on explaining to human beings what we want a computer to do.’ In 1984, therefore, he famously formalized the notion of ‘literate programming’:

The practitioner of literate programming can be regarded as an essayist, whose main concern is with exposition and excellence of style. Such an author, with thesaurus in hand, chooses the names of variables carefully and explains what each variable means. He or she strives for a program that is comprehensible because its concepts have been introduced in an order that is best for human understanding, using a mixture of formal and informal methods that reinforce each other.  

Good code, then, is marked by qualities that go beyond the purely practical; like equations in physics and mathematics, code can aspire to elegance. Knuth remarked about the code of a compiler that it was ‘plodding and excruciating to read, because it just didn’t possess any wit whatsoever. It got the job done, but its use of the computer was very disappointing.’

To get the job done—a novice may imagine that this is what code is supposed to do. Code is, after all, a series of commands issued to a dumb hunk of metal and silicon and plastic animated by electricity. What more could you want it to do, to be? Knuth answers: code must be ‘absolutely beautiful.’ He once said about a program called SOAP (Symbolic Optimal Assembly Program) that ‘reading it was like hearing a symphony, because every instruction was sort of doing two things and everything came together gracefully.’

We are now unmistakably in the realm of human perception, taste and pleasure, and therefore of aesthetics. Can code itself—as opposed to the programs that are constructed with code—be beautiful? Programmers certainly think so. Greg Wilson, the editor of Beautiful Code, an anthology of essays by programmers about ‘the most beautiful piece of code they knew,’ writes in his forward to that book:

I got my first job as a programmer in the summer of 1982. Two weeks after I started, one of the system administrators loaned me Kernighan and Plauger’s The Elements of Programming Style … and Wirth’s Algorithms + Data Structures = Programs. … [These books] were a revelation—for the first time, I saw that programs could be more than just instructions for computers. They could be as elegant as well-made kitchen cabinets, as graceful as a suspension bridge, or as eloquent as one of George Orwell’s essays.

Knuth himself is careful to limit the scope of his aesthetic claims: ‘I do think issues of style do come through and make certain programs a genuine pleasure to read. Probably not, however, to the extent that they would give me any transcendental emotions.’ But in the many discussions that programmers have about craftsmanship, elegance and beauty, there is an unmistakable tendency to assert—as Wilson does—that code is as ‘eloquent’ as literature. …

The day that millions will dash off beautiful programs—as easily as with a pencil—still remains distant. The ‘lovely gems and brilliant coups’ of coding remain hidden and largely incomprehensible to outsiders. But the beauty that programmers pursue leads to their own happiness, and—not incidentally—to the robustness of the systems they create, so the aesthetics of code impact your life more than you know.

This excerpt from Geek Sublime: The Beauty of Code, the Code of Beauty (Graywolf Press), by Vikram Chandra ’84, is published with permission of the author. In his first venture into nonfiction, the noted novelist roams from logic gates to the writings of 11th-century Indian philosopher Abhinavagupta, in search of connections between the worlds of art and technology.

Photos accompanying this excerpt are from the Spring 2014 Hackathon held at Pomona College and are by John Lucas.

Code Blue

Code Blue: October 2013: The President's health care web is in cardiac arrest, threatening to to drag his signature initiative down with it. Enter Mikey Dickerson '01...

code-blue-600Lunch was supposed to be casual. Mikey Dickerson ’01 was in Chicago catching up with Dan Wagner, a friend who’d been in the trenches with him on Barack Obama’s campaign for the presidency in 2012. Wagner had since gone on to found a company, Civis Analytics; Dickerson was a site reliability engineer at Google, one of the people who make sure that the search engine never, ever breaks down.

This was October of 2013, no time for the President’s geekiest loyalists to have a little fun. Healthcare.gov, the sign-up website that was the signature element of President Obama’s signature initiative, was a technological disaster. People couldn’t sign up even if they wanted to—the site would break, or fail. Delays were interminable. Information got lost. Customer service was about as good as you’d expect from a cable TV company. The Department of Health and Human Services, responsible for the new health care system, couldn’t seem to get it working.

“So, we got this phone call yesterday,” Wagner told Dickerson. “HHS is looking for help with healthcare.gov. Can I list you as an advisor or consultant?”

“Yeah, sure. If it’s any value to you, list me,” Dickerson replied. It seemed innocuous enough. Today, he smiles at his own naïveté. “I had no idea what I was getting into,” he says. About a week later, Dickerson found himself on a 5 a.m. conference call with a van full of technologists in Washington D.C., headed over to HHS. With him in the White House motor-pool car was Todd Park, the U.S. chief technology officer. And Park, whom Dickerson didn’t know, was selling the group as a team of experts who could solve any tech problem. Dickerson realized: They’re saying I can fix healthcare.gov.

Without really meaning to, Dickerson had become an anchor of the Obama administration’s “tech surge,” a Silicon Valley-powered push to fix the bugs in the healthcare.gov system. But the system was more than just software. In D.C., Dickerson and his new team found an organization in bureaucratic and technological meltdown, unable to execute what any e-commerce start-up would consider basic prerequisites for being in business.

The crazy part is, they fixed it.

To a Connecticut native like Dickerson, good at math and computers but with no desire to attend a big university, Pomona shows itself off pretty well—especially on a campus visit in May, when Dartmouth might still have slush on the ground. It’s not that he was so avid about computer science—in those days, as a major, CS really ran out of Harvey Mudd anyway—it’s just that Dickerson was an ace. He felt like he was cheating just a little. “It seemed dumb to be spending all that money on something I was already good at,” he says. In fact, Dickerson was already coding for various companies while in school. After graduation, he ended up working in Pomona’s computer lab.

Then the 2000 presidential election came around, with its photo finish in favor of George W. Bush. “It was a trauma for me,” Dickerson says. “That razor’s edge. All that was intensely painful. Almost anything would have moved those last 200 votes.” So in 2004 Dickerson volunteered with a poll-watching group … and caught the politics bug. Four years later he was working at Google, where CEO Eric Schmidt was (and remains) a multimillion-dollar Obama supporter. During campaign season an email went to a mass-distribution list that Dickerson was on, looking for people who could manage big databases for the Obama campaign.

Hey, Dickerson thought. I manage a group that runs large databases. And that was it. He worked as a volunteer in Chicago, one of a small group of techies who, during their long nights, idly wondered if maybe they could do something useful for the campaign with better records of people’s voting history. When the 2012 campaign came around, he was still on the campaign organizers’ list. This time, though, he was no newbie—though still technically a volunteer, his experience made him a trusted veteran. Those vague ideas about leveraging voter lists went into practice, and Dickerson’s group became the analytics team, credited by some political analysts as having been the key to Obama’s re-election. Once the campaign was over, Dickerson went back to managing a site reliability engineering team at Google, but he stayed in touch with his friends—which is why Dickerson was at lunch with Wagner on October 11.

The tech team’s first stop, in Virginia on October 17, was PowerPoint Hell. Technically, it was a large IT firm working as a government contractor. “They scheduled a three-hour meeting and sent a VP with, I shit you not, a 130-slide PowerPoint presentation,” Dickerson says. Over beers in a bar on San Francisco’s Embarcadero, about a block from Google’s offices, Dickerson wears the uniform of the coder—hoodie, Google ID badge, Google T-shirt, close-cropped hair and unshaven chin. In San Francisco, that’s stealth armor. In Washington’s blue-sports-coated, khaki-pantsed hallways, he was an alien.

The group fought its way out of the meeting and took over the office of someone who was on vacation. Then they went wandering, finding teams huddled in cubicles and asking them what they were working on, which bugs they were trying to fix. But they weren’t—mostly they were waiting for instructions. In their defense, it was hard to figure out what needed fixing. Engineers weren’t really allowed to talk to clients or users, and the people who created the healthcare.gov website hadn’t even built a dashboard, a way to monitor the health and status of their own system. If you wanted to know whether healthcare.gov was functioning, the only way to find out was to try to log on. “We thought this would be a targeted assessment and we’d spend a few days there,” says Paul Smith, another member of the team. “When we realized how bad things were, we just independently decided, we’re not going home. This is what we’re doing now, for an indefinite period of time, until it gets better.”

After a couple of days, Park asked them whether it could be fixed. “Todd, they have made all the mistakes that can be made,” Dickerson told him. “We can barely find a case where, when two decisions could be made, they made the right one. But low-hanging fruit isn’t the right metaphor. We’re stepping on the fruit.” The point was, some very simple fixes would yield some very big gains. Any improvement would be a massive improvement. Google site reliability engineers have a saying—they tell each other, if we have an outage that big it’ll be on the front page of The New York Times. Is that what you want? “But here’s the thing,” says Dickerson. “Healthcare.gov had been on the front page of The New York Times for four weeks. That was the silver lining. How much more could I screw it up?”

The group of coders decided that if no one was telling anyone what to do, they would. That’s when they started getting called “the Ad Hoc Team.” The name stuck. “We had a big stick, because we were the magical guys from the White House,” Dickerson says. “After a couple of days, we instituted a war room.” Every morning at 10 a.m., every team had to send a representative to a big meeting to explain what was going right, or wrong, and why. “It was an incredibly expensive thing to do—60 people in a room while we arbitrate disputes between two of them. But we made so much progress we stopped worrying,” Dickerson says. “Having a giant studio audience is better sometimes. It’s harder to say, ‘I didn’t do that because it wasn’t on my task order.’”

In other words, Dickerson had built into the system something no one had thought of: accountability. “What Mikey really excelled at was, if there’s a priority issue that needs to be addressed, how can people address it? What do they know? What do they need to know? What’s blocking them?” says Smith. “That’s just his demeanor and the way he operates.” The meetings were so productive and making so much of a difference in site performance that the Ad Hoc Team instituted a second one, making them twice a day, seven days a week.

When they weren’t in the war room, they coded. Problems started getting solved. A stupid little flaw that required the same kind of wait to connect to the database every time went away with the change of a couple of configuration settings, and poof! An eight-second response delay dropped to a two-second delay. “And that’s still terrible,” Dickerson says. The site stopped crashing. People actually started signing up for health care.

The work took a toll, though. Except for a quick trip back to California to pick up some clothes—Dickerson had come to the East Coast with a carry-on bag and a Google computer, expecting a short visit—he was in the greater D.C. area from mid-October through Christmas. Dickerson estimated he ran 150 war-room meetings in a row.

After a couple of moves to accommodate bureaucracy, Dickerson ended up working remotely, alone, from an operations center in Columbia, Md.—three hours from D.C. in what locals sometimes call “spook valley” for its preponderance of government contractors. Since healthcare.gov’s original creators hadn’t built a ship-in-a-bottle version of the software to test updates and fixes, everything the Ad Hoc Team fixed had to get changed on the live site, and the primary maintenance window was when traffic was lightest, between 1 and 5 a.m. “It was literally 20-hour days a lot of time. ” Dickerson says. “I was hallucinating by the end, hearing things.”

mikey-400With 12 days left before the deadline, Dickerson was ready to go home. He gave a speech listing the five mission-critical things remaining, and attempted to flee back to California. But the bosses panicked. The Ad Hoc guys can’t go home, they said. They gave him the service-to-your-country pitch. They begged. So Dickerson agreed to stay through to the end—with some conditions. He got to set the specific technical goals for what his team and the rest of the government coders would do. And he got to hire whomever he wanted, without arguing the point. He wanted to be able to trust the new team members, so he chose them himself. Eventually a rotating team of Google site reliability engineers started coming through to keep the project on track.

Dickerson got to dictate those terms because he was getting results. He had become indispensable. “Mikey is an incredible talent who was seemingly built in a lab to help fix healthcare.gov,” Park says. “It’s not just the fact that he’s got a sky-high tech IQ, honed over years as a star site reliability engineering leader. He’s also got tremendous EQ, enabling him to step into a tough situation, mesh well with others, and help rally them to the job at hand.”

The real bummer, of course, is that healthcare.gov, while an unprecedented attempt to link government services, private insurers and identity verification, shouldn’t have been that hard to build. “It’s basically a distributed, transactional, retail-type website, and we’ve been building those for years,” says Smith. “In the private sector, we know how to do that. We’re not forging new computer science ground here, right?”

By April of 2014, just a few days after Dickerson and I spoke, the Obama administration announced that over 7 million people had signed up for private health care through federal and state exchanges, and 3 million had signed up for Medicare. The program had made its numbers—barely, to be sure—because people, in the end, could actually use the website.

Dickerson is back at Google, but as he says, “you can never unsee the things you see in the federal government.” He has become an outspoken advocate for reform in the ways government builds technology, concentrating especially on trying to convince young technologists to go work for government. “You’re gonna eat free food and drink free soda in micro-kitchens and work on another version of what we’ll say, for argument’s sake, lets people share pictures of what they ate for breakfast, and tens of thousands of people will die of leukemia because we couldn’t get a website to work,” Dickerson says. “These are real people’s lives that will end in 2014, and you’re going to sit at your desk working on picture sharing.”

The problem isn’t competence. People who work on websites for the government are every bit as competent as the ones who work at Google or Facebook. “The mechanisms by which you do a contract with the federal government are so complex that it requires expertise in and of itself,” says Jennifer Pahlka, founder and executive director of Code for America, a group that connects software developers with local governments. “Fundamentally the process in government has evolved to meet government needs. A federal project has dozens of stakeholders, none of whom represent the user.”

That’s why Code for America focuses on local governments, Pahlka says. The feds are too hard to crack, and anyway, most people’s interactions with government are at the state and city level—think DMV, local parks, or trash pick-up. So Dickerson has started stumping for Code for America, giving speeches at their events. And he is lobbying Eric Schmidt and his other bosses at Google to develop programs that would allow—maybe even encourage—software developers there to take time to work on government projects. Consider: The feds paid $700 million for healthcare.gov, and it didn’t work. Imagine being able to bid for that contract at a tenth the price. “I don’t have to appeal to your altruism or desire to serve your country,” Dickerson says. “I can just say, ‘Do you want to make a ton of money?”

Pahlka thinks the pitch might actually work—and not just because of capitalism. “The consumer internet has influenced the way a generation feels about doing things together,” she says. “You have a generation of people who value collective intelligence and collective will—not necessarily collective political will, but the ability to actually do things together.” Software designers and engineers are already political, Pahlka and Dickerson are saying; it’s just that the web generation is ignoring the greater good. Going to work at Twitter is a political choice just as much as going to work for the Department of Veterans Affairs.

“I give the worst sales pitch,” Dickerson says. “I tell people, ‘This is what your world is going to be like: It’s a website that is a Lovecraft horror. They made every possible mistake at every possible layer. But if you succeed, you will save the lives of thousands of people.’”

The weird part: Almost everyone says yes.

————-

EDITOR’S NOTE: Shortly before this magazine went to press, Dickerson announced that he’s going to practice what he preaches, full time. He is leaving Google to join the Obama administration as administrator of the U.S. Digital Service, a newly created office overseeing government spending on information technology. And after signing on, he discovered that the lead designer on the initial staff for U.S.D.S. is another Pomona grad, Mollie Ruskin ’08.

The Ash Heap of Success

The Ash Heap of Success: As an expert witness in an international biotech patent suit, Professor Lenny Seligman finds his own research on trial.

ash-heap-400Expert witnesses at contentious trials can expect to be challenged, even discredited. But when he took the stand last year in a complex biotech patent case, Pomona Biology Professor Lenny Seligman never anticipated that his groundbreaking work at Pomona would be relegated to the “ash heap of failure.”

That attack line echoed from start to finish during the high-stakes federal trial in Maryland between two rival companies in the cutting-edge field of genetic engineering. The dismissive salvo was fired in the opening statement by the attorney for Cellectis, a large French firm that filed suit for patent infringement against its smaller U.S. competitor, Precision BioSciences, which had hired Seligman for its defense.

Seligman was more than just an expert witness. His research at Pomona had become a cornerstone for the case. Both sides cited Seligman’s work as a basis for the science on which their businesses had been built. Ironically, the plaintiff then found itself in the awkward position of having to undermine the validity of his work. It did so by claiming he had not actually produced anything concrete in his college lab that would invalidate the firm’s far-reaching claims.

“I don’t hold that against him,” said the counselor. “This is very complicated technology. It does not surprise me that he wasn’t able to do it. What does bother me is Precision attempting to rescue his (work) from the ash heap of failure.”

Seligman left court that day thinking, “Ouch! Did he really say that?” When cross-examined by that same lawyer, Paul Richter, Seligman found an opportunity to sneak in a mild retort, saying on the stand, “That was not very nice.” Considering the attack still in store, the lawyer might have mused, “If you thought that was bad, wait until you hear my summation.”

In those final arguments, though, Seligman’s side fired back with outrage and eloquence. Following a week of mind-numbing technical testimony, David Bassett, an attorney for Precision, rebutted the now infamous line. The court reporter transcribed the original reference as “ashes of failure,” but Seligman and others clearly remember it as a heap, and that’s the phrase that stuck.

To say Seligman’s work belonged in the “ash heap of failure” was “as incorrect as it is offensive,” said Bassett. “To the contrary, Professor Seligman’s article represented a monumental success from a small lab at Pomona College where (he) does his research with undergraduate students, 18 to 22-year-olds. And it paved the way for companies like Cellectis and Precision to do their work. … The real difference is that Professor Seligman was teaching the world what he had done and hoping that others would follow his blueprint.”

In the end, Precision won the infringement case and Seligman’s work was vindicated. The attack strategy against the likeable professor’s little-lab-that-could appeared to have backfired.

“I think that statement bit them in the ass,” he said. “Because even the jury kind of cringed when the lawyer said it. I mean, that’s really aggressive. And then when they got to know the witness—what a sympathetic guy I am—it was like, why would you do that? You could have made the point without going for the jugular like that.”

Indeed, it may have been the professor’s disarming, down home charm that won the day, as much as all the technical testimony about the DNA and microscopic structures called meganucleases. Beneath the complex science ran a compelling narrative that must have appealed to the federal jury empaneled in the district court of Delaware.

It was, in the end, a classic American underdog story.

The synopsis: Powerful and imperious European firm with raft of lawyers and battery of full-time scientists is defeated by scrappy U.S. start-up and its folksy professor with his one-man lab and part-time student assistants.

Seligman relished the role. In a PowerPoint presentation of the case presented recently to campus groups, he portrays the litigants as Team France v. Team USA. He uses slides to illustrate the uneven competition between the two companies and their dueling expert witnesses. For Cellectis, we see the flattering portrait of an award-winning genetics researcher from a big university. For the other side, we have Lenny Seligman, but the slide shows a picture of Homer Simpson.

The visual gets a big laugh.

A year after the verdict, Seligman still expresses astonishment when recalling the whirlwind experience of being a central figure in an intense international dispute about science. Interviewed in his office at Seaver Hall, where he presides as Biology Department chair, he also reflected on the awesome amounts of money circulating in science today, and what it means for those trying to teach and do research at a small, liberal arts college like Pomona.

“Part of me is happy with how things turned out,” he says. “At one level, it would have been great to be able to continue working on the I-CreI project without competition. However, we would never, at Pomona College, in my lab, have gotten to the point these two companies got to in five years. They were putting products out there, they were making enzymes that cut specific DNA sequences. It would’ve taken us so long to get there. So in the big picture, this is great. These companies are doing it, and they’re still graciously referencing our early work. It’s all good.

“We just have to find something new to do.”

Court and Class

Watching Seligman’s PowerPoint presentation about the case, posted online, gives viewers a flavor of his teaching style. He is engaging, enthusiastic and funny in a self-deprecating way. He’s also informal, standing casually at a podium with his shirttail hanging out and joking about wearing a suit only for court. But most importantly, he has a knack for explaining complex concepts to scientific novices, like college freshmen—or jurors.

The concepts in this case involved the business of protein engineering using meganucleases, which have been described as “extremely precise DNA scissors.” Scientists have developed ways to alter these naturally occurring enzymes and make them cut DNA segments at specific, targeted locations, with potentially lucrative uses in medicine and agriculture.

“Court is interesting because it’s kind of like a class,” Seligman says. “But it’s not like a class at Pomona where someone’s going to raise their hand and ask a question and stop you. When I’m in a class and I’m lecturing off-the-cuff and I can see that I’m losing students, I’ll stop and I’ll ask them certain questions. You can’t do that when you’re an expert witness, but you can still kind of get the visual cues. You still could get a sense that (the jurors) were with you, and I really felt that they were. They weren’t glazing over.”

Neither were the lawyers. They were ready to pounce on every word, eager to point out the smallest inconsistency or weakness. And Seligman was trying to make sure he didn’t slip up.

So there was no Homer Simpson on the witness stand. In court, Seligman’s easy-going, spontaneous classroom persona was restrained. The transcript of his testimony shows a witness who is cautious, serious and coldly factual. By then, he had been through hours of grueling depositions, and he knew the name of the game—Gotcha!

“Well, the whole idea (of pre-trial depositions) is for them to get a sound bite that they can use in trial,” he says. “So they ask questions really quickly. The thing that was hard, especially for someone who’s not a lawyer, is that they move from one aspect of the case to another, rapid-fire. …Your mind is over here and they’re trying to get you to slip up, so they can say to the jury, “But didn’t you testify that…?”

Seligman pounds on his office desk to impersonate an intimidating attorney.

“I felt really guarded. In class, when I get a question and don’t know the answer, the first thing I say is, ‘I don’t know.’ And so that’s my default mechanism, because I’ll figure it out, and we’ll talk about it next lecture. But if you’re getting deposed, you can’t fall back on that answer because lawyers will shoot back, ‘You don’t know? Well, on page 285 of your third report, didn’t you write this?’” Here, his tone mocks a Perry Mason moment. “So you feel you have to be on your toes all the time, and really be thinking about everything you’ve ever written.”

At times, the legal wrangling was so contentious, even the judge sounded exasperated. During one testy confrontation, U.S. District Court Judge Sue L. Robinson threatened to give the lawyers “a time out,” like an angry parent with misbehaving kids.

Underneath, Seligman perceived a bitter dislike between the two companies. It was like a battle to the death. He speculates that Cellectis’s strategy was to put Precision, the much smaller firm, out of business, bankrupted by legal fees. So Precision could win the battle and still lose the war.

Call it the ashes of success.

“Cynically, a lot of us (supporting the U.S. company) thought this was all about trying to bleed them.”

Money and Science

The experience was not all cutthroat and high anxiety, however. Seligman also recalls the excitement of being swept up into the high-flying world of international business and high-priced corporate lawyers. He describes it with the wide-eyed wonder of a kid who grew up in Claremont and still uses the nickname he was given in kindergarten, rather than his full name, Maurice Leonard Seligman.

To Lenny, it was a thrill just being in New York for the deposition and looking out onto that breathtaking Manhattan skyline. He often punctuates his story with youthful expressions, like “awesome” and “oh, my gosh!” He breathlessly describes the “war room” where a battalion of lawyers in a suite of offices prepared for testimony. (“Oh, my gosh!”) And he recalls how lawyers worked through the night preparing challenges even to illustrations planned for court the next day, putting pressure on a graphics guy to create instant substitutions. (“Oh, my gosh!”)

“And you mix that with all this adrenaline and dread of being deposed—it was really exciting,” he says.

When it came to how much the defense paid him, the response might also be, “Oh, my gosh!” That pesky attorney made a point of making him divulge the fee in court: $400 an hour. “It was more money than I had ever made in a short amount of time,” he recalled in the interview. “It was a lot of money for me.”

The amount of money these companies dumped on this lawsuit raises larger concerns about the corrupting influence of big profits on basic research.

“The whole privatization of science is something that’s certainly to be looked at carefully,” agrees Seligman. “Did I ever think to put a patent out? I’m glad I didn’t, in retrospect. If somebody wanted to choke me like they tried to choke Precision, they would serve me and I would say uncle. There’s just no way I would have the resources to fight. But beyond that, there’s just something that’s really special about open science, where everyone is sharing everything and building on each other. And once it gets into the industry, it’s not open science. They’re protecting it. They’re hiding it until they get the patent issued.”

Bringing it all back home, Seligman sees implications for his future work at a small college. How can his little research lab compete with wealthy companies, often with ties to large universities.

“That’s what we worry about all the time in a place like Pomona College,” Seligman says. “You want to do interesting science, but it’s got to be small enough that you’re not doing the same thing that the big labs are doing because we don’t have the same resources.”

Focus on Students

Beyond doing good science, Seligman and his colleagues at liberal arts colleges have another mission to worry about—teaching undergraduates. In his own lab, he notes, research must also be a teaching tool, a training ground for future scientists. In this regard, he says, Pomona is in a perfect position to compete.

The work on meganucleases is a prime example. In the early days, before big money entered the fray, much of the research was being done by students at Lenny’s lab. Today, they all have their names—as full-fledged co-authors—on those important research papers that figured so prominently in the trial.

These were not graduate students or post-docs. They were undergraduates like Karen Chisholm ’01, Adeline Veillet ’03, Sam Edwards ’99 and Jeremiah Savage ’98, who co-authored Seligman’s pioneering 2002 paper, marking the first time researchers described making mutations in a meganuclease, called I-Cre1, that altered the site where it cleaved DNA. Two years later, Steve Fauce ’02, Anna Bruett ’04 and Alex Engel ’01 co-authored another of Seligman’s key research papers, along with Dr. Ray Monnat of the University of Washington, where Seligman got his Ph.D. and did his first work on meganucleases as a post-doc in Monnat’s lab. Finally in 2006, five other Pomona undergrads—Laura Rosen ’08, Selma Masri ’02, Holly A. Morrison ’04, Brendan Springstubb ’05 and Mike Brown ’07—co-authored a third paper in which new mutant meganucleases were described.

Many former students praise Seligman as a great mentor who inspired them to pursue science in graduate school. At least 10 of these 12 student co-authors went on to get doctorates in biological sciences or M.D.’s.

“He really fostered a good environment for learning and being productive,” recalls Morrison, who got her Ph.D. from UC Berkeley in molecular and cell biology. “He had several students in there at any one time, and everybody was really good about helping each other. It was not at all cutthroat competition. It was very much a supportive team mentality and there was also a camaraderie about it.”

Today, Seligman speaks about his former students as if they were his kids. He makes a point of mentioning them in his PowerPoint presentation, and even notes who got married and who just had a baby.

“We are so lucky to be a place that gets such great students,” he says. “It’s our job to work with them, to get them excited about science and keep them excited about it. I have no doubt they’re going to do really amazing things.

“And I’m going to sit back and smile.”

Infographic-web1

 

The Message in the Song

The Message in the Song: National Geographic writer Virgina Morell '71 takes us inside the research of scientists working to decode the chitters and trills of animals ranging from bats to prairie dogs.

At the Mayan ruin of Uxmal, Mexico, bat researcher Kirsten Bohn bends down beside a narrow crack in one of the ancient limestone walls. “Do you hear them?,” she asks. “The twittering? That’s our bats, and they’re singing.”

I lean in, too, and listen. It takes a moment for my ears to adjust to the bats’ soft sounds, and then the air seems to fill with their birdlike trills, chirps and buzzes.

The twittering calls are the songs of Nyctinomops laticaudatus, the broad-eared bat—one of several species of bats that scientists have identified as having tunes remarkably similar to those of birds. Like the songs of birds, bats’ melodies are composed of multiple syllables; they’re rhythmic and have patterns that are repeated.

And like birds, these bats sing not during the dark of night, but in the middle of the day, making it easy for us to see them, too.

Bohn, a behavioral ecologist at Florida International University in Miami, presses her face against the crack in the wall, and squints. “Well, hello there,” she says. I follow her example, and find myself eyeball-to-eyeball with one of the bats that’s sandwiched inside. He scuttles back, but his jaws chatter at me, “Zzzzzzzz.”

“He’s telling us to back off, to go away,” Bohn says, translating. “He wants to get back to his singing.”

That suits Bohn, who has traveled to Uxmal to record the broad-eared bats’ tunes for her study on the evolution and function of bat song—research that may help decode what the bats are saying to one another with their songs, and even teach us something about the origins of human language.

Not so long ago, most animal scientists and linguists regarded the sounds that animals and humans make as markedly different. Language was considered to be something only humans possessed; supposedly it appeared de novo instead of evolving via natural selection. And animals were regarded as incapable of intentionally uttering any sound. Songs, barks, roars, whistles: These were involuntary responses to some stimulus, just as your knee jerks when your doctor taps it. But since the 1990s, the notion of language as a uniquely human skill has fallen to the wayside as researchers in genetics, neurobiology and ethology discover numerous links between animal vocalizations and those of humans.

in-song-250Take grammar and syntax, the rules that determine how words can be combined into phrases and sentences. Most linguists still insist that animal calls lack these fundamental elements of language. But primatologists studying the vocalizations of male Campbell’s monkeys in the forests of the Ivory Coast have found that they have rules (a “proto-syntax,” the scientists say) for adding extra sounds to their basic calls. We do this, too. For instance, we make a new word “henhouse,” when we add the word “house” to “hen.” The monkeys have three alarm calls: Hok for eagles, krak for leopards, and boom for disturbances such as a branch falling from a tree. By combining these three sounds the monkeys can form new messages. So, if a monkey wants another monkey to join him in a tree, he calls out “Boom boom!” They can also alter the meaning of their basic calls simply by adding the sound “oo” at the end, very much like we change the meanings of words by adding a suffix. Hok-oo alerts other monkeys to threats, such as an eagle perched in a tree, while krak-oo serves as a general warning.

Scientists have found—and decoded—warning calls in several species, including other primates, prairie dogs, meerkats and chickens. All convey a remarkable amount of information to their fellows. The high-pitched barks of prairie dogs may sound alike to us, but via some variation in tone and frequency he or she can shout out a surprisingly precise alert: “Look out! Tall human in blue, running.” Or, “Look out! Short human in yellow, walking!”

Many animals use their calls to announce that they’ve found food, or are seeking mates, or want others to stay out of their territories. Ornithologists studying birdsong often joke that all the musical notes are really about nothing more than sex, violence, food and alarms. Yet we’ve learned the most about the biological roots of language via songbirds because they learn their songs just as we learn to speak: by listening to others. The skill is called vocal learning, and it’s what makes it possible for mockingbirds to mimic a meowing cat or a melodious sparrow, and for pet parrots to imitate their owners. Our dogs and cats, alas, will never say “I love you, too” or “Good night, sweetheart, good night,” no matter how many times we repeat the phrases to them, because they lack both the neural and physical anatomy to hear a sound and then repeat it. Chimpanzees and bonobos, our closest relatives, cannot do this either, even if they are raised from infancy in our homes.

Via vocal learning, some species of songbirds acquire more than 100 tunes. And via vocal learning, the chicks of a small parrot, the green-rumped parrotlet, obtain their “signature contact calls”—sounds that serve the same function as our names.

A few years ago, I joined ornithologist Karl Berg from the University of Texas in Brownsville at his field site in Venezuela where he studies the parrotlets’ peeping calls. Although the peeps sound simple to our ears, Berg explained, they are actually complex, composed of discrete sequences and phrases. A male parrotlet returning to his mate at their nest, a hollow in a fence post, makes a series of these peeps. “He calls his name and the name of his mate,” Berg told me, “and then he’s saying something else. And it’s probably more than just, ‘Hi Honey, I’m home.’” Because the female lays eggs throughout the long nesting season, the pair frequently copulates. And so, Berg suspects that a male on his way home after laboring to fill his crop with seeds for his mate and their chicks, is apt to call out, “I’ve got food, but I want sex first.” His mate, on the other hand, is likely hungry and tired from tending their chicks. She may respond, “No, I want to eat first; we’ll have sex later.” “There’s some negotiating, some conversation between them,” Berg said, “meaning that what one says influences what the other says next.”

bird-in-song-300Berg discovered that parrotlets have names by collecting thousands of the birds’ peeps, then converting them to spectrograms, which he subsequently analyzed for subtle similarities and differences via a specialized computer program. And how does a young parrotlet get his or her name? “We think their parents name them,” Berg said—which would make parrots the first animals, aside from humans, known to assign names to their offspring.

Parrotlets aren’t the only animals that have names (or to be scientifically accurate, signature contact calls). Scientists have discovered that dolphins, which are also vocal-learners, have these calls, although these seem to be innate; the mothers aren’t naming their calves. And some species of bats have names, which they include when singing, and in other social situations.

Bats sing, for the same reason birds do: to attract mates and to defend territories. They’re not negotiating or conversing, but their lovelorn ditties are plenty informative nonetheless. After analyzing 3,000 recordings of male European Pipistrellus nathusii bats, for instance, a team of Czech researchers reported that the songs always begin with a phrase (which the scientists termed motif A) announcing the bat’s species. Next comes the vocal signature (motifs B and C), information about the bat’s population (motif D), and an explanation about where to land (motif E).

“Hence, translated into human words, the message ‘ABCED’ could be approximately: (A) ‘Pay attention: I am a P.nathusii, (B,C) specifically male 17b, (E) land here, (D) we share a common social identity and common communication pool,’” the researchers wrote in their report.

Bohn suspects that the tunes of her bats at Uxmal convey the same type of information. “The guys are competing for females with their songs,” she says, “so they can’t afford to stop singing.” She doesn’t yet know what the females listen for in the voice of a N.laticaudatus, but expects that something in a male’s intonation or his song’s beat gives her clues about his suitability as a mate.

But her focus is on another question: Are these bats long-term vocal learners, as are humans and some species of birds, such as parrots? “If they are,” she explains, “then they might be a good model for studying the origins of human speech”—which would make bats the first mammal ever used for such research.

Bohn had earlier recorded some of the bats’ songs, and digitally altered these so that they sounded like the refrains of different bats—strangers. At the wall, she attaches a pair of microphones and a single speaker to a tripod, and points the equipment at the fissure, where the bats sing. Pushing a button on her laptop, she broadcasts the remixed bat songs to the tiny troubadours, who respond with even louder twitters, trills, and buzzes. Bohn watches their responses as they’re converted into sonograms that stream across her laptop’s screen like seismic pulses. These are territorial buzzes and contact calls, Bohn explains. “They know there’s an intruder.” She’s silent for a moment, and then beams. “Yes! One of the guys is trying to match the intruder’s call. He doesn’t have it exactly right, but he’s close—he’s so close, and it’s hard.”

But there it was: the first bit of evidence that bats are life-long vocal learners. Just like us.

Pomona Pair Mix Alt-Pop, Entrepreneurship and Environmental Activism

trapdoorphoto1

Skylar Funk Boorman ’10 and Merritt Graves ’10 have spent their years since Pomona successfully combining their love of music with the fight against climate change.

Their outlet is Trapdoor Social, a band self-described as “Los Angeles Alternative Energy Rock and Sustainability Activism.” They recently released their second album and have been touring, doing shows throughout the Midwest and West Coast. The music videos for their alt-pop songs from their first album “Death of a Friend,” which featured Death Cab for Cutie’s well-known drummer Jason McGerr, have drawn large viewership online and radio airplay.

Boorman and Graves channel their anxieties about climate change and other environmental issues into Trapdoor Social’s music, with lyrics and melodies ranging from stormy to upbeat, nervous to hopeful. “We really do want to create an anthem for the environmental movement — a popular song that has a message that gets people pumped about social responsibility and leaving a great legacy,” says Boorman.

The pair met at Pomona on Orientation Adventure and developed a friendship through such courses as Green Urbanism and Farms and Gardens in the Environmental Analysis Program under the tutelage of Professors Rick Hazlett and Char Miller, who has attended several of Trapdoor Social’s performances, describing even their unplugged gigs as “electric.”

Boorman was active in music while at Pomona, singing in Men’s Blue and White and taking music theory courses. Graves managed his own hedge fund from an office in the Claremont Village while using profits to found his company Farmscape.

“One day in Intro to Environmental Analysis, Rick Hazlett was talking about L.A sprawl. And it just clicked that we’d never get to go back and redesign L.A with the appropriate density, but we could make the best of the error by farming the sprawl,” Graves remembers.

Now, Farmscape operates more than 150 farms in the Los Angeles Area. With 12 employees including seven full-time farmers, Farmscape designs, installs, and helps to maintain urban farms that range in size from rooftop garden plots to a larger farms used by restaurants. Graves also helped create the company Agrisaurus, a web app that helps gardeners to plan and manage their own plots.

Integrating community work is important to the pair. They held a presale for their second album as a fundraiser, working with partners Everybody Solar and Grid Alternatives to donate their profits toward the purchase of solar panels for Los Angeles nonprofit Homeboy Industries, which re-trains former gang members in Los Angeles.

Among all the activities, Boorman and Graves work to find time for their songs. Striking a balance in music with an environmental message can be difficult, Graves says.  “On one hand we don’t want to be preachy and play into stereotypes, but on the other hand we don’t to play so coy that the message is lost.” A growing fan base indicates that the duo is on the right track.

Leaks and Firestorms

munter1

In today’s class, students discuss the firestorm ignited by former National Security Agency (NSA) contractor Edward Snowden’s leaks of top secret documents last summer. Among the questions raised are: who decides what are legitimate targets for domestic and foreign surveillance; why some secrets should be protected; and whether information gathering by corporations like Google and Facebook should be part of a broader privacy debate.

Munter: I was at the Rand Corporation yesterday on a panel about secrecy and privacy. One side, I had an FBI agent, and on the other an ACLU lawyer, and I realized the reason they invited me was to be sure they didn’t rip each other’s throats out. On the domestic side, they talked about privacy and the Constitution. I suggested that many of these issues should not be limited to domestic policy, but should be part of foreign policy. I’m curious what you think of the (Snowden) revelations about spying on the American people.

Ben: If we are truly at war, we are engaged in a war on terrorism, we have a duty to understand the lay of the land; it’s our job to have a complete awareness of exactly where the enemy is, and understand the lines of communication and organization.

Munter: Let me go back to the first thing you said. You guys think we’re at war. Yes, no?

Aidan: I think it’s almost antithetical to democracy to accept that we can be on a constant war footing. Because it is true when you are in a war, democracy affords certain executive powers that are supposed to be temporary. The problem is this war has been going on for more than a decade, and it can do that because it doesn’t affect our daily lives. Mass spying on citizens inside the country and out isn’t even seen as surprising anymore.

Ben: Are you talking more about spying on foreign leaders? I’m talking about domestic spying. Foreign spying in general is kind of an accepted thing.

Munter: So this doesn’t surprise you?

Ben: Not as much, but domestic spying gets me because it’s shrouded in deep secrecy. The way the administration acted after Snowden’s revelations, trying to tarnish the guy’s name and trying to underplay how big the domestic spying programs were. The whole process itself; there is no transparency anywhere. It seems very antithetical to democracy.

Munter: There is kind of a carve-out that in exceptional times you can have exceptional measures. I don’t know if any of you know the state song of Maryland (hums it), and it has the words, the despot’s heel is at thy door/ Avenge the patriotic gore that flecked the streets of Baltimore.

Now the despot in the song is Abraham Lincoln, There were riots against Lincoln. He put the legislature in jail so they wouldn’t secede from the union. So here is our hero Abraham Lincoln who, basically for the period of the Civil War, was unconstitutional. We can say exceptional circumstances, pretty serious times. We can say 9/11 was a pretty serious time.

Jack: When you frame it about taking away constitutional liberties and the Fourth Amendment and stuff, it sounds very serious and it is. But when you contextualize it in the terms that it’s not just government doing this, it’s the private sector as well. And that, honestly, is what scares me more.

Munter: You mean when you search something in Google and it gives you commentary about what you could buy?

Michael: Google’s and Facebook’s whole business model is to own your information and to sell it. And that worries me just as much if not more.

Tom: I guess where I draw the line is that Google and Facebook can’t put you on a watch list, but the NSA can, based on information that might not necessarily be suspicious, like a search history.

Munter: What you’re saying is that we’re getting it wrong if we only worry about constitutional issues, serious or not serious as they might be, because there is something bigger, which is the technological issue, which is both inside and outside government.

Aidan: It’s such a slippery slope that there are going to be abuses and that brings up the question of either you have to have one extreme, no surveillance, or you have to recognize that it will be abused, and I think most Americans aren’t willing to have no surveillance.

Munter: So there is the permanent war footing argument and the violation of civil liberties argument. Obviously, the American public want something in between; they want to be safe and they’re willing to pay a certain price in order to be safe, but they don’t want to lose the essence of what it means to be Americans and have freedoms, which is not satisfying intellectually but pretty realistic.

Charlotte: I was going to say that it’s really a generational thing. My parents are vehemently opposed to wiretapping, domestic surveillance, where most of the people I’ve talked to don’t really care.

Munter: Because they’re used to it.

Charlotte: Yeah, we’ve grown up where everything is totally public. When it comes down to the message Snowden is making about why this is wrong, most people in my generation probably don’t relate.

Munter: There are reasons why we keep secrets. If I’m in Iraq or Libya, people tell you things in confidence, and they tell you things at the risk of their lives, and you keep that confidence because that’s your job.

Ben: When you say secrets are kept for the reason, the question is who is deciding the reason for that. Obviously, in the example you mentioned it’s for national security, people’s jobs, but I think when it strays to things that would portray the U.S. poorly or things that the U.S. is doing that are illegal, then I think that borders the line when secrets should be revealed.

Nick: My problem with Snowden was for him to take this issue into his own hands and to leak it to the public. I think it’s not really up to an individual to make that call.

Munter: Arguing uncharacteristically on Snowden’s behalf, isn’t that what a citizen is supposed to do, to some extent? Isn’t civil disobedience, from Gandhi to Martin Luther King, part of our tradition?

Nick: Unless you have a viable alternative like a legitimate pathway to share that information.

Munter: But is the issue here simply the amount of information we’re gathering? The whole point of 9/11 was that domestic and foreign intelligence had different pieces of intel and didn’t bring it together, which was part of what led to the Homeland Security that we know and love. Now that we have that, is there such a massive amount of material to deal with that no one can pick up his or her eyes and ask where we are going strategically?

 

How Your Gifts Support Daring Minds

Gifts from 16,457 alumni, parents, students and friends of the College lifted Campaign Pomona:

Daring Minds above the $200 million milestone late last year. Launched in 2010, the campaign already has provided funding for initiatives to support students and faculty, expand financial aid, build new facilities and increase programming in the arts and music.

Your gifts have:

• Expanded financial aid

Providing an affordable education to every admitted student remains the College’s top priority. Gifts of all sizes have helped meet this growing need for financial aid, which supports 56 percent of all Pomona students this year.

• Created a summer internship program

Since 2011, 80 students have participated in paid summer internships in eight states and 10 countries. More than 125 parents helped spearhead the drive to raise funding for internships.

• Increased support for summer research

More than $8 million has been raised for student summer research in the sciences, social sciences, arts and humanities

• Built two residence halls

Sontag and Pomona halls house 153 seniors in residences that meet the nation’s most stringent environmental standards.

• Contributed to the cost of two important new academic buildings

A new Millikan Hall will feature a digital planetarium, state-of-the art labs and innovative classrooms.

The new center for studio arts will have cutting-edge facilities and flexible studio spaces that invite collaboration.

With less than two years left to reach our goal of $250 million, we need your help to fulfill our promise to faculty and students, and to support, challenge and inspire the next generation of Daring Minds.

Thank you!

To learn more about how to support Campaign Pomona: Daring Minds, go to www.pomona.edu/giving or call Pamela Besnard, Vice President for Advancement, at 909-621-8192

Global Pomona

international

Yi Li ’16 is a blur, juggling classes, mentoring new international students, producing the sophomore class newsletter she founded, attending Oldenborg Center language tables. The second-year student from China has also served this year as sophomore class president and treasurer of the five-college Chinese Drama Society and is helping to produce a website and an informational video for the International Student Mentoring Program. Over winter break, she interned with the Bank of China in her hometown, met with students at her Nanjing high school, and held an event for a startup company she and some fellow international students are forming to assist other Chinese students interested in studying in the U.S. “I’m a ‘yes’ type of person,” says Yi. “I always say ‘yes’ to new opportunities and challenges.”

 Yi is one of about 50 Pomona students from China, the largest, fastest-growing group of international students on campus. Since Pomona’s first international recruiting trip in 2006, the College has seen applications from Chinese nationals grow from 24 to 250. Pomona has also seen fourfold increases in applicants from Korea and India.

 The growing presence of students from India came even though Pomona admissions only recently made its first trip to the country. “We had never visited there and had not attempted to build relationships with schools or even tried to figure the country out,” says Seth Allen, Pomona’s vice president and dean of admissions and financial aid. But, he notes, “Having an international dimension is important today in the modern educational setting. The Board of Trustees has charged us to seek out, identify and enroll the very best intellects and best purveyors of talent among young people in the world.”

 International enrollment comes in waves. At one point, for instance, Bulgaria was sending a disproportionate number of stu dents to the U.S. Then it joined the European Union and had easier access to other European institutions, and numbers declined.

 In addition to building a greater presence in India, Pomona has made recruiting in Europe a priority and started reaching out to Africa and Latin America as well. Sammy Kiprono Bor is a second-year student from rural Kenya who says he was drawn to Pomona’s small-school dynamics and liberal arts approach. And, yes, by the location, too. He had applied to schools in Maine and Connecticut, but “snow seemed scary,” he says.

 Robert Langat is also a sophomore from Kenya who was identified by a program seeking promising students to study in the U.S. In Kenya, he was accustomed to an educational system “where the teacher does all the talking and students take in everything.” His first few weeks in Claremont, he struggled through the required freshman seminar class—reading, writing, class participation—before adjusting to the demands of an American liberal arts college.

 Both Robert, who is considering majoring in mathematical economics, and chemistry major Sammy cite financial aid as a big factor in bringing them to Pomona. So does Lazaros Chalkias, a sophomore from Greece majoring in molecular biology. Lazaros also found the consortium of the seven Claremont Colleges appealing, but only after arriving on campus did he discover how deep his involvement in the 7Cs would be—as a member of the consortium’s seven-time national champion Ballroom Dance Company. “It’s the best way the colleges come together,” he says.

 Sagehens from abroad universally laud International Place, which supports the foreign communities on all of the Claremont campuses, and Pomona’s International Student Mentor Program, under which students guide new arrivals from overseas through tasks such as opening bank accounts, understanding cell phone plans, tackling homesickness and the rigor of studying at Pomona or helping them get off campus to explore Planet California.

 Nick Eng, a junior economics major from Singapore, is giving back to the ISMP by being a mentor himself, even reaching out to students who are just considering applying to Pomona. “The Admissions Office passes on emails to us,” Nick says. “In a small college, culture and fit is so important,” so he tries to explain to prospective applicants what to expect at Pomona and the broader 7C community.

 At Pomona, Lazaros says he found “limitless possibilities and people who care and want to work with you.” At the same time he feels that many students from abroad don’t take advantage of the opportunities here, something he’s noticed as commissioner for clubs and organizations in Pomona’s student government. the College has room for improvement, he says, in teaching international students about campus life and values, as well as writing term papers, something many internationals face for the first time after enrolling.

 Other international students agree that the College could do more to ease their assimilation—Robert and Sammy felt trapped in their dorm rooms over the five-week winter holiday freshman year when dining halls were closed (they say with smiles that they’ve figured it out now). Yi Li, despite attending a foreign language high school in China and speaking superb English, was confused at first by some expressions she heard. “When I came here people were greeting with, ‘What’s up?’ and I didn’t know how to respond; I had learned ‘How are you?’ in China,” she recalls. “I would really have appreciated it if someone had taught me more about American culture, even if it was just daily slang, or how people interact with each other, or the drinking and party culture, or the academics: you have to speak up in class, that’s really important.”

 Pomona continues to expand international recruiting, with an increased focus on Latin America and Africa, even as it becomes ever more selective. Pomona admitted 29.5 percent of 3,804 applicants in 2000, but only 13.9 percent of the 7,153 who applied last year.

 “If we are not proactive in performing our own outreach in other parts of the world it would be very easy to have an international population that was solely from Asia, simply because of the interest and the sheer volume of applications,” says Allen, who before coming to Pomona in 2011 was dean of admissions and financial aid at Grinnell College in Iowa, which receives some 400 applications from China a year because of its early start on international recruitment. “So we are going out of our way to ensure there is even more variety of students coming to Pomona from outside of the U.S.”

 Nevertheless administrators—and professors—say they are often astounded by the number of high-caliber students from Asia, obliging the Admissions Committee to delve into recommendations and extracurricular activities. “We look for cues that tell us this is someone who has multiple interests, is open to learning through class discussions, can contribute to conversations in the academic realm, and would be a good fit as a mentee or advisee for a faculty member,” Allen says. Often admissions officers rely on students they’ve met and have been able to assess in terms of quickness of mind and ability to articulate ideas. “Because of the strength of the applicant pool from China we can be choosy in setting the criteria very high.”

 Financial aid can be the deciding factor. While Pomona does not conduct need-blind admissions for international students, funding for them has been significantly increased in recent years, and the College looks for about a 50–50 balance of international students who need and do not need financial assistance. For her part, Yi Li is focused on making every day at Pomona count. Even on winter break she was drumming up funding and clients in China for Succeed America, the startup she is co-founding. She garnered 600 subscribers to the startup’s microblog in two weeks.

 Today she’s back to her studies and almost in awe that she was elected to Pomona’s student senate, on which two other international students serve. “That’s pretty amazing because if I were at a larger school I couldn’t really imagine American people would vote for me as an international and female student from China,” she says. “But at Pomona, that happened.”